100:00:04,380 --> 00:00:09,130dope200:00:09,130 --> 00:00:12,240good I的中文翻譯

100:00:04,380 --> 00:00:09,130dope2

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dope

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good I'm curtain and East for

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Rd GED you and we're retouching cinnamon
twists

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so here we have two captures have
cinnamon twists

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and in Rob's nazis know that he's noted
that

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103 is his here al

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this is his preference and one IQ has

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I'm a brighter surface

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and nice reflection in the top the
coffee

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now there's just a little bit more
highlight

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in the top of the copy their summer in a
blend these two exposures

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and select them both in command Ian
capture 12 process in

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open them up in Photoshop paper the
second one to come up here

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and then and now on sale 10

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three is our hero drag this out a tad

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easier to you get at them not into
halves

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to a combine them okay so I have my two
files

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absent West open and Photoshop 123 is
our hero exposure 102

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is our secondary exposure where we like
really that reflection

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in the top the coffee some gonna take
our secondary exposure in Dragon entire

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primary exposure

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holding down the shift key angle and
close the other once I remember

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watch when I'm working on and I'm just
gonna a

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at add a layer mask most the time I show
adding a layer mask

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and then came and I to flip it to black
we do that

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over and over and over again there's
actually a shortcut that takes one

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little step out at that

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before right had the layer mask if I
hold down the option key

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when I add my layer mask Photoshop goes
ahead and make that black for me

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because it knows that most the time when
I'm adding a layer mask I

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only wanna paint again in a very small
area into starting with

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a black layer masks is hopeful from the
paint white to reveal that

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secondary exposure on the top

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my coffee holding down the shift key I

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can see you Wed other areas that the
image

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I am i like better

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with that exposure and I think that the

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yet I something that the shadow

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on the right side at that coffee is nice
turn the secondary exposure just a

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little more depth

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to that shadow and send us the lamar
contrast to the immense

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maybe just split the difference down
here and just masking that an

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ever so slightly my history there

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and I think that's nice and now I'm just
gonna move on to you

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go ahead doing my cleanup work can I
have my client stamp tool and I made a

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blank layer

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with my sample current and below which
is gonna allow me to clone

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and keep the new information on my bling
Claire

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rather than duplicating the background
and I'm just going to clone out anything

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that really

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catches my eye is confusing or just like
30

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thing that shouldn't be there clean up
some other crumbs on this

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play I don't to remove them all because
the sentiment West's

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are really crunchy in flaky and that's
why they're good

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I'm not removing all of them and just
removing any that this really catch my

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eye

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I'm seems like the darker ones catch my
eye

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the lighter ones I'm gonna leave

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some of these darker ones I'm gonna take
out

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and some I'm just gonna take out Parkway

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become a little bit lighter

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known about this handle on the my I get
the highlight

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on this edge in the my blends with the
background and so it looks like this

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hand all just ins and there's a long gap

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think just that kinda clarified that the
to connect

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I'm moving there harder edge meaning
some those times

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and just looks like it connects a little
bit more

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in through the side grooves in the table
surface it's really nice that has this

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ninth texture

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but this feels a little complicated to
me

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and is fighting with Summitt within the
cinnamon some just gonna simplify that

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a little bat in with the low opacity
clone stamp and this cannot lightning in

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some other

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darker are sections that this would
texter

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system make a small moved to

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I simplicity particularly along the

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edge the image

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so I like the white crumbs but the
center right up against the

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add to the image on that into the frame

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are catching my eye someone to take
those out

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and some these that are over the
highlight on the plate create just

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will shadows simplifying those might be
nice

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K

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to now look at to adding just a little
bit a contrast just the kind of

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finished death image of had just a
little depth to the chat as

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and a little punch to the highlight

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images really bright

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in a race I don't wanna I'm not gonna do
you any sort and vignette

89
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that darkens I'm gonna keep this ninth
and Heikki

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get

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adding bringing up I'm it and just a
little that

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and again I'm gonna put my master black
man dying

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i Mees this just take brighten up the

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ins a the Sandman's depth

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and the coffee as well

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small moon

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says cuz I cannot help myself I'm gonna
come back in here in

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take out this one more crime that's
right

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on the edge the plea something about its
placement is really

