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rid of any skin texture so where
possible use a healing Russian spy
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healing brush and if that fails go to
the constant also we're singing that
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we've already done that and now we're
doing a frequency separation so let's
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just get back to that lets see kind of
what we've we've come so far so if we
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talk on and off we see that you know the
changes we are making seemed really
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subtle at the time but they're actually
producing quite a drastic results now
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this just feels too dark to know so I
can just go back
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and fix that up a little bit so I'm just
going to blend from the nose a little
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bit more here just like that again if
you like subtle changes but it does add
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up to a lot now this spot under the eye
I think there is a little bit too much
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transition again that's just simple
shadow caused by the late hitting the
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ground so we're just going to take
adequate brush size when it should be
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small just want to smooth this
transition again so I'm just going to do
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a couple of strokes their couple strokes
above again and about
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we want to preserve some degree of
Shanna but we just wanna make it even
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the shadowy can always build back up
later when we're doing our dodging and
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burning so it's really not a matter of
getting it perfect injury in terms of it
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being light or dark enough were really
trying to do is just make it smooth with
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the rest so we want to clean blend
between you know the lighter and darker
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area look at this area here a little bit
so it's just simple our colors
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again focusing on getting my screen
transitions and this area still feels a
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little bit too like to me so I'm just
going to sample some darker colors and
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I'm also going to sample lighter colors
and brush them into here
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and as i said im never really too
concerned about you know actually doing
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replacing dodging and burning with this
I don't really want to add now create a
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darker color in here to add you know
some more contrast or created darker
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colors in the eyes I'm only focused on
smoothing out the colors just making
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them blend nicely and getting rid of any
sort of patching us them exist
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we're just moving out some of these
areas over here and normally I would
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probably spend anywhere in the
neighborhood of five to 10 minutes on
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this process you know if it's a beauty
shot I may spend 20 minutes again
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depends on you know how good the skin is
on your model in this case again like I
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said just changing very minor tonal shop
tonal changes and some shadowing that
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has happened because if you don't like
going through hair and things like that
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but if you're still doesn't have
terribly good skin it can take a little
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while just to even all of that out but
the great thing about this technique is
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you can even it all out without turning
your your photo into a complete blurry
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nice
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I think we're getting pretty close here
I'm you know normally I would spend
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maybe just a little bit longer to really
reflect this but in this case I don't
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want to bore you to death and have you
watch me do this for 20 minutes so
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shortly just in a proposed and final
finishing touches on this and we can
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move on the dodging and burning stage
should check and see how they lookin and
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I think we're pretty good just maybe
under these are guys here don't like
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this transition between here here here
and here so let's just do something
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about that I think that he's to go a
little bit later from both sides top
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bottom
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and that I think it did the trick now
matching to bring a little bit of this
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reddish color down on the cheek here and
we can burn out in a little bit more
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later as well do it now
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this area still here
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is your friend sometimes mistaken you
don't think it looks good so just go
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back and undo it
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right so I think we've got a nice smooth
color tradition going across the
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forehead here I think the cheeks are
looking pretty nice