9000:06:44,430 --> 00:06:48,080noti

90
00:06:44,430 --> 00:06:48,080
notice under 90 degree angle to what
you're shooting you can get yourself

91
00:06:48,080 --> 00:06:51,550
into some trouble because I see it all
the time we get that pull that circular

92
00:06:51,550 --> 00:06:55,360
polarizer on never have your sunglasses
on in like you turn your head and you

93
00:06:55,360 --> 00:06:59,860
can you guys don't you do it she's
looking at me like I don't know I don't

94
00:06:59,860 --> 00:07:03,950
turn my head that's number one it's a
good way to figure out if your polarizer

95
00:07:03,950 --> 00:07:06,560
will work if you're wearing sunglasses
and just kinda

96
00:07:06,560 --> 00:07:14,220
head back and forth but what happens is
is returned that polarizer because we're

97
00:07:14,220 --> 00:07:18,290
cool I'll hit me in the sky really dark
and you take the photo and it actually

98
00:07:18,290 --> 00:07:22,880
looks artificial so when you get into
trouble I use my polarizer more in these

99
00:07:22,880 --> 00:07:27,100
situations is to me what a polarizer
really helps with its cutting down

100
00:07:27,100 --> 00:07:31,370
reflections you can't do that in
Photoshop if there is a reflection on

101
00:07:31,370 --> 00:07:38,140
leaves in water machine on iraq that
sometimes is is almost overpowering if

102
00:07:38,140 --> 00:07:41,230
there's reflections you're not gonna be
able to take that down in Photoshop or

103
00:07:41,230 --> 00:07:45,280
Lightroom your polarizes will help cut
through those reflections so they go

104
00:07:45,280 --> 00:07:51,170
polarizer for this and then there's no
water everything's flat forget about the

105
00:07:51,170 --> 00:07:54,620
bracketing stuff you're not shooting
water but you know you just gotta start

106
00:07:54,620 --> 00:07:57,910
shooting them out whatever forget about
black thing because it's so flat you

107
00:07:57,910 --> 00:08:02,010
don't have a dynamic range that you're
going to need any type of bracketing

108
00:08:02,010 --> 00:08:09,180
with it so let's look at what was
supposed to do another backlit photo

109
00:08:09,180 --> 00:08:13,090
this was an easy way out there I'll do
it really quick this is the backlit one

110
00:08:13,090 --> 00:08:15,610
shadows

111
00:08:15,610 --> 00:08:22,930
wait which the Sun should be white so
don't ever try to pull that back so it's

112
00:08:22,930 --> 00:08:27,300
not it's ok to make the subway and then
blacks the other way to get a couple

113
00:08:27,300 --> 00:08:34,020
little black spots and I see this a lot
so I'm glad I came back up to this I see

114
00:08:34,020 --> 00:08:37,130
a lot of times when people shooting to
the sunday take the highlights lighter

115
00:08:37,130 --> 00:08:43,210
and they cranked it down and what
happens is that you get this little ball

116
00:08:43,210 --> 00:08:48,430
back a little bit but their ego

117
00:08:48,430 --> 00:08:54,170
the Sun kind of compresses down into
this little box it looked very very

118
00:08:54,170 --> 00:08:59,210
artificial the sky's gonna start to look
artificial you don't have to do that

119
00:08:59,210 --> 00:09:03,940
it's OK for the Sun and even the clouds
and everything around it to be white ok

120
00:09:03,940 --> 00:09:07,870
so it is white so we don't have to make
that go away

121
00:09:07,870 --> 00:09:15,640
diffused so what kinds of things do i do
well we got a little bit like the Sun

122
00:09:15,640 --> 00:09:18,770
was poking out and back so I can kind of
tone down the highlights a little bit

123
00:09:18,770 --> 00:09:28,709
bring out my exposure board could not
too much not too much that we can do

124
00:09:28,709 --> 00:09:32,290
contrast contrast is going to be your
friends with these photos because you

125
00:09:32,290 --> 00:09:36,800
remembered her flat but not very much
directional a so contrast and how do we

