100:00:00,179 --> 00:00:12,4200200:

1
00:00:00,179 --> 00:00:12,420
0

2
00:00:12,420 --> 00:00:16,720
0 okay worried at this editorial image

3
00:00:16,720 --> 00:00:22,860
and this is the hardware kinda DIY
project in misery data here we shot with

4
00:00:22,860 --> 00:00:24,340
the 7100

5
00:00:24,340 --> 00:00:28,560
in to capture ones home muncie

6
00:00:28,560 --> 00:00:34,500
I mean the capture folder in here is all
the images that we capture it looks like

7
00:00:34,500 --> 00:00:38,430
this was my main imagine and I did some
detail shots after the

8
00:00:38,430 --> 00:00:42,230
afterwards on so

9
00:00:42,230 --> 00:00:45,949
we just could have some other ideas
maybe to play around with and see if

10
00:00:45,949 --> 00:00:46,809
there are some

11
00:00:46,809 --> 00:00:49,809
that's kinda cool largely on

12
00:00:49,809 --> 00:00:54,710
wells that one's kinda cool

13
00:00:54,710 --> 00:00:58,960
song i'm looking at home the

14
00:00:58,960 --> 00:01:03,860
other images and it looks like up until
here we were just coming getting are

15
00:01:03,860 --> 00:01:05,129
lining I'll dan

16
00:01:05,129 --> 00:01:09,310
then we started adding sawdust a little
more sawdust

17
00:01:09,310 --> 00:01:14,119
little more sawdust and we're just
slowly out into we finally got to the

18
00:01:14,119 --> 00:01:15,659
point that we wanted so

19
00:01:15,659 --> 00:01:20,000
having said that I think this is the
image that we're going to work with him

20
00:01:20,000 --> 00:01:21,259
were in capture one

21
00:01:21,259 --> 00:01:26,210
hand much like Lightroom capture one
using a lot of flexibility with

22
00:01:26,210 --> 00:01:31,500
doing rock conversions on the main thing
and I want to make sure that I tackle

23
00:01:31,500 --> 00:01:37,039
when I mean capture one is that profile
is set for my particular camera and lens

24
00:01:37,039 --> 00:01:41,600
if available that I have my chromatic
aberration

25
00:01:41,600 --> 00:01:45,219
not checked to eliminate achromatic
aberration just like

26
00:01:45,219 --> 00:01:50,770
and Lightroom I'm in an we can check
things like sharpening and stuff and

27
00:01:50,770 --> 00:01:51,719
make sure that

28
00:01:51,719 --> 00:01:55,450
everything is setup on the way we want
we can add a luminous sharpening by

29
00:01:55,450 --> 00:01:56,090
default

30
00:01:56,090 --> 00:01:59,909
capture one has some sharpening applied
to each image based on the camera

31
00:01:59,909 --> 00:02:01,090
profile so

32
00:02:01,090 --> 00:02:04,100
I'm this actually looks pretty good
right at the gate

33
00:02:04,100 --> 00:02:07,490
I'm I think everything else I wanna just
handle and

34
00:02:07,490 --> 00:02:10,819
harm for Photoshop from this

35
00:02:10,819 --> 00:02:14,890
so capture one pro 8 point one

36
00:02:14,890 --> 00:02:16,680
that point one

37
00:02:16,680 --> 00:02:19,690
has the building a round trip to
Photoshop and back

38
00:02:19,690 --> 00:02:24,250
like a light room where I can open a
phono from capture one take it into

39
00:02:24,250 --> 00:02:28,460
pawnshop do my edits and then it will
save back n

40
00:02:28,460 --> 00:02:31,660
to capture one again it creates a tiff
just like

41
00:02:31,660 --> 00:02:36,320
like room does and that wasn't available
in capture one up until

42
00:02:36,320 --> 00:02:39,380
home p.2d one party 8.1

43
00:02:39,380 --> 00:02:43,460
you had to export as a tip from an open
net tip separately and you really didn't

44
00:02:43,460 --> 00:02:47,130
ever come back in the capture one but
now you can use it more for cataloging

45
00:02:47,130 --> 00:02:48,400
application so

46
00:02:48,400 --> 00:02:51,910
I really I like alike that feature

47
00:02:51,910 --> 00:02:55,620
have capture one so let's go ahead and
do it

48
00:02:55,620 --> 00:02:59,240
and we will her sorry file and with

49
00:02:59,240 --> 00:03:04,230
and with wall hours to determine what
parameters we want this

50
00:03:04,230 --> 00:03:08,060
tip or sorry this raw image to be
converted to

51
00:03:08,060 --> 00:03:13,959
as a test so to 16-bit F and only 98
color space at 300

52
00:03:13,959 --> 00:03:18,340
pixels per inch and then we're gonna
open it with Adobe Photoshop so let's go

