408
00:33:50,360 --> 00:33:53,810
that their so feather
409
00:33:53,810 --> 00:33:57,960
makes my selection into a soft edge and
set up a hard edge
410
00:33:57,960 --> 00:34:04,080
this gonna do that by 25 I think I can
pick you to go into quick mask to see
411
00:34:04,080 --> 00:34:05,270
what that looks like
412
00:34:05,270 --> 00:34:11,750
and now I need to furthermore select
Modify
413
00:34:11,750 --> 00:34:15,250
feather on the
414
00:34:15,250 --> 00:34:17,559
50
415
00:34:17,559 --> 00:34:21,790
feather so with this
416
00:34:21,790 --> 00:34:26,280
selection just selecting everywhere
outside if here
417
00:34:26,280 --> 00:34:29,429
now whatever I do is only gonna happen
418
00:34:29,429 --> 00:34:34,240
inside the selection which excludes my
center
419
00:34:34,240 --> 00:34:40,720
excludes that area faith that this
420
00:34:40,720 --> 00:34:45,240
up in order to bowler my masks a need to
click on my mask
421
00:34:45,240 --> 00:34:50,240
and I'm in a look at gatien blargh
sturgeon Eric Photoshop blur
422
00:34:50,240 --> 00:34:53,569
which is appropriate for blurring masks
and that's about it
423
00:34:53,569 --> 00:35:00,910
an ominous start to blur this up
424
00:35:00,910 --> 00:35:04,490
now wet naturally happens when I do this
425
00:35:04,490 --> 00:35:08,050
as these lines get more blared
426
00:35:08,050 --> 00:35:11,210
some that green comes then
427
00:35:11,210 --> 00:35:15,440
but it is starting to help
428
00:35:15,440 --> 00:35:19,230
that is a movie an
429
00:35:19,230 --> 00:35:26,500
the right direction
430
00:35:26,500 --> 00:35:30,560
them say okay and now I just need to
refine
431
00:35:30,560 --> 00:35:34,109
this as it transitions from out-of-focus
areas
432
00:35:34,109 --> 00:35:39,900
into the InFocus areas and more in focus
areas
433
00:35:39,900 --> 00:35:44,070
I just want to you can manually
434
00:35:44,070 --> 00:35:47,300
ease that transition from where
435
00:35:47,300 --> 00:35:57,329
I drew that selection line biggest
436
00:35:57,329 --> 00:36:09,980
places that's weird is kinda appear in
the front
437
00:36:09,980 --> 00:36:14,490
so this is a lot of steps and we're not
done yet
438
00:36:14,490 --> 00:36:20,970
and this is not something that I can go
into it saying
439
00:36:20,970 --> 00:36:24,010
I'm gonna do step 1 step 2 step 3:
440
00:36:24,010 --> 00:36:31,869
and know exactly what they are because
every picture is different
441
00:36:31,869 --> 00:36:36,970
every time I need to change the color of
something there's a different
442
00:36:36,970 --> 00:36:42,589
elements at play in this case it's
really all about
443
00:36:42,589 --> 00:36:45,619
the fall of the focus that screening
444
00:36:45,619 --> 00:36:50,790
more of a challenge here other times it
has to do with mixed lighting
445
00:36:50,790 --> 00:36:53,849
in a scene Inc cause weird problems
446
00:36:53,849 --> 00:36:57,650
and
447
00:36:57,650 --> 00:37:01,550
to me that's where Photoshop really gets
fun and frustrating
448
00:37:01,550 --> 00:37:05,530
at the same time its where
449
00:37:05,530 --> 00:37:11,190
it becomes the most gratifying through
problem solving
450
00:37:11,190 --> 00:37:14,549
like not knowing what the answer is
451
00:37:14,549 --> 00:37:18,500
but just resolving to you stick with it
452
00:37:18,500 --> 00:37:22,099
and keep trying things until all
453
00:37:22,099 --> 00:37:37,570
come up with there right solution
454
00:37:37,570 --> 00:37:42,280
so I can look at before and after feel
like the back
455
00:37:42,280 --> 00:37:46,000