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catching my eye we have a lot in nice
crumbs on
0/5000
原始語言: -
目標語言: -
結果 (中文) 1: [復制]
復制成功!
100:00:04,380--> 00:00:09,130涂料200:00:09,130--> 00:00:12,240好,我是幕东300:00:12,240--> 00:00:16,150Rd GED 你和我们修饰肉桂曲折400:00:16,150--> 00:00:19,640所以在这里我们有两个捕获有肉桂的曲折500:00:19,640--> 00:00:23,470在罗布的纳粹知道,他注意到那600:00:23,470--> 00:00:27,250103 是他这里的基地700:00:27,250--> 00:00:31,939这是他的偏好,一个智商有800:00:31,939--> 00:00:35,739我是一个明亮的表面900:00:35,739--> 00:00:39,270和好的反思,在顶部咖啡1000:00:39,270--> 00:00:43,250现在有只是多一点点突出显示1100:00:43,250--> 00:00:46,260在副本上他们的夏天混合这些二次曝光1200:00:46,260--> 00:00:51,070并选择在命令伊恩捕获 12 过程中1300:00:51,070--> 00:01:02,760在 Photoshop 文件中打开它们二人到这里来1400:01:02,760--> 00:01:06,030然后和现已发售 101500:01:06,030--> 00:01:14,499三是我们的英雄拖出这一点点1600:01:14,499--> 00:01:18,679容易到你看不到他们一半1700:01:18,679--> 00:01:25,600结合他们好了我让我的两个文件1800:01:25,600--> 00:01:30,380缺席的西部开放和 Photoshop 123 是我们的英雄曝光 1021900:01:30,380--> 00:01:34,299是我们二次曝光我们喜欢的地方真的这种思考2000:01:34,299--> 00:01:40,969在顶部的咖啡,一些要带我们在龙整个的二次曝光2100:01:40,969--> 00:01:42,240主要曝光2200:01:42,240--> 00:01:46,609按住 shift 键角和一旦我记得关闭其他2300:01:46,609--> 00:01:51,600当我正在和我只是看去2400:01:51,600--> 00:01:57,229在添加图层蒙版最我显示的时间添加图层蒙版2500:01:57,229--> 00:02:00,369然后了,我要将它翻转到黑我们这样做2600:02:00,369--> 00:02:03,969遍又一遍又一遍还有其实作为一种快捷方式2700:02:03,969--> 00:02:05,259在那出小步2800:02:05,259--> 00:02:09,420右图层蒙版如果以前我按住 option 键2900:02:09,420--> 00:02:13,959当我添加 Photoshop 去我图层蒙版未来和为我做那黑色3000:02:13,959--> 00:02:18,770因为它知道,大部分时间当我添加图层蒙版我3100:02:18,770--> 00:02:23,110只想要再画一次在一个非常小区域到入手3200:02:23,110--> 00:02:28,670黑色的图层蒙版是从充满希望漆成白色,表明3300:02:28,670--> 00:02:32,100在上面的二次曝光3400:02:32,100--> 00:02:36,850我按住 shift 键,我的咖啡3500:02:36,850--> 00:02:40,340能看到你星期三其他区域,图像3600:02:40,340--> 00:02:43,450我就是我更喜欢3700:02:43,450--> 00:02:50,070与接触,我认为,3800:02:50,070--> 00:02:54,180然而,我的东西,阴影3900:02:54,180--> 00:02:57,910在右边在那咖啡是不错就把二次曝光4000:02:57,910--> 00:02:59,180更多深度4100:02:59,180--> 00:03:03,570对那阴影和发送给我们拉马尔巨大的对比4200:03:03,570--> 00:03:07,810也许只是分裂下的差异在这里,只是掩盖了,4300:03:07,810--> 00:03:23,629我稍稍的历史: 那里4400:03:23,629--> 00:03:26,290我认为这是很好,现在我只是要继续下去,到你4500:03:26,290--> 00:03:32,319往前走,我可以做我的清理工作有我的客户端图章工具和我做了4600:03:32,319--> 00:03:33,780空白图层4700:03:33,780--> 00:03:37,969与我的样品当前和下面的要允许我克隆4800:03:37,969--> 00:03:41,189并保持我金光闪闪的新资料克莱尔4900:03:41,189--> 00:03:47,310而不是复制的背景和我只要去克隆出任何东西5000:03:47,310--> 00:03:48,329那真的5100:03:48,329--> 00:03:52,409抓住我的眼睛是混乱或者就像305200:03:52,409--> 