100:00:00,000 --> 00:00:03,600now s

1
00:00:00,000 --> 00:00:03,600
now sports mode most likely when you
flip to it it's going to be a few

2
00:00:03,600 --> 00:00:07,339
different things number one your time
the camera shooting fast action subjects

3
00:00:07,339 --> 00:00:11,340
so the caravan try and keep the shutter
speed up high enough to freeze the

4
00:00:11,340 --> 00:00:14,559
action so it's going to use a
combination of basic the aperture and

5
00:00:14,559 --> 00:00:18,630
ISO to get to the proper exposure while
keeping the shutter speed a bit higher

6
00:00:18,630 --> 00:00:21,460
in addition you're telling the camera
that the subject is going to be moving

7
00:00:21,460 --> 00:00:25,039
and so it's gonna try and use different
focus techniques to get the subject to

8
00:00:25,039 --> 00:00:29,269
be actually well in focus first of all
this talk about the light in the setup

9
00:00:29,269 --> 00:00:32,570
here now what we have is we're shooting
basically in this direction we be going

10
00:00:32,570 --> 00:00:36,800
against the Sun or basically are seen as
gonna be backlit in this direction right

11
00:00:36,800 --> 00:00:40,190
here we're shooting with the Sun gonna
show you what's gonna look like and what

12
00:00:40,190 --> 00:00:43,399
the differences are and why we're gonna
shoot against the Sun ok so me go ahead

13
00:00:43,399 --> 00:00:46,899
and take a portrait will quick even
though we can just stand right here for

14
00:00:46,899 --> 00:00:52,250
one quick second notice how we have the
Sun coming directly in right now and

15
00:00:52,250 --> 00:00:57,440
well we get a beautiful directional
activist to the scene but it's still

16
00:00:57,440 --> 00:01:01,079
gonna end up looking rather flat in
addition it's a little bit spotty

17
00:01:01,079 --> 00:01:04,290
depending on how they're running if
they're running through this area these

18
00:01:04,290 --> 00:01:08,360
trees are basically casting spotlight
all over them that backers not can be

19
00:01:08,360 --> 00:01:12,170
kind of full of light and dark areas and
kind of some lighter is and really

20
00:01:12,170 --> 00:01:15,580
frankly with it being flat like this
flatly is when the lights coming

21
00:01:15,580 --> 00:01:18,900
directly in the direction you're
shooting we're going to lack a lot of

22
00:01:18,900 --> 00:01:22,799
real contrast and kind of that dynamic
lighting is going to really make the

23
00:01:22,799 --> 00:01:26,180
scene pop and give us an extra dimension
so let's go ahead and put them around

24
00:01:26,180 --> 00:01:32,210
now so he gets down on this site are
trying not to suit directness I'm gonna

25
00:01:32,210 --> 00:01:35,130
get low as I can use one of them to
block the Sun just so that we have this

26
00:01:35,130 --> 00:01:38,299
realization actually will do just turned
to the side lot but that's a little

27
00:01:38,299 --> 00:01:39,439
better

28
00:01:39,439 --> 00:01:43,770
ok so what you can see here is once
their backs are to the light we have

29
00:01:43,770 --> 00:01:47,040
this beautiful hair light on the back of
an okay so that we have this nice

30
00:01:47,040 --> 00:01:50,000
dimension the scene you can see all the
other objects in the scene are kind of

31
00:01:50,000 --> 00:01:54,240
impact let the leaves the trees
everything has a great look to it even

32
00:01:54,240 --> 00:01:58,670
the asshole itself has extra texture and
dimension when we're shooting against

33
00:01:58,670 --> 00:01:59,469
the light like this

34
00:01:59,469 --> 00:02:04,350
ok guys here's one quick little 10
shooting with or against the light isn't

35
00:02:04,350 --> 00:02:07,950
right or wrong either way it's simply
gonna give you a different look

36
00:02:07,950 --> 00:02:12,150
no in general when you're shooting with
the direction of the side you're gonna

