100:00:16,059 --> 00:00:18,710this

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this segment we're going to be dealing
with Kameron

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everything you need to know about camera
so

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the first and foremost is my best friend
over here which is the preview button

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if you don't have the preview button
showing on top

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the shortcut still exist in the shorter
as key within camera other

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different perhaps over here the preview
button will only show you that before

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after for the current have that you're
under the two times that I mainly use

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the basic comp and the HSL so let's go
ahead and start off in the basic tap

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the basic how we first start off with
the white balance

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only come for just in the white balance
at this point we're not looking to get

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any kind of creative

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color in or Tony in our Image for the
first

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ninety-five percent or workflow

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were getting the image to look as
perfectly natural

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as we possibly can all the way towards
that

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and over at the last few minutes is when
we get creative

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work that horning and give the image the
mood or

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some people are calling a preset look by
doing it

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in this entire manner your making sure
to walk away

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with consistency everyone under images
are

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retouch with the same exact workflow and
like this

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you could edit at three in the morning
at 7 a.m. when you're tired when you're

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sad when you're happy

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it all your images will have the same
consistency you know exactly what you're

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doing in your sleep you'll be able to
read knockout

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and its one by one after another so
let's go ahead and do the white balance

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first

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the way we do the white balance is we
concentrate on the skin and now

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the background and the reason for this
is because the skin is the crucial part

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over at it

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that is the hardest partners are image

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to nail the coloring on so when we're
just in the white balance but

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concentrate on the skin to get the skin
to look

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as natural as possible and where we do
this as we look at the skin

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rocked the slider back on for so there's
no scientific method

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to getting this done you simply just
look at the image

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iraq it back and forth to your liking
injures narrow them take xactly where

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you want it

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this is how I like it for the white
balance

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let's go ahead and talk about the next
adjustment so

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I always under expose my images and the
reason for that

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is a matching if I heard schott let a
properly exposed would be here

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now our skin is extremely flat and it's
not too bright for me I really see the

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details in her skin

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so this is why I start off with a darker
image

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and then I'm able to really shaped the
light under scare

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as a rule in general it's a lot easier
to brighten scare

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Bennett is put darkened skin which is
why I like starting off with slightly

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darker skin

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now the skinniest though slightly break
compared to the rest to the image so

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what I'm gonna do is

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since the skin fold under highlights
category in this image

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we're gonna bring back some detail in
the highlight that I'm going to brighten

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up the shadows a little bit

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now let's do the same thing in the
blacks so

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what people get really confused by when
the first look at Kameron

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is that there's highlights shadows
whites than blacks

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in the first question everyone asks what
the difference between the highlights

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and the whites so the highlight is
everything and the absolute greatest

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pixel other image so in this case her
skin is the absolute brightest pixel

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other image

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the wait another half hour anything on
the brighter side

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so that would be more of like her
clothing

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right here in the background so I'm
actually gonna bring the white

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up just a little bit and it is affecting
her skin as well

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but it's also bringing up for hear her
shirt and that background

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the last thing I wanna do is I'm
actually gonna do that opposite

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up out in contrast I'm not take away a
little bit of contract because the image

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is so contrast the

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her skin looks a little the blotchy
because there's dark and bright

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areas right next to each other right
around here too low but blotchy

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an the background also is there's

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too much about contrast going on right
over here

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so by taking my contrast from where it
was at

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and taking away contrast I'm actually a
smoothing out the lighting in the image

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a little bit

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now if you go too much obviously the
image is gonna look flat

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you never want to do too much but it
just a little bit take away that

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crazy contrast that has let's go ahead
and turn our preview on of I do that by

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hitting the P button

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this is before and that's after

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so one more time this is before and
that's after

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the next thing I want to do with out a
little bit of clarity

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now a lot of people frown upon the
clarity slider but if you use it

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correctly it really helps out

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make the image pop so as a man over here
to the hair

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not had clearly stated see what it does
you could see how

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it to the image from over here looks a
little bits of

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to over here where so we everything
sharpened a little bit but the problem

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is that we come up to her face now you
can see how rough

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her skin now looks so this is how our
skin was before

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and after we at all that clearly this is
how our skin looks

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so it's a little bit too rushed so the
way I like doing it as it went to the

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face I slowly add clarity

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until I see this can be coming to rock
usually I don't exceed 15

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normally it's around her and this image
15 looks good now the reason we like and

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Claire is because the sharpens the hair

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the eyes the lips and clothing and it
just really makes that pop

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the next thing we're gonna do is jump
over