edges are pretty
456
00:37:46,000 --> 00:37:51,410
dark
457
00:37:51,410 --> 00:37:54,380
wondering if I just want less than this
adjustment
458
00:37:54,380 --> 00:37:57,540
entirely and some others back areas
459
00:37:57,540 --> 00:38:01,160
and I'm not sure about that and I don't
really wanna
460
00:38:01,160 --> 00:38:04,590
at to ruin my good mask
461
00:38:04,590 --> 00:38:08,880
in order to try this out so I'm gonna
462
00:38:08,880 --> 00:38:14,050
ness this inside another mask to do that
I'm gonna put my group
463
00:38:14,050 --> 00:38:18,590
inside a group I have my group that's
doing this color change
464
00:38:18,590 --> 00:38:22,150
and I just added it inside another group
so I can add
465
00:38:22,150 --> 00:38:25,680
another mask to it some just nesting
466
00:38:25,680 --> 00:38:40,099
death in multiple masks and so now I can
just cut this effect down in the back
467
00:38:40,099 --> 00:38:45,619
and if I paid it back online its only
painting and on
468
00:38:45,619 --> 00:38:48,910
to you where the inside mask is
469
00:38:48,910 --> 00:38:52,180
so that still controlling at this one is
just
470
00:38:52,180 --> 00:38:55,380
allowing me to take it of further than
that
471
00:38:55,380 --> 00:38:58,380
I can't put it back on more
472
00:38:58,380 --> 00:39:08,839
than this first mask allow so working
with two masks in this way gives me
473
00:39:08,839 --> 00:39:12,900
some at and controls some added
redundancy to
474
00:39:12,900 --> 00:39:16,369
separate this adjustment of on multiple
475
00:39:16,369 --> 00:39:22,329
masks so I added some %uh this wine
coloration to my front
476
00:39:22,329 --> 00:39:26,140
fag and now I wanna carry that through
to some other places in the back
477
00:39:26,140 --> 00:39:30,829
so I think it's and that will mean
what's that
478
00:39:30,829 --> 00:39:34,089
Ste really does start to help make this
479
00:39:34,089 --> 00:39:42,680
block more natural
480
00:39:42,680 --> 00:39:46,720
had its it looks like they're just grain
481
00:39:46,720 --> 00:40:07,309
and I don't see any and be purple
482
00:40:07,309 --> 00:40:10,730
okay serb reach that point where I'm not
sure where I wanna go
483
00:40:10,730 --> 00:40:14,890
next with this skin change
484
00:40:14,890 --> 00:40:18,540
so now it's time for me to take a step
back and look at my picture as a whole
485
00:40:18,540 --> 00:40:23,630
I haven't added any contrast a remade
any adjustments for my photo as a whole
486
00:40:23,630 --> 00:40:31,790
so let's start working on that feeling
like this needs to get brighter
487
00:40:31,790 --> 00:40:33,819
particularly in the background
488
00:40:33,819 --> 00:40:59,560
and a bit more contrast
489
00:40:59,560 --> 00:41:05,420
left foot that to blacken
490
00:41:05,420 --> 00:41:26,090
mass getting
491
00:41:26,090 --> 00:41:29,930
and I'm gonna keep working with these
Kors looking at that
492
00:41:29,930 --> 00:41:33,720
foreground plate had their
493
00:41:33,720 --> 00:41:37,130
little drips on the plate
494
00:41:37,130 --> 00:41:41,190
in this nice 10 ality in the edge in
this class
495
00:41:41,190 --> 00:42:08,470
they want that to pop
496
00:42:08,470 --> 00:42:12,490
wanna see that hopefully kinda
497
00:42:12,490 --> 00:42:19,090
fell into shadow and some others places
I make sure nough
498
00:42:19,090 --> 00:42:22,850
doing too much to my bread here
499
00:42:22,850 --> 00:42:42,099
this one that now liking on the Bren
500
00:42:42,099 --> 00:42:47,299
lotta red in this a look at just the
saturating Meyer adds a little bit