100:00:00,020 --> 00:00:15,610I lov

1
00:00:00,020 --> 00:00:15,610
I love photographing waterfalls there's
something so serene about watching the

2
00:00:15,610 --> 00:00:21,190
water cascade across a cliff and I see
how it affects the rocks and everything

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below and a mossy green that you can see
an area where I lived in the pacific

4
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northwest they were so many waterfalls
and I got to see a bunch of them and

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this one in particular

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Steve Creek Falls was right off of the
road is really easy to find because it

7
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was right off of the road literally
there weren't a lot of opportunities to

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photograph the entire thing I'm actually
standing on a bridge that takes you over

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to the waterfall or where you can park
for the waterfall and I'm photographing

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00:00:51,870 --> 00:00:59,920
these shots right here this is probably
one of the best actual photos of the

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waterfall itself I didn't go to wine too
much stuff around and if you see appear

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in the corner there's like these sticks
that are kind of flailing around and

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those kinds of things you don't really
want to shot when you're doing this

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thing so I decided to walk around and
walk to the other side of the road to

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find some other small details of the
water in the runoff water from this

16
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wonderful and one of the really cool
things about this waterfall was the blue

17
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eyes like this bright blue water coming
from below and not sure what was causing

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it but it was absolutely gorgeous so I
found this series of rocks and I kind of

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00:01:36,469 --> 00:01:40,420
played around with a few of the
different compositions know the initial

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one you can see why I didn't really
notice the stick in the way and

21
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sometimes you don't catch these things
until it's too late

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there are also a lot of little sticks
over here on the left and so I think I

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saw a little bit better once I got a
clear shot of my long exposure and so I

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moved in a little bit closer I found
that I really like this composition

25
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better but one thing I didn't like about
it was that these two rocks right here

26
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were touching me were actually touching
but in my frame their overlapping and I

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only like to do that at all possible I'd
like to keep things separated

28
00:02:12,360 --> 00:02:20,160
so I moved over just a little bit and I
got this scene and this is the frame

29
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that I absolutely loved from all of
these shots so this is the shorter

30
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exposure it's only one-sixth of a second
whereas this is one hundred and

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seventy-one seconds I used in India
filter and very likely 10 stop and you

32
00:02:34,370 --> 00:02:38,520
to really cut down the light and allow
me to blur the water and have a very

33
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long shutter speed so I'm gonna go ahead
and jump into the development of this

34
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image and we'll see what we can do I'm
gonna cloudy to get over to the

35
00:02:47,060 --> 00:02:52,209
development and lost art of the top all
start in the basic panel first I'm going

36
00:02:52,209 --> 00:02:57,090
to my temperature warmed up a little bit
it seems a little too cool for my taste

37
00:02:57,090 --> 00:03:03,050
and that was really really subtle
adjustments do a quick before and after

38
00:03:03,050 --> 00:03:06,860
of that and some really really subtle
adjustment was gonna play around with my

39
00:03:06,860 --> 00:03:11,270
exposure bring that up quite a bit to
get going dark Symphony photographing

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longexposure

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00:03:12,690 --> 00:03:16,890
seen you know you want to get it as
bright as possible without blowing any

42
00:03:16,890 --> 00:03:22,060
other whites and you know making them
pure white and losing detail in them but

43
00:03:22,060 --> 00:03:26,310
you also can't anticipate for the light
changes if you're doing a two or three

44
00:03:26,310 --> 00:03:29,860
minute exposure sometimes late changes
and if the light fades away your

45
00:03:29,860 --> 00:03:34,180
photograph will be a little under spose
so often times I have to compensate for

46
00:03:34,180 --> 00:03:39,650
that inside of Lightroom I'm also going
to play around with my contrast setting

47
00:03:39,650 --> 00:03:46,660
highlights its gonna do they wanted and
my highlights actually kinda like my

48
00:03:46,660 --> 00:03:50,310
highlights being kind of break I'm gonna
toggle

49
00:03:50,310 --> 00:03:56,660
J to toggle my clipping notifications
and I don't have anything left right now

