7800:14:47,250 --> 00:15:15,130care

78
00:14:47,250 --> 00:15:15,130
careful ok I can't tell you enough
enough enough enough enough enough and

79
00:15:15,130 --> 00:15:24,000
go

80
00:15:24,000 --> 00:15:38,610
just a little bit

81
00:15:38,610 --> 00:16:10,110
too much and action

82
00:16:10,110 --> 00:16:28,910
yeah it's painful

83
00:16:28,910 --> 00:16:34,190
on down there

84
00:16:34,190 --> 00:16:42,870
yes

85
00:16:42,870 --> 00:17:17,620
she is just get into its way too smoky
little bit and go that's it that's it

86
00:17:17,620 --> 00:17:39,240
it's not on beautiful

87
00:17:39,240 --> 00:17:45,559
know that I love story this time

88
00:17:45,559 --> 00:18:00,480
everything is amazing almost there are
two or three more rounds way

89
00:18:00,480 --> 00:18:08,130
ok tiny bit of smoke and shoot it up at
this time

90
00:18:08,130 --> 00:18:18,100
strip behind you said it drip down just
a tiny bit ok action ok nice nice and

91
00:18:18,100 --> 00:18:37,810
calm

92
00:18:37,810 --> 00:19:34,080
too much

93
00:19:34,080 --> 00:19:59,710
the right arm action

94
00:19:59,710 --> 00:21:04,350
yeah let's see your left hand and then
you come up with your right hand

95
00:21:04,350 --> 00:21:28,510
again

96
00:21:28,510 --> 00:21:38,800
faster not a lot faster little bit but a
little bit more attention and action

97
00:21:38,800 --> 00:22:20,530
yeah beautiful thing again

98
00:22:20,530 --> 00:22:31,530
determined it's not so droopy but this
Quinton nice maybe you look down the

99
00:22:31,530 --> 00:22:51,490
river and take a deep breath and action

100
00:22:51,490 --> 00:23:46,330
better get out here and I think we've
done

101
00:23:46,330 --> 00:24:43,870
that way just right behind you

102
00:24:43,870 --> 00:24:54,680
promise

103
00:24:54,680 --> 00:25:40,360
in the water

104
00:25:40,360 --> 00:25:49,400
thank you

105
00:25:49,400 --> 00:26:06,760
again put it in the water

106
00:26:06,760 --> 00:26:23,920
pick it up that's amazing huh

107
00:26:23,920 --> 00:26:50,810
let's get some water around it just
waves pushing

108
00:26:50,810 --> 00:27:02,700
white

109
00:27:02,700 --> 00:27:13,180
there you go that's nice and then move
the Dora around this once on the air

110
00:27:13,180 --> 00:27:25,790
just wrapped up my let everyone go back
up to the parking lot and decided to

111
00:27:25,790 --> 00:27:30,930
recap of what happened today we started
with a background plates there's two

112
00:27:30,930 --> 00:27:37,210
parts to that this part of a ver some
rocks and then there's another part down

113
00:27:37,210 --> 00:27:40,850
there are going to replace the sand bank
and get some glossy locks on the left

114
00:27:40,850 --> 00:27:45,950
then there's the smoke parts which will
create an atmosphere I imagine where the

115
00:27:45,950 --> 00:27:49,160
car came down there would be some smoke
around the car coming back up through

116
00:27:49,160 --> 00:27:54,120
the trees and there's a card or those
are just need to get elements that I

117
00:27:54,120 --> 00:27:59,110
could lay on to the actual car and then
there's turmoil I think she just did

118
00:27:59,110 --> 00:28:04,060
extraordinary today see what's called
she used that you know to bring forth

119
00:28:04,060 --> 00:28:09,460
that emotional being in despair crashing
I just thought it was beautiful I am

120
00:28:09,460 --> 00:28:14,500
really excited when did this composite
AV had the lady moving towards camera

121
00:28:14,500 --> 00:28:20,380
and as we talked about before that I
like to shoot arranged for my pictures

122
00:28:20,380 --> 00:28:25,500
shot record it's not just that when you
do composites they're also the volume

123
00:28:25,500 --> 00:28:29,670
that lends give you so if something is
close an element is closely camera it

124
00:28:29,670 --> 00:28:34,840
will be distorted and even feel wider vs
venez further in the fridge so than I

125
00:28:34,840 --> 00:28:39,740
did this pictures of her I try to work
with that concept in that mentions