126
00:09:36,800 --> 00:09:46,860
get that whites option All Blacks option
or or click and some clarity warming up

127
00:09:46,860 --> 00:09:56,660
a little bit and just for grins what
photocase of India

128
00:09:56,660 --> 00:10:06,339
take a look that's before that after
four after so I shadow enhancement by

129
00:10:06,339 --> 00:10:09,540
contrast is really going to be your
friend there because that's what you

130
00:10:09,540 --> 00:10:13,259
were the the scene was usually lacking
to begin with

131
00:10:13,259 --> 00:10:19,709
okay jim got any questions I was just
looking and I'll just throw one out for

132
00:10:19,709 --> 00:10:24,699
myself when you're doing video chatting
to you mostly used on darker photos or

133
00:10:24,699 --> 00:10:28,870
do you sit on my sometimes I'm with
brighter photos it looks a little

134
00:10:28,870 --> 00:10:34,009
awkward at absolutely so great question
cuz I typically don't use an umbrella

135
00:10:34,009 --> 00:10:38,089
photo specialist lots of great stuff on
the edges because it will it'll look

136
00:10:38,089 --> 00:10:45,699
like somethings darkened great and
Michael Green would like to know what

137
00:10:45,699 --> 00:10:50,000
different times of the year make a huge
difference have you ever going back to

138
00:10:50,000 --> 00:10:52,649
the same location based on the season

139
00:10:52,649 --> 00:10:59,569
absolutely absolutely so thank you can
think I think of a couple of different

140
00:10:59,569 --> 00:11:05,970
things obviously fall colors colors make
a big big impact on things so I love you

141
00:11:05,970 --> 00:11:08,750
know whenever I got to Portland I love
to go out there and shoot the waterfalls

142
00:11:08,750 --> 00:11:14,100
and there are very different looking
waterfall in the fall then they are in

143
00:11:14,100 --> 00:11:19,579
March April May whatever happens to be
so your number of number one you'll get

144
00:11:19,579 --> 00:11:24,449
a lot of fall colors and things number
two you know it's like the magic happens

145
00:11:24,449 --> 00:11:30,949
and that one yellow leaf falls down onto
the rock or you put it there that one

146
00:11:30,949 --> 00:11:34,360
lol the falls down onto the rocks that's
in front and you set that up as the

147
00:11:34,360 --> 00:11:38,850
foreground as sweeps back and the
waterfall so really different photos

148
00:11:38,850 --> 00:11:42,769
based on the different season and then
your son is going to be at all different

149
00:11:42,769 --> 00:11:46,570
points and very different shots that way
to Tucson

150
00:11:46,570 --> 00:11:52,300
here can be a great fantastic and trees
that would like to know can you explain

151
00:11:52,300 --> 00:11:55,980
a little bit of the difference between
pushing the whites and pushing pushing

152
00:11:55,980 --> 00:12:00,510
up the whites and pushing down the
blacks as opposed to just doing contrast

153
00:12:00,510 --> 00:12:03,870
is there something different happening
there

154
00:12:03,870 --> 00:12:09,310
contrast does something very similar
offer me I used the white and the blacks

155
00:12:09,310 --> 00:12:13,020
because you're actually attacking the
way to attacking the blacks were

156
00:12:13,020 --> 00:12:16,940
contrast is like it's just gonna do the
whites and blacks and you don't really

157
00:12:16,940 --> 00:12:20,520
get much control with it so I can be a
little bit more fine-tuned I can look at

158
00:12:20,520 --> 00:12:24,640
the photo as I moved the whites and
maybe a look at it he saw one earlier I

159
00:12:24,640 --> 00:12:28,350
was like wow I got to that point where I
saw the specs but then when I look back

160
00:12:28,350 --> 00:12:32,890
at the photo it just felt too bright to
pull it back it's it's close to a

161
00:12:32,890 --> 00:12:34,350
formula but it's not exactly

結果 (中文) 1:

9000:06:44，430--> 00:06:48，080注意到什么下 90 度的角度你拍摄你可以自己9100:06:48，080--> 00:06:51，550到一些麻烦因为看到了这一切我们到那的时候拉圆9200:06:51，550--> 00:06:55，360偏光片上永远不会有你的太阳镜对在像你把你的头，你9300:06:55，360--> 00:06:59，860你们可以不要你做她是看着我好像我不知道9400:06:59，860--> 00:07:03，950回头我去是第一它是找出如果你用偏光片的好方法9500:07:03，950--> 00:07:06，560如果你戴上了墨镜将工作而且只是有点儿9600:07:06，560--> 00:07:14，220来来回回的头，但会发生什么是因为我们被返回那偏光片9700:07:14，220--> 00:07:18，290酷我揍我在真正黑暗的天空你把这张照片，它实际上9800:07:18，290--> 00:07:22，880看起来人工所以当你进入我用我的偏光片在这些更多的麻烦9900:07:22，880--> 00:07:27，100情况对我来说是什么偏光片真的帮助其切割下来10000:07:27，100--> 00:07:31，370你不能在那样的几点思考Photoshop 如果上有反射10100:07:31，370--> 00:07:38，140叶子在水机在伊拉克问题上，有时是几乎压倒如果10200:07:38，140--> 00:07:41，230那里是的思考你要不能够把这记在 Photoshop 或10300:07:41，230--> 00:07:45，280Lightroom 你对立会帮助削减通过这些思考，所以他们去10400:07:45，280--> 00:07:51，170为此偏光片然后还有没有水忘了一切的平10500:07:51，170--> 00:07:54，620包围曝光的东西你不拍摄水，但你知道你只是要开始10600:07:54，620--> 00:07:57，910他们拍摄指出，无论忘记黑东西，因为它有如此扁你10700:07:57，910--> 00:08:02，010没有你的动态范围需要任何类型的括号去10800:08:02，010--> 00:08:09，180它让我们看看是什么要做另一个背光照片10900:08:09，180--> 00:08:13，090这是一个简单的方法在那里我会做它真快，这是一个背光11000:08:13，090--> 00:08:15，610阴影11100:08:15，610--> 00:08:22，930等待，太阳应该是白色所以永远不要尝试拉那回，让它有11200:08:22，930--> 00:08:27，300不是好为了让地铁，然后黑人的其他方式得到一对夫妇11300:08:27，300--> 00:08:34，020小小的黑点，我看这很多所以我很高兴我又回到这我看到11400:08:34，020--> 00:08:37，130很多时候时拍摄到的人周日带打火机亮点11500:08:37，130--> 00:08:43，210和他们手摇它下来和什么发生了就是你得到这个小球11600:08:43，210--> 00:08:48，430但他们的自我回顾一下11700:08:48，430--> 00:08:54，170太阳种压缩下来到这看起来非常非常的小盒子11800:08:54，170--> 00:08:59，210人工天空要开始看人工你不必这样做11900:08:59，210--> 00:09:03，940它是确定为太阳和连云和它是白的好的周围的一切12000:09:03，940--> 00:09:07，870所以，它是白色的所以我们不需要使那走了12100:09:07，870--> 00:09:15，640扩散那么什么样的东西我做我们变得有点像太阳12200:09:15，640--> 00:09:18，770所以我可以种都拨出和回有点缓和亮点12300:09:18，770--> 00:09:28，709带的出我曝光板不能太多不太多，我们可以做12400:09:28，709--> 00:09:32，290对比对比就你这些照片的朋友因为你12500:09:32，290--> 