50
00:03:56,660 --> 00:04:00,519
you can see the histogram nothing is
butting up against that right

51
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really that left so i'm good right now
but I'll keep it active just in case

52
00:04:04,260 --> 00:04:07,040
something a little too far down the road

53
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gonna go ahead in deep in the shadows a
little bit again I'm gonna increase the

54
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whites now I don't go too far as you can
see if I push us whites too far then it

55
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starts to clip so I really just want to
push I'm just a little bit just a little

56
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far

57
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and I'm going to bring those black sound
kind of make it a little bit more

58
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contrast also some vibrance not too much
though because if I push it too far

59
00:04:34,650 --> 00:04:43,720
girls so I'll bring it to maybe thirty
five or so I'm gonna bring my situation

60
00:04:43,720 --> 00:04:49,680
down means I can push my Vibrant ok I'm
gonna do a quick talk click that

61
00:04:49,680 --> 00:04:56,050
backslash key to toggle the before and
after a nice change is happening now

62
00:04:56,050 --> 00:04:59,680
going to have a little bit more contrast
with the tone curve I'm not really gonna

63
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do much other than just change the .
curve to medium contrast a nice little

64
00:05:04,020 --> 00:05:09,080
pop you know deepens those black so I
really like 20 manages an exxon going to

65
00:05:09,080 --> 00:05:21,940
split toning and have a little fun with
this I'm going to do a highlight 30 or

66
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so right now doesn't it but it'll change
soon as I am cool shadow occupied there

67
00:05:36,690 --> 00:05:40,900
but I think I'm gonna play on my balance
due

68
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alright so the balance is really just
gonna say if I push it to the left it's

69
00:05:45,090 --> 00:05:49,240
going to increase those shadows you have
more shadow effect that highlight effect

70
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push it to the right

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vice versa so I'm gonna put it to the
left a little bit talking back and forth

72
00:05:55,300 --> 00:05:58,370
soon going on i think i like it

73
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I'm gonna go with this and I'm actually
going to take this into Photoshop to do

74
00:06:02,370 --> 00:06:06,580
some finishing touches on the Sun go to
come and eat and it's gonna pop open

75
00:06:06,580 --> 00:06:11,010
inside of Photoshop

76
00:06:11,010 --> 00:06:16,040
the first to just gonna make it full
screen I was like to work with out

77
00:06:16,040 --> 00:06:19,220
seeing through to the background I was
kinda like to have a little bit of a

78
00:06:19,220 --> 00:06:23,630
minimalistic approach and focus and get
distracted really easily so it's good

79
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for me to do that first thing you need
to do is coming out this week you

80
00:06:27,520 --> 00:06:32,930
looking stick over here trying to the
Lightroom but that seems like a little

81
00:06:32,930 --> 00:06:35,750
too complicated for Lightroom so I'm
gonna go ahead

82
00:06:35,750 --> 00:06:39,320
working in Photoshop I added a brand new
layer I'm gonna go ahead and double

83
00:06:39,320 --> 00:06:44,880
click that and just change the name to
clone a human if I welcome an option 0

84
00:06:44,880 --> 00:06:50,010
gonna give me a hundred percent on a PC
you can do control alt 0 do the same

85
00:06:50,010 --> 00:06:54,430
thing and then I'm gonna go over to my
stamp tool on the left so you have your

86
00:06:54,430 --> 00:06:59,560
stamp tool don't use the pattern stamp
to make sure you understand tool and I

87
00:06:59,560 --> 00:07:03,940
think I'm gonna go ahead and risk a
hundred percent opacity oftentimes I'm

88
00:07:03,940 --> 00:07:08,110
cloning I will clone at a lower porosity
but I don't have a lot of crazy things

89
00:07:08,110 --> 00:07:11,740
happening it's really a lot of straight
lines should be able to accomplish this

90
00:07:11,740 --> 00:07:18,050
just with one or two different samples
so I'm gonna go ahead and reduce the

91
00:07:18,050 --> 00:07:21,360
size little that I don't leave it too
big don't go too much bigger than the

92
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actual thing that I'm cloning holy
option cue to sample area click over

