100:00:11,590 --> 00:00:16,160hey f

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hey folks this is Sean Bagshaw from
outdoor exposure photography and photo

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Cascadia this tutorial share a powerful
dodging and burning technique that was

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recently shown to me by my friend and
renowned Photoshop expert Mac over max

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company the image collective produces
highest body fine art prints for museums

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target furs and artists around the world
will include a link to the image

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collective in the video notes on my
YouTube channel dodging and burning or

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lightning in darkening as Mac refers to
college to enhance existing light and

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shadow to guide the eye or increased
depth and contour is a technique I

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commonly use both in Lightroom and
Photoshop there are many different ways

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to make localize lightning in darkening
adjustments one of the most popular with

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photographers is the 50% blended Grail
air method this is a technique I've

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demonstrated in several my tutorials and
have linked to a couple of those from my

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youtube channel in the video notes the
basics of the 50% blended gray layer

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technique are to create a 50% gray layer
to call this one dodge set to the

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overlay or soft light blending mode and
filled with 50% gray in this layer can

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be painted on with white to lighten or
black to darken

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this technique works great but Mac
pointed out a distinct limitation to me

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often after using the 50% greatly our
method to lighten or darken it would be

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great to be able to make further
adjustments to the Lightner darkened

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areas for example San wanted to adjust
the contrast saturation or color balance

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of the area's aid either dodger burned
using it empty or transparent layer

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instead of a 50% gray layer will allow
us to do just that

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here's how it works I'll start by
deleting this gray Dodge later and then

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I'll create a new empty later by holding
down the ALT or option keanu Mac and

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then clicking the new layer icon on AIM
this layer Dodge

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then I'll set the blending mode to
Overlay you can use either the overlay

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or soft light blending mode has with the
50% greater method I generally like the

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overlay blending mode for lightning or
dodging and the soft light blending mode

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for darkening or burning I find this
maintains the best contrast but I'd

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encourage you to experiment with both
blending modes to see what gives you the

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look you want and for this technique
we're not gonna fill with 50% grass so

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just click OK to create that new empty
or transparent layer now you can paint

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with a white or black brush just as you
would with a 50% trailer

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I'm going to light and so on going to
change my foreground color to white and

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I'm going up the opacity to 50% decrease
my brush size and keep a nice soft

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feather brush and this is probably
higher opacity brush than I would

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normally use but i wanna do this quickly
and in my own work flood take more time

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and I would later in these adjustments

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a little bit more incrementally and
smoothly but I just wanted to quickly so

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you can just very rapidly get an idea of
what I'm doing so you can see I'm just

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gonna highlighting the tops of some of
these trees and bushes down here in the

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foreground to give them some more
contour and to bring out the highlights

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so there's the effect of the dodging or
lightning that I just did so what's the

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difference you might ask well because
this technique ads pixels to an

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otherwise empty later after you're done
lightening or darkening you can now hold

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down CTRL or command and click on the
lair to load the painted areas as a

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selection that selection perfectly
matches the areas I just dodged now with

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the selection loaded I can make a new
adjustment layer for demonstration

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purposes on aka levels adjustment layer
and the mask will reveal only the areas

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that were painted in the empty later now
I can make a levels adjustment that will

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be constrained by the mask to only
affect the light and areas this enables

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me to fine-tune the contrast of the
lightning that I did

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but I'm not limited to just levels
adjustment I could load that seemed odd

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layer selection and use it to create a
mask on any type of Lear for example I

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could load the selection and then make a
hue saturation adjustment layer and use

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that to make adjustments to the
saturation of those dodged areas I'm

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gonna push it beyond where I normally
would just so you can see it well and

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the video so that dodging selection
could be applied as a mast any type of

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adjustment layer or even a pic salir so
there any possible adjustment you use in

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your workflow could be targeted directly
to areas you've either lightner darkened

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as a final step I like to add the Dodger
burn later and all related adjustment

