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back in the studio after shooting this
wonderful and beautiful waterfalls and I
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showed you in the videos i shud
different techniques
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the first technique was without a tripod
without in any field manual more hand
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holding the camera and took a lot of
shots you can see them here lots of
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shots now I there is no tripod I mean we
have the same light but you know some
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are higher so much lower you know so we
need to align the layers first and I'll
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show you that our you should disregard
my podcast but I did not going to as
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detailed as I'm gonna go now so let's
return the first let me reset it and I'm
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going to be touched the first photo then
synchronized otra touch on all the other
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photos and then we do the magic in
Photoshop now for this thing to work you
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need to have at least that's put my
trial and error have like five to 10
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photos or the other trick is not to go
into burst mode but to go into you know
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you take a look when taking like five
photos of 10 photos 1 every like 22nd
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you go you take one foot per second so
that like the scene has changed a lot
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that's another good trick anyways I
didn't burst mode so we gonna take a lot
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of these photos the first photo I open
up the shadows as usual and I'm bringing
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under highlights and then I'm you know
that trick if you follow my tutorials
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then I'm going to click the option key
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the whites and bring it to the right in
today see some wide points here we are
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some white points and then I'm going the
other way and we see a bit more black
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points out is good morning black point
then I gone away points because I know
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it's just a minute I'll let out of it a
clarity and length at a bit of vibrant
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to this you know to get more vibrant
vibrant you know I mean this is overseas
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in a desert you know it's like when he'd
call is here and so that's the water you
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can see that very sharp very tax home
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and I think that's about it at all I'm
gonna do here in in nitric now I'm going
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to select all my photos click on
synchronize make sure that check goal is
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on and click on synchronize the whole
idea is we have the same reattach on all
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the photos and the visit to work
remember you need to shoot manual this
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was at 100 per second at 7.1 and all the
photos of the exact same exposure of one
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force of one four hundred of the second
at the next light leak it and open as
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layers in Photoshop now open as layers
in Photoshop that means that you have
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one solution file and every photo is
going on it's only open anyway so here
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we are in Photoshop it's gonna open I'm
gonna put it on booze until all is open
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because it's gonna take a little while
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was a loaded into Photoshop and each one
is is only 20 near so now I'm going to
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select the first one go the whole way
down and select the last month old male
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area selected all one thing you want to
do because I don't want this to take on
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forever I'm gonna go to image image size
and I'm gonna make this much lower are
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you don't have to do this home is yours
that I want to talk today forever so I'm
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going to speed speed things up like this
way
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benefit screen alright so everythings
selected and now I'm gonna go into edit
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layers and that's just going to make
sure that everything is properly aligned
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in this this is always a very magic
trick for me I don't know how Photoshop
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does it but it does a really good job
every even so I was not using it a try
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but all layers like this one you know
it's aligned and find and aligned
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everything is on time so it's kind of
cool so now I'm gonna take him I'm going
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to duplicate the top layer this one and
then I'm going to select the one I
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duplicated during his visibility of
analysts like all the other ones you
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have before right click and convert to
smart object and that's the whole
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treatment once everything is converted
to an object this is where the magic
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happens so now we goin two layers and we
going two layers smart objects attack
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mode and mean well that's a long ways
into the menus object dock mode mean now
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that only works if you've got and take
this out when it does it just makes
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everything and create is very nice sort
of long exposure looked with checking
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out if I turn on the visibility of the
first one that's before let me zoom even
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more
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before and after its before Ms after
kinda cool
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another problem is look at look at the
grass grass is now you know is not very
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it's a bit fuzzy you know because of the
win so now what I'm going to do is
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basically so I put this manager on top
I'm gonna press the Option key enclaves
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create a black mask so that the whole
smart object is not visible and I want
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this magic to be back but just for the
war so I'm gonna take a brush make sure
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it's white and I'm just gonna paint on
the water and it's going to bring
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everything else is sharp and its gonna
bring the fuzzy water and only water
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wherever i'm brushing your mouth I don't
need to be doing so much bigger by
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holding the option and the Ctrl key and
just kind of Pete here here ok so now
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I've got the result is that I've got
sharp rocks and I've got further water
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and which is exactly what we wanted to
see and you can go you know like this
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and like this no problem no issues just
will work perfect ok so now I've got I
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think too long exposure look with only
one person or have to do is the photo ok
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like this this is and let's make it like
this and now I've got one for long
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exposure now the last three digit I
would do on this one
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1 I'm here in Photoshop is I would
create an empty later put this in
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overload and do my dad's enduring
technique which is you know things been
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around I did not invent this I'm not
that clever
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but it's a very interesting techniques
by John Byrne you praise to be key to
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get the brush make it a bit smaller and
now you better make sure you're on white
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and universities around twenty something
like 2418 is fine and undergoing to
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paint your him what what I'm trying to
do is just bring some lights back on you
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know I like the sort of the highlights
here on the water and it's just because
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the star of the photo is the water you
know we want the water to be you know
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really young so oK so that's before and
after a few to be to merge you can just
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lower the opacity and then I'm going to
make another long I usually do a lot of
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damage in Bern overlays like this so
empty layer of al-amoud dodge and burn
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too and this 1 I'm going to make a wire
brush just makes it here in place if I
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the lights ok now this might look a bit
blurry to you because it's a low res
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screen and trying to record this on
lower screen evidence should be wrapping
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up oK so that's that's one way of doing
this last but not least when I would do
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is likely effect and I like to do this
in Photoshop with a specific way and
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that is to press the main after shift e
this you need to use all your fingers
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come in our safety put this into
multiplayer mode take a rectangle
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marquee two and you can do really like
the mee