結果 (中文) 1:

100:00:00，020--> 00:00:15，610我爱摄影有的瀑布关于看如此宁静的东西200:00:15，610--> 00:00:21，190水梯级跨越悬崖，我看看它是如何影响岩石和一切300:00:21，190--> 00:00:25，200下面和长满苔藓的绿色，你可以看到我住在太平洋地区400:00:25，200--> 00:00:29，660西北他们是这么多的瀑布还有，看着他们一群和500:00:29，660--> 00:00:31，170特别是这一600:00:31，170--> 00:00:36，030Steve 溪瀑布完全不正确的路是很容易找到，因为它700:00:36，030--> 00:00:40，600简直就像马上路的没有很多机会800:00:40，600--> 00:00:46，660照片我其实整件事站在一座桥，你接管900:00:46，660--> 00:00:51，870瀑布或可以停车的地方吗为拍摄瀑布和我1000:00:51，870--> 00:00:59，920这些正确的镜头在这里这是可能最实际的照片之一1100:00:59，920--> 00:01:04，829瀑布本身没太去酒多周围的东西，如果你看到出现1200:01:04，829--> 00:01:08，359角落里有的是像这些棍子那是种周围挥舞和1300:01:08，359--> 00:01:11，079这种事情你不会真的想要拍摄时你要这样做1400:01:11 079--> 00:01:16，810thing so I decided to walk around andwalk to the other side of the road to1500:01:16,810 --> 00:01:22,659find some other small details of thewater in the runoff water from this1600:01:22,659 --> 00:01:27,429wonderful and one of the really coolthings about this waterfall was the blue1700:01:27,429 --> 00:01:31,770eyes like this bright blue water comingfrom below and not sure what was causing1800:01:31,770 --> 00:01:36,469it but it was absolutely gorgeous so Ifound this series of rocks and I kind of1900:01:36,469 --> 00:01:40,420played around with a few of thedifferent compositions know the initial2000:01:40,420 --> 00:01:43,240one you can see why I didn't reallynotice the stick in the way and2100:01:43,240 --> 00:01:45,319sometimes you don't catch these thingsuntil it's too late2200:01:45,319 --> 00:01:49,380there are also a lot of little sticksover here on the left and so I think I2300:01:49,380 --> 00:01:55,200saw a little bit better once I got aclear shot of my long exposure and so I2400:01:55,200 --> 00:01:58,259moved in a little bit closer I foundthat I really like this composition2500:01:58,259 --> 00:02:03,340better but one thing I didn't like aboutit was that these two rocks right here2600:02:03,340 --> 00:02:08,229were touching me were actually touchingbut in my frame their overlapping and I2700:02:08,229 --> 00:02:12,360only like to do that at all possible I'dlike to keep things separated2800:02:12,360 --> 00:02:20,160so I moved over just a little bit and Igot this scene and this is the frame2900:02:20,160 --> 00:02:25,080that I absolutely loved from all ofthese shots so this is the shorter3000:02:25,080 --> 00:02:29,860exposure it's only one-sixth of a secondwhereas this is one hundred and3100:02:29,860 --> 00:02:34,370seventy-one seconds I used in Indiafilter and very likely 10 stop and you3200:02:34,370 --> 00:02:38,520to really cut down the light and allowme to blur the water and have a very3300:02:38,520 --> 00:02:42,550long shutter speed so I'm gonna go aheadand jump into the development of this3400:02:42,550 --> 00:02:47,060image and we'll see what we can do I'mgonna cloudy to get over to the3500:02:47,060 --> 00:02:52,209development and lost art of the top allstart in the basic panel first I'm going3600:02:52,209 --> 00:02:57,090to my temperature warmed up a little bitit seems a little too cool for my taste3700:02:57,090 --> 00:03:03,050and that was really really subtleadjustments do a quick before and after3800:03:03,050 --> 00:03:06,860of that and some really really subtleadjustment was gonna play around with my3900:03:06,860 --> 00:03:11,270exposure bring that up quite a bit toget going dark Symphony photographing4000:03:11,270 --> 00:03:12,690longexposure4100:03:12,690 --> 00:03:16,890seen you know you want to get it asbright as possible without blowing any4200:03:16,890 --> 00:03:22,060other whites and you know making thempure white and losing detail in them but4300:03:22,060 --> 00:03:26,310you also can't anticipate for the lightchanges if you're doing a two or three4400:03:26,310 --> 00:03:29,860minute exposure sometimes late changesand if the light fades away your4500:03:29,860 --> 00:03:34,180photograph will be a little under sposeso often times I have to compensate for4600:03:34,180 --> 00:03:39,650that inside of Lightroom I'm also goingto play around with my contrast setting4700:03:39,650 --> 00:03:46,660highlights its gonna do they wanted andmy highlights actually kinda like my4800:03:46,660 --> 00:03:50,310highlights being kind of break I'm gonnatoggle4900:03:50,310 --> 00:03:56,660J to toggle my clipping notificationsand