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layers into a group so I select them all
and then hold down the Shift key and

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click the group icon to add all those
layers into a group I could call this my

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Dodge adjustments group and now I can
adjust the opacity that entire group to

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dial in just the amount of that dodging
adjustment that I want in the foreground

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I generally keep my dodging and burning
separates I can control them

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individually to head darkening
adjustments and repeat the same steps

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I'd start by holding down the altar
option key and clicking the new layer

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icon not call this one burn and I
probably said this one too soft light

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because I usually like that for
darkening but you can choose in

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experiment and find out which works best
for you

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and then this time I would paint with a
black brush I'm gonna bring this one

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down to 20% and do this little more
incremental II and I'm gonna darken in a

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section of the sky here

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darkening the sky but once I have made
that darkening adjustment I can now hold

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down CTRL or command on a Mac and click
on that burn later to load that is a

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selection and I haven't painted in any
of the pixels more than 50% so you don't

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see any marching answer selection lines
but I'll say ok I know that there is a

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selection loaded and now I can make a
adjustment layer

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don't use my TK panel to make a Curves
adjustment lear and that curves

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adjustment layer comes with the mask
that perfectly matches my burning so now

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I can use the curve to fine-tune the
contrast with the curve of that burning

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in that part of the sky and if I wanted
to work with the color of it as well I

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could controller command click on it

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load the selection and then loaded hue
saturation adjustment layer and adjust

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the hue and saturation of that part of
the sky in fact I mean want to bring

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down the saturation in that area little
bit and now just like before I would

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select all of those layers that are
connected and then hold down the Shift

結果 (中文) 1:

100:00:11，590--> 00:00:16，160嘿，伙计们这是从肖恩 · 肖户外暴露摄影和照片200:00:16，160--> 00:00:21，689卡斯凯迪亚本教程分享强大躲避和燃烧技术是300:00:21，689--> 00:00:27，430我的朋友最近给我和在最大的著名 Photoshop 专家 Mac400:00:27，430--> 00:00:32，480公司形象集体生产最高的身体良好的版画艺术博物馆500:00:32，480--> 00:00:36，580目标毛皮和世界各地的艺术家将包含一个链接到图像600:00:36，580--> 00:00:41，050集体在视频上注意到我躲避和燃烧的 YouTube 频道或700:00:41，050--> 00:00:46，140闪电在变暗，Mac 是指学院以提高现有光和800:00:46，140--> 00:00:50，800阴影，引导眼睛或增加深度和轮廓是一种技术我900:00:50，800--> 00:00:54，950通常使用两个在 Lightroom 和Photoshop 有很多不同的方法1000:00:54，950--> 00:00:59，540要本地化变暗的闪电调整的最受欢迎的一个，1100:00:59，540--> 00:01:04，580摄影师是 50%混纺圣杯这是一种技术，我的空气法1200:01:04，580--> 00:01:09，080表现在几个我的教程和已链接到的那些从几个我1300:01:09，080--> 00:01:14，450在录像笔记的 youtube 频道50%的混合灰层的基本知识1400:01:14，450--> 00:01:24，619技术是创建一个 50%灰色层来电设置为这一道奇1500:01:24，619--> 00:01:32，360重叠或柔和光线混合模式和用在这层可以 50%灰色填充1600:01:32，360--> 00:01:44，040上涂白，以减轻或黑变暗1700:01:44，040--> 00:01:49，380这种技术但 Mac 的伟大工程指出对我独特的局限性1800:01:49，380--> 00:01:54，820经常后使用 50%大大我们方法以变亮或变暗它会1900:01:54，820--> 00:01:58，400很高兴能够进一步对莱特暗调的调整2000:01:58，400--> 00:02:03，990例如 San 领域想要调整对比度饱和度或颜色平衡2100:02:03，990--> 00:02:08，929要么道奇烧毁的地区的援助使用它为空或透明层2200:02:08，929--> 00:02:13，220而不是 50%灰色层将允许我们做到这一点2300:02:13，220--> 00:02:19，459这里是怎么回事我先来后来删除这灰色的道奇，然后2400:02:19，459--> 00:02:25，270我会牵着以后创建新的空向下 ALT 键或 option keanu Mac 和2500:02:25，270--> 00:02:31，330然后单击目标上的新图层图标这一层道奇2600:02:31，330--> 00:02:36，730然后我会将混合模式设置为您可以使用任一覆盖的覆盖2700:02:36，730--> 00:02:41，720或柔和光线混合模式与我通常喜欢 50%更多方法2800:02:41，720--> 00:02:46，330加铺层混合模式为闪电或躲避和柔和光线混合模式2900:02:46，330--> 00:02:50，930变暗或燃烧，我觉得这保持最好的对比，但会3000:02:50，930--> 00:02:54，550鼓励你与两个实验混合模式，看到什么给了你3100:02:54，550--> 00:03:00，930你想要看看，这种技术我们不会这么充满 50%草3200:03:00，930--> 00:03:06，660只需单击确定以创建该新空或透明图层，现在你可以画出3300:03:06，660--> 00:03:11，660用白色或黑色的画笔，就像你将有 50%挂车3400:03:11，660--> 00:03:15，690我要去光等等去我的前景颜色更改为白色和3500:03:15，690--> 00:03:23，880我去了不透明度降低 50%我的笔刷的大小和保持好软3600:03:23，880--> 00:03:28，530羽毛笔刷，这可能是比我高不透明度刷会3700:03:28，530--> 00:03:35，330通常使用但我想要做这快和我自己的工作在洪水采取更多的时间3800:03:35，330--> 00:03:38，620我会稍后在这些调整3900:03:38，620--> 00:03:43，299多一点点增量和顺利，但只是想迅速地这样4000:03:43，299--> 00:03:48，430你可以只是非常迅速地得到的想法我在做什么，所以你可以看到我只是4100:03:48,430 --> 00:03:54,049gonna highlighting the tops of some ofthese trees and bushes down here in the4200:03:54,049 --> 00:03:58,140foreground to give them some morecontour and to bring out the highlights4300:03:58,140 --> 00:04:04,760so there's the effect of the dodging orlightning that I just did so what's the4400:04:04,760 --> 00:04:09,280difference you might ask well becausethis technique ads pixels to an4500:04:09,280 --> 00:04:14,079otherwise empty later after you're donelightening or darkening you can now