37
00:02:12,150 --> 00:02:16,310
have a scene that has higher contrast
and a flatter overall look and it just

38
00:02:16,310 --> 00:02:20,680
isn't going to have as much dynamic
range no shooting against the direction

39
00:02:20,680 --> 00:02:24,319
of the light that means you're seeing
will be backlit will be creating edge

40
00:02:24,319 --> 00:02:28,280
lighting on your objects in the sky will
be brighter and blown out unless of

41
00:02:28,280 --> 00:02:32,200
course you're adding additional light
into the shadows and contrasts will be

42
00:02:32,200 --> 00:02:37,290
lower if you've got light hitting your
lands are flaring into Ireland now again

43
00:02:37,290 --> 00:02:38,640
neither of these options

44
00:02:38,640 --> 00:02:42,239
shooting with a light or against it
neither am i incorrect they're just

45
00:02:42,239 --> 00:02:46,110
different handled you know yield
different look all you do is understand

46
00:02:46,110 --> 00:02:50,290
the difference if you do you'll be able
to choose the best angle and direction

47
00:02:50,290 --> 00:02:54,769
of light that fits the look that you're
aiming for for your particular image for

48
00:02:54,769 --> 00:02:58,959
the same price choices against the light
to add a little more textured then

49
00:02:58,959 --> 00:03:02,940
mentioned in interest went honestly
actually agree with its better I think

50
00:03:02,940 --> 00:03:07,049
for this scene the only problem is
dealing with a deep shadows which will

51
00:03:07,049 --> 00:03:10,410
see you in just a moment so that's going
to do so let's go ahead and we're gonna

52
00:03:10,410 --> 00:03:13,319
have you guys set up right now my
fittingly lends a probably switch that

53
00:03:13,319 --> 00:03:16,940
in just one moment but what I want to do
is just go right to the middle of the

54
00:03:16,940 --> 00:03:20,190
road to start running towards me
together in just one second ok so we're

55
00:03:20,190 --> 00:03:23,150
gonna do it is going to take this shot
as they're running and i cant really

56
00:03:23,150 --> 00:03:26,549
consider my composition or anything so
we're all just are running towards me

57
00:03:26,549 --> 00:03:31,150
now one of the things sports accident is
doing is it actually shooting in burst

58
00:03:31,150 --> 00:03:34,230
mode so I can get several shots at once

59
00:03:34,230 --> 00:03:39,190
ok that's perfect girls you were awesome
come back over here

60
00:03:39,190 --> 00:03:43,329
ok so when I can see here is that well
my compositions are really great I

61
00:03:43,329 --> 00:03:47,980
basically shop bulls eyes the entire
time also the cameras having a little

62
00:03:47,980 --> 00:03:51,700
bit of a hard time I see because what
happened is that the Sun has come over

63
00:03:51,700 --> 00:03:55,489
the mountain and it's basically casting
a very bright light onto the road let's

64
00:03:55,489 --> 00:03:59,660
step out of the road so we don't get hit
so the problem with this is that it

65
00:03:59,660 --> 00:04:03,220
becomes extremely bright and with this
brightness it's going to be difficult

66
00:04:03,220 --> 00:04:06,290
for the camera get the right exposure
because well the camera trying to

67
00:04:06,290 --> 00:04:10,470
balance the entire scene we have these
very strong highlights on the ground so

68
00:04:10,470 --> 00:04:14,080
when I probably gonna do for my final
scene what we're definitely do issue in

69
00:04:14,080 --> 00:04:17,660
Manuel Mota get the exact expose that we
need to make sure that our subjects are

70
00:04:17,660 --> 00:04:21,940
correctly exposed but first of all we
kind of need to get a better composition

71
00:04:21,940 --> 00:04:25,660
so let's do that first let's actually
think about what we're going for now

72
00:04:25,660 --> 00:04:29,900
what I wanna hear you can see if we had
this beautiful road that's kind of just

73
00:04:29,900 --> 00:04:34,000
going straight and then bending to the
right we had these great columns here