53
00:03:18,340 --> 00:03:21,470
ahead and and it very intense gonna
korean-americans can

54
00:03:21,470 --> 00:03:25,730
open very in partnership for us and
because in doing this with 16-bit you

55
00:03:25,730 --> 00:03:28,260
might hear my friend kick up on the
laptop

56
00:03:28,260 --> 00:03:33,230
you know I also I'm see some lag as
we're starting at it things 16

57
00:03:33,230 --> 00:03:36,330
files a big file really can an 8-bit

58
00:03:36,330 --> 00:03:40,010
if they're going to be used for
editorial or even cattle or Web

59
00:03:40,010 --> 00:03:43,510
16 I'd if I can I liked and 16-bit

60
00:03:43,510 --> 00:03:48,070
just because it gives me that much
mortality and added to work with I can

61
00:03:48,070 --> 00:03:49,120
always exported

62
00:03:49,120 --> 00:03:54,470
as a lower bit image but I like to have
as much information as I possibly can

63
00:03:54,470 --> 00:03:55,370
while managing

64
00:03:55,370 --> 00:03:59,120
as long as the computer will handle it
so again

65
00:03:59,120 --> 00:04:03,970
were in Photoshop where a base layer I'm
gonna run through the square can show

66
00:04:03,970 --> 00:04:05,200
you how long

67
00:04:05,200 --> 00:04:08,599
on the I would actually spend on an
image like this salt our teacher and as

68
00:04:08,599 --> 00:04:11,040
I go but first thing

69
00:04:11,040 --> 00:04:15,400
now I think I wanna do is neutralize the
color looks a little bit cool me so I'm

70
00:04:15,400 --> 00:04:19,600
going to add a Curves adjustment layer
will come over here and we will put down

71
00:04:19,600 --> 00:04:22,169
a point somewhere in the gray area here

72
00:04:22,169 --> 00:04:26,630
and I remember this too is fairly
neutral may not be completely neutral

73
00:04:26,630 --> 00:04:28,200
might have a little bit a blue to it

74
00:04:28,200 --> 00:04:32,560
here's a little bit different scenario
than last time we have 70 to 79 85

75
00:04:32,560 --> 00:04:36,600
so when I ran a spread like that always
try to match to the mill number rather

76
00:04:36,600 --> 00:04:38,419
than trying to push one of the

77
00:04:38,419 --> 00:04:42,030
the other two numbers up all the way to
the highest number or a high as two

78
00:04:42,030 --> 00:04:45,380
numbers down to the lowest number I try
to just have a meet in the middle at the

79
00:04:45,380 --> 00:04:46,139
mill number

80
00:04:46,139 --> 00:04:51,860
in this case the male members 79 72
being lower 85 being higher so

81
00:04:51,860 --> 00:04:56,940
we will come over to the Red and we will
kick ran up to 79

82
00:04:56,940 --> 00:05:01,320
warm welcome or a blue and we will take
blew down to seventy-nine

83
00:05:01,320 --> 00:05:04,979
and that's what we did and that looks a
lot more like what I saw

84
00:05:04,979 --> 00:05:08,860
on through the camera on the set so

85
00:05:08,860 --> 00:05:12,669
this this is a good start so %um label
these

86
00:05:12,669 --> 00:05:16,880
and this one will be for color
correction

87
00:05:16,880 --> 00:05:20,280
and then I'm gonna do another curves
adjustment

88
00:05:20,280 --> 00:05:23,350
in a meeting at some contrast in this
just a NASCAR

89
00:05:23,350 --> 00:05:27,410
saw drag this down when track this up a
little bit

90
00:05:27,410 --> 00:05:31,669
I'm even a little bit more honest I
wanna make this kind of a real gritty

91
00:05:31,669 --> 00:05:34,360
contrast to look a like the way that
slogan

92
00:05:34,360 --> 00:05:40,389
saw call this one just a might call a
contrast

93
00:05:40,389 --> 00:05:46,520
K and then the next thing I wanna do use
I think an ID saturate the image a

94
00:05:46,520 --> 00:05:49,010
little bit so that's just a little bit
grainy years

95
00:05:49,010 --> 00:05:52,610
I'm on track this down hue saturation
mired

96
00:05:52,610 --> 00:05:56,979
just dragging it down a little bit
that's about right

97
00:05:56,979 --> 00:06:01,530
I wanna keep it cannot Hannah green
dirty I don't wanna make it too bright

98
00:06:01,530 --> 00:06:02,599
and cheery so

99
00:06:02,599 --> 00:06:06,889
I like that let's go ahead and add a new
layer will call this

100
00:06:06,889 --> 00:06:11,360
from dungeon burn selective

101
00:06:11,360 --> 00:06:15,750
carmakers this will just be a selected
Jim Byrne whoops I forgot the fourth