hold4600:04:14,079 --> 00:04:19,560down CTRL or command and click on thelair to load the painted areas as a4700:04:19,560 --> 00:04:26,789selection that selection perfectlymatches the areas I just dodged now with4800:04:26,789 --> 00:04:30,970the selection loaded I can make a newadjustment layer for demonstration4900:04:30,970 --> 00:04:37,030purposes on aka levels adjustment layerand the mask will reveal only the areas5000:04:37,030 --> 00:04:43,650that were painted in the empty later nowI can make a levels adjustment that will5100:04:43,650 --> 00:04:48,340be constrained by the mask to onlyaffect the light and areas this enables5200:04:48,340 --> 00:04:58,070me to fine-tune the contrast of thelightning that I did5300:04:58,070 --> 00:05:03,740but I'm not limited to just levelsadjustment I could load that seemed odd5400:05:03,740 --> 00:05:09,270层的选择和使用它来创建对任何类型的李尔例如掩盖我5500:05:09，270--> 00:05:17，260无法加载所选内容，然后让色相饱和度调整图层和使用5600:05:17，260--> 00:05:23，460那对作出调整我那些躲到范畴的饱和度5700:05:23，460--> 00:05:27，950要把它推到何处我通常就这样你可以看到它很好，5800:05:27，950--> 00:05:33，460视频，躲避选择可作为任何类型的桅杆5900:05:33，460--> 00:05:38，390调整图层甚至因此 pic salir那里任何可能的调整您在中使用6000:05:38，390--> 00:05:43，010可以直接针对您的工作流到地区你变暗或者莱特6100:05:43，010--> 00:05:49，810作为最后一步，我想补充的道奇烧伤后和所有相关的调整6200:05:49，810--> 00:05:55，320成一组，所以我选择所有图层然后按住 Shift 键和6300:05:55，320--> 00:06:01，030单击组图标添加所有那些成一组图层是调用可以了这我6400:06:01，030--> 00:06:13，550道奇调整组，现在我可以调整不透明度到这整个集团6500:06:13，550--> 00:06:19，130拨入量，那躲避我想要在前台的调整6600:06:19，130--> 00:06:24，940我一般把我回避和燃烧分离是控制可以了他们6700:06:24，940--> 00:06:28，570单独地到头部变暗调整和重复相同的步骤6800:06:28，570--> 00:06:32，940我想先按住坛option 键并单击新的图层6900:06:32，940--> 00:06:40，520图标不打电话给我和这一个烧伤可能说这一个太柔和的光线7000:06:40，520--> 00:06:43，750因为我通常喜欢这样的变暗，但你可以选择在7100:06:43，750--> 00:06:47，630实验，找出其中最适合给你的7200:06:47，630--> 00:06:52，670然后这一次我会用颜料我要把这一个的黑色笔刷7300:06:52，670--> 00:06:59，200降至 20%，做这个小小的多增量二和我打算在变暗7400:06:59，200--> 00:07:01，810这里的天空一节7500:07:01，810--> 00:07:13，430昏暗的天空只有一次，取得我现在可以抱着那渐渐暗下来调整7600:07:13，430--> 00:07:19，610向下 ctrl 键或在 Mac 上的命令，然后单击在那燃烧以后就是加载7700:07:19，610--> 00:07:25，220选择和我没画在任何有超过 50%，所以，你不要的像素7800:07:25，220--> 00:07:28，980看到任何行进的答案选择行但我会说好的我知道是有7900:07:28，980--> 00:07:33，610选择加载和现在我能做调整图层8000:07:33，610--> 00:07:40，030不使用我 TK 面板，使曲线调整李尔和那曲线8100:07:40，030--> 00:07:44，160调整图层来与面具完全匹配所以现在我燃烧8200:07:44，160--> 00:07:50，940我可以使用曲线来调整与曲线的对比，燃烧8300:07:50，940--> 00:07:56，570在天空的那部分，如果我想要与它的颜色为我工作8400:07:56，570--> 00:07:59，300控制器命令可以点击它吗8500:07:59，300--> 00:08:07，770加载的选择，然后加载的色相饱和度调整图层和调整8600:08:07，770--> 00:08:11，440色相和饱和度的那部分天空其实我的意思是想要8700:08:11，440--> 00:08:17，480小下来在这一领域的饱和度咬了，现在就像之前我会8800:08:17，480--> 00:08:22，550选择所有是的那些图层连接，然后按住 shift 键