74
00:04:34,000 --> 00:04:37,440
and all these columns that kinda just .
light right along the side of the road

75
00:04:37,440 --> 00:04:40,520
and it creates a beautiful line we can
use this kind of stuff in our

76
00:04:40,520 --> 00:04:45,770
compositions so if I use it when I wanna
do is basically have will maybe the road

77
00:04:45,770 --> 00:04:50,300
10 of bending from the outside the frame
and then coming in and we have basically

78
00:04:50,300 --> 00:04:54,890
this would peace kind of and towards the
right frame know what I'm doing I'm just

79
00:04:54,890 --> 00:05:00,620
tilting the camera a slight bit just to
get this last little would call on right

80
00:05:00,620 --> 00:05:04,630
here in my frame ok so in the corner the
brain so kind to end the competition

81
00:05:04,630 --> 00:05:08,280
will also the tilt is gonna be really
nice is it called Dutch angle by the way

82
00:05:08,280 --> 00:05:12,280
and Dutch angle works really well in
certain cases but you want to be careful

83
00:05:12,280 --> 00:05:13,390
not to over use it

84
00:05:13,390 --> 00:05:16,660
Dutch angle when you twist the camera
too much end up looking like the world

85
00:05:16,660 --> 00:05:21,290
is falling over general we twist we will
really just twist to emphasize a line or

86
00:05:21,290 --> 00:05:25,750
to emphasize that particular moment but
if you have kind of strong horizon lines

87
00:05:25,750 --> 00:05:29,100
in the scene it really doesn't work that
well but we don't in the same we want to

88
00:05:29,100 --> 00:05:31,550
just use that kind of exaggerated the
line the road and that's what we're

結果 (中文) 1:

100:00:00，000--> 00:00:03，600现在体育模式最有可能当你翻到它即将成为几个200:00:03，600--> 00:00:07，339不同的东西第一你的时间摄像机拍摄快速行动主体300:00:07，339--> 00:00:11，340所以旅行车试着保持快门加快高到足以冻结400:00:11 340--> 00:00:14，559所以它要使用的行动基本光圈组合和500:00:14，559--> 00:00:18，630ISO 去正确的曝光量保持一点更高的快门速度600:00:18，630--> 00:00:21，460另外你告诉相机主题要搬700:00:21，460--> 00:00:25，039所以它是要试着使用不同焦点的技术来获得对主题800:00:25，039--> 00:00:29，269首先是实际上在焦点这谈论在设置中光900:00:29，269--> 00:00:32，570在这里我们所拥有的是现在我们正在射击我们会在这个方向的基本上1000:00:32，570--> 00:00:36，800对着太阳或基本上被视为要在这个正确的方向背光1100:00:36，800--> 00:00:40，190在这里我们正在射击与太阳去表明你怎么看起来像什么1200:00:40，190--> 00:00:43，399差异，为什么我们要去向着太阳好所以我向前走1300:00:43，399--> 00:00:46，899甚至以一幅肖像画将快虽然我们可以只是站在这里1400:00:46，899--> 00:00:52，250只需快速第二注意到我们的有太阳马上直接中和1500:00:52，250--> 00:00:57，440好吧咱们美丽的定向维权人士到现场，但它仍然是1600:00:57，440--> 00:01:01，079要看在相当平坦起来另外它是有点参差不齐1700:01:01，079--> 00:01:04，290取决于它们如何跑的时候如果他们正在通过这一领域这些1800:01:04，290--> 00:01:08，360树木基本上是铸造聚光灯所有超过他们的支持者不可以1900:01:08，360--> 00:01:12，170各种充满光明和黑暗的地区和轻些的就是真的2000:01:12，170--> 00:01:15，580坦白地说与它被平喜欢这断然是何时到来的灯2100:01:15，580--> 00:01:18，900你直接在方向射击我们要缺乏很多2200:01:18，900--> 00:01:22，799真正的对比度和动态的那种照明要真正使2300:01:22，799--> 00:01:26，180现场流行，给我们一个额外的维度所以让我们继续，把他们周围2400:01:26，180--> 00:01:32，210所以他就此网站现在试着不去适合直接因果关系我要去2500:01:32，210--> 00:01:35，130我可以使用到其中之一获得低块太阳，只是使我们有这2600:01:35，130--> 00:01:38，299实现实际上会做才过了身边很多，但却是一个小2700:01:38，299--> 00:01:39，439更好2800:01:39，439--> 00:01:43，770好吧你在这里可以看到是一次他们的背上都对我们有光2900:01:43，770--> 00:01:47，040这美丽的头发光的背上好吧，我们有这不错3000:01:47，040--> 00:01:50，000现场可以看到所有的维度其他场景中的物体是种3100:01:50，000--> 00:01:54，240影响让叶树任何事物都有一个伟大的期待，它甚至3200:01:54，240--> 00:01:58，670那个混蛋本身有额外纹理和当我们正在对射击的维度3300:01:58，670--> 00:01:59，469像这样光3400:01:59，469--> 00:02:04，350好的家伙在这里是一个快速小 10射击与或对着光并不是3500:02:04，350--> 00:02:07，950对或错无论哪种方式很简单要给你一个不同的外观3600:02:07，950--> 00:02:12，150不在一般情况下当你拍摄用时候你要去边的方向3700:02:12，150--> 00:02:16，310有一个具有高对比度的场景它只是和奉承的整体外观3800:02:16，310--> 00:02:20，680不要作为多动态没有反对方向射击的范围3900:02:20，680--> 00:02:24，319意味着你现在看到的光将背光将创建边缘4000:02:24，319--> 00:02:28，280你在天空中的对象上的照明会明亮、 吹出来除非的4100:02:28，280--> 00:02:32，200您要添加额外的光的课程在阴影里的对比将会4200:02:32，200--> 00:02:37，290低如果你光打你土地燃烧到爱尔兰现在再一次4300:02:37，290--> 00:02:38，640没有这些选项4400:02:38，640--> 00:02:42，239拍摄用光或反对它我也不是我不正确他们就只是4500:02:42，239--> 