51
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the lights too if I wanted to see what
52
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that mask looked like i could click the
53
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green mask button to go to the mask view
54
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and then click the image button to go
55
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back to the imageview now if I wanted to
56
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add some contrast into the mid-tones i
57
00:02:21,810 --> 00:02:27,420
would add a brightness and contrast
58
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adjustment layer and then if I want to
59
00:02:27,420 --> 00:02:31,019
reset the lock channel to the current
60
00:02:29,489 --> 00:02:34,890
state of the image ID click the
61
00:02:31,019 --> 00:02:38,310
composite button and then click the
62
00:02:34,890 --> 00:02:42,450
mid-tone one button and now I could
63
00:02:38,310 --> 00:02:46,260
adjust those mid-tones so increasing the
64
00:02:42,450 --> 00:02:49,380
contrast and see maybe the brightness a
65
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little bit and now i can click through
66
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the different mid-tone mass to see which
67
00:02:52,260 --> 00:02:59,980
one look the best
68
00:02:57,280 --> 00:03:03,569
and working back the other way to
69
00:02:59,980 --> 00:03:05,670
compare
70
00:03:03,569 --> 00:03:09,239
think the mid-tones too does the best
71
00:03:05,670 --> 00:03:10,889
job to start but i'd like to create a
72
00:03:09,239 --> 00:03:12,480
little more total separation in that
73
00:03:10,889 --> 00:03:15,629
mid-tone mask
74
00:03:12,480 --> 00:03:17,579
not only are the masks auto applied to
75
00:03:15,629 --> 00:03:19,739
the active layer but so are any
76
00:03:17,579 --> 00:03:21,629
modifications you make to the mask using
77
00:03:19,739 --> 00:03:24,030
the red buttons and you can watch the
78
00:03:21,629 --> 00:03:26,670
effect of those modifications live right
79
00:03:24,030 --> 00:03:28,829
on the image so for example if I wanted
80
00:03:26,670 --> 00:03:31,590
to set a white-and-black point in that
81
00:03:28,829 --> 00:03:35,010
mid-tone mask i could click the pay for
82
00:03:31,590 --> 00:03:41,280
auto levels and see what that does to
83
00:03:35,010 --> 00:03:46,139
the image when the mass changes could
84
00:03:41,280 --> 00:03:49,019
also use the Infinity button and see the
85
00:03:46,139 --> 00:04:04,520
effects of infinite izing the mask on
86
00:03:49,019 --> 00:04:06,620
the image in real time
87
00:04:04,520 --> 00:04:09,710
so far I've made an adjustment layer
88
00:04:06,620 --> 00:04:11,840
then added a mask and then made an
89
00:04:09,710 --> 00:04:14,030
adjustment before checking other masks
90
00:04:11,840 --> 00:04:15,920
but you don't have to do it that way you
91
00:04:14,030 --> 00:04:18,680
can start by making the adjustment with
92
00:04:15,920 --> 00:04:21,650
no mask and then add the mass after that
93
00:04:18,680 --> 00:04:26,450
for example let's say I make a warming
94
00:04:21,650 --> 00:04:31,430
photo filter layer and I want to sample
95
00:04:26,450 --> 00:04:35,060
this color from the sunset out there to
96
00:04:31,430 --> 00:04:37,040
use for my color in the photo filter and
97
00:04:35,060 --> 00:04:39,770
then i'm going to turn up the density of
98
00:04:37,040 --> 00:04:42,260
that filter so that warm color washes
99
00:04:39,770 --> 00:04:44,270
throughout the image
100
00:04:42,260 --> 00:04:46,490
but now I realize that I don't want that
5100:02:05,729 --> 00:02:10,530the lights too if I wanted to see what5200:02:08,250 --> 00:02:12,660that mask looked like i could click the5300:02:10,530 --> 00:02:15,690green mask button to go to the mask view5400:02:12,660 --> 00:02:18,959and then click the image button to go5500:02:15,690 --> 00:02:21,810back to the imageview now if I wanted to5600:02:18,959 --> 00:02:23,940add some contrast into the mid-tones i5700:02:21,810 --> 00:02:27,420would add a brightness and contrast5800:02:23,940 --> 00:02:29,489adjustment layer and then if I want to5900:02:27,420 --> 00:02:31,019reset the lock channel to the current6000:02:29,489 --> 00:02:34,890state of the image ID click the6100:02:31,019 --> 00:02:38,310composite button and then click the6200:02:34,890 --> 00:02:42,450mid-tone one button and now I could6300:02:38,310 --> 00:02:46,260adjust those mid-tones so increasing the6400:02:42,450 --> 00:02:49,380contrast and see maybe the brightness a6500:02:46,260 --> 00:02:52,260little bit and now i can click through6600:02:49,380 --> 00:02:57,280the different mid-tone mass to see which6700:02:52,260 --> 00:02:59,980one look the best6800:02:57,280 --> 00:03:03,569and working back the other way to6900:02:59,980 --> 00:03:05,670compare7000:03:03,569 --> 00:03:09,239think the mid-tones too does the best7100:03:05,670 --> 00:03:10,889工作才开始,但想要创建7200:03:09,239--> 00:03:12,480在这一点完全分离7300:03:10,889--> 00:03:15,629中间色调的面具7400:03:12,480--> 00:03:17,579不只是自动应用于面具7500:03:15,629--> 00:03:19,739现用图层,但这样是任何7600:03:17,579--> 00:03:21,629你做面膜使用的修改7700:03:19,739--> 00:03:24,030红色的按钮,你可以看看7800:03:21,629--> 00:03:26,670这些修改活权利的影响7900:03:24,030--> 00:03:28,829在图像上如此,例如,如果我想要8000:03:26,670--> 00:03:31,590将中的白色和黑色点设置8100:03:28,829--> 00:03:35,010中间色调面具我可以单击的薪酬8200:03:31,590--> 00:03:41,280汽车的水平,看看什么这会对8300:03:35,010--> 00:03:46,139图像时大规模的改动就可以8400:03:41,280--> 00:03:49,019也使用无限按钮和见8500:03:46,139--> 00:04:04,520影响的无限自居的面具上8600:03:49,019--> 00:04:06,620在实时图像8700:04:04,520--> 00:04:09,710到目前为止,我做了调整图层8800:04:06,620--> 00:04:11,840然后添加一个面具,然后8900:04:09,710--> 00:04:14,030调整前检查其他面具9000:04:11,840--> 00:04:15,920但你不必那样做,你9100:04:14,030--> 00:04:18,680可以通过制作与调整9200:04:15,920--> 00:04:21,650没有面具,然后在那之后添加质量9300:04:18,680--> 00:04:26,450例如,假设我使气候变暖9400:04:21,650--> 00:04:31,430我和我的照片反滤层想得到的样本9500:04:26,450--> 00:04:35,060这种颜色从日落到外面9600:04:31,430--> 00:04:37,040使用我的照片滤镜的颜色和9700:04:35,060--> 00:04:39,770再露面的密度9800:04:37,040--> 00:04:42,260筛选,以便暖色洗9900:04:39,770--> 00:04:44,270整个图像10000:04:42,260--> 00:04:46,490但现在我意识到我不想那样
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