100:00:00,210 --> 00:00:04,720so I'm out here at Lake bukkake the wind的中文翻譯

100:00:00,210 --> 00:00:04,720so I'

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so I'm out here at Lake bukkake the wind
is crazy and we just had the most epic

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sunrise was absolutely gorgeous I'm
gonna talk about how I got the shot what

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I was looking for and what I didn't want
to include

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I'm out here at bukkake lake and the
wind is absolutely ripping this morning

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but the sunrise that I just shot was
just dropping absolutely gorgeous the

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trick is when you're when you're gonna
shoot sunrise in the morning to make

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sure that you know where you want to be
the night before so last night before

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sunset Jane I were driving up and down
the banks of this this lake on both

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sides east and west and also the
southern end trying to find the best

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spot we didn't want to a straight boring
coastline we wanted a nice curve in the

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coastline we wanted trees like the ones
you see behind me these brilliant golden

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trees there are a lot of places where
there is some scrub on the side that was

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pretty dead lookin so we didn't want
that you know so gathering and being

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ready for a morning shoot I mean we got
here before the light came up it was

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pitch dark we had our headlamps on and
you know coming out here we wanted to be

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able to put ourselves in the right place
at the right time and we absolutely

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nailed it this morning that's the clouds
are still a little color back there but

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they were pink and and just gorgeous

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so let's talk a little bit about what i
was thinkin whatever shooting I started

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out with a wide angle lens and and I did
take some shots that were with a longer

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lens but in the end I really felt that
that wide lens gave me the best view I

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wanted to make sure I could see the
curve of the lake really important to me

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but also get as much of the cloud action
into the shot as I could so I went

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really wide I met

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ten millimeter on my my lenses attended
22 on a crop factor camera I also use a

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long exposure I wanted to make sure I
had a thirty second shutter speed I

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actually started out at thirty seconds
and whatever average her I needed to

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keep that thirty second shutter speed I
kept changing my amateur to keep my

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shutter speed the same as the light
changed I think I started out with an

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average of seven my foreground is pretty
far away I don't need clothes hyper

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focal distance I didn't need to worry
about that so I went ahead and I chose

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average of seven and shutter speed of 30
seconds that gave me the smooth surface

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of the lake I didn't want the choppiness
of it and it made those clouds just come

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in you know to capture the movement of
the clouds which is really really cool

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so I got that and then as the light
started to come up as I got brighter and

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brighter I kept that thirty second
shutter speed and I just adjusted my

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aperture a little bit at a time closing
it down each time a little bit more and

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ended up with a temperature of about
sixteen when I got to sixteen I didn't

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want to close it down any more than that
I don't like to go beyond 16 starts to

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get messy so I used a neutral density
filter to keep that shutter speed really

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long and at that point I could mess with
my average again until I got that right

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where I wanted it kept my shutter speed
thirty-seconds throughout my my shooting

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eventually of course that was impossible
and I started to use shorter shutter

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speeds but I'm still trying to keep a
pretty long was down 28 seconds six

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seconds at the end and that point but
shooting because they're really rich

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color in the clouds with pretty much
gone from my point of interest here is

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that curve in the lake and of course the
brilliant cloud cover so those two

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elements working together make this
photo what it is I wanted to make sure I

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didn't include anything in the photo
that would take away from that they're

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dead bushes around I made sure they
weren't gonna be in the frame there's

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sort of a rocky hillsides here lotsa
grasses I don't want that in the frame

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very important to me to keep that out so
I zoomed in

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in when necessary to to take care of
that I also decided not to use of

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vertical composition I tried it a couple
of times and I just felt like I lost the

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expanse of it the wide beautiful this
stuff but I do have a couple of images

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just just in case the magazine calls and
they want a vertical cover right I also

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wanted to make sure that none of these
big trees with blocking my view so I was

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moving back and forth on the hillside I
started out way over there

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set up my shot decided it really wasn't
working for me too much blocking that

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curve in the water I ended up over there
for a little while but there were tons

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of bushes too close to me they're
beautiful color but they're really

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moving in the wind and I think that
would have taken away a little bit from

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the shoreline that I really wanted to
capture so I ended up right back here I

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like to hear I'm high enough that I can
see the lake I get a lot of Lake if I go

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too far down the lake starts to compress
it starts to look smaller than it is the

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height let me capture not only the the
expansive the lake but also the rich

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color in the lake the further you go
downward the closer you get to the water

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the less I'm gonna be able to see that
rich blue alright so this is a shot I

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didn't take take a look around me i've
got the bushes are big they're in the

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way they're kind of dark an overbearing
out in what any of those are my frame

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absolutely not the the trees behind me
are sort of coming up over the edge of

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the lake so they're hiding that
beautiful curve that I was scouting out

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last night don't want those in my shot
lots are rocking is happening here lots