00:02:46，110不同处理你知道产量理解不同的外观所有你做4600:02:46，110--> 00:02:50，290区别在于，如果你做你就能要选择最佳角度和方向4700:02:50，290--> 00:02:54，769适合你的外观的光的针对您特定图像4800:02:54，769--> 00:02:58，959同样的价格选择，对着光若要添加多一点然后纹理4900:02:58，959--> 00:03:02，940所述感兴趣去老实说其实同意我觉得它更好5000:03:02，940--> 00:03:07，049唯一的问题是这场戏一个深的阴影，将处理5100:03:07，049--> 00:03:10，410因此这将一会儿就看到你这样做吧，我们要去5200:03:10 410--> 00:03:13，319有你们设置现在我恰当地借可能切换，5300:03:13，319--> 00:03:16，940在一瞬间，但想做什么就是走权的中间5400:03:16，940--> 00:03:20，190路的开始朝我跑来只是一秒钟，好了，所以我们在一起5500:03:20，190--> 00:03:23，150打算这样做要拍这镜头它们跑的时候，我也不是真的5600:03:23，150--> 00:03:26，549这么想我的作文或任何东西我们都只朝我跑5700:03:26，549--> 00:03:31，150现在事情体育事故之一就是这样做是它实际拍摄中爆裂5800:03:31，150--> 00:03:34，230这样一次就可以几个镜头的模式5900:03:34，230--> 00:03:39，190好吧这就是完美的女孩，你是真棒到这边来6000:03:39，190--> 00:03:43，329好，就当我可以看到在这里是很好我的作文很真的很棒我6100:03:43，329--> 00:03:47，980基本上店公牛眼睛整个时间也有了一点的摄像机6200:03:47，980--> 00:03:51，700很难看到，因为有些什么现在的情况是太阳已经过来6300:03:51，700--> 00:03:55，489这座山基本上铸件一个非常光明让我们轻到马路上6400:03:55，489--> 00:03:59，660走出这条路，所以我们不被打到所以这里的问题是它6500:03:59，660--> 00:04:03，220变得极其明亮，这亮度要难6600:04:03，220--> 00:04:06，290在镜头前得到正确的曝光因为好的相机去6700:04:06，290--> 00:04:10，470平衡整个场面，我们这些很强所以突出在地上6800:04:10，470--> 00:04:14，080当我可能要做为我的最终现场我们绝对做发行6900:04:14，080--> 00:04:17，660曼努埃尔 · 莫塔 · 得到确切揭露我们需要确保我们的科目7000:04:17，660--> 00:04:21，940但首先我们所有正确暴露种需求得到更好的构图7100:04:21，940--> 00:04:25，660所以让我们做的第一次让我们实际上想想我们要现在7200:04:25，660--> 00:04:29，900我想听你可以看到，如果我们有这条美丽的道路，那种只是7300:04:29，900--> 00:04:34，000直走，然后弯曲我们得说我对这些伟大的列在这里7400:04:34 000--> 00:04:37，440和所有这些列那有点儿只。沿着这条路的一侧右光7500:04:37，440--> 00:04:40，520它创建一个美丽的行，我们可以使用这种东西在我们7600:04:40，520--> 00:04:45，770成分所以如果我使用它时我想要做是基本上会也许这条路7700:04:45，770--> 00:04:50，300从外面弯曲 10 帧然后再我们基本上有7800:04:50，300--> 00:04:54，890这将朝着和平种我只是有权框架知道自己在做什么7900:04:54，890--> 00:05:00，620倾斜相机稍有点只是为了得到这最后一点想呼吁的权利8000:05:00，620--> 00:05:04，630在这里我的框架的好，就在角落里大脑对结束竞争这么好8100:05:04，630--> 00:05:08，280将倾斜也会非常好的是它顺便叫荷兰角8200:05:08，280--> 00:05:12，280和荷兰角度作品真的很好某些情况下，但你要小心8300:05:12，280--> 00:05:13，390不经常使用它8400:05:13，390--> 00:05:16，660荷兰的角度时，你扭相机太多看起来像世界8500:05:16，660--> 00:05:21，290落在一般我们扭曲我们将真的只是扭来强调线或8600:05:21，290--> 00:05:25，750要强调那个特殊的时刻，但如果你有种强烈的地平线8700:05:25，750--> 00:05:29，100在场景中它真的不工作好吧但我们不在同一我们想去8800:05:29，100--> 00:05:31，550只是用那种夸张行的道路，这就是我们所

