100:00:09,800 --> 00:00:12,470sore

1
00:00:09,800 --> 00:00:12,470
sore set up and ready for our second
portrait look

2
00:00:12,470 --> 00:00:17,020
I'm we changed our are 200 ft you to a
much lighter 85

3
00:00:17,020 --> 00:00:21,360
14 G and you can use 85 1.8 G for this
as well

4
00:00:21,360 --> 00:00:24,910
great lands I'm less than half price
earnings what five hundred dollars

5
00:00:24,910 --> 00:00:28,330
I equally sharp obviously you don't get
the 1.4 but

6
00:00:28,330 --> 00:00:31,980
working issuing a 1.6 our shooting up to
$1,200

7
00:00:31,980 --> 00:00:36,150
because we're now at a wider focal
length: I'm gonna go down 1.6 so we get

8
00:00:36,150 --> 00:00:36,850
a similar

9
00:00:36,850 --> 00:00:41,160
that the field I'm but generally I find
I tend to shoot these anywhere between

10
00:00:41,160 --> 00:00:43,390
1.6 MI 2.2

11
00:00:43,390 --> 00:00:47,590
so are you don't necessarily need the
1.4 for this now we have thrown on

12
00:00:47,590 --> 00:00:51,270
a three-stop ND filter on this girl I
cut out some other light

13
00:00:51,270 --> 00:00:55,770
I'm also on I solo one which is
basically I saw fifty

14
00:00:55,770 --> 00:00:58,780
on my camera here and we don't wanna go

15
00:00:58,780 --> 00:01:02,210
too much more on the ND filter you get
like a for stop ND filter

16
00:01:02,210 --> 00:01:05,710
the promise not to run into when you
build up more on the ND filters is that

17
00:01:05,710 --> 00:01:07,149
your auto focus starts to

18
00:01:07,149 --> 00:01:10,350
go on you cuz I'm got the mauling light
which is going to help us out a lot the

19
00:01:10,350 --> 00:01:11,820
modeling light is maxed out

20
00:01:11,820 --> 00:01:15,260
I'm because you obviously get Katie as
bright as we can get her so that

21
00:01:15,260 --> 00:01:19,369
I we can come to get past the ND filter
and still get the San autofocus we turn

22
00:01:19,369 --> 00:01:19,940
that off

23
00:01:19,940 --> 00:01:23,650
it pretty much looks black inside the
camera so I'm mulling a very important

24
00:01:23,650 --> 00:01:25,760
one other reasons we switched out into

25
00:01:25,760 --> 00:01:28,960
this particular light I've personally I
don't we had

26
00:01:28,960 --> 00:01:33,100
the other one has a modern like that's
only on for like 10-15 seconds this when

27
00:01:33,100 --> 00:01:34,490
we can just meet continuously

28
00:01:34,490 --> 00:01:37,580
that's a lot brighter so on obviously
you know

29
00:01:37,580 --> 00:01:41,020
this isn't necessarily an issue going to
do what we did last time I'm not use the

30
00:01:41,020 --> 00:01:41,720
ND filter

31
00:01:41,720 --> 00:01:45,540
and issued a low-powered strobe but me
twenty two options and kinda make you

32
00:01:45,540 --> 00:01:47,220
wear similar problems in a run into

33
00:01:47,220 --> 00:01:50,840
so the background light we powered it
down as low as I'll go with at

34
00:01:50,840 --> 00:01:54,630
3.3 on the pack at to get the power down
a little bit lower we've put in an

35
00:01:54,630 --> 00:01:55,470
additional layer

36
00:01:55,470 --> 00:01:59,220
diffusion on it and that's the Roscoe
much three thousand aid

37
00:01:59,220 --> 00:02:03,520
I now on the front when we had the same
problem this light didn't quite go down

38
00:02:03,520 --> 00:02:07,740
low enough in power as well so I've put
two layers a diffusion over top of that

39
00:02:07,740 --> 00:02:12,790
I'm into Roscoe tops $1 3,006 are so
into layers on that and it's cutting out

40
00:02:12,790 --> 00:02:13,630
a lot a light

41
00:02:13,630 --> 00:02:16,870
I'm lot of options that you can use for
that but that is definitely

