492
00:39:48,130 --> 00:39:53,380
and quick once and once that
relationship is defined
493
00:39:53,380 --> 00:39:58,630
I can paint with relative EU's
494
00:39:58,630 --> 00:40:02,830
if he don't have that source
495
00:40:02,830 --> 00:40:06,550
to destination point really pretty
specifically locked and
496
00:40:06,550 --> 00:40:10,170
in the pattern that match at all this
pattern
497
00:40:10,170 --> 00:40:14,420
is getting smaller as a guest further
away from the camera ever so slightly
498
00:40:14,420 --> 00:40:18,190
so a little bit at variance is
inevitable
499
00:40:18,190 --> 00:40:22,090
started getting extremely close
500
00:40:22,090 --> 00:40:24,820
as close as you can
501
00:40:24,820 --> 00:40:28,260
now on the other edge at the table it
the shadows a little different sound
502
00:40:28,260 --> 00:40:28,619
money
503
00:40:28,619 --> 00:40:32,430
going to you clone going the other
direction
504
00:40:32,430 --> 00:40:37,670
again all set my source point on that
one good section tile
505
00:40:37,670 --> 00:40:41,589
and come to the same section pattern
506
00:40:41,589 --> 00:40:47,040
it lot that and
507
00:40:47,040 --> 00:41:09,090
and pain going in the opposite direction
508
00:41:09,090 --> 00:41:12,800
now I definitely over cloned in this
area and
509
00:41:12,800 --> 00:41:16,550
said someone might I'll leads at over
the table
510
00:41:16,550 --> 00:41:20,230
some at a mask to this layer and now
just mask of
511
00:41:20,230 --> 00:41:26,150
where over cloned you could also
512
00:41:26,150 --> 00:41:30,040
erase sometimes you'll see that I
graceland i
513
00:41:30,040 --> 00:41:34,320
over cloning but it's a
514
00:41:34,320 --> 00:41:38,040
stickier area to get idea to use
515
00:41:38,040 --> 00:41:41,510
and a mask rather than racing because
you can go back and forth
516
00:41:41,510 --> 00:41:44,910
keen on playing at all you can blend the
difference
517
00:41:44,910 --> 00:41:52,220
a little at so we're pretty close down
there but there's a little differences
518
00:41:52,220 --> 00:41:53,230
in the shading
519
00:41:53,230 --> 00:41:56,450
and rather than we cloning to
520
00:41:56,450 --> 00:42:00,450
get that up a little closer which the
trouble is matching up
521
00:42:00,450 --> 00:42:04,369
pattern instead I'm gonna come up to my
multilayer
522
00:42:04,369 --> 00:42:08,090
way added that been yet and
523
00:42:08,090 --> 00:42:11,810
pushed this down into the vignette just
a little bit more
524
00:42:11,810 --> 00:42:15,109
at a little bit more than the adding
just a long
525
00:42:15,109 --> 00:42:18,330
that it to the frame and I just had a
process that
526
00:42:18,330 --> 00:42:39,530
and hide in hide my checks a little bit
527
00:42:39,530 --> 00:42:40,520
looking at my
528
00:42:40,520 --> 00:42:43,570
the whole overall I really like where I
am
529
00:42:43,570 --> 00:42:47,300
with yes might just read it
530
00:42:47,300 --> 00:42:50,940
I wanted dark and man a little bit more
531
00:42:50,940 --> 00:42:53,970
this manhattan at my had just met
532
00:42:53,970 --> 00:42:58,080
just keep coming back to this manhattan
a little that
533
00:42:58,080 --> 00:43:01,450
so I make sure that I'm happy
534
00:43:01,450 --> 00:43:05,720
all how that's looking son was gonna be
busy at
535
00:43:05,720 --> 00:43:11,520
appoint on my car us go back in history
536
00:43:11,520 --> 00:43:15,800
I have made it erase very slightly
definite
537
00:43:15,800 --> 00:43:20,330
so that a good indicator that I was
request to get
538
00:43:20,330 --> 00:43:26,010
good conformation I'm just distracted by
539
00:43:26,010 --> 00:43:29,490
new little hits that black in this
velvet couch
540
00:43:29,490 --> 00:43:33,090
and so the finishing touch I'm just
going to you
541
00:43:33,090 --> 00:43:36,290
go back and slightly clone times
542
00:43:36,290 --> 00:43:40,100
you think twenty percent clone brought
clone stamp Ross
543
00:43:40,100 --> 00:43:43,710
just a clone a little bit
544
00:43:43,710 --> 00:43:47,100
lighter velvet over some these darker
patterns
545
00:43:47,100 --> 00:43:50,410
are catching my I love yet
546
00:43:50,410 --> 00:43:56,380
fine tuning on
547
00:43:56,380 --> 00:44:01,690
and there's a couple of white sections
and all that they're catching
548
00:44:01,690 --> 00:44:18,550
as well
549
00:44:18,550 --> 00:44:21,540
so overall I think this is looking nice
I could spend a little more time
550
00:44:21,540 --> 00:44:22,260
cleaning up
551
00:44:22,260 --> 00:44:28,360
the floor and notice there's a couple
other yellowish streaks
552
00:44:28,360 --> 00:44:33,060
in the whole are here maybe I'll just
clean balls up
553
00:44:33,060 --> 00:44:41,460
and I'll be meet the rest just these
554
00:44:41,460 --> 00:44:45,610
discoloration parts are catching my eye
555
00:44:45,610 --> 00:44:51,600
going to
556
00:44:51,600 --> 00:45:06,460
take some of them out
557
00:45:06,460 --> 00:45:09,520
for this longer section on all the
pattern
558
00:45:09,520 --> 00:45:20,240
I'm cloning along a pattern can be
really frustrating
559
00:45:20,240 --> 00:45:24,000
by at all about getting
560
00:45:24,000 --> 00:45:30,930
thats source and destination in the
right spots
561
00:45:30,930 --> 00:45:35,330
man if you get that really nailed down
pretty closely
562
00:45:35,330 --> 00:45:48,450
the pattern will recreate itself you
really think mostly
563
00:45:48,450 --> 00:45:50,609
but sometimes there's little odd
commands that
564
00:45:50,609 --> 00:45:54,270
get standout after go back in and
restless
565
00:45:54,270 --> 00:46:01,380
more specifically honest
566
00:46:01,380 --> 00:46:05,000
you little dots obvious dot in
567
00:46:05,000 --> 00:46:09,270
at their door or their and it help at
hand
568
00:46:09,270 --> 00:46:14,430
cleanup can on all my adjustment layers
569
00:46:14,430 --> 00:46:19,440
take another look at my before and after
570
00:46:19,440 --> 00:46:24,890
yet that's looking nice it's much more
dramatic colors
571
00:46:24,890 --> 00:46:28,670
are popping I what to jane king
572
00:46:28,670 --> 00:46:31,710
the all yes cell I'm happy with where I
am
573
00:46:31,710 --> 00:46:33,619
understate this and they want another
chance