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yellowish and that that blue that we
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added into the shadows really doesn't do
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much of anything so that's another
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important thing is kind of starting
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exposure and
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the degree of contrast so now if we
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expose one thing so that's basically
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exposure is how bright is the overall
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image contrast on the other hand is kind
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of the the difference between the
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shadows and highlights is the easiest
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way to think about it you know is how
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intense is that and you can see that on
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here that are highlights are not fully
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white there you know we've got a fair
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bit of room on this side of the
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histogram what we can do inside of
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capture one is to really clip that you
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can do that inside lightroom two by
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cranking up highlights you know we can
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clip that out to the point where we see
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this histogram up here shift towards the
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end and you know the really bright stuff
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goes really bright so we're increasing
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the contrast that way if we take this
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end here we want the shadows to become
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deeper then you can see the shadows
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really going dark and again we're
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increasing the contrast now the contract
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will also greatly change the way your
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image looks generally speaking at the
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wrong level I don't want to over
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contrast my images because i want a
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little bit of flexibility so you know in
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this case I completely clip these blacks
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over here and there's just no detail
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there i don't really want to bring that
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in I want a fairly robust raw file that
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I can really work with to have the
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information there by losing that i'm
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really not accomplishing what I want now
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this can be a good exercise for again
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seeing what kind of look you want in the
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end perhaps this is kind of closer to
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your final look
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but at the problem at the wrong stage i
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recommend you know let's keep it
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somewhere around here so we have you
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know a good degree of contrast but not
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so much that we can't work with it and
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similarly here even though we're not
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fully you know clipped on the highlight
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and I don't really want to bring this to
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this point because then we see that some
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of the detail on the leg here starts to
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go and becomes very bright so we can
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certainly you know increase the
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brightness of the background later if we
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want to inside a photoshop so to me i'm
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quite happy with this level of contrast
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where we have good detail through
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everything we have a nice sort of
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pliable raw file so were you know down a
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quarter of a stop compared to something
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like this maybe even if you want this
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hike look at the end it's probably
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better to start with something that's
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going to give you more flexibility at
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this end and you can just kind of see