164
00:09:29,800 --> 00:09:33,790
I'll just take it out and we'll have the
long flying harrigan alleges tonya faced
165
00:09:33,790 --> 00:09:35,060
with the light up a little bit
166
00:09:35,060 --> 00:09:38,270
what happens as I'm gonna shoot like
this and the side
167
00:09:38,270 --> 00:09:41,920
sigh this item the faith will have to
head and framing
168
00:09:41,920 --> 00:09:44,810
on this that I wanted that so we have
some had the beauty I don't necessarily
169
00:09:44,810 --> 00:09:45,890
want hair
170
00:09:45,890 --> 00:09:50,820
in the face but this kind of gives me
something for the light to bounce off of
171
00:09:50,820 --> 00:09:54,090
and you'll see how that looks in the
frame and midas
172
00:09:54,090 --> 00:09:57,570
on and I was gonna say you know the
important part about doing makeup
173
00:09:57,570 --> 00:10:01,300
on is that you always want to make sure
of the makeup is done that you have
174
00:10:01,300 --> 00:10:03,600
really good can make up afterwards he
gonna just
175
00:10:03,600 --> 00:10:06,890
have makeup done in this that markdown
going to analyze her to make sure she
176
00:10:06,890 --> 00:10:08,120
has really nice lip lines
177
00:10:08,120 --> 00:10:11,480
could transitions and I had a and things
like that so you know having to beat a
178
00:10:11,480 --> 00:10:12,020
thought leader
179
00:10:12,020 --> 00:10:15,280
exactly yeah although it wouldn't hata
in the cloud of ash
180
00:10:15,280 --> 00:10:16,830
yeah actually the traffic
181
00:10:16,830 --> 00:10:20,050
and and actually she came and I said and
I sent
182
00:10:20,050 --> 00:10:24,060
I of makeup artist but you just the find
a little bit more for this look so those
183
00:10:24,060 --> 00:10:25,890
are the kind of things to come back and
forth with
184
00:10:25,890 --> 00:10:30,279
and that's really just and experience
point and for a weapon with Lara la
185
00:10:30,279 --> 00:10:33,709
I get to see and the you know more
Ashley BT thing
186
00:10:33,709 --> 00:10:37,680
so for the eyes we just wanted a little
bit of sparkle the top because we're
187
00:10:37,680 --> 00:10:38,890
going really close then
188
00:10:38,890 --> 00:10:41,950
something for at draw some interest that
that
189
00:10:41,950 --> 00:10:45,640
so let's do it a light s it'll be really
bad to stop with a promising
190
00:10:45,640 --> 00:10:49,089
and by just gonna go in I thought the
191
00:10:49,089 --> 00:10:52,250
on wetlands they haven't in five 85
that's on me damn
192
00:10:52,250 --> 00:10:55,920
format that kinda ends up being a fifty
eighty an 18
193
00:10:55,920 --> 00:11:00,570
a 1080 so this ends up being kind of a
fifty millimeter could lend someone
194
00:11:00,570 --> 00:11:02,510
after the quake pursue the model to get
that
195
00:11:02,510 --> 00:11:05,860
remember when we implement so we have
tons of
196
00:11:05,860 --> 00:11:09,589
11 a.m. leeway here weaken crop
197
00:11:09,589 --> 00:11:13,279
n'est pas we want them I even to would
you think about propping
198
00:11:13,279 --> 00:11:16,680
I'm when you're shooting due to be
should further hours to crop later
199
00:11:16,680 --> 00:11:20,190
argue shot really I mean I am I wanted
200
00:11:20,190 --> 00:11:23,670
tend to be from the school have no
cropping yeah
201
00:11:23,670 --> 00:11:27,160
in theory and a and manual de
202
00:11:27,160 --> 00:11:30,370
a I think to have
203
00:11:30,370 --> 00:11:34,720
mall pixel spaces in and then go propped
204
00:11:34,720 --> 00:11:37,800
that is probable than the other way
around right
205
00:11:37,800 --> 00:11:41,329
sometimes I have to think about Martha
tika if someone's the website and they
206
00:11:41,329 --> 00:11:42,610
have to them you know menus
207
00:11:42,610 --> 00:11:46,709
and I went I would need a little bit
neck to put the menu other
208
00:11:46,709 --> 00:11:50,420
