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dope
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good I'm curtain and East for
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Rd GED you and we're retouching cinnamon
twists
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so here we have two captures have
cinnamon twists
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and in Rob's nazis know that he's noted
that
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103 is his here al
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this is his preference and one IQ has
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I'm a brighter surface
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and nice reflection in the top the
coffee
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now there's just a little bit more
highlight
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in the top of the copy their summer in a
blend these two exposures
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and select them both in command Ian
capture 12 process in
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open them up in Photoshop paper the
second one to come up here
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and then and now on sale 10
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three is our hero drag this out a tad
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easier to you get at them not into
halves
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to a combine them okay so I have my two
files
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absent West open and Photoshop 123 is
our hero exposure 102
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is our secondary exposure where we like
really that reflection
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in the top the coffee some gonna take
our secondary exposure in Dragon entire
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primary exposure
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holding down the shift key angle and
close the other once I remember
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watch when I'm working on and I'm just
gonna a
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at add a layer mask most the time I show
adding a layer mask
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and then came and I to flip it to black
we do that
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over and over and over again there's
actually a shortcut that takes one
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little step out at that
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before right had the layer mask if I
hold down the option key
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when I add my layer mask Photoshop goes
ahead and make that black for me
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because it knows that most the time when
I'm adding a layer mask I
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only wanna paint again in a very small
area into starting with
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a black layer masks is hopeful from the
paint white to reveal that
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secondary exposure on the top
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my coffee holding down the shift key I
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can see you Wed other areas that the
image
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I am i like better
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with that exposure and I think that the
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yet I something that the shadow
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on the right side at that coffee is nice
turn the secondary exposure just a
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little more depth
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to that shadow and send us the lamar
contrast to the immense
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maybe just split the difference down
here and just masking that an
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ever so slightly my history there
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and I think that's nice and now I'm just
gonna move on to you
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go ahead doing my cleanup work can I
have my client stamp tool and I made a
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blank layer
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with my sample current and below which
is gonna allow me to clone
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and keep the new information on my bling
Claire
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rather than duplicating the background
and I'm just going to clone out anything
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that really
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catches my eye is confusing or just like
30
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thing that shouldn't be there clean up
some other crumbs on this
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play I don't to remove them all because
the sentiment West's
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are really crunchy in flaky and that's
why they're good
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I'm not removing all of them and just
removing any that this really catch my
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eye
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I'm seems like the darker ones catch my
eye
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the lighter ones I'm gonna leave
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some of these darker ones I'm gonna take
out
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and some I'm just gonna take out Parkway
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become a little bit lighter
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known about this handle on the my I get
the highlight
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on this edge in the my blends with the
background and so it looks like this
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hand all just ins and there's a long gap
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think just that kinda clarified that the
to connect
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I'm moving there harder edge meaning
some those times
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and just looks like it connects a little
bit more
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in through the side grooves in the table
surface it's really nice that has this
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ninth texture
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but this feels a little complicated to
me
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and is fighting with Summitt within the
cinnamon some just gonna simplify that
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a little bat in with the low opacity
clone stamp and this cannot lightning in
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some other
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darker are sections that this would
texter
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system make a small moved to
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I simplicity particularly along the
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edge the image
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so I like the white crumbs but the
center right up against the
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add to the image on that into the frame
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are catching my eye someone to take
those out
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and some these that are over the
highlight on the plate create just
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will shadows simplifying those might be
nice
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K
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to now look at to adding just a little
bit a contrast just the kind of
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finished death image of had just a
little depth to the chat as
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and a little punch to the highlight
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images really bright
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in a race I don't wanna I'm not gonna do
you any sort and vignette
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that darkens I'm gonna keep this ninth
and Heikki
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get
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adding bringing up I'm it and just a
little that
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and again I'm gonna put my master black
man dying
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i Mees this just take brighten up the
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ins a the Sandman's depth
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and the coffee as well
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small moon
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says cuz I cannot help myself I'm gonna
come back in here in
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take out this one more crime that's
right
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on the edge the plea something about its
placement is really
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catching my eye we have a lot in nice
crumbs on