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is unfortunately that we have to break
it he's
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for brush size is we can nicely and
gradually
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adjusts the and working in
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in nice little nudge its so happens then
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is you don't have to he's a gentle you
can be quite
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on when abrasive but still the results
will be much
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easier to handle and you can pop I'll
games like this so there's more fluidity
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see here and maybe even bring some
attention
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in just a little bit so it's not so
strong
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also
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I get questions about watcher the cry
what you make of I
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again it's personal taste I don't think
there's thing you should and shouldn't
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if I
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it's just based on how cleaning fluid
image looks
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for me personally I look if I things
that's don't have any fluid in the lines
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so if if the models pose certain way and
she has a particular fold
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that's being very looks very obviously
look at it
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I'll make that transition smoother but I
won't necessarily
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push it on you know I wanna see you use
it to you
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push in models make them skier okay that
sling I
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would really advice against doing
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but making food lines and making them
look their best
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is what is important without making them
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you know lose 50 pounds or something
because again it's all about anatomy
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and that's me and you have to understand
the principles of what looks right what
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doesn't
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that's what happens whenever you see
life campaign to the head is still much
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bigger than the body
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for example I
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I won't necessarily do much with
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I facial features expressions people try
to look through the obvious because I'll
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try to give us marker something with
Mike
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an that me me that
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that on may be adjusting the plane so
it's more
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precise and
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that's pretty much it and again maybe
treatment things here and there are some
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even nationalism or
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identical home
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here so he okay
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now we should other it was on the cover
has that's really important to know
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on so aside from that Ford work tool I
don't do anything else in particular
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there's another the call option to show
backdrop
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with the show backdrop does is say that
let me give you a great example
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say that I'll liquefy lot
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you see that goes thing that's happening
it shows you where you came from
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so another cool fact about this is if
you have a layer set
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with guidelines like if you have a
individual layer
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that you've drawn into liquefied to hear
you can then
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bring that just that particular into
this folder
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or into this liquefy menu and you can
overlaid with you in the caf I
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you can acquire the exact point that you
have you getting
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to Phoenix says the by here other than
just know that layer
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and push that point and the way that you
do this is when you click on show
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backdrop you can see use
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and just whatever particular there that
you're on that is awesome
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for yeah
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so I usually do this process
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much earlier because if I wanna back off
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on any of my mass players then I'm not
worried that I have to redo
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followed by Matt yes okay so the reason
why do the crew fine now
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is because I find that liquefy something
that people who were subjected to
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when it comes to work also say for
example have completely image
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and then had delivered to my client
they'll say could you please
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on liquefy that and then the stock
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however if it's something that they say
could you please
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00:17:07,020 --> 00:17:10,890
undue your frequency mask again just
quickly delete the good fight
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because the quiet something the time
plus it seems and Nash
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if I will you save you can just remove
the clay
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again and it doesn't rain just fantastic
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00:17:20,689 --> 00:17:23,730
on because over here you can see Steve
Nash
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and then it's like a save thing
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00:17:26,920 --> 00:17:30,390
where if you have to if you have to do
it being on back
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00:17:30,390 --> 00:17:33,300
x-mas and then just it mode mash
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00:17:33,300 --> 00:17:37,890
book you don't so I think as workflow
incentive it worked out better
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00:17:37,890 --> 00:17:41,420
then doing anything else is y'all's the
color to the end
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because if someone says can you should
be clear now are key under the colors
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00:17:45,980 --> 00:17:49,750
and i cant I'm stuck to that make sense
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and lastly here's a really cool function
that I think you gonna love let's see
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that
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I will go ahead and do something really
destructive like this
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00:18:02,820 --> 00:18:07,730
and I don't want that to happen there is
this thing called
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00:18:07,730 --> 00:18:11,130
reconstruct all over here and what it
does is
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00:18:11,130 --> 00:18:14,630
in gradual steps if I however over it
288
00:18:14,630 --> 00:18:18,820
because starts undoing what I did to a
certain degree to get back to its
289
00:18:18,820 --> 00:18:19,650
original point
290
00:18:19,650 --> 00:18:23,630
that's amazing last the
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00:18:23,630 --> 00:18:27,230
I never use any in these little too
early to lose you come
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00:18:27,230 --> 00:18:30,470
20 tools a toy yes area patrol car
293
00:18:30,470 --> 00:18:34,160
for not well clockwise and the day
onsite
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00:18:34,160 --> 00:18:38,080
twirl clockwise tool or this low blow
and popular option
295
00:18:38,080 --> 00:18:41,240
I tend to man like to dispersed in out i
think thats
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00:18:41,240 --> 00:18:44,750
a little bit better and more control and
again easy to use
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00:18:44,750 --> 00:18:48,560
as well last thing about the fight is
really cool
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00:18:48,560 --> 00:18:51,900
if you don't know it has this frees mask
option
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00:18:51,900 --> 00:18:54,980
and this has saved me sometimes
300
00:18:54,980 --> 00:18:58,850
so let's pretend that we want to make
her
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00:18:58,850 --> 00:19:03,460
eyebrows much larger are wider she's
really excited
302
00:19:03,460 --> 00:19:06,519
each is excited to be here today
unidentified
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00:19:06,519 --> 00:19:09,870
and really bad human and we take my fees
tool
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and make sure my brush pressure and
305
00:19:13,519 --> 00:19:19,190
density are set to 100 you got to keep
that fifty I don't think they really
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00:19:19,190 --> 00:19:19,919
matters