you know exactly how I could be shooting
for editorial magazine for example and
209
00:11:50,420 --> 00:11:51,690
you on the space for the
210
00:11:51,690 --> 00:11:54,860
title or caption whenever they tell you
have time typically you know
211
00:11:54,860 --> 00:11:58,110
what they want to do so that thing
really keep in mind yeah
212
00:11:58,110 --> 00:12:01,680
phase me cuz I had requests where there
should too tight
213
00:12:01,680 --> 00:12:05,660
and it's a he could you please you know
extend the frame and sometimes afsane
214
00:12:05,660 --> 00:12:07,279
would have stuff like a sofa
215
00:12:07,279 --> 00:12:10,080
and I could extend tho might not really
well you know
216
00:12:10,080 --> 00:12:13,630
better the things you can and cannot do
so think about your shooting intention
217
00:12:13,630 --> 00:12:15,020
before you actually start shooting
218
00:12:15,020 --> 00:12:18,320
for the region purpose take before we
even start shooting
219
00:12:18,320 --> 00:12:22,260
yeah what do you think about the hair am
220
00:12:22,260 --> 00:12:25,550
and the makeup what are your thoughts as
a retoucher okay so
221
00:12:25,550 --> 00:12:28,850
important thing um this look especially
is
222
00:12:28,850 --> 00:12:32,180
Hainault you know has to love life out
thing and for the body
223
00:12:32,180 --> 00:12:36,890
so when you going post-production
thought necessary to everything Austrian
224
00:12:36,890 --> 00:12:39,950
Shannon here because that the look you
have going for
225
00:12:39,950 --> 00:12:43,110
now if you're going to be doing stuff
like straight hair looks
226
00:12:43,110 --> 00:12:46,150
make sure the hair is uniquely me for
going to post-process
227
00:12:46,150 --> 00:12:50,290
because every single strand of hair you
can take a minute or two to get rid of
228
00:12:50,290 --> 00:12:53,310
mainly sanitizing is cheating for me
acting like
229
00:12:53,310 --> 00:12:56,870
how we want we wanted this track yeah
haha
230
00:12:56,870 --> 00:12:59,920
third k on lending hand I
231
00:12:59,920 --> 00:13:03,820
perfect I let's do a test run another
highlight of see I get this
232
00:13:03,820 --> 00:13:09,290
would little taller go I wish you could
see there was a way to tether what I see
233
00:13:09,290 --> 00:13:10,010
through the camera's
234
00:13:10,010 --> 00:13:13,620
would not be amazing I have a good one
someone should invent that
235
00:13:13,620 --> 00:13:17,360
Google glass into can I get a killer
just bring a hat up a little bit and
236
00:13:17,360 --> 00:13:18,160
then look at me
237
00:13:18,160 --> 00:13:23,010
perfect just insert personality in there
we'll maybe look at you and their death
238
00:13:23,010 --> 00:13:26,520
get at sea where at all
239
00:13:26,520 --> 00:13:30,430
see very bright okay I'm at 11 see how
it comes up
240
00:13:30,430 --> 00:13:33,590
white balance the of all pat's I'm gonna
241
00:13:33,590 --> 00:13:39,380
maybe we'll hang on change that around
just a little bit every fence up by the
242
00:13:39,380 --> 00:13:42,990
every lens has a different kind of it
can be hard to stop of
243
00:13:42,990 --> 00:13:46,040
of you meet reading you can actually
Calabrian me to
244
00:13:46,040 --> 00:13:49,220
but this is the deciding what I'm not a
hundred miles of I
245
00:13:49,220 --> 00:13:54,940
I'm gonna go to let's go to F 16-inch I
like Taylor yep just come up a little
246
00:13:54,940 --> 00:13:55,250
bit
247
00:13:55,250 --> 00:13:58,550
10 give me a little bit past now to the
contract earlier
248
00:13:58,550 --> 00:14:01,900
beautiful K by
249
00:14:01,900 --> 00:14:06,600
good I'm a little my crop is a little
bit weird I'm gonna
250
00:14:06,600 --> 00:14:10,120
move the camera down a little bit but I
want to show you im
251
00:14:10,120 --> 00:14:13,690
capture one this is my to the panel and