42
00:02:16,870 --> 00:02:21,200
so nice easy way to cut the light out so
if patted his toes don't go low enough

43
00:02:21,200 --> 00:02:24,810
just keep adding wears a diffusion until
you get down low enough on the power

44
00:02:24,810 --> 00:02:28,239
so this is good enough to start with
we'll see how we're doing on

45
00:02:28,239 --> 00:02:32,930
exposure on terms that the model in the
background and I would just as we got so

46
00:02:32,930 --> 00:02:36,530
I'm at 85 now some gonna be a lot closer
the mall than we were I'm

47
00:02:36,530 --> 00:02:40,489
on the 200 and like I said settings
again

48
00:02:40,489 --> 00:02:43,750
F 1.6 I want two hundredth of a second

49
00:02:43,750 --> 00:02:47,129
and I so is I 50 so now

50
00:02:47,129 --> 00:02:50,019
at this point I'm sure if he doesn't
really matter at all cuz we're getting

51
00:02:50,019 --> 00:02:50,999
canceling out

52
00:02:50,999 --> 00:02:54,099
the daylight I mean if I went down to
like one-tenth or something like that we

53
00:02:54,099 --> 00:02:57,650
probably start seeing some day labor for
the most part one or two hundred 100 or

54
00:02:57,650 --> 00:02:58,269
200

55
00:02:58,269 --> 00:03:02,280
not can make a difference like a sort of
the summer summer poses that we had in

56
00:03:02,280 --> 00:03:04,280
the last one and just to kind of show

57
00:03:04,280 --> 00:03:13,640
the difference between the looks here
it's great

58
00:03:13,640 --> 00:03:21,680
does this make sure these are coming
through K

59
00:03:21,680 --> 00:03:24,829
writes one thing you'll notice when you
look at the Sun the background doesn't

60
00:03:24,829 --> 00:03:27,420
have quite as much in that blue cast as
we had before

61
00:03:27,420 --> 00:03:31,650
that's because we are lighting it with a
stroke now so we've got consistent like

62
00:03:31,650 --> 00:03:32,790
temperature across them

63
00:03:32,790 --> 00:03:35,909
the other one was a little bit more
daylight balanced on the background so

64
00:03:35,909 --> 00:03:36,560
I'm

65
00:03:36,560 --> 00:03:39,359
it's gonna be a lot more consistent
between teams that's one advantage

66
00:03:39,359 --> 00:03:42,459
obviously abusing pierced roads are
kinda cutting out that that day late

67
00:03:42,459 --> 00:03:43,189
coming in

68
00:03:43,189 --> 00:03:46,250
I give yourself a nice consistently so
overall I quality

69
00:03:46,250 --> 00:03:49,049
are pretty similar between them I mean
this is gonna be a little bit softer

70
00:03:49,049 --> 00:03:50,530
because it is a larger diffuser

71
00:03:50,530 --> 00:03:53,219
the other ones gonna be a little punch
here but that's really the only

72
00:03:53,219 --> 00:03:54,670
difference that we have here

73
00:03:54,670 --> 00:03:58,389
hi cases are looking great amps me keep
you too might turn

74
00:03:58,389 --> 00:04:01,900
the strobe down just slightly feel like
it's a little bit

75
00:04:01,900 --> 00:04:05,750
I to powerful with this one here

76
00:04:05,750 --> 00:04:09,470
gonna take it down I'm

77
00:04:09,470 --> 00:04:13,250
too tense see how that works

78
00:04:13,250 --> 00:04:18,510
right

79
00:04:18,510 --> 00:04:23,020
nice

80
00:04:23,020 --> 00:04:29,360
to see if we could there

81
00:04:29,360 --> 00:04:32,980
time actually I think I liked it the way
we had before

82
00:04:32,980 --> 00:04:36,750
I'm gonna go somewhere in the middle I
was gonna go up one-tenth just to give

83
00:04:36,750 --> 00:04:37,130
myself

84
00:04:37,130 --> 00:04:40,860
a little bit of extra late there okay

85
00:04:40,860 --> 00:04:44,540
so rare all I think ATM so just remember
holding the pose for two shots

86
00:04:44,540 --> 00:04:48,050
I'm same ideas going to refocus twice in
this get the same thing

