671
01:21:42,210 --> 01:21:50,410
arc soon approached us up nice and
you're going to copy this layer and just
672
01:21:50,410 --> 01:22:18,960
see if you're close enough
673
01:22:18,960 --> 01:22:24,340
feel that area black lifted it up you
don't want that residue down there
674
01:22:24,340 --> 01:22:32,030
come in
675
01:22:32,030 --> 01:22:46,720
this blog here in here in doubt that
really helps this area still feels too
676
01:22:46,720 --> 01:22:51,500
dark to me it feels like a black hole in
the photograph in trying to smoke
677
01:22:51,500 --> 01:22:55,880
covered for this still tense in here so
I think what I need to do is just open
678
01:22:55,880 --> 01:23:02,290
it up somehow this contrasts I like this
contrasts because it pushes the
679
01:23:02,290 --> 01:23:07,030
background and brings the car forward
too much writing here so I'm gonna just
680
01:23:07,030 --> 01:23:12,810
opened by erasing on the mask making
sure that this gets a little brighter
681
01:23:12,810 --> 01:23:22,990
think that's gonna want to do is to
create another curve in there may be
682
01:23:22,990 --> 01:23:32,460
black and then you come in with eraser
and the arrays into this area
683
01:23:32,460 --> 01:23:39,850
honorary song to the smoke though that
adds little bit I think that's pretty
684
01:23:39,850 --> 01:23:56,320
cool nice
685
01:23:56,320 --> 01:24:04,230
what we need to do all this gonna need
these two layers so doesn't affect this
686
01:24:04,230 --> 01:24:05,139
one
687
01:24:05,139 --> 01:24:09,400
need to select these little better so
I'm gonna do is to turn this thing off a
688
01:24:09,400 --> 01:24:20,270
minute after minute this better contrast
in here so our content layer magic wand
689
01:24:20,270 --> 01:24:59,600
for now just see how that does
690
01:24:59,600 --> 01:25:06,030
to manage to select more than the one
area we want to select a used a plus
691
01:25:06,030 --> 01:25:12,510
sign and come up here and do the 15 and
a color range tolerance so that it
692
01:25:12,510 --> 01:25:24,530
select a little bit wider and establish
a scheme that will allow me to sample
693
01:25:24,530 --> 01:25:37,500
and select mornin sample again call
694
01:25:37,500 --> 01:25:49,340
mice they come in here and we further
this by 10 points six maybe and then
695
01:25:49,340 --> 01:26:00,260
maybe just appear so that we can bring
in some of this large areas there this
696
01:26:00,260 --> 01:26:03,680
coming here
697
01:26:03,680 --> 01:26:12,960
brush around Pasadena 30 percent because
we don't want to just cut it out and get
698
01:26:12,960 --> 01:26:24,660
a really hard edge here again it's about
bleeding things into each other as well
699
01:26:24,660 --> 01:26:33,040
come in here and he select first let me
just see where I'm at this mask that
700
01:26:33,040 --> 01:26:44,010
piece for sure come down here and I
could probably just select their dislike
701
01:26:44,010 --> 01:26:50,330
my selection you turn it on again to let
it sit back in some cases come up here
702
01:26:50,330 --> 01:26:59,060
and we want to do though is gonna do
that again and get it wrong on the
703
01:26:59,060 --> 01:27:05,500
content there to welcome to the select
select our masks and just under some
704
01:27:05,500 --> 01:27:11,160
harder edges of here then they can
sharpen this me don't have a selection
705
01:27:11,160 --> 01:27:18,660
so filter sharpen and sharp mask I think
fifty looks like it's gonna do the
706
01:27:18,660 --> 01:27:22,780
beautiful job there
707
01:27:22,780 --> 01:27:32,140
so perfect for me to believe some of
these areas around here in 20 minutes
708
01:27:32,140 --> 01:27:54,320
Electr mask and come down on the paucity
this area around so often bleed into it
709
01:27:54,320 --> 01:28:00,500
frightening this up to you could see now
the car is sitting in front of this so
710
01:28:00,500 --> 01:28:13,090
try to tone down the car in this area
little bit select 50 brush in here i
711
01:28:13,090 --> 01:28:19,800
misses another car is not the car that's
in the way we see it in the way maybe
712
01:28:19,800 --> 01:28:29,610
it's a small clear come down it is a
pain to aids more clear right in here
713
01:28:29,610 --> 01:28:33,659
anyway
714
01:28:33,659 --> 01:28:43,469
feels better sure to turn the car back
on the back of the car in this whole
715
01:28:43,469 --> 01:28:52,710
area actually so I think I just blur
this whole top frame a tiny bit this is
716
01:28:52,710 --> 01:29:07,910
also quite far back so we will come back
down to our friends later this
717
01:29:07,910 --> 01:29:11,190
better
718
01:29:11,190 --> 01:29:21,320
ur gonna go as far as one pixel you go
two point seven maybe we're always
719
01:29:21,320 --> 01:29:25,199
nervous about going to find a blur but I
could do that actually just copy this
720
01:29:25,199 --> 01:29:29,469
latest I have a separate version but
pretty sure about what I'm doing now
721
01:29:29,469 --> 01:29:30,910
going to go back in
722
01:29:30,910 --> 01:29:40,199
possibly sharpen this up I don't think
that will happen
723
01:29:40,199 --> 01:29:47,380
have another PC and it feels too sharp
that must be in the forest where you can
724
01:29:47,380 --> 01:29:57,030
just take that away to see this small
care of pieces coming together right
725
01:29:57,030 --> 01:30:00,560
here in this area there's about four
pieces coming together and it is little
726
01:30:00,560 --> 01:30:05,440
messy mister foreground there's the car
they said Tom Wright the fence and then
727
01:30:05,440 --> 01:30:12,260
there's a path filter here on the path
layer so this is turned back on
728
01:30:12,260 --> 01:30:19,080
yea feels better right away