00:03:57,819不应该有清理的东西这一些其他碎屑5300:03:57,819--> 00:04:02,109我不想因为删除他们所有的戏剧西人气5400:04:02,109--> 00:04:06,340是真的在片状嘎吱嘎吱的他们为什么好5500:04:06,340--> 00:04:10,950我不在消除所有的他们,只是删除任何这真的抓到我5600:04:10,950--> 00:04:11,790眼睛5700:04:11,790--> 00:04:15,919我看起来像深色抓我眼睛5800:04:15,919--> 00:04:19,669我要离开,轻的5900:04:19,669--> 00:04:22,710我要去拿这些较暗的一部分出6000:04:22,710--> 00:04:26,720和一些我只要去拿出大路6100:04:26,720--> 00:04:56,569变得有点轻6200:04:56,569--> 00:04:59,919了解此句柄上我吧突出显示6300:04:59,919--> 00:05:05,560在这方面的优势在与我共混物背景,所以它看起来像这样6400:05:05,560--> 00:05:09,380手都只是 ins 并长期的差距6500:05:09,380--> 00:05:13,550认为只是有点澄清说,连接6600:05:13,550--> 00:05:18,900我要更加努力边缘意义一些在那些时候6700:05:18,900--> 00:05:31,939只是看起来有点连接多一点6800:05:31,939--> 00:05:35,699在通过表中侧槽表面真是太好,有这6900:05:35,699--> 00:05:36,959第九届纹理7000:05:36,959--> 00:05:40,309但这让人感觉到有点复杂我7100:05:40,309--> 00:05:44,869和 Summitt 内打架有的只要简化,肉桂7200:05:44,869--> 00:05:50,429一只小蝙蝠与低不透明度仿制图章和这无法在闪电7300:05:50,429--> 00:05:51,080其他一些7400:05:51,080--> 00:05:54,409较暗的部分,这将texter7500:05:54,409--> 00:05:57,839系统使搬到一个小7600:05:57,839--> 00:06:02,349我简单特别是一直7700:06:02,349--> 00:06:12,420边缘图像7800:06:12,420--> 00:06:16,480所以我喜欢白色的面包屑但中心反对的权利7900:06:16,480--> 00:06:20,270将添加到图像上,插入的框架8000:06:20,270--> 00:06:41,390有人去正在抓我的眼睛那些出8100:06:41,390--> 00:06:45,000和一些这些已经结束突出显示板上的只是创建8200:06:45,000--> 00:07:01,429将阴影简化那些可能很好8300:07:01,429--> 00:07:04,300K8400:07:04,300--> 00:07:08,669到现在看看加入只是一点点钻头的对比是那种的8500:07:08,669--> 00:07:13,750成品的死亡意象的刚小深度作为聊天8600:07:13,750--> 00:07:17,970和一个小拳向突出显示8700:07:17 970--> 00:07:21,169真的很明亮的图像8800:07:21,169--> 00:07:25,030在一场比赛我不想我不会做你的任何排序和小插图8900:07:25 030--> 00:07:28,849那变暗我要去保持这第九和科瓦莱宁9000:07:28,849--> 00:07:35,110获取9100:07:35,110--> 00:07:39,190添加抚养我也只是小,9200:07:39,190--> 00:07:46,000再就把我的主人黑色人死亡9300:07:46,000--> 00:07:51,479我这才拿 Mees 照亮9400:07:51,479--> 00:07:55,310ins 桑德曼的深度9500:07:55,310--> 00:08:01,130和咖啡一样好9600:08:01,130--> 00:08:25,900小月亮9700:08:25,900--> 00:08:29,690说的因为情不自禁我要去回来在这里在9800:08:29,690--> 00:08:32,890拿出这一个更多的犯罪的权利9900:08:32,890--> 00:08:37,050边上的恳求一些关于其位置是真的10000:08:37 050--> 00:08:40,529我们有很多漂亮能吸引我上的面包屑
正在翻譯中..
結果 (中文) 3:[復制]
復制成功!
1预热器04380 00: 00: 00:00 - >:2预热器预热器预热器后09130 09130 00:00:00:00 - >:好我的窗帘12240预热器预热器和预热器3和东12240 00:00 - > 00:00::你和16150届GED我们retouching预热器预热器预热器twists肉桂4:00:00 - > 00:00 16150:在这里,我们知道有两19640预热器预热器预热器captures有肉桂twists预热器5 00:00:00:00 - > 19640:23470在罗布nazis预热器和预热器,知道他noted预热器预热器6:00:00 - > 00:00 23470:103是在他的27250预热器预热器预热器7。00:00:27250——> 00:00:31939
这他的偏好和一个智商有
8