87
00:04:48,050 --> 00:04:57,940
nice

88
00:04:57,940 --> 00:05:05,340
bands like that all that for more time

89
00:05:05,340 --> 00:05:08,389
me pretty came down just a little bit

90
00:05:08,389 --> 00:05:12,820
perfect Chan up this a tiny bit

91
00:05:12,820 --> 00:05:17,120
Kenmore and

92
00:05:17,120 --> 00:05:21,199
looking at me a little bit more just

93
00:05:21,199 --> 00:05:24,340
kinda getting lost in like they're
perfect and chin up a slightly are

94
00:05:24,340 --> 00:05:28,060
more home

95
00:05:28,060 --> 00:05:32,620
I think that hold on eyes a little bit
more this way

96
00:05:32,620 --> 00:05:35,620
yeah right there perfect

97
00:05:35,620 --> 00:05:48,930
K and see how these are like

98
00:05:48,930 --> 00:05:53,350
thing that I would like to do is take
this light a little bit lower

99
00:05:53,350 --> 00:05:57,100
I like to catch light and some other
shots are showing quite well enough so

100
00:05:57,100 --> 00:05:58,260
we're just gonna drop this

101
00:05:58,260 --> 00:06:02,700
a Roscoe cover here a little bit and
then hours in a cramped the slide down

102
00:06:02,700 --> 00:06:26,589
up

103
00:06:26,589 --> 00:06:30,939
also gonna go to f1.8 I and others give
me a little bit more depth of field

104
00:06:30,939 --> 00:06:34,759
and also darkened down our background a
bit so given going down here I'm gonna

105
00:06:34,759 --> 00:06:36,959
turn up the power on my main light

106
00:06:36,959 --> 00:06:41,009
so just a two-tenths

107
00:06:41,009 --> 00:07:04,390
we'll see how that looks me disguise
dropped on that here

108
00:07:04,390 --> 00:07:07,820
more

109
00:07:07,820 --> 00:07:14,520
see how fast I can

110
00:07:14,520 --> 00:07:25,700
something

111
00:07:25,700 --> 00:07:25,730
in

結果 (中文) 1:

100:00:09，800--> 00:00:12，470痛得很设置和准备我们第二次纵向看200:00:12，470--> 00:00:17，020我是我们改变了我们 200 英尺到你要轻得多 85300:00:17，020--> 00:00:21，36014 G，你可以为此使用 85 1.8 G以及400:00:21，360--> 00:00:24，910我是低于半价的伟大土地收益什么五百美元500:00:24，910--> 00:00:28，330我同样锋利，显然，你不会1.4 但600:00:28，330--> 00:00:31，980工作发行 1.6 我们拍摄高达$ 1,200700:00:31，980--> 00:00:36，150因为我们现在是在更广泛的焦长度: 我要去走 1.6，所以我们得到800:00:36，150--> 00:00:36，850一种类似900:00:36，850--> 00:00:41，160我发现我但一般的领域我倾向于拍摄这些地方之间1000:00:41，160--> 00:00:43，3901.6 MI 2.21100:00:43，390--> 00:00:47，590你不一定需要如此是1.4 为此现在我们已经泼了瓢1200:00:47，590--> 00:00:51，270这位姑娘筛选三站 ND剪出一些其他光1300:00:51，270--> 00:00:55，770我也是在我独奏一个是基本上我看到五十1400:00:55，770--> 00:00:58，780在我的相机在这里，我们不想去1500:00:58，780--> 00:01:02，210太多对你得到 ND 滤镜像为停止 ND 滤镜1600:01:02，210--> 00:01:05，710不运行时的承诺你这是建立更多的 ND 滤镜1700:01:05，710--> 00:01:07，149你自动对焦开始向1800:01:07，149--> 00:01:10，350去你因为我不打伤光这要帮我们解决了很多1900:01:10，350--> 00:01:11，820建模光是刷爆了2000:01:11，820--> 00:01:15，260我是因为你显然可以作为凯蒂明亮，我们能让她这样2100:01:15，260--> 00:01:19，369我我们可以来得到过去的 ND 滤镜而且仍可让我们把 San 自动对焦2200:01:19，369--> 00:01:19，940关闭2300:01:19，940--> 00:01:23，650它看起来非常黑色的内部所以我正在酝酿一个非常重要的相机2400:01:23，650--> 00:01:25，760一个我们切换出到其他原因2500:01:25，760--> 00:01:28，960此特定的光，我个人是我不要我们了2600:01:28，960--> 00:01:33，100另一个拥有现代化那样的只为喜欢 10-15 秒这个时候2700:01:33，100--> 00:01:34，490我们只是能满足不断2800:01:34，490--> 00:01:37，580这显然是一个非常美好的等等你知道的2900:01:37，580--> 00:01:41，020这不一定是去问题做我们所做的最后一次我不使用3000:01:41，020--> 00:01:41，720ND 滤镜3100:01:41，720--> 00:01:45，540并发出低供电的闪光灯，但我二十二岁的选项和有点让你3200:01:45，540--> 00:01:47，220穿在碰到类似的问题3300:01:47，220--> 00:01:50，840背景光我们提供动力它低下在陪3400:01:50，840--> 00:01:54，6303.3 在包上的下来的力量我们已经放的低一点3500:01:54，630--> 00:01:55，470另一层3600:01:55，470--> 00:01:59，220扩散对它，这就是罗斯科多三千援助3700:01:59，220--> 00:02:03，520我现在对前面时我们有同样的这种光相当不下去的问题3800:02:03，520--> 00:02:07，740低以及足够的权力，所以我把两个在上面的那层扩散3900:02:07，740--> 00:02:12，790我到罗斯上衣 $1 3,006 都是如此成层上，和它的裁剪4000:02:12，790--> 00:02:13，630很多光4100:02:13，630--> 00:02:16，870我很多的选项，您可以使用但是，这绝对是4200:02:16，870--> 00:02:21，200这么好的捷径砍光了，如果拍了拍他的脚趾不去足够低4300:02:21，200--> 00:02:24，810只要保持添加戴着直到扩散你够低的力量4400:02:24，810--> 00:02:28，239所以这是不够好的开始我们会看到我们如何4500:02:28，239--> 00:02:32，930在曝光的条款中的模型背景和我将我们刚这样4600:02:32，930--> 00:02:36，530我现在在 85 一些你应该怎么做很接近比我们商场了我4700:02:36，530--> 00:02:40，489对 200，就像我说的设置再一次4800:02:40，489--> 00:02:43，750我想要两个百分之一秒的 F 1.64900:02:43，750--> 00:02:47，129和我是那么那么现在我 505000:02:47，129--> 00:02:50，019在这一点上我相信如果他不其实在我们得到的所有因为5100:02:50，019--> 00:02:50，999取消5200:02:50，999--> 00:02:54，099我的意思是如果我下到夏时制喜欢的十分之一或东西那样我们5300:02:54，099--> 00:02:57，650可能开始看到一些天劳动大部分一个或两个几百 100 或5400:02:57，650--> 00:02:58，2692005500:02:58，269--> 00:03:02，280不可以有所作为而像是一种的我们在夏天夏天姿势5600:03:02，280--> 00:03:04，280最后一个，而只是显示的5700:03:04，280--> 00:03:13，640这里看起来区别它是伟大5800:03:13，640--> 00:03:21，680这可确保这些来吗通过 K5900:03:21，680--> 00:03:24，829写一件事你会注意到当你看看太阳的背景并不6000:03:24，829--> 00:03:27，420有那么严重，蓝色强制转换为我们收到了6100:03:27，420--> 00:03:31，650这是因为我们照明用脑卒中现在所以我们得一贯喜欢6200:03:31，650--> 00:03:32，790它们之间的温度6300:03:32，790--> 00:03:35，909另一个是多一点点所以在背景上平衡的日光6400:03:35，909--> 00:03:36，560我是6500:03:36，560--> 00:03:39，359这要更多一致团队之间这是一个优势6600:03:39，359--> 00:03:42，459很明显滥用穿孔道路有点切割出那晚的那一天6700:03:42，459--> 00:03:43，189进来6800:03:43，189--> 00:03:46，250我给自己一个不错的一贯如此整体质量的我6900:03:46，250--> 00:03:49，049我的意思是他们之间非常类似这要有点弱7000:03:49，049--> 00:03:50，530因为它是一个更大的扩7100:03:50，530--> 00:03:53，219其他的要小冲床在这里，但这是真的只7200:03:53，219--> 00:03:54，670我们这里有的差异7300:03:54，670--> 00:03:58，389大家好案件正在寻找我保持大安培你太会7400:03:58，389--> 00:04:01，900闪光灯下的只是略有感觉它是有点7500:04:01，900--> 00:04:05，750我对与这个强大7600:04:05，750--> 00:04:09，470我要把它拿下来我7700:04:09，470--> 00:04:13，250过于紧张的看看该怎么做7800:04:13，250--> 00:04:18，510权利7900:04:18，510--> 00:04:23，020很好8000:04:23，020--> 00:04:29，360来看看我们能否那里8100:04:29，360--> 00:04:32，980其实我觉得我很喜欢它的时间的方式我们收到了8200:04:32，980--> 00:04:36，750我要去某个地方在中间我正要去了十分之一，只是为了给8300:04:36，750--> 00:04:37，130我自己8400:04:37，130--> 00:04:40，860一点点的额外晚那里好8500:04:40，860--> 00:04:44，540我认为 ATM 这样只是如此罕见全记得对姿势的两个镜头保持8600:04:44，540--> 00:04:48，050我同样的想法，要重新调整两次这得到同样的事情8700:04:48，050--> 00:04:57，940很好8800:04:57，940--> 00:05:05，340乐队，都喜欢更多的时间8900:05:05，340--> 00:05:08，389我挺下来只是一点点9000:05:08，389--> 00:05:12，820完善陈起这一点点9100:05:12，820--> 00:05:17，120肯莫尔和9200:05:17，120--> 00:05:21，199看着我有点更公正9300:05:21，199--> 00:05:24，340有点迷失在他们就像完善和下巴上略有9400:05:24，340--> 00:05:28，060更多家9500:05:28，060--> 00:05:32，620我认为，在眼睛上那么一点点更多这种方式9600:05:32，620--> 00:05:35，620是的就在那里完善9700:05:35，620--> 00:05:48，930K，看看如何，这些都是像9800:05:48，930--> 00:05:53，350我想要做的事情是采取这样的光线有点低9900:05:53，350--> 00:05:57，100我喜欢抓光和其他一些镜头显示不够很好所以10000:05:57，100--> 00:05:58，260我们只要放这10100:05:58，260--> 00:06:02，700这里有点罗斯科 · 盖和然后在一处狭窄的时间滑下来10200:06:02，700--> 00:06:26，589向上10300:06:26，589--> 00:06:30，939此外打算去 f1.8，我和其他人给我多一点点景深10400:06:30，939--> 00:06:34，759此外昏暗下来我们的背景位既然在这里走，我要去10500:06:34，759--> 00:06:36，959把我主灯上的电源10600:06:36，959--> 00:06:41，009所以只是十分之一二10700:06:41，009--> 00:07:04，390我们将看到如何，看起来我的伪装在这里放，10800:07:04，390--> 00:07:07，820更多10900:07:07，820--> 00:07:14，520看看我能多快11000:07:14，520--> 00:07:25，700东西11100:07:25，700--> 00:07:25，730在

