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hit
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al on the keyboard for lasso anyone to
change your feather
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to somewhere around 10 pixels if your
image
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is let's say it's a full body image than
your father in will be closer to five
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if it's more of a headshot or a close-up
portrait
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it's going to be closer to a further
uptown pixels
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so let's go ahead this is more a
three-quarter body
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shot so let's go ahead
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makes this souter and what we gonna do
now
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is go ahead in Zillmere and but
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any blotchy skin area and watch how this
quickly
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blames everything in this is by far the
quickest method
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I found for frequency separation go
ahead and
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select that dark patch of skin next to
the late one
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and we're gonna make this transition
nice and slow we're gonna go to
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filter got a blur and go to Goshen blur
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Indonesian blurred you wanna set the
radius to the same a numeric value
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as our dust and scratches were before so
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if you remember before we had chosen I
think it was 14
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so let's go ahead and put 14 and right
here and hit OK
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and we're gonna go ahead and make
another selection
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and now we're gonna do this area and
we're not gonna have to go through
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entire
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filters menu because Photoshop
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was really nice to us and they put the
last filter
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up on top you see command and they give
a shortcut to it as well
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which is commander so now all you do is
keep nothing wrong command up on the
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keyboard
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make selections and head command out
there we go
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and let's go ahead and do this section
and in a moment we'll turn these
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layers on and off so you could see what
we've done so fine
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any area of skin which the transition is
a little bit harsh
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and you'll be able to just make it nice
and slow here's another area where we
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had that dark patch so we're gonna
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circle around the dark area and also
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around the brighter skin just had
control at
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you get here control at and do that
caution blur
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up to two times for each area after that
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nothing is really going to happen but go
ahead
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and do this side
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and then we'll show you method to and
when you would want to use that
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you can also use this to really blame
them that I shadow
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over here I see a lot of roth skin area
here let's see if we could fix this out
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there we go
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win a smoothing it out now remember
we're not smoothing out
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the texture is just the lighting and
that's the beauty of using frequency
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separation
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you're not harming the skin texture
anyway
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this could also be used
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to mellow out Pisa Vance was not gonna
completely taken up
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but it's going to make it a little bit
less visible
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there we go
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this method is so quiet but
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we also need the do the precise method
for
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around the nose and that takes a little
bit longer
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but you could really get down and dirty
with that one
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alright so let's go ahead and toggle
this
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on and off to see what we did and then
talk about the second method
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so this is before we did any frequency
separation
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and that's after you could see how it
really smooth and out the skin tones
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that's before where you see that
harshness over there right over here we
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have this harsh Otto
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we have this cheek down here on the left
side outlet
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up there on the forehead let's go ahead
and turn this on
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and you could see how all that smooth
and out really nicely and quickly
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so for the second method which is the
more popular method
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we take a brush go to the middle layer
and notice how
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all the layers in this action are titled
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worth the exact brush setting you need
to use so we go ahead
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choose the brush be is a shortcut for
brush and we're gonna change our float
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23 percent
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you can either come up here and type in
three percent
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or the shortcut to change or flow is
shift 03
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and that numerical value on your
keyboard will
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change the flow if you want to change or
pasady for whatever reason
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00:11:00,580 --> 00:11:03,750
all you need to do is hit the number
without holding the shift button
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00:11:03,750 --> 00:11:07,500
alright so now we have our brush
selected
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00:11:07,500 --> 00:11:11,080
you wanna make sure your brush is at
zero percent
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00:11:11,080 --> 00:11:14,610
hartness you want to be nice and soft
and what we're gonna do
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his girl had and its and we're gonna
sample the skin
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two samples can you hold the altar
option button go ahead
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click and the skinny like so what they
are like that
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bright skin and then create another
bright line coming down her nose
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then right up there and you can also
pick the dark skin and paint on the
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00:11:33,480 --> 00:11:34,180
light skin
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so you go both ways that from a dark to
light and then from the light
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to the surrounding areas this you could
see it really up landed in pretty well
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00:11:43,300 --> 00:11:46,870
that's before we just have that random
bright dot there
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00:11:46,870 --> 00:11:51,050
and after that brought in a little bit
like this on to rest up her nose
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00:11:51,050 --> 00:11:54,550
animate that bright spot darker we can
also do this
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00:11:54,550 --> 00:11:59,230
for under the eye so select this color
right here by holding your option button
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00:11:59,230 --> 00:12:03,160
and then just go ahead and painter make
your brush
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00:12:03,160 --> 00:12:07,240
larger and smaller with the bracket
buttons over your ENTER button
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00:12:07,240 --> 00:12:10,389
that will change your brush
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00:12:10,389 --> 00:12:14,639
size there we go let's go here in turn
on/off that's before
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00:12:14,639 --> 00:12:18,329
that after we don't want to completely
take away these areas
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00:12:18,329 --> 00:12:23,620
under I having shadows is good those
shadows are natural and
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00:12:23,620 --> 00:12:26,839
it comes because the I'll it it's not a
bad I
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00:12:26,839 --> 00:12:35,220
but there's a big difference between the
bags under the eyes in the shadow under
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00:12:35,220 --> 00:12:35,720
the eyes
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alright so that is the second method you
can see how that would take longer to do
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and it's more precise but for large
areas like we had over here before
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it would have been a lot harder to blend
that N with the brush
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and also down here with the first method
we were
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easily able to just blundered in the
skin tones alright
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next up we're gonna be talking about
dodge and burn
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del