00:09:36，800记得她套房子，但不是很多定向这样的对比和我们如何12600:09:36，800--> 00:09:46，860拿到那白人所有黑人选项或单击和一些热身的清晰度12700:09:46，860--> 00:09:56，660一点一点，只是为笑什么印度 photocase12800:09:56，660--> 00:10:06，339采取一看就是在此之前，之后四后所以我影子的增强12900:10:06，339--> 00:10:09，540对比真的要你朋友因为那就是你13000:10:09，540--> 00:10:13，259被现场通常缺乏开头13100:10:13，259--> 00:10:19，709好吉姆得到了任何问题，我只是看，我只是扔一为13200:10:19，709--> 00:10:24，699自己当你在做视频聊天到你大多使用较暗的照片或13300:10:24，699--> 00:10:28，870你坐我有时我与它看起来有点亮照片13400:10:28，870--> 00:10:34，009在尴尬绝对如此之大的问题因为通常不用一把伞13500:10:34，009--> 00:10:38，089很棒的东西上照片专家很多边缘因为它将会看起来13600:10:38，089--> 00:10:45，699喜欢有些事很暗，Michael 格林想知道什么13700:10:45，699--> 00:10:50，000年的不同时间使一个巨大你会回到有差异13800:10:50，000--> 00:10:52，649基于季节相同的位置13900:10:52，649--> 00:10:59，569绝对绝对是这样谢谢你可以我认为一对夫妇的不同14000:10:59，569--> 00:11:05，970事情很明显秋天的颜色的颜色会使大大大影响的东西，所以我爱你14100:11:05，970--> 00:11:08，750只要知道我到波特兰我爱去那里和拍摄瀑布14200:11:08，750--> 00:11:14，100有非常不同的寻找在秋天瀑布然后他们是在14300:11:14，100--> 00:11:19，579三月四月五月无论发生什么要所以你会得到你的第一名的号码14400:11:19，579--> 00:11:24，449秋天的颜色和事物数量颇多两个你知道就像变魔术一样发生14500:11:24，449--> 00:11:30，949和黄的一片叶子落下来到岩石，或是你把它那里那个14600:11:30，949--> 00:11:34，360哈哈，落下的岩石上的在前面和你设置的作为14700:11:34，360--> 00:11:38，850前景如扫背，瀑布所以真的不同照片14800:11:38，850--> 00:11:42，769基于不同季节，然后你的儿子将会在所有不同14900:11:42，769--> 00:11:46，570点和非常不同的拍摄方式图森市15000:11:46，570--> 00:11:52，300在这里可以是一个伟大的奇妙和树木想知道你能解释一下15100:11:52，300--> 00:11:55，980一点点的之间的区别推的白人和推挤15200:11:55，980--> 00:12:00，510怀特一家，并向下推而不是只在做对比的黑人15300:12:00，510--> 00:12:03，870有一些不同的东西发生有15400:12:03，870--> 00:12:09，310对比确实非常类似的东西给我我用白色和黑人15500:12:09，310--> 00:12:13，020因为你实际上进攻方法对攻击黑人了15600:12:13，020--> 00:12:16，940对比就像它去做白人和黑人，你真的不15700:12:16，940--> 00:12:20，520那么可以得到多控一点点更精细的调整，我可以看看15800:12:20，520--> 00:12:24，640这张照片我动议白人和也许看看他前面看到一个我15900:12:24，640--> 00:12:28，350哇我拿到那点在哪里我看到规格但然后回头的时候16000:12:28，350--> 00:12:32，890看这张照片只是感觉太亮，以拉回它是它的接近16100:12:32，890--> 00:12:34，350公式，但它的不完全