結果 (中文) 3:

1
00:00:09800——> 00:00:12470
疮设置和准备我们的第二个
画像看

2
00:00:12470——> 00:00:17020
我我们改变我们200英尺你
轻得多的85

3
00:00:17020——> 00:00:21360
14克，你可以使用85 1.8 g这



4 00:00:21360——>
00:00:24910伟大的土地我少于一半价格
盈余什么五百美元

5
00:00:24910——
> 00:00:28330我同样尖锐显然你不得到
1.4但

6
00:00:28330——> 00:00:31980
工作发行1.6我们射击
1200美元

7
00:00:31980——> 00:00:36150
因为我们现在在宽焦
长度：我要下去16所以我们得到

8
00:00:36150——> 00:00:36850
一个类似

9
00:00:36850——> 00:00:41160
，我，但一般来说，我发现
我倾向于这些地方之间

拍摄的领域10：00：00平方41160 00：00 - >：我43390预热器预热器预热器1.6 2.2 11：00：00 - > 00：00 43390：我知道你不47590预热器预热器necessarily need the for this we have扔了1.4公尺（十二点钟：47590 - 00：00 - >：停止在三51270预热器预热器由ND filter这女孩some other光切出预热器预热器13：00：00 - > 00：00 51270 55770预热器：我只是一个由which is also预热器预热器基本上我看见第14：00：00。55770 00：00 - >：58780预热器在我的相机在这里我们也不想去