I don't have anything left right now5000:03:56,660 --> 00:04:00,519you can see the histogram nothing isbutting up against that right5100:04:00,519 --> 00:04:04,260really that left so i'm good right nowbut I'll keep it active just in case5200:04:04,260 --> 00:04:07,040something a little too far down the road5300:04:07,040 --> 00:04:13,829gonna go ahead in deep in the shadows alittle bit again I'm gonna increase the5400:04:13,829 --> 00:04:18,269whites now I don't go too far as you cansee if I push us whites too far then it5500:04:18,269 --> 00:04:22,780starts to clip so I really just want topush I'm just a little bit just a little5600:04:22,780 --> 00:04:24,160far5700:04:24,160 --> 00:04:27,790and I'm going to bring those black soundkind of make it a little bit more5800:04:27,790 --> 00:04:34,650contrast also some vibrance not too muchthough because if I push it too far5900:04:34,650 --> 00:04:43,720girls so I'll bring it to maybe thirtyfive or so I'm gonna bring my situation6000:04:43,720 --> 00:04:49,680down means I can push my Vibrant ok I'mgonna do a quick talk click that6100:04:49,680 --> 00:04:56,050backslash key to toggle the before andafter a nice change is happening now6200:04:56,050 --> 00:04:59,680going to have a little bit more contrastwith the tone curve I'm not really gonna6300:04:59,680 --> 00:05:04,020do much other than just change the .curve to medium contrast a nice little6400:05:04,020 --> 00:05:09,080pop you know deepens those black so Ireally like 20 manages an exxon going to6500:05:09,080 --> 00:05:21,940split toning and have a little fun withthis I'm going to do a highlight 30 or6600:05:21,940 --> 00:05:36,690so right now doesn't it but it'll changesoon as I am cool shadow occupied there6700:05:36,690 --> 00:05:40,900but I think I'm gonna play on my balancedue6800:05:40,900 --> 00:05:45,090alright so the balance is really justgonna say if I push it to the left it's6900:05:45,090 --> 00:05:49,240going to increase those shadows you havemore shadow effect that highlight effect7000:05:49,240 --> 00:05:50,370push it to the right7100:05:50,370 --> 00:05:55,300vice versa so I'm gonna put it to theleft a little bit talking back and forth7200:05:55,300 --> 00:05:58,370soon going on i think i like it7300:05:58,370 --> 00:06:02,370I'm gonna go with this and I'm actuallygoing to take this into Photoshop to do7400:06:02,370 --> 00:06:06,580some finishing touches on the Sun go tocome and eat and it's gonna pop open7500:06:06,580 --> 00:06:11,010inside of Photoshop7600:06:11,010 --> 00:06:16,040the first to just gonna make it fullscreen I was like to work with out7700:06:16,040 --> 00:06:19,220seeing through to the background I waskinda like to have a little bit of a7800:06:19,220 --> 00:06:23,630minimalistic approach and focus and getdistracted really easily so it's good7900:06:23,630 --> 00:06:27,520for me to do that first thing you needto do is coming out this week you8000:06:27,520 --> 00:06:32,930looking stick over here trying to theLightroom but that seems like a little8100:06:32,930 --> 00:06:35,750too complicated for Lightroom so I'mgonna go ahead8200:06:35,750 --> 00:06:39,320working in Photoshop I added a brand newlayer I'm gonna go ahead and double8300:06:39,320 --> 00:06:44,880click that and just change the name toclone a human if I welcome an option 08400:06:44,880 --> 00:06:50,010gonna give me a hundred percent on a PCyou can do control alt 0 do the same8500:06:50,010 --> 00:06:54,430thing and then I'm gonna go over to mystamp tool on the left so you have your8600:06:54,430 --> 00:06:59,560stamp tool don't use the pattern stampto make sure you understand tool and I8700:06:59,560 --> 00:07:03,940think I'm gonna go ahead and risk ahundred percent opacity oftentimes I'm8800:07:03,940 --> 00:07:08,110cloning I will clone at a lower porositybut I don't have a lot of crazy things8900:07:08,110 --> 00:07:11,740happening it's really a lot of straightlines should be able to accomplish this9000:07:11,740 --> 00:07:18,050just with one or two different samplesso I'm gonna go ahead and reduce the9100:07:18,050 --> 00:07:21,360size little that I don't leave it toobig don't go too much bigger than the9200:07:21,360 --> 00:07:26,930actual thing that I'm cloning holyoption cue to sample area click over