00:00:31939——> 00:00:35739
我一个明亮的表面

9
00:00:35739——> 00:00:39270在顶部的
咖啡

10
00:00:39270——> 00:00:43250
现在有只是一点点更多
突出

11
00:00:43250——这两个暴露

12
00:00:46
共混物的顶部复制他们的夏季> 00:00:46260

和很好的反射,260——> 00:00:51070
和选择他们指挥伊恩
捕获12过程

13
00:00:51070——> 00:01:02760
开放PS图象处理软件纸
二个上来这里

14
00:01:02760——> 00:01:06030
,然后和现在销售10
15
00:01:06030——> 00:01:14499
3是我们的英雄拖动这16 TAD


00:01:14499——> 00:01:18679
你更容易得到他们不进
两半

17
00:01:18,679——> 00:01:25600
联合他们好了,所以我有我的两个
文件

18
00:01:25600——> 00:01:30380
缺席向西开放和PS图象处理软件123
我们的英雄曝光102

19
00:01:30380——> 00:01:34299
我们二次曝光,我们喜欢
真,反射

20
00:01:34299——> 00:01:40969
在顶部的咖啡会龙整个

2
00:01:40969——> 00:01
我们二次曝光:
42240主曝光

22
00:01:42240——>
00:01:46609按住的转变关键角度和
关闭其他一旦我记得

23
00:01:46609——看> 00:01:51600
当我工作,我只是
会一

24
00:01:51600——添加了一层面具大部分时间我展示
添加一层面膜

25
00:01:57229——> 00:02:00369
和随后赶来,我翻转黑
我们做

26
00:02 > 00:01:57229
在:00369——>一遍又一遍又一遍有
其实有一条捷径,需要一个

27
00:02:03969——> 00:02:05259
小走出,

28
00:02:05259——> 00:02:09420
之前有遮罩层如果我
按住Option键

29
00:02:09420——> 00:02:13959
当我加入我层面具PS图象处理软件去
提前使黑色我

3
00:02:13959——
> 00:02:18770 00:02:03969的
因为它知道,大部分时间
当我添加一层面膜我

31
00:02:18770——> 00:02:23110
,只想重新油漆
面积非常小到开始

32
00:02:23110——一个黑色层
> 00:02:28670面具是有望从
白漆透露,33


00:02:28670——> 00:02:32100
二次曝光的顶部

34
00:02:32100——> 00:02:36850
我的咖啡控股下Shift键我
35

00:02:36850——> 00:02:40340
可以看到你嫁给其他地区,的图像


36
00:02:40340——像更好的

37 > 00:02:43450
我我
00:02:43450——> 00:02:50070
与曝光,我认为,38


00:02:50070——> 00:02:54180
但我东西的影子

39
00:02:54180——> 00:02:57910
右侧,咖啡是好
把二次曝光只是一个

40
00:02:57910——>
00:02:59180多一点深度

41
00:02:59180——> 00:03:03570
,阴影和发送我们拉马尔
反差巨大

42
00:03:03570——> 00:03:07810
也许只是分裂差异降
这里只是掩蔽的

43
00:03:07810——> 00:03:23629
如此轻微的我的历史有

44
00:03:23629——
> 00:03:26290和我认为,好的,现在我只是
会移动到你

45
00:03:26290——> 00:03:32319
继续做我的清理工作可以我
我的客户图章工具和我

46
00:03:32319——> 00:03:33780
空白层

47
00:03:33780——> 00:03:37969
与我的样品电流和下面会允许我克隆

48
00:03:37969——> 00:03:41189保持新的信息对我的Bling


克莱尔

49
00:03:41189——> 00:03:47310
不是复制背景
,我只是去克隆出来

50
00:03:47310——> 00:03:48329
,真

51
00:03:48329——> 00:03:52409
抓住我的眼睛是混乱的,或像30


52
00:03:52409——> 00:03:57819
的事情,不应该有干净了
其他一些面包屑在这

53
00:03:57819——> 00:04:02109
发挥我不要删除它们因为
情西的

54
00:04:02109——> 00:04:06340
真松脆片状的
他们为什么好

55
00:04:06340——> 00:04:10950
我不能消除所有这些,只是
删除任何这真的抓到我

56
00:04:10950——> 00:04:11790
眼睛

57
00:04:11790——> 00:04:15919
我似乎喜欢黑暗的抓住我的眼睛


58
00:04:15,919——> 00:04:19669
轻的我会离开

59
00:04:19669——> 00:04:22710
一些这些黑暗的我会采取


60
00:04:22710——> 00:04:26720
和一些我要采取了61百汇的


00:04:26720——> 00:04:56569
成为一点点打火机

62
00:04:56569——> 00:04:59919
知道这柄在我得到我
63突出


00:04:59919——
> 00:05:05560
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