15
00:00:58780——> 00:01:02210
太多在ND滤光器你
像停止ND滤镜

16
00:01:02210——>
00:01:05710承诺没有运行到当你
建立更多的ND滤镜是，17


00:01:05710——
> 00:01:07149您的自动对焦开始到

18
00:01:07149——> 00:01:10350
去你因为我有抓伤光
这是会来帮助我们了很多19


00:01:10350——> 00:01:11820
造型灯刷爆了

2
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我因为你显然给凯蒂为
明亮作为我们可以得到她，

21
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我我们能得到过去的ND滤镜
和仍然得到圣自动对焦我们把

22
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，

23
00:01:19940——
> 00:01:23650它几乎看起来黑
相机内所以我酝酿一个非常重要的

24
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另一个原因我们切换成

25
00:01:25760——
> 00:01:28960这个特定的光我个人我
不不我们有

26
00:01:28960——
> 00:01:33100另一个具有现代像
的只有像10-15秒这当

27
00:01:33100——
> 00:01:34490我们可以只是满足连续

28
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的亮很多所以明显
你知道

29
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这不一定是一个问题去
做什么我们上次我不使用的

3
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ND滤镜

31
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和一个低功率选通发布但我
20两个选项，有点儿让你

32
00:01:45，540——> 00:01:47220
穿类似的问题在运行到

33
00:01:47220——> 00:01:50840
所以背景光我们动力
下低作为我会走在

34
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3.3对包在来得到权力下
一点点下，我们已经把一个