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of wind all of that is gonna affect the
finished image it it takes away from my

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point of interes I want this shot to be
about the curve of the lake the

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brilliant sky and the colors of the
trees and that's it nothing else

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anything else if it's just striking
element gone
0/5000
原始語言: -
目標語言: -
結果 (中文) 1: [復制]
復制成功!
100:00:00,210--> 00:00:04,720所以我在这里在湖 bukkake 风太疯狂了,我们只是有最史诗200:00:04,720--> 00:00:10,090日出是绝对华丽的我要谈如何我打了针什么300:00:10 090--> 00:00:27,070我一直在寻找,我不想包括400:00:27,070--> 00:00:32,660我在这里在 bukkake 湖和风绝对翻录今500:00:32,660--> 00:00:37,989但我刚杀了日出只是随便过来绝对华丽600:00:37,989--> 00:00:42,160诀窍是当你当你要去在早上,使拍摄日出700:00:42,160--> 00:00:46,629确保你知道你想去的地方所以昨晚之前前一天晚上800:00:46,629--> 00:00:52,190我开车的向上和向下的夕阳简这银行这两个湖900:00:52,190--> 00:00:56,339双方东和西试图找到最佳的南端1000:00:56,339--> 00:01:01,739现货,我们不想直镗削海岸线中我们想很好的曲线1100:01:01,739--> 00:01:07,380我们想要像树木的海岸线你看到我身后这些辉煌的黄金1200:01:07,380--> 00:01:11,240有很多地方的树木在哪里还有一些磨砂一边了1300:01:11,240--> 00:01:15,780漂亮死了找谁所以我们不想你知道所以收集和正在1400:01:15,780--> 00:01:19,399准备好我的意思是我们得到了一个早上拍摄在这里亮了之前它是1500:01:19,399--> 00:01:24,420我们对我们的大灯在黑暗和你知道出来在这里,我们想要1600:01:24,420--> 00:01:29,240能够把自己放在正确的地方在适当的时候,我们绝对1700:01:29,240--> 00:01:34,210把它钉今天早上那是云还有一点颜色回到那里,但1800:01:34,210--> 00:01:38,720他们是粉红色和只是华丽1900:01:38,720--> 00:01:44,500因此,让我们有点谈什么 i心想我开始无论射击2000:01:44,500--> 00:01:50,299用广角镜头和我也做了采取一些被一个长长的镜头2100:01:50,299--> 00:01:56,100镜头,但在结束了,我真的觉得那宽镜头给了我最好的视图我2200:01:56,100--> 00:01:59,530想要确保我能看到曲线的湖对我来说真的很重要2300:01:59,530--> 00:02:05,570但也能尽可能多的云行动到镜头尽所以我去了2400:02:05,570--> 00:02:07,790确实很宽,我遇到了2500:02:07,790--> 00:02:13,230十毫米的我参加了我的眼镜我也用作物因素相机 222600:02:13,230--> 00:02:17,010我想要确保我的长时间曝光有三十的第二次快门速度我2700:02:17,010--> 00:02:23,210实际上开始了在三十秒无论平均她我需要的2800:02:23,210--> 00:02:27,550守住那个三十岁二快门速度我不断变化,我业余继续我2900:02:27,550--> 00:02:32,210快门速度光相同改变了我想我开始3000:02:32,210--> 00:02:36,570平均七我前景很漂亮很远的地方我不需要的衣服超3100:02:36,570--> 00:02:39,900我并不需要担心的焦点距离关于那去的所以,我选择3200:02:39,900--> 00:02:45,320平均的七和快门速度 30给我表面光滑的秒3300:02:45,320--> 00:02:49,830湖的我不想做它,它使那些刚来的云3400:02:49,830--> 00:02:54,120在你知道要捕获的运动云是真的真的很酷3500:02:54,120--> 