結果 (中文) 3:

1
00:00: 00000——> 00:00:03600
现在体育模式最有可能当你
翻转它要几

2
00:00:03600——> 00:00:07339
不同的事情第一时间
摄像机拍摄快速行动的主体

3
00:00:07339——> 00:00:11340
所以车队要尽量保持快门速度不够高，
冻结

4
00:00:11340——> 00:00:14559
行动，所以要使用一个
结合基本的光圈和

5
00:00:14559——> 00:00:18630
ISO得到合适的曝光而
保持快门速度高一点

6
00:00:18630——> 00:00:21460
此外你告诉相机
，主题将是移动

7
00:00:21460——> 00:00:25039
所以要使用不同的
焦点技术获得受

8
00:00:25039——> 00:00：29269
实际上是在焦点首先
说光在安装

9
00:00:29269——> 00:00:32570
这里现在我们所拥有的是我们拍摄
基本上在这个方向我们要

10
00:00:32570——> 00:00:36800
对阵太阳或基本上被视为
会可就在这个方向上

11
00:00:36800背光——> 00:00:40190
我们与太阳会
射击告诉你什么会看起来像什么

12
00:00:40190——> 00:00:43399
差异，为什么我们要
拍对太阳好，我继续

13
00:00:43399——> 00:00:46899
拍照会快速甚至
虽然我们可以站在这里

14
00:00:46899——> 00:00:52250
一快二通知我们有
阳光直接在现在和

15
00:00:52，250——> 00:00:57440
我们得到一个美丽的方向
活动家到现场，但它仍然是

16
00:00:57440——> 00:01:01079
会看起来很平
除了有点参差不齐的

17
00:01:01079——> 00:01:04290
取决于他们是如何运行，如果
他们跑经过这一地区，这些

18
00:01:04290——> 00:01:08360
树木基本上
铸造聚光灯在他们的支持者不可

19
00:01:08360——> 00:01:12170
种充满光和暗区和
种轻些，真的

20
00:01:12170——> 00:01:15580
坦率地说它是平的这样
断然是当灯光

21
00:01:15580——> 00:01:18900
直接在向你
拍摄我们会缺少很多

22
00:01:18900——> 00:01:22799
真正的对比和一种动态
照明要真正使

23
00:01:22799——> 00:01:26180
场景的流行给我们一个额外维度
让我们继续把他们周围

24
00:01:26180——> 00:01:32210
现在让他获得了这个网站是
努力不适合直接我要

25
00:01:32210——> 00:01:35130
得到低我可以使用其中的一个
挡住太阳才让我们有这个

26
00:01:35130——> 00:01:38299
实现其实就变成了
旁边很多但这一点

27
00:01:38299——> 00:01:39439
更好的

28
00:01:39439——> 00:01:43770
好所以你可以在这里看到的是一
他们背向光我们

29
00:01:43770——> 00:01:47040
这美丽的头发光对
后面一个好的让我们有这么好的

30
00:01:47040——> 00:01:50000
尺寸现场你可以看到所有的
其他场景中的物体，是

31
00:01:50000种——> 00:01:54240
冲击让树叶
一切有杰出的看起来更

32
00:01:54240——> 00:01:58670
混蛋本身有额外的纹理和
尺寸时，我们反对的

33
00:01:58670——> 00:01:59469
光这样

34
00:01:59469——> 00:02:04350
好吧这里是一个快速的小10
或对光线不

35
00:02:04350拍摄——> 00:02:07950
正确或错误的方式很简单，
会给你一个不同的外观

36
00:02:07950——> 00:02:12150
没有一般来说当你与
你会

37
00:02:12150——> 00:02:16310
侧面方向拍摄有一个场景，有更高的对比度，
和奉承的总体看，它只是

38
00:02:16310——> 00:02:20680
不会有尽可能多的动态
范围没有反对的方向

39
00:02:20680——> 00:02:24319
的光，那意味着你将看到
背光将创建边缘

40
00:02:24319——> 00:02:28280
照明你的物体在天空会
是光明和吹出来的除非

41
00:02:28280——> 00:02:32200
当然你在阴影和对比添加额外的光
将

42
00:02:32200——> 00:02:37290
下如果你光打到你的
土地演变为爱尔兰现在又

43
00:02:37290——> 00:02:38640
这些选项

44
00:02:38640——> 00:02:42239
拍摄用光或反对
我既不正确，他们只是

45
00:02:42239——> 00:02:46110
不同处理的产量
你知道不同的外观，所有你要做的就是了解

46
00:02:46110——> 00:02:50290
差异如果你能
选择最佳的角度和方向

47
00:02:50290——> 00:02:54769
光适合看你
针对你的特定图像的

48
00:02:54769——> 00:02：58959
相同价格的选择对光
添加更多纹理然后

49
00:02:58959——> 00:03:02940
提到兴趣去真的
实际上同意其更好的我想

50
00:03:02940——> 00:03:07049
这个场景的唯一的问题是
处理一个很深的阴影，

51
00:03:07049——> 00:03:10410
看到你在短短的一瞬间，会
这样吧，我们会

52
00:03:10410——> 00:03:13319
你们成立了现在我
恰当增添一个可能的开关，

53
00:03:13319——> 00:03:16940
在短短的一瞬间，我想做什么
对

54
00:03:16940中间——> 00:03:20190
路开始向我跑来
一起在短短一秒好所以我们

55
00:03:20190——> 00:03:23右走，