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no texture anyways
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and the softer much will actually make
this a little bit easier
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and in fact you don't want the hard
brush because this is what happens if we
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can to go over this
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you can see that hard transition so I'm
working on this area I'm gonna go way
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down in my heart mister like 10 percent
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and a and scanner and work through this
area
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to see if you do go back to the area
where everything's in focus I just make
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sure that you remember
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to restore hartness setting
appropriately you can also go up in size
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on your brush
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2002 these areas cancer is really no
discernible detail
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anyways it's just a matter of can
cloning in some varied colors and that's
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really all your
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your kind after at this point so
definitely a
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is crank up your brush size to make this
whole thing a little bit easier
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alright
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so we've got time fairly small area done
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they're still little guys here in there
that we need to deal with but
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them at least as looking better
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let's go ahead and personal zoom out
much just gonna see
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what that's done there so that's what
we've gotten rid of so far
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as you can see there sa lot last and but
we're gonna go down to this bottom
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section here and
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with something like this it's really the
same process to remain just go through
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and a
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Cornell somebody's guys again we can in
large arbor size keep things nice and
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soft here
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and just kind of go through and remove
these crosshairs
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and again we just like an offender them
away so you find their ending
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somewhat abruptly what you can do is
just lower your flow rate down when
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you're in this area something like
twenty percent
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and we can just can gradually but then
taper off because again there's no
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00:09:03,699 --> 00:09:04,569
detail here
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00:09:04,569 --> 00:09:07,910
so you're not gonna lose any texture in
the process I'm
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00:09:07,910 --> 00:09:11,480
so just go ahead keep in a sense of your
brush soft and keep p.m.
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00:09:11,480 --> 00:09:14,540
the floor it nice and cool here but
again he is what I can to make sure that
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there's
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00:09:14,990 --> 00:09:18,959
nothing visibly kinda crossing through
here just get rid of somebody's
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00:09:18,959 --> 00:09:27,850
little offending fellas
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00:09:27,850 --> 00:09:30,979
these arenas deal with separately one or
actually healing out to them
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00:09:30,979 --> 00:09:37,539
the restive the rest the face here right
now we're still has focused on
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00:09:37,539 --> 00:09:41,289
the hairy inside the actual heads so to
leave those alone
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00:09:41,289 --> 00:09:51,819
as you watch this you're probably having
second thoughts about
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00:09:51,819 --> 00:09:54,889
ever shooting beauty but
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00:09:54,889 --> 00:09:57,919
it's not always this bad and in this
case we just
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00:09:57,919 --> 00:10:01,609
have to get it right but you know be
mindful that when you
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00:10:01,609 --> 00:10:04,839
when you decide to shoot something where
you know hair is very
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00:10:04,839 --> 00:10:08,029
a structured and clean
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00:10:08,029 --> 00:10:11,119
because that's when you really have to
go through this and
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00:10:11,119 --> 00:10:14,929
you looking perfect so he got a series
or an editorial love
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00:10:14,929 --> 00:10:20,249
you know six or seven images I just
consider how long it actually take
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00:10:20,249 --> 00:10:25,299
its gonna be a while some budget that in
tier
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00:10:25,299 --> 00:10:29,979
you know retouching time into retention
budget is make sure that you have time
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00:10:29,979 --> 00:10:31,979
to actually get all perfect concern
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00:10:31,979 --> 00:10:36,289
you know if the hair is looking like it
should be perfect and it's not then a
158
00:10:36,289 --> 00:10:39,559
technically it's not really a correct
retouch
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00:10:39,559 --> 00:10:42,649
there was messy then no
160
00:10:42,649 --> 00:10:45,619
by no means even have to make a perfect
package should make a perfect isn't it
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00:10:45,619 --> 00:10:46,220
just looks
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00:10:46,220 --> 00:10:55,490
strange
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00:10:55,490 --> 00:10:58,840
alright so that saddam some of those
areas me to see if there's any other
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00:10:58,840 --> 00:10:59,650
areas that I
165
00:10:59,650 --> 00:11:03,400
want to show you so all the stuff it
follows the same
166
00:11:03,400 --> 00:11:08,320
I'm general flow so with this guy here
we're gonna go back to you our
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00:11:08,320 --> 00:11:15,770
you know fifty-percent sixty-percent
hardness and let's go ahead and turn
168
00:11:15,770 --> 00:11:20,920
are slower rate can are constant makes a
small on and just gonna work on these
169
00:11:20,920 --> 00:11:24,540
the darker one so it's all the same as
what we've been doing
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00:11:24,540 --> 00:11:28,210
to date whether it's a late strainer
dark strand it's just making sure that
171
00:11:28,210 --> 00:11:30,980
you sample the right source point and
then sort of gradually
172
00:11:30,980 --> 00:11:43,280
cloning these kinda things away so same
thing with this we have to take care of
173
00:11:43,280 --> 00:11:44,500
these guys are gonna fly
174
00:11:44,500 --> 00:11:47,670
help get cut off sorry I make sure that
you remove all that
175
00:11:47,670 --> 00:11:53,090
same with this guy alright so I think
176
00:11:53,090 --> 00:11:57,500
got to a little bit of work left to do
on this I'm gonna take care all these
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00:11:57,500 --> 00:11:58,030
other
178
00:11:58,030 --> 00:12:02,140
strays in exactly the same manner as
what we've been doing
179
00:12:02,140 --> 00:12:06,290
so I think to save some time and I'm not
heavy fall asleep to the Restless
180
00:12:06,290 --> 00:12:07,360
retouch undiscovered
181
00:12:07,360 --> 00:12:10,980
wrap this up and I'll show you a before
and after
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00:12:10,980 --> 00:12:14,870
once we come back so as far as where
we're at now all its just kinda quickly
183
00:12:14,870 --> 00:12:15,310
toggle
184
00:12:15,310 --> 00:12:20,470
on of that his the product of our work
so far so we just really want to get
185
00:12:20,470 --> 00:12:21,810
rich somebody's glaring
186
00:12:21,810 --> 00:12:25,470
blond hairs especially and then some the
guys at the top here
187
00:12:25,470 --> 00:12:29,710
and I think we'll be in pretty good
shape and I'm also having a target
188
00:12:29,710 --> 00:12:30,780
somebody's with a nice
189
00:12:30,780 --> 00:12:34,490
soft Healing Brush and a low flow as
well just like we did
190
00:12:34,490 --> 00:12:37,750
in the back with one here so and come
back soon
191
00:12:37,750 --> 00:12:41,210
and I'll do the heavy lifting and will
pick it up from
192
00:12:41,210 --> 00:12:45,260
harm the point have a clean head and
we'll see if we can just draw in some
193
00:12:45,260 --> 00:12:46,190
extra strays
194
00:12:46,190 --> 00:12:49,350
just to make things look a little bit
more polished and at the same time a
195
00:12:49,350 --> 00:12:50,070
little bit last
196
00:12:50,070 --> 00:12:50,560
perfect