35
00:01:54630——>
00:01:55470附加层的

36
00:01:55470——> 00:01:59220
扩散上，那是罗斯科


37
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我现在在前面当我们有相同的
问题这光也不太下去

38
00:02:03520——> 00:02:07740
足够低功率，所以我放了两层扩散在顶部，

39
00:02:07740——> 00:02:12790
我为罗斯科顶部1美元3006所以
成层，和它的裁剪

40
00:02:12790——
> 00:02:13630
援助多三千很多光

41
00:02:13630——> 00:02:16870
我很多的选项，你可以使用
，但这绝对是

42
00:02:16870——> 00:02:21200
所以不错的简单的方法来切割出光所以
如果拍拍他的脚趾不去低足够的

43
00:02:21200——> 00:02:24810
只是不断增加穿扩散直到
你得到下来足够低功率

44
00:02:24810——
> 00:02:28239所以这是足够好到开始
我们将看到如何我们做
45

00:02:28239——> 00:02:32930
暴露对术语在
背景模型和我将我们刚所以

46
00:02:32930——> 00:02:36530
我在85现在一些会被很多接近
商场比我们我

47
00:02:36530——> 00:02:40489
200，就像我说设置
再次

48
00:02:40489——> 00:02:43750
F 1。6我想两个百分之一秒

49
00:02:43750——> 00:02:47129
，所以我是我50所以现在

50
00:02:47129——> 00:02:50019
在这一点上，我敢肯定，如果他根本不
真的很重要因为我们要

51
00:02:50019——> 00:02:50999
抵消

52
00:02:50999——
> 00:02:54099白天我的意思是，如果我去了
像十分之一或类似的东西，我们

53
00:02:54099——
> 00:02:57650可能开始看到
大部分一个或两个一百或

54
00:02:57650——> 00:02:58269
200个

55
00:02:58269——不能使差异像提出一种
的夏天，我们在

56
00:03:02280——> 00:03:04280
的最后一个，只是一种展示

57
00:03:04280——> 00:03:13640
差异之间看起来这里
伟大的

58
00:03 > 00:03:02280
有一天劳动：13640——> 00:03:21680
这确保这些来
通过K

59
00:03:21680——> 00:03:24829
写一件事，你会注意到，当你
看太阳背景不

60
00:03:24829——> 00:03:27420
有相当多，蓝色为
我们以前

61
00:03:27420——> 00:03:31650
这是因为我们是点燃一个
中风现在所以我们得到了一致的喜欢

62
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温度跨越他们

63
00:03:32790——
> 00:03:35909另一个是一点点更多
日光平衡背景所以

64
00:03:35909——> 00:03:36560
我

65
00:03:36560——> 00:03:39359
，真的会更多一致
之间的球队的一个优势

66
00:03:39359——> 00:03:42459
明显滥用刺穿道路
kinda切割，那天晚

67
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来

68
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我给自己好一致所以
整体质量我

69
00:03:46250——> 00:03:49049
非常类似它们之间我的意思
这是会被一点点柔软

70
00:03:49049——> 00:03:50530
，因为它是一个较大的扩散器

71
00:03:50530——
> 00:03:53219的其他的会是一个小拳
这里，但这是真的只有72


00:03:53219——> 00:03:54670
差异，我们这里

73
00:03:54670——> 00:03:58389
HI感染病例正在寻找伟大的AMPS我让
你也可能把

74
00:03:58389——> 00:04:01900
闸门下稍微感觉像
它的一点点

75
00:04:01900——> 00:04:05750
我强大这一这里

76
00:04:05，750——> 00:04:09470
要，它下来我是

77
00:04:09470——看到> 00:04:13250
太紧张是如何工作的

78
00:04:13250——> 00:04:18510
权

79
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好

80
00:04:23020——> 00:04:29360
来看到如果我们能有

81
00:04:29360——> 00:04:32980
时间其实我觉得我喜欢它的方式
我们以前

82
00:04:32980——
> 00:04:36750我要去某处中间我
是去了一个十只给

83
00:04:36750——> 00:04:37130
自己

84
00:04:37130——
> 00:04:40860一点点额外晚那儿吧

85
00:04:40860——> 00:04:44540
所以罕见的所有我认为ATM，所以只要记住两个镜头

86
00:04:44540——> 00:04:48050
我同样的想法去聚焦两次
这得到同样的事情


保持姿势87
00:04:48050——> 00:04:57940
好

88
00:04:57940——> 00:05:05340
乐队都是这样，更多的时间

89
00:05:05340——> 00:05:08389
我漂亮就下来只是一点点

90
00:05:08389——> 00:05:12820
完美陈这一点点

91 00:05:12820——> 00:05:17120
Kenmore和

92
00:05:17120——> 00:05:21199
看着我一点点更多只是

93
00:05:21199——> 00:05:24，340
越来越失去像他们
完美和下巴略

94
00:05:24340——>
00:05:28060更多的家庭

95
00:05:28060——> 00:05:32620
我觉得眼睛一点点
，持有更多这样

96
00:05:32620——> 00:05:35620
是就完美

97
00:05:35620——> 00:05:48930
K，看看如何将这些喜欢

98
00:05:48930——> 00:05:53350
的事情，我想要做的是采取
这光低一点

99
00:05:53350——> 00:05:57100
我喜欢捕捉光和其他一些
镜头显示相当不够好所以

1
00:05:57100——> 00:05:58260
我们只会下降这

101
00:05:58260——> 00:06:02700
一个罗斯科盖这一点点
小时，然后在一个狭小的滑下来

102
00:06:02700——> 00:06:26589


103
00:06:26589——
> 00:06:30939也会去到F1.8给别人和我
我一点点更深度的场

104
00:06:30939——> 00:06:34759
和也昏暗下来我们的背景点，所以给下去在这里我会

105
00:06:34759——> 00:06:36959
打开电源在我主光

106
00:06:36959——> 00:06:41009
所以只是一个十分之二

107
00:06:41009——> 00:07:04390
我们会看看，看起来我伪装

一样，在预热器预热器由108 04390 07 00：00 - >：：：07 07820预热器预热器预热器：黑莓109 07820 07 00 00 - >：：：14520 see how fast 07预热器预热器预热器能07：14520 110 00：00 - >：07：25700平方something预热器预热器111：07 00 00 - >：：25700 07：25730预热器预热器