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into the HSL it yourself stance for hugh
saturation

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Lunt he was when you pick a color any
change it to a different color

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so this is useful when the images a
little bit more on the right side

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you're able to come to read and make
those red more

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orange in this case we actually don't
you do that at all

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so let's jump over into luminance
lawrence's when

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you take a specific color make that
color a writer

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so for example let's say the Greens over
here you want that to be brighter all

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our

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all that yellow and green over ground
outside so

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I actually don't want to be later but i
wanna show you how we could make that

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later

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but just coming over to the yellows and
making operator going to the greens and

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written operator and also let's try that

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結果 (中文) 1:

100:00:16，059--> 00:00:18，710我们要处理这段与卡梅伦200:00:18，710--> 00:00:22，090一切你需要知道的关于相机所以300:00:22，090--> 00:00:26，440首先是我最好的朋友在这里，这是预览按钮400:00:26，440--> 00:00:30，020如果你没有预览按钮在上面显示500:00:30，020--> 00:00:34，910快捷方式仍然存在在越短作为其他相机内的键600:00:34，910--> 00:00:39，129也许在这里预览不同按钮将只显示你之前700:00:39，129--> 00:00:44，180后为当前有你我主要使用的两个时代下800:00:44，180--> 00:00:49，770基本 comp 和 HSL，所以让我们去前方和刚一发动就基本水龙头900:00:49，770--> 00:00:54，059我们如何首先开始基本白平衡1000:00:54，059--> 00:00:58，340只来只是在白平衡在这一点上，我们不想要得到1100:00:58，340--> 00:00:59，930任何一种创造性的1200:00:59，930--> 00:01:04，089我们为的图像中的颜色或托尼第一次1300:01:04，089--> 00:01:07，16095%或工作流1400:01:07，160--> 00:01:10，170得到的图像来看作为非常自然1500:01:10 170--> 00:01:13，459尽我们所能一路走向那1600:01:13，459--> 00:01:16，740在最后几分钟就是当我们有创意1700:01:16，740--> 00:01:20，720工作，自，给图像情绪或1800:01:20，720--> 00:01:24，530有些人通过调用预设的看做它1900:01:24，530--> 00:01:28，979在这整个的方式你确保要走了2000:01:28，979--> 00:01:32，250每个人根据图像具有一致性都是2100:01:32，250--> 00:01:36，039使用相同的确切工作流进行修饰和喜欢这个2200:01:36，039--> 00:01:40，700您可以编辑在凌晨三点在 7 上午当你疲倦时，你就是2300:01:40，700--> 00:01:42，009伤心时你快乐2400:01:42，009--> 00:01:46，099它所有的图像都具有相同的你知道你到底要什么的一致性2500:01:46，099--> 00:01:48，789做在你的睡梦中你就可以到读淘汰赛2600:01:48，789--> 00:01:53，119和它的一个由一个接一个如此让我们继续和做白平衡2700:01:53，119--> 00:01:53，599第一次2800:01:53，599--> 00:01:57，200我们做白平衡的方式是我们专注于皮肤和现在2900:01:57，200--> 00:02:01，149背景和原因因为皮肤是至关重要的一部分3000:02:01，149--> 00:02:01，849在它的结束3100:02:01，849--> 00:02:05，050这就是最大的合作伙伴是图像3200:02:05，050--> 00:02:09，229以钉着色上所以当我们是只是在白平衡但3300:02:09，229--> 00:02:11，800专注于皮肤，使皮肤来看看3400:02:11，800--> 00:02:15，870作为尽可能自然和我们在哪里这正如我们看皮肤3500:02:15，870--> 00:02:19，860所以还有回震撼滑块没有科学的方法3600:02:19，860--> 00:02:23，560这仅仅只是做你看看图片3700:02:23，560--> 00:02:28，239伊拉克来来回回给你的喜好伤害他们采取 xactly 的窄在哪里3800:02:28，239--> 00:02:28，920你想要它3900:02:28，920--> 00:02:32，810这就是我喜欢它的白色平衡4000:02:32，810--> 00:02:36，299让我们继续和谈下一步调整所以4100:02:36，299--> 00:02:39，450我总是下暴露我的图片和理由4200:02:39，450--> 00:02:43，629是的匹配，如果听到了肖特让正确曝光的就会在这里4300:02:43，629--> 00:02:48，359现在我们的皮肤是非常平坦，它是我真的看不太亮4400:02:48，359--> 00:02:49，739在她的皮肤的详细信息4500:02:49，739--> 00:02:53，260所以这就是为什么我开始了与黑暗图像4600:02:53，260--> 00:02:57，220然后我就能够真正塑造在恐慌下的光4700:02:57，220--> 