00:02:58,740所以我得到了那,然后如光开始来作为我光明和3600:02:58,740--> 00:03:02,840亮我保留那三十秒快门速度和我只是调整我的3700:03:02,840--> 00:03:07,520孔径一点点时间结束时它下来,每次多一点点,3800:03:07,520--> 00:03:11,260结束了与温度有关十六至 16 我没有的时候3900:03:11,260--> 00:03:14,750要关闭它下来任何更多我不想超越 16 开始到4000:03:14,750--> 00:03:21,239变得混乱,所以我用中性密度筛选器,以保持该快门速度真的4100:03:21,239--> 00:03:26,070长期以来,在那个时候我能惹我再次平均直到我得到了这种权利4200:03:26,070--> 00:03:30,230它在哪里,我想要保持我的快门速度在整个三十秒我我射击4300:03:30,230--> 00:03:33,340最终当然那不可能然后使用更短的快门4400:03:33,340--> 00:03:37,019速度,但仍然试图保持相当长了 28 秒六4500:03:37,019--> 00:03:41,519秒结束,这一点,但射击,因为他们是真正的富有4600:03:41,519--> 00:03:45,709彩色的云与漂亮很多离开了我在这里的观点是兴趣的4700:03:45,709--> 00:03:51,239该曲线在湖中,当然灿烂的云彩覆盖所以这两个4800:03:51,239--> 00:03:55,040元素在一起工作使这照片我想确保我的是什么4900:03:55,040--> 00:03:58,239不包括任何的照片这需要远离他们5000:03:58,239--> 00:04:01,880枯死的灌木,我确信他们不会有的框架中5100:04:01,880--> 00:04:05,989排序的岩石的山腰,这里很多我不想这样的框架中的草5200:04:05,989--> 00:04:08,520非常重要的我得记住了,我放大了在5300:04:08,520--> 00:04:14,640在何时需要照顾的我也决定不用的5400:04:14 640--> 00:04:19,140我试过几个垂直组成时候,我只是感觉我失去了5500:04:19,140--> 00:04:25,180它的广袤广美这东西,但没有是几张图片5600:04:25,180--> 00:04:30,870只是为了以防万一杂志要求和他们想要一个垂直的权利我也涵盖5700:04:30,870--> 00:04:34,370想要确保这些都不大树与挡住我的视线,所以我就5800:04:34,370--> 00:04:38,700在山坡上我来回移动那边的开始的方式5900:04:38,700--> 00:04:42,340我的镜头设置决定是真的不是为我工作太多阻碍,6000:04:42,340--> 00:04:46,660在我结束了在那边的水曲线但有一小被吨6100:04:46,660--> 00:04:50,190他们的灌木丛中太接近我美丽的颜色,但他们真6200:04:50,190--> 00:04:54,000移动在风中,我认为会有带走一点点从6300:04:54,000--> 00:04:58,560真的很想在海岸线捕获所以我最终回来这里我6400:04:58,560--> 00:05:02,410想听听我不够高,我可以看到很多人的湖,如果我去湖6500:05:02,410--> 00:05:07,360太远,湖开始压缩刚开始看它比小6600:05:07,360--> 00:05:13,010高度让我捕捉不只膨胀湖但也有钱6700:05:13,010--> 00:05:16,940你去进一步湖中的颜色向下你越接近水6800:05:16,940--> 00:05:22,900越少我要能看见,富蓝好所以这是一个镜头我6900:05:22,900--> 00:05:26,910没带带我我四处看看吗得到了灌木丛是大他们在7000:05:26,910--> 00:05:30,560他们是有点黑的方式难以忍受的出什么任何的那些都是我的框架7100:05:30,560--> 00:05:36,760绝对不是我后面的树丛种过来的边缘7200:05:36,760--> 00:05:40,070因此他们躲起来,湖我侦察的美丽曲线7300:05:40,070--> 00:05:44,760昨天晚上不想那些在我的镜头很多都摇摆这里发生了很多7400:05:44,760--> 00:05:50,170所有这一切怎样影响的风的完成的图像需要它远离我7500:05:50,170--> 00:05:54,660我想这张照片要的利益点关于湖的曲线7600:05:54,660--> 00:05:59,060辉煌的天空和颜色的树木,就是这样没有别的7700:05:59,060--> 00:06:02,070别的,如果它非常惊人的走了的元素
正在翻譯中..
結果 (中文) 3:[復制]
復制成功!
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所以我在湖风
bukkake是疯狂的,我们有最伟大的