結果 (中文) 3:

1
00:00:11590——> 00:00:16160
嘿伙计这是肖恩巴格肖从
户外曝光摄影和照片

2
00:00:16160——> 00:00:21689
卡斯卡迪亚这个教程分享一个强大的
回避和燃烧技术，

3
00:00:21689——> 00:00:27430
最近显示出我的我的朋友和
知名专家PS图象处理软件MAC在最大

4
00:00:27430——> 00:00:32480
公司形象的集体生产
最高本体艺术版画博物馆

5
00:00:32480——> 00:00:36580
目标皮草和世界各地的艺术家
将包括一个链接到图像

6
00:00:36580——> 00:00:41050
集体在视频笔记对我
YouTube频道回避和燃烧或

7
00:00:41050——> 00:00:46140
闪电在暗为MAC是指
高校加强现有的光和

8
00:00:46140——> 00:00:50800
影子引导眼睛或增加
深度和轮廓是一种技术，我

9
00:00:50800——> 00:00:54950
通常使用在Lightroom和
PS图象处理软件有许多不同的方式

10
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进行定位闪电在黑暗的
调整最受

11
00:00:59540——> 00:01:04，580
摄影师是50%混合的圣杯
空气法这是一种我

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证明00:01:09080
有链接到我的

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YouTube频道的视频笔记50%的
基础混合灰层

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技术创造50%的灰层
夫妻那些称这一道奇设置为

15
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叠加或柔光混合模式
填充50%灰色在这一层可以

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被涂上白色的减轻或
黑暗

17
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这技术杰出的但MAC
指出明显的限制，我

18
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经常使用后的50%大我们的
方法减轻或变暗，它会

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杰出的能够作出进一步的调整
莱特纳昏暗的

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地区例如三想调整
对比饱和度或色彩平衡

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的地区的援助也烧
神偷使用空的或透明的层

22
00:02:08929——> 00:02:13220
代替50%的灰层会让
我们这样做

23
00:02:13220——> 00:02:19459
这里是它如何工作的我会开始
删除这个灰色道奇后再

24
00:02:19459——> 00:02:25270
我会抱着
ALT或选择基努MAC和

25
00:02:25270——> 00:02:31330
创建一个空的后然后点击新图层的图标，在目标
这层道奇

26
00:02:31330——> 00:02:36730
然后我设置混合模式为
覆盖你可以使用覆盖

27
00:02:36730——> 00:02:41720
或柔光混合模式与
50%大方法，我一般喜欢

28
00:02:41720——> 00:02:46330
叠加混合模式的闪电或
躲避和柔光混合模式

29
00:02:46330——> 00:02:50930
变暗或燃烧的我发现这
保持最佳的对比，但我

30
00:02:50930——> 00:02:54550
鼓励你尝试都
混合模式看看你有什么

31
00:02:54550——> 00:03:00930
看你想要和这个技术
我们不要填补50%草32


00:03:00930——> 00:03:06660
点击OK以创建新的空
或透明层，现在你可以画

33
00:03:06660——> 00:03:11660
用白色或黑色画笔就像你
将与50%拖车

34
00:03:11660——> 00:03:15690
我要灯等要
改变我的前景颜色为白色，

35
00:03:15690——> 00:03:23880
我要到50%不透明度降低
画笔大小和保持一个好的软

36
00:03:23880——> 00:03:28530
羽毛刷子，这可能是
比我会

37
00:03:28530——> 00:03:35330
通常使用，但我想这样做，在我自己的工作很快
洪水花更多的时间

38
00:03:35330——> 00:03:38620
和我会在这些调整

39
00:03:38620——> 00:03:43299
一点点更多的增量和
顺利但我想很快

40
00:03:43299——> 00:03:48更高透明度的笔刷，430
你可以很快得到一个想法
我在做什么，所以你可以看到，我只是

41
00:03:48430——> 00:03:54049
要突出顶部的一些