126
00:28:39,740 --> 00:28:44,100
further away I should have had a longer
lens which means less distortion in the

127
00:28:44,100 --> 00:28:48,820
body and volume of her and then I stack
of service camera zoom out and she'll

128
00:28:48,820 --> 00:28:54,780
have the same volume as this let's have
a shoot the background plates so when

129
00:28:54,780 --> 00:28:55,430
you take it

130
00:28:55,430 --> 00:29:00,940
24 millimeter lens and you crawl into it
at the store sure that happens as you

131
00:29:00,940 --> 00:29:05,120
crop into the lesson lesson this morning
were similar to what a longer lens but

132
00:29:05,120 --> 00:29:09,920
give you that I should someone coming
towards the camera then have long lens

133
00:29:09,920 --> 00:29:13,680
and a nice assume out so that they get
more voluminous as they get closer to

134
00:29:13,680 --> 00:29:17,930
camera as we get closer to this camera
stands that would shoot the background

135
00:29:17,930 --> 00:29:23,810
plate so I would allow her to become
wider and it will fit perfect now I

136
00:29:23,810 --> 00:29:27,570
can't just take that wide frame though
which is closed and put her in the

137
00:29:27,570 --> 00:29:28,620
background

138
00:29:28,620 --> 00:29:30,160
going to look really strange

139
00:29:30,160 --> 00:29:35,250
if I choose to work with a wide frame of
her 24 millimeter she has to be up front

140
00:29:35,250 --> 00:29:39,860
as he has two volume of being close to
camera I can't take that piece put it in

141
00:29:39,860 --> 00:29:44,520
the background so now that I have these
pieces I would need to a large to be in

142
00:29:44,520 --> 00:29:48,360
the frame where she was at the time she
walked I can't just take the foreground

結果 (中文) 1:

7800:14:47，250--> 00:15:15，130我不能告诉你足够仔细确定够不够够不够足够和7900:15:15，130--> 00:15:24，000去8000:15:24，000--> 00:15:38，610只是一点点8100:15:38，610--> 00:16:10，110太多和行动8200:16:10，110--> 00:16:28，910是的这是痛苦8300:16:28，910--> 00:16:34，190那里下来8400:16:34，190--> 00:16:42，870是的8500:16:42，870--> 00:17:17，620她是刚刚进入其太黑烟小咬，去那是它就是这样8600:17:17，620--> 00:17:39，240它不是在美丽8700:17:39，240--> 00:17:45，559知道我这一次爱的故事8800:17:45，559--> 00:18:00，480一切都是令人惊奇的是几乎有两个或三个更舍入方式8900:18:00，480--> 00:18:08，130好吧小小的烟和射击它这一次9000:18:08，130--> 00:18:18，100在你身后地带它滴下来，只说一点点好行动确定好漂亮，9100:18:18，100--> 00:18:37，810平静9200:18:37，810--> 00:19:34，080太多了9300:19:34，080--> 00:19:59，710右手臂的动作9400:19:59，710--> 00:21:04，350是的来看看你的左手，然后你拿出你的右手9500:21:04，350--> 00:21:28，510再一次9600:21:28，510--> 00:21:38，800快不了很多快一点但一点点更多注意和采取行动9700:21:38，800--> 00:22:20，530又是美好的事情9800:22:20，530--> 00:22:31，530确定它不是那么下垂但这昆顿不错也许你看不起9900:22:31，530--> 00:22:51，490河和采取深呼吸和行动10000:22:51，490--> 00:23:46，330更好地给我滚出去，我认为我们已经完成10100:23:46，330--> 00:24:43，870这样正好在你的身后10200:24:43，870--> 00:24:54，680承诺10300:24:54，680--> 00:25:40，360在水中10400:25:40，360--> 00:25:49，400谢谢10500:25:49，400--> 00:26:06，760再把它放在水中10600:26:06，760--> 00:26:23，920把它捡起那是令人惊叹啊10700:26:23，920--> 00:26:50，810只是让它周围一些水波推10800:26:50，810--> 00:27:02，700白色10900:27:02，700--> 00:27:13，180你在那边的是很好，然后移动这一次在空中多拉11000:27:13，180--> 00:27:25，790刚刚结束了我让大家都可以回来停车场和决定11100:27:25，790--> 00:27:30，930回顾一下什么今天发生的事情我们开始背景板有两个11200:27:30，930--> 00:27:37，210零件，本部 ver 一些岩石，然后下来的另一部分11300:27:37，210--> 00:27:40，850那里打算更换砂银行并得到一些有光泽的锁在左边11400:27:40，850--> 00:27:45，950然后有是将烟部件创造一种气氛，我想象在哪里11500:27:45，950--> 00:27:49，160车下来，会有一些烟绕车回来11600:27:49，160--> 00:27:54，120树，还有一张卡片或那些是只需要获取元素，我11700:27:54，120--> 00:27:59，110可以躺上实际的车，然后还有我想她只是的风暴11800:27:59，110--> 00:28:04，060什么叫做非凡今天见她用你知道推陈出新11900:28:04，060--> 00:28:09，460情绪处于绝望崩溃我只是觉得它很漂亮我12000:28:09，460--> 00:28:14，500真的很兴奋的时候这种复合材料AV 已经走向摄像机的女士12100:28:14，500--> 00:28:20，380当我们谈到在此之前，我喜欢拍摄安排我的图片12200:28:20，380--> 00:28:25，500炮记录不只是当你他们也该卷做复合材料12300:28:25，500--> 00:28:29，670借给你这样的如果事情是附近的一个要素是密切相机它12400:28:29，670--> 00:28:34，840就会扭曲，甚至感觉到更广泛的 vsvenez 进一步放在冰箱里因此比我12500:28:34，840--> 00:28:39，740这张图片的她试图工作吗这一概念中，提及12600:28:39，740--> 00:28:44，100进一步走我应该有更长的时间这意味着少失真的镜头12700:28:44，100--> 00:28:48，820身体和她的卷，然后我说的堆栈服务相机的缩小和她会12800:28:48，820--> 00:28:54，780让我们有这相同的卷有拍摄背景板所以当12900:28:54，780--> 00:28:55，430你把它13000:28:55，430--> 00:29:00，94024 毫米的镜头，你爬进它在确定发生作为你的商店13100:29:00，940--> 00:29:05，120裁剪到课的课今天早上类似于什么更长的镜头，但13200:29:05，120--> 00:29:09，920给你，我应该有人来对着照相机然后有长焦镜头13300:29:09，920--> 00:29:13，680和好假设出来，使他们得到当他们接近更多的篇幅13400:29:13，680--> 00:29:17，930相机当我们靠近了这架相机将拍摄背景的立场13500:29:17，930--> 00:29:23，810所以我会让她成为板更广泛地和它将适合完美现在我13600:29:23，810--> 00:29:27，570虽然只是受不了那广泛的框架这封闭，把她放13700:29:27，570--> 00:29:28，620背景13800:29:28，620--> 00:29:30，160要看起来真的很奇怪13900:29:30，160--> 00:29:35，250如果我选择要处理的广泛框架她不得不坦白她 24 毫米14000:29:35，250--> 00:29:39，860他有两个卷的接近不能取下这片的相机把它放在14100:29:39，860--> 00:29:44，520背景如此既然已经有了这些我会需要到大的碎片14200:29:44，520--> 00:29:48，360在那里她当时她的框架走了不停的把前景

結果 (中文) 3:

78
00:14:47250——> 00:15:15130
小心我不能告诉你足够的
够够不够，

79
00:15:15130——> 00:15:24000
去

80
00:15:24000——> 00:15:38610
只是一点点

81
00:15:38610——> 00:16:10110
太多，行动

82
00:16:10110——> 00:16:28910
这是痛苦的

83
00:16:28910——> 00:16:34190
那里

84
00:16:34190——> 00:16:42870
是

85
00:16：42870——> 00:17:17620
她只是到过烟
点去，这就是它

86
00:17:17620——> 00:17:39240
不是美丽的

87
00:17:39240——> 00:17:45559
知道我的爱情故事，这段时间

88
00:17:45559——> 00:18:00480
一切都是惊人的
几乎有两个或三个多轮的方式

89
00:18:00480——> 00:18:08130
烟好点和射击在
这次

90
00:18:08130——> 00:18:18100
带在你背后说它滴落下来，只是
一点点好动作好漂亮，

91
00:18:18100——> 00:18:37810
平静

92
00:18:37810——> 00:19:34080
太多

93
00:19:34080——> 00:19:59710
右手臂的动作

94
00:19:59710——> 00:21:04350
啊，让我看看你的左手，然后
你拿出你的右手

95
00:21:04350——> 00:21:28510
再次

96
00:21:28510——> 00:21:38800
快不快了很多点，但
多一点的关注和行动

97
00:21:38800——> 00:22:20530
是美丽的事

98
00:22:20530——> 00:22:31530
确定它不是那么松弛，但这
昆顿好也许你看不起

99
00:22:31530——> 00:22:51490
河深呼吸和动作

100
00:22:51490——> 00:23:46330
更好的滚出去这里，我认为我们已经做了101



00:23:46330——> 00:24:43870
那样只是在你身后

102
00:24:43870——> 00:24:54680
承诺

103
00:24:54680——> 00:25:40360
在水

104
00:25:40360——> 00:25:49400
谢谢你

105
00:25:49400——> 00:26:06760
再次把它放在水

106
00:26:06，760——> 00:26:23920
捡起来很惊人啊

107
00:26:23920——> 00:26:50810
我们周围让一些水就
波推

108
00:26:50810——> 00:27:02700
白

109
00:27:02700——> 00:27:13180
有你真好，然后
多拉的周围这一次在空气

110
00:27:13180——> 00:27:25790
包裹我让大家回去
到了停车场，决定

111
00:27:25790——> 00:27:30930
回顾一下今天发生的事情，我们开始
与背景板有两

112
00:27:30930——> 00:27:37210
部分，这部分很有
岩还有另一部分

113
00:27:37210——> 00:27:40850
将会取代砂银行
得到一些光泽的锁在左边

114
00:27:40，850——> 00:27:45950
还有烟的部分将
营造一种氛围，我想在

115
00:27:45950——> 00:27:49160
车下来会有一些烟
周围的车回来了

通过116
00:27:49160——> 00:27:54120
树和有一个卡或
只是需要我

117
00:27:54120——> 00:27:59110
元素可以到实际的车然后
有动荡，我认为她只是做了

118
00:27:59110——> 00:28:04060
非凡今天看到什么所谓的
她用那你知道带来

119
00:28:04060——> 00:28:09460
情感在绝望崩溃
我只是觉得它很漂亮我

120
00:28:09460——> 00:28:14500
真的很兴奋，这是什么时候复合
AV有女士朝着相机

121
00:28:14500——> 00:28:20380
和我们之前谈到的，我
喜欢拍摄安排我的照片

122
00:28:20380——> 00:28:25500
拍摄记录不只是当你
做复合材料他们也卷

123
00:28:25500——> 00:28:29670
借钱给你，如果有
密切的元素是密切相机它

124
00:28:29670——> 00：28:34840
将扭曲，甚至感觉更进一步与
委内瑞拉在冰箱里，比我

125
00:28:34840——> 00:28:39740
做她的照片我努力工作，在
概念提到

126
00:28:39740——> 00:28:44100
渐行渐远，我应该有一个较长的
透镜意味着更少的失真的

127
00:28:44100——> 00:28:48820
体体积的她，然后我
堆栈服务镜头，她会

128
00:28:48820——> 00:28:54780
具有相同的体积，这让我们有
拍摄背景板，当

129
00:28:54780——> 00:28:55430
你把它

130
00:28:55430——> 00:29:00940
24毫米的镜头你爬到它
在商店肯定发生在你的

131
00:29:00940——> 00:29:05120
作物进入课今天早上
类似于什么长镜头但

132
00:29:05120——> 00:29:09920
给你，我要有人来
对相机有长镜头

133
00:29:09920——> 00:29:13680
和一个很好的承担了让他们获得了更大的
当它们靠近

134
00:29:13680——> 00:29:17930
相机当我们接近这相机
站将拍摄的背景

135
00:29:17，930——> 00:29:23810
板所以我会让她成为
越会完美的适合我现在

136
00:29:23810——> 00:29:27570
不能仅以大框架虽然
这是封闭的，把她放在

137
00:29:27570——> 00:29:28620
背景

138
00:29:28620——> 00:29:30160
很奇怪

139
00:29:30160——> 00:29:35250
如果我选择与一个宽的框架
工作她的24毫米她是前面

140
00:29:35250——> 00:29:39860
因为他有两个体积接近
相机我不能把那块放在

141
00:29:39860——> 00:29:44520
背景现在我有这些
件我需要一个大的在

142
00:29:44520——> 00:29:48360
框架当时她还是她
走我不做前景