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日出是绝对华丽,我
要谈我拍到了什么

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我看了因为我不想
包括

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我在这儿bukkake湖和
风是绝对把今天早上

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但日出,我拍摄
只是绝对华丽的

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技巧是当你当你要
拍摄日出在早晨做

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确保你知道你想要
的前一天晚上,所以昨晚在

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日落我开车上下
这湖上

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两侧东、西和南部的
试图找到最好的

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点我们不想直无聊
海岸线我们想漂亮的曲线在

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海岸线我们想树一样的
银行你看到我身后这些辉煌的黄金

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树有很多地方
有磨砂的一面,是

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漂亮死在我们不想让你知道,
集被

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准备早上拍我的意思是,我们有
在亮了它

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漆黑的我们有我们的前大灯和
你知道来这里我们要

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能够把自己放在正确的地方
在正确的时间,我们绝对

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钉这早晨的云
是还是有点颜色后面但

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他们是粉色的,美极了

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让我谈一点关于我在想什么
射击我开始

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了广角镜头,我也
拍了几张照片,是用更长的

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镜头但最后我真的觉得
,广角镜头给了我最好的观点我

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想让我看到
曲线的湖对我来说真的很重要

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也获得尽可能多的云行动
到镜头,我可以让我去

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真广我遇到

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十毫米镜头在我参加了22
作物系数的相机我也用

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长时间的曝光,我想确保我
有一三零秒的快门速度我

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实际上开始在三十秒
无论平均她我需要

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保持三十秒的快门速度我
不断改变我的业余让我

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快门速度为光
相同改变了我想我开始了一个

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平均七我的前景是非常
远我不需要的衣服超

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焦距我不需要担心
,于是我走了,我选择了

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平均速度七,快门30秒,给我
光滑表面

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湖的我不想让它的波动
使那些云就

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你知道捕捉
云是真的真的很酷

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所以我,然后轻
开始来我更

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亮我保持三十秒
运动快门速度,我只是调整了我的

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孔径有点关闭时间
下来,每次一点点,

38
00:03:07520——> 00:03:11260
结束温度约
十六我十六岁时我不

39
00:03:11260——> 00:03:14750
想关闭它,更多的
我不想超越16开始

40
00:03:14750——> 00:03:21239
变得混乱所以我用中性密度
过滤器保持快门速度真的

41
00:03:21239——> 00:03:26070
长,在这一点上我可以把我的平均
直到我说对了

42
00:03:26070——> 00:03:30230
到我想让我的快门速度
三十在我

秒拍摄43
00:03:30230——> 00:03:33340
最终当然那是不可能的
我开始使用较短的快门

44
00:03:33340——> 00:03:37019
速度,但我还是要保持相当长的一
下降了28秒六

45
00:03:37019——>最后00:03:41519
秒,但
射击,因为他们真的有钱

46
00:03:41519——> 00:03:45709
颜色几乎
已经从我的兴趣点在这里,云是

47
00:03:45709——> 00:03:51239
曲线在湖边,当然
灿烂的云盖,这两

48
00:03:51239——> 00:03:55040
元素一起工作,使这
照片是什么,我想确保我

49
00:03:55040——> 00:03:58239
不包括任何照片
会带走,他们

50
00:03:58239——> 00:04:01880
死灌木在我确信他们
不在框架里的

51
00:04:01880——> 00:04:05989
个山坡这里很多
草我不想在框架

52
00:04:05989——> 00:04:08520
对我很重要,所以我要
放大

53
00:04:08520——> 00:04:14640
在必要时照顾
,我也决定不使用

54
00:04:14640——> 00:04:19140
垂直构图我试了几次
,我只是觉得我失去了

55
00:04:19140——> 00:04:25180
无垠的广阔美丽的
东西但是我有图像

56
00:04:25180夫妇——> 00:04:30870
只是以防万一杂志的电话和
他们想要的垂直覆盖对我也

57
00:04:30870——> 00:04:34370
想确保这些
不大树挡住了我的视线,所以我

58
00:04:34370——> 00:04:38700
来回移动,在山坡上我
开始那边

59
00:04:38700——> 00:04:42340
设置我的镜头决定真的不是
我太多阻塞,

60
00:04:42340——> 00:04:46660
曲线在水中,我结束了在那里
一会儿但有万吨

61
00:04:46660——> 00:04:50工作,190
灌木丛太接近我,他们
美丽的颜色但是他们真的

62
00:04:50190——> 00:04:54000
在风中摇曳,我认为
会带走一点点

63
00:04:54000——> 00:04:58560
海岸线,我真的很想
捕获所以我结束了重新回到这里我

64
00:04:58560——> 00:05:02410
想听我足够高,我可以
如果我去

65
00:05:02410——> 00:05:07360
远方的湖开始压缩
它开始看起来比它的

66
00:05:07360——> 00:05:13010
高度让我捕捉的不仅仅的
膨胀湖也是丰富的

67
00:05:13010——> 00:05:16940
颜色在湖的进一步走
向下接近你到水

68
00:05:16我得到很多湖,940——> 00:05:22900
少我能看到
富蓝好吧这是一个镜头我

69
00:05:22900——> 00:05:26910
不看看我
有灌木丛大他们在

70
00:05:26910——> 00:05:30560
方式他们是黑暗专横的
种了什么那些是我的框架

71
00:05:30560——> 00:05:36760
绝对不是树在我身后
是那种走在

72
00:05:36760边缘——> 00:05:40070
湖所以他们隐藏,
美丽的曲线,我在寻找

73
00:05:40070——> 00:05:44760
昨晚不想在我的镜头
很多这里发生了很多
摇摆
74
00:05:44760——> 00:05:50170
风都是会影响
完成图像的它从我的

75
00:05:50170——> 00:05离开:54660
点兴趣我想这个镜头是


76
00:05:54660——> 00:05:59060
灿烂的天空和树木的
颜色就没有别的

77
00:05:59060——> 00:06:02070
什么如果只是惊人的
元去湖的曲线
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