結果 (中文) 3:

90
00:06:44430——> 00:06:48080
通知90度角向你射击你自己可以

91
00:06:48080——> 00:06:51550
到一些麻烦，因为我看到这一切
得出拉循环

92
00:06:51550——> 00:06:55360
偏光片上没有你的太阳镜
对喜欢你你的头，你

93
00:06:55360——> 00:06:59860
时间什么
下你们可以不要这样她
看着我就像我不知道我不

94
00:06:59860——> 00:07:03950
转过我的头，一号是一个
好办法找出如果你的偏光

95
00:07:03950——> 00:07:06560
将工作，如果你戴着墨镜
，只是

96
00:07:06560——> 00:07:14220
头来回，但事情是
返回，因为我们
偏振器
97
00：07:14220——> 00:07:18290
酷我会打在我的天空真的黑暗
和你拍照，它实际上

98
00:07:18290——> 00:07:22880
很做作，当你进入
麻烦我用偏光片更在这些

99
00:07:22880——> 00:07:27100
情况对我来说是什么偏光
确实有助于其减少

100
00:07:27100——> 00:07:31370
思考你不能做，
PS图象处理软件如果有反思

101
00:07:31370——>水机00:07:38140
离开伊拉克
有时几乎是压倒性的如果

102
00:07:38140——> 00:07:41230
有思考你不会
能够采取下PS图象处理软件或

103
00:07:41230——> 00:07:45280你
Lightroom两极分化将有助于削减
通过这些思考让他们去

104
00:07:45280——> 00：07:51170
偏光片这并没有
水一切都平忘记

105
00:07:51170——> 00:07:54620
包围的东西你不拍摄
水但你知道你要开始

106
00:07:54620——> 00:07:57910
拍摄出来什么忘记
黑色的东西因为它是如此的扁你

107
00:07:57910——> 00:08:02010
没有动态范围，你
需要任何类型的包围

108
00:08:02010——> 00:08:09180
那么让我们来看看什么是
应该做的另一个背光的照片

109
00:08:09180——> 00:08:13090
这是一个简单的办法我会做
很快这是背光的一

110
00:08:13090——> 00:08:15610
阴影

111
00:08:15610——> 00:08:22930
等待这太阳应该是白色的，
永远不要尝试拉回来太

112
00:08:22930——> 00:08:27300
不可以做地铁然后
黑人的其他方式得到一对夫妇

113
00:08:27300——> 00:08:34020
小黑色的斑点，我看到了很多
所以我很高兴我来了来这我看到

114
00:08:34020——> 00:08:37130
很多时候人们拍摄
星期日拿打火机

115
00:08:37集锦，130——> 00:08:43210
他们弯下来，什么
发生的是，你得到这个小小的球

116
00:08:43210——> 00:08:48430
回一点点但自我

117
00:08:48430——> 00:08:54170
压缩下来，太阳在
这个小盒子看起来非常

118
00:08:54170——> 00:08:59210
人造天空会开始寻找
人工你不需要这样做

119
00:08:59，210——> 00:09:03940
是太阳和云彩
和它周围的一切是白色的好

120
00:09:03940——> 00:09:07870
所以它是白色的，我们不可能使
，走

121
00:09:07870——> 00:09:15640
扩散所以什么我做
我们有点像太阳

122
00:09:15640——> 00:09:18770
探了出来，这样我就可以种
回来低调一点

集锦123
00:09:18770——> 00:09:28709
发挥我的曝光板不能
太多不太多，我们能做的

124
00:09:28709——> 00:09:32290
反差会是你的
这些照片的朋友因为你

125
00:09:32290——> 00:09:36800
记得她平坦但不很
定向如此对比我们如何

126
00:09:36800——> 00：09:46860
得到白人的黑人
选项选项或单击和一些清晰的升温

127
00:09:46860——> 00:09:56660
一点点，只是笑什么
photocase印度

128
00:09:56660——> 00:10:06339
看看那之前之后
四所以我
阴影增强
129
00:10:06339——> 00:10:09540
对比是真的要你的
后在这里的朋友，因为你

130
00:10:09540——> 00:10:13259
的场景通常是缺乏
开始

131
00:10:13259——> 00:10:19709
好吉姆有问题我只是
看我就扔了

132
00:10:19709——> 00:10:24699
自己当你做视频聊天
你主要用在较暗的照片或

133
00:10:24699——> 00:10:28870
你坐在我的有时我
明亮的照片看起来有点

134
00:10:28870——> 00:10:34009
尴尬等问题
绝对杰出的因为我通常不使用雨伞

135
00:10:34009——> 00:10:38089
照片专家很多杰出的东西
边缘因为它会看

136
00:10:38089——> 00:10:45699
喜欢一些黑暗的杰出的和