00:03:01，799作为一项规则，一般很容易得多要照亮恐慌4800:03:01，799--> 00:03:05，920贝内特是放是的暗调的肤色为什么我喜欢开始略4900:03:05，920--> 00:03:06，890皮肤黝黑5000:03:06，890--> 00:03:11，079现在瘦虽然略有突破所以相比其余的图像5100:03:11 079--> 00:03:11，980怎么办是5200:03:11，980--> 00:03:15，390因为皮肤褶皱下的凸显在这张图片的类别5300:03:15，390--> 00:03:19，560我们要带回的一些细节我要去照亮亮点5400:03:19，560--> 00:03:21，139了一点点的阴影5500:03:21，139--> 00:03:25，560现在让我们做同样的事黑人这样5600:03:25，560--> 00:03:28，959什么人真的糊涂的时候第一次看看卡梅伦5700:03:28，959--> 00:03:32，579就是高光阴影白人比黑人5800:03:32，579--> 00:03:36，660在第一个问题，每个人都问什么亮点之间的区别5900:03:36，660--> 00:03:41，090和白人所以是亮点一切都和绝对最大6000:03:41，090--> 00:03:46，510其他的图像在这种情况下她皮肤是绝对最亮像素6100:03:46，510--> 00:03:47，230其他的图像6200:03:47，230--> 00:03:50，419等待另一个半小时上的所有东西光明的一面6300:03:50，419--> 00:03:53，219所以，这将有更多的像她服装6400:03:53，219--> 00:03:57，109在后台，所以我就在这里实际上要带白色6500:03:57，109--> 00:04:00，650最多只是一点点，这影响了她的皮肤以及6600:04:00，650--> 00:04:04，010但它也带来了听到她衬衫和那背景6700:04:04，010--> 00:04:07，750我想要做的最后一件事是我到底要做那相反6800:04:07，750--> 00:04:11，840上了与此相反我不是带走一点点的合同，因为图像6900:04:11，840--> 00:04:13，170是如此的对比7000:04:13，170--> 00:04:16，900她的皮肤看起来一个小斑点因为黑暗与光明7100:04:16 900--> 00:04:20，910都放在正确的领域这儿太低，但斑点7200:04:20，910--> 00:04:24，020背景也是有7300:04:24，020--> 00:04:27，220太多关于去右边的对比在这里7400:04:27，220--> 00:04:30，620所以，通过采取我对比从哪里它当时7500:04:30，620--> 00:04:35，720带走了我实际的对比在图像中照明进行平滑处理7600:04:35，720--> 00:04:36，389一点点7700:04:36，389--> 00:04:39，940现在，如果你去太多明显将图像看起来是平7800:04:39，940--> 00:04:43，630你永远不会想要做太多但它只是一点点带走，7900:04:43，630--> 00:04:48，370让我们继续的疯狂对比然后我们预览上的我做的8000:04:48，370--> 00:04:49，570按 P 键8100:04:49，570--> 00:04:52，690这是之前，那是后8200:04:52，690--> 00:04:56，720因此，一个更多的时间这是之前和这就是后8300:04:56，720--> 00:04:59，880接下来想要出去一点点的清晰8400:04:59，880--> 00:05:03，539现在很多人看不惯清晰的滑块，但如果你使用它8500:05:03，539--> 00:05:05，210正确，它确实能帮8600:05:05，210--> 00:05:08，550使图像流行所以作为一个人在这里给头发8700:05:08，550--> 00:05:16，039没有明确指出的见它做什么你可以看到如何8800:05:16，039--> 00:05:19，780它从这里显得形象小块8900:05:19，780--> 00:05:23，740来过这里哪里那么我们的一切但这个问题有点磨9000:05:23，740--> 00:05:26，460是，我们来到她的脸现在你可以看到如何粗糙9100:05:26，460--> 00:05:30，860她的皮肤现在看起来这就是如何我们皮肤是前9200:05:30，860--> 00:05:33，909之后我们在所有的显然这是我们的皮肤的外观9300:05:33，909--> 00:05:37，590所以有一点点太匆忙所以我喜欢因为它去做它的方式9400:05:37，590--> 00:05:39，560我慢慢地添加清晰的脸9500:05:39，560--> 00:05:44，139直到我看到这可以来到岩我通常不会超过 159600:05:44，139--> 00:05:49，699它通常是在她周围，这幅图像15 看起来很好，现在我们喜欢的原因和9700:05:49，699--> 00:05:51，810克莱尔是因为锐化头发9800:05:51,810 --> 00:05:55,990the eyes the lips and clothing and itjust really makes that pop9900:05:55,990 --> 00:05:59,449the next thing we're gonna do is jumpover10000:05:59,449 --> 00:06:03,449into the HSL it yourself stance for hughsaturation10100:06:03,449 --> 00:06:06,969Lunt he was when you pick a color anychange it to a different color10200:06:06,969 --> 00:06:10,840so this is useful when the images alittle bit more on the right side10300:06:10,840 --> 00:06:13,889you're able to come to read and makethose red more10400:06:13,889 --> 00:06:17,509orange in this case we actually don'tyou do that at all10500:06:17,509 --> 00:06:21,059so let's jump over into luminancelawrence's when10600:06:21,059 --> 00:06:24,419you take a specific color make thatcolor a writer10700:06:24,419 --> 00:06:28,589so for example let's say the Greens overhere you want that to be brighter all10800:06:28,589 --> 00:06:28,979our10900:06:28,979 --> 00:06:32,080all that yellow and green over groundoutside so11000:06:32,080 --> 00:06:35,009I actually don't want to be later but iwanna show you how we could make that11100:06:35,009 --> 00:06:35,620later11200:06:35,620 --> 00:06:39,650but just coming over to the yellows andmaking operator going to the greens and11300:06:39,650 --> 00:06:41,960written operator and also let's try that11400:06:41,960 --> 00:06:

結果 (中文) 3:

1预热器16059 00: 00: 00：00 - >这段18710预热器：我们会处理好与kameron预热器预热器预热器：2：00 00 00 00 18710—>：：一切你需要知道22090预热器预热器。预热器预热器室我3点钟：22090 - 00：00 - >：foremost is the first 26440预热器预热器和我最好的朋友在这里which is the preview按钮4预热器预热器26440 00：00 - > 00：00：：如果你不30020预热器预热器have the preview按钮前预热器预热器在线表现5：00：00—30020 00：00 - >：34910预热器快捷方式仍然存在在短
作为关键内其他相机

6
00:00:34910——> 00:00:39129
不同也许在这里
预览按钮将只显示您在

7
00:00:39129——> 00:00:44180
后电流有你
下两次，我主要使用
8

00:00:44180——> 00:00:49770
基本COMP和HSL让我们去前方
开始基本水龙头

9、00:00:49770——
> 00:00:54059基本我们如何开始与
白平衡

10
00:00:54059——> 00:00:58340
才刚刚在白平衡
在这一点上，我们不希望让

11
00:00:58340——任何一种创造性

12
00:00:59930
> 00:00:59930——> 00:01:04089
颜色或托尼在我们的形象
1

13
00:01:04089——
> 00:01:07160百分之九十五或工作流

14
00:01:07160——> 00:01:10170
获得的图像看起来非常自然的


15
00:01:10170——> 00:01:13459
我们可能所有的方式向


16
00:01:13459——> 00:01:16740
和在最后几分钟是当
我们得到创造性

17
00:01:16740——>
00:01:20720工作鸣笛，给图像或

18
00:01:20720——> 00:01
心情：24530
有些人调用预置看看
做它

19
00:01:24530——> 00:01:28979
这整个的方式你确保
走了

20
00:01:28979——> 00:01:32250
一致性，每个人都在图像


21
00:01:32250——> 00:01:36039
润饰的相同精确工作流和
这样22


00:01:36039——> 00:01:40700
你可以编辑三上午
在早上7点当你是累了当你

23
00:01:40700——>
00:01:42009悲伤当你快乐24


00:01:42009——
> 00:01:46099它你所有的图片，将有相同、一致性你知道什么你

25
00:01:46099——> 00:01:48789
做在你的睡眠，你会是可以到
读敲除

26
00:01:48789——> 00:01:53119
和对其逐一后另一个如此
让我们继续做白平衡

27、00:01:53119——> 00:01:53599
1

28
00:01:53599——我们做白平衡
> 00:01:57200方式是我们
专注于皮肤和现在

29
00:01:57200——> 00:02:01149
的背景和这
的原因是因为皮肤的关键部分

3
00:02:01149——> 00:02:01849
在它

31
00:02:01849——> 00:02:05050
，是最难的合作伙伴是图像

32
00:02:05050——> 00：