結果 (中文) 3:

1
00:00:00020——> 00:00:15610
我爱拍摄瀑布有
如此安详看着

2
00:00:15610——> 00:00:21190
水级联在悬崖边，我看到
如何影响岩石和一切

3
00:00:21190——> 00:00:25200
下面长满青苔的绿色，你可以看到
一个地方我住在太平洋

4
00:00:25200——> 00:00:29660
西北有很多瀑布
我看到一群人和

5
00:00:29660——> 00:00:31170
这在一个特定的

6
00:00:31170——> 00:00:36030
史提夫溪瀑布是正确的
路是很容易找到它

7
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正从公路上
没有很多机会

8
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拍摄整个事情我真的
站在桥上，你

9
00:00:46660——> 00:00:51870
的瀑布或你可以在公园
的瀑布和我拍照，

10
00:00:51870——> 00:00:59920
这些镜头吧，这可能是一个最好的实际照片
该

11
00:00:59920——> 00:01:04829
瀑布本身，我没有去太
酒太多的东西，如果你看到出现

12
00:01:04829——> 00:01:08359
角落里有像这些棍子
是种四处挥舞，

13
00:01:08359——> 00:01:11079
这些东西你真的不
想拍的时候，你这样做

14
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的事所以我决定出去走走，
走到

15
00:01:16810——> 00:01路的另一边：22659
找到其他的一些小的细节
水在地表水从这

16
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精彩的一个很酷的
东西这个瀑布是蓝色的

17
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眼睛这样明亮的蓝色的水来
从下面不知道造成

18
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它但它是绝对华丽，所以我
发现这一系列的岩石和我种

19
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玩了一些不同成分的
知道初始

20
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你能明白为什么我真的不
通知贴在方式和

21
00:01:43240——> 00:01:45319
有时你不抓住这些东西
直到为时已晚

22
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也有很多的小木棍
在左边，所以我想我

23
00:01:49380——> 00:01:55200
看到的更好一点，我曾经有一个
摆脱我的长时间曝光拍摄，所以我

24
00:01:55200——> 00:01:58259
搬到靠近一点我发现我真的很喜欢这
组成

25
00:01:58259——> 00:02:03340
更好，但有一件事我不喜欢
这是这两种岩石在这里

26
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触摸我真的感动
但我框重叠和我

27
00:02:08229——> 00:02:12360
只要在所有可能的我
喜欢保存东西分开

28
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所以我搬了一点点，我
得到这个场景，这是框架

29
00:02:20160——> 00:02:25，080
我喜欢所有
这些镜头所以这是短

30
00:02:25080——> 00:02:29860
曝光只有六分之一秒
而这是一百和31


00:02:29860——> 00:02:34370
七十一秒我在印度
过滤器很可能10阻止你

32
00:02:34370——> 00:02:38520
真正降低光让