这些树木和灌木，在

42
00:03:54049——> 00:03:58140
前景给他们一些更多的
轮廓和带出

集锦43
00:03:58140——> 00:04:04760
所以有规避或
效果闪电，我只是做了什么

44
00:04:04760——> 00:04:09280
差你可能会问，这种技术的广告
像素一

45
00:04:09280——> 00:04:14079
否则空后，你做
减轻或变黑，你现在可以把

46
00:04:14079——> 00:04:19560
在按住Ctrl或命令，点击
巢穴加载画领域作为

47
00:04:19560——> 00:04:26，789
选择，选择完美的
匹配领域我只是回避了现在

48
00:04:26789——> 00:04:30970
选择加载我可以做一个新的调整层
示范

49
00:04:30970——> 00:04:37030
用途又名色阶调整层的
和面具将只显示领域

50
00:04:37030——> 00:04:43650
，画成空后的现在
我可以调整的水平，将

51
00:04:43650——> 00:04:48340
被面膜只能
影响光线和地区这使

52
00:04:48340——> 00:04:58070
我微调的
闪电的对比，我

53
00:04:58070——> 00:05:03740
但我不是只限于水平
调整我能负荷，似乎奇怪

54
00:05:03740——> 00:05:09270
层的选择和使用它来创建一个
面膜对任何类型的李尔为例，我

55
00:05:09270——> 00:05:17260
可以载入选区再
色相饱和度调整层，使用

56
00:05:17260——> 00:05:23460
，作出调整的
饱和的领域我躲开了我

57
00:05:23460——> 00:05:27950
会把它超越，我通常
就这样你就可以看到它，

58
00:05:27950——> 00:05:33460
视频，避开选择
可应用于任何类型的
桅杆
59
00:05:33460——> 00:05:38390
调整层甚至一个PIC和所以
有可能调整你使用

60
00:05:38390——> 00:05:43010
您的工作流可以直接针对
领域，你要么莱特纳昏暗的

61
00:05:43，010——> 00:05:49810
作为最后一步我想加入道奇
烧伤后和所有相关的调整

62
00:05:49810——> 00:05:55320
层为一组，所以我选择他们
然后按住Shift键并

63
00:05:55320——> 00:06:01030
单击组添加图标所有这些
层为一组，我可以打电话给我

64
00:06:01030——> 00:06:13550
道奇调整组，现在我可以
调整不透明度，整个集团

65
00:06:13550——> 00:06:19130
拨入适量，避开
调整，我想在前台

66
00:06:19130——> 00:06:24940
一般我保持我的回避和燃烧
分开我能控制他们

67
00:06:24940——> 00:06:28570
单独头黑
调整和重复同样的步骤

68
00:06:28570——> 00:06:32940
我开始按住Option键并点击祭坛
新层

69
00:06:32940——> 00:06:40520
图标不叫这一烧我
可能说这太柔和的光

70
00:06:40520——> 00:06:43750
因为通常我喜欢，
昏暗但你可以选择在

71
00:06:43750——> 00:06:47630
实验并找出哪些最
你

72
00:06:47630——> 00:06:52670
然后这一次我会画一个
刷黑我要把这一

73
00:06:52670——> 00:06:59200
下降到20%，这样做更
增量II和我会变暗，在

74
00:06:59200——> 00:07:01810
段天空这里

75
00:07:01810——> 00:07:13430
昏暗的天空，但是一旦我做了，我现在可以调整
暗持

76
00:07:13430——> 00:07:19610
在按住Ctrl或命令在MAC和点击
在烧伤后的负荷，是一

77
00:07:19610——> 00:07:25220
选择和我没有涂任何
的像素超过50%，所以你不

78
00:07:25220——> 00:07:28980
看到任何前进的答案选择线
但我会说“我知道有一个

79
00:07:28980——> 00:07:33610
选择加载，现在我可以做一个
调整层

80
00:07:33610——> 00:07:40030
别用我的TK板进行曲线调整，
李尔曲线

81
00:07:40030——> 00:07:44160
调整层带有完美匹配我的燃烧现在

82
00:07:44160——> 00:07:50940
我可以使用曲线调整与燃烧的

83
00:07:50940曲线
对比——> 00:07:56570
在天的那一边，如果我想

面具工作与它的颜色和我

84
00:07:56570——> 00:07:59300
能控制器命令，点击它

85
00:07:59300——> 00:08:07770
负荷然后装色相饱和度调整层
选择和调整

86
00:08:07770——> 00:08:11440
的色相和饱和度的
的天空的那一部分其实我的意思是想把

87
00:08:11440——> 00:08:17480
在那个地区的小
位饱和现在就像之前我会

88
00:08:17480——> 00:08:22550
选择所有的层，
连接，然后按住Shift