102
00:06:15,750 --> 00:06:16,060
grade

103
00:06:16,060 --> 00:06:19,750
i mean again and D&B

104
00:06:19,750 --> 00:06:24,400
selective we will go in the sawfly

105
00:06:24,400 --> 00:06:31,050
holworth 50 percent granny capture brush
burn black twenty percent 20% per cent

106
00:06:31,050 --> 00:06:32,710
sounds like a good number to start with

107
00:06:32,710 --> 00:06:37,930
first thing this bothers me apparent way
too bright gonna take that down

108
00:06:37,930 --> 00:06:41,400
you can see my laptop spinning

109
00:06:41,400 --> 00:06:45,840
again working in 16-bit too much bigger
file takes a little bit longer for

110
00:06:45,840 --> 00:06:47,000
things to render

111
00:06:47,000 --> 00:06:52,530
sometime during that time to burn down
here some

112
00:06:52,530 --> 00:06:57,130
this is way too bright for me again over
here

113
00:06:57,130 --> 00:07:02,140
all too bright which one may get some
them Canada stock industrials really the

114
00:07:02,140 --> 00:07:03,010
focus point

115
00:07:03,010 --> 00:07:06,240
I'm

116
00:07:06,240 --> 00:07:10,400
down honest down right

結果 (中文) 1:

100:00:00，179--> 00:00:12，4200200:00:12，420--> 00:00:16，7200 在此编辑的图像好担心300:00:16，720--> 00:00:22，860这是硬件有点 DIY项目在苦难数据在这里我们用拍摄400:00:22，860--> 00:00:24，3407100500:00:24，340--> 00:00:28，560在捕获的首页芒600:00:28，560--> 00:00:34，500在这里捕获文件夹是所有我们抓住它的图像看起来像700:00:34，500--> 00:00:38，430这是我主要的想象和做了一些镜头后的细节800:00:38，430--> 00:00:42，230之后在所以900:00:42，230--> 00:00:45，949我们只是可能有一些其他的想法也许玩玩，看看1000:00:45，949--> 00:00:46，809有一些1100:00:46，809--> 00:00:49，809这就是挺酷的很大程度上1200:00:49，809--> 00:00:54，710一个是挺酷的井1300:00:54，710--> 00:00:58，960我期待在家的歌1400:00:58，960--> 00:01:03，860其他的图像和它看起来像才起。在这里我们只要来得到有1500:01:03，860--> 00:01:05，129衬砌我会丹1600:01:05，129--> 00:01:09，310然后我们开始有点加入锯末更多的木屑1700:01:09，310--> 00:01:14，119更多的木屑和我们就只是慢慢地出到我们终于拿到1800:01:14，119--> 00:01:15，659我们想要这样的点1900:01:15，659--> 00:01:20，000尽管如此，我认为这是我们要和他一起工作的图像2000:01:20，000--> 00:01:21，259在捕获一2100:01:21，259--> 00:01:26，210手很像 Lightroom 捕获一使用很大的灵活性与2200:01:26，210--> 00:01:31，500做上最主要的岩石转换和我想要确保我解决2300:01:31，500--> 00:01:37，039我的意思是捕获一个人时，该配置文件为我特定的相机和镜头设置2400:01:37，039--> 00:01:41，600如果可用，我有我色，像差2500:01:41，600--> 00:01:45，219不检查，以消除消色差像差就像2600:01:45，219--> 00:01:50，770我在我们的 Lightroom 可以查一查事情喜欢锐化和东西和2700:01:50，770--> 00:01:51，719请确保2800:01:51，719--> 00:01:55，450一切都是我们想要的方式设置我们可以添加由发光锐化2900:01:55，450--> 00:01:56，090默认3000:01:56，090--> 00:01:59，909捕获一个有一些锐化的应用对每个基于摄像头的图像3100:01:59，909--> 00:02:01，090这样配置文件3200:02:01，090--> 00:02:04，100我是这个看上去真的很不错就在门口3300:02:04，100--> 00:02:07，490我是我认为一切我想要只是处理和3400:02:07，490--> 00:02:10，819这个 Photoshop 的危害3500:02:10，819--> 00:02:14，890所以捕获一临 8 点一3600:02:14，890--> 00:02:16，680那点之一3700:02:16，680--> 00:02:19，690有一轮之行的楼Photoshop 和背部3800:02:19，690--> 00:02:24，250喜欢明亮的房间，在那里我可以打开唱机从捕获一个考虑的3900:02:24，250--> 00:02:28，460典当行做我的编辑，然后它将保存后 n4000:02:28，460--> 00:02:31，660捕获到某再次创建 tiff就像4100:02:31，660--> 00:02:36，320喜欢的房间不和，不是可用在捕获一个直到4200:02:36，320--> 00:02:39，380首页 p.2d 一方 8.14300:02:39，380--> 00:02:43，460你不得不出口作为从一个开放的提示净提示单独和你真的没有4400:02:43，460--> 00:02:47，130在捕获回来一但现在你可以使用更多的编目4500:02:47，130--> 00:02:48，400应用程序所以4600:02:48，400--> 00:02:51，910我真的很我一样喜欢这个功能4700:02:51，910--> 00:02:55，620捕获一个如此吧，做吧4800:02:55，620--> 00:02:59，240我们将她抱歉的文件，4900:02:59，240--> 00:03:04，230与墙小时来确定什么我们希望这参数5000:03:04，230--> 00:03:08，060提示或抱歉这原始图像转换为5100:03:08，060--> 00:03:13，959作为一个测试等 16 位 F 和仅 98300 颜色空间5200:03:13，959--> 00:03:18，340像素 / 英寸，然后我们要去打开它与 Adobe Photoshop 这样吧5300:03:18，340--> 00:03:21，470前方和与它非常激烈去韩裔美国人可以5400:03:21，470--> 00:03:25，730打开很在为我们的伙伴关系和因为在做这 16 位与你5500:03:25，730--> 00:03:28，260可能会听到我的朋友踢笔记本电脑5600:03:28，260--> 00:03:33，230你也知道我我看到一些是落后的我们开始在它的东西 165700:03:33，230--> 00:03:36，330文件大文件真的可以 8 位5800:03:36，330--> 00:03:40，010如果他们要用于编辑或甚至牛或 Web5900:03:40，010--> 00:03:43，51016 我想如果我可以我喜欢和 16 位6000:03:43，510--> 00:03:48，070只是因为它给了我很多死亡率和添加工作与我可以6100:03:48，070--> 00:03:49，120总出口6200:03:49，120--> 00:03:54，470低位图像，但是我想要尽可能多的信息，尽我所能6300:03:54，470--> 00:03:55，370同时管理6400:03:55，370--> 00:03:59，120只要计算机将处理它再一次6500:03:59，120--> 00:04:03，970是不是在 Photoshop 中找到我的基底图层要通过广场跑可以显示6600:04:03，970--> 00:04:05，200你多长时间6700:04:05，200--> 00:04:08，599对我确实会花上图像像这盐我们的老师和作为6800:04:08，599--> 00:04:11，040我去但第一件事6900:04:11，040--> 00:04:15，400现在我只想做是压制颜色看起来有点位凉我所以我7000:04:15，400--> 00:04:19，600要添加一个曲线调整图层在这里会过来，我们会放下7100:04:19，600--> 00:04:22，169在这里的灰色区域的某个点7200:04:22，169--> 00:04:26，630我记得这也是相当中性不可能是完全中立7300:04:26，630--> 00:04:28，200可能会有一点点蓝色到它7400:04:28，200--> 00:04:32，560这里是有点不同的情形比上一次我们有 70 到 79 857500:04:32，560--> 00:04:36，600所以，当我跑的传播总是喜欢尝试匹配到轧机数量相当7600:04:36，600--> 00:04:38，419比试图把一个人的7700:04:38，419--> 00:04:42，030其他两个数字了，一路向人数最多或作为两个高7800:04:42，030--> 00:04:45，380到我试的最低数量的数字要满足只是在中间7900:04:45，380--> 00:04:46，139磨机数量8000:04:46，139--> 00:04:51，860在这个例子中的男性成员 79 72作为低 85 高所以8100:04:51，860--> 00:04:56，940我们会到红过来，我们将踢跑达 798200:04:56，940--> 00:05:01，320热烈欢迎或蓝色，我们将采取对有百分之七十九吹倒了8300:05:01，320--> 00:05:04，979这就是我们做了什么，那看上去很多更像是看到了什么8400:05:04，979--> 00:05:08，860对通过集上摄像机所以8500:05:08，860--> 00:05:12，669这是一个好的开始，所以 %um 贴标签这些8600:05:12，669--> 00:05:16，880和这一次会为颜色校正8700:05:16，880--> 00:05:20，280再做另一曲线调整8800:05:20，280--> 00:05:23，350在一些对比在这开会只是纳斯卡8900:05:23，350--> 00:05:27，410看到拖这下来时跟踪这一点点9000:05:27，410--> 00:05:31，669我甚至有点更诚实我想要这种真正坚韧不拔9100:05:31，669--> 00:05:34，360对比来看起来像方式口号9200:05:34，360--> 00:05:40，389看到调用这一只是一种强权调用对比9300:05:40，389--> 00:05:46，520K，然后接下来的事情我想要请使用我认为一个 ID 饱和的图像9400:05:46，520--> 00:05:49，010所以这就是只是一点点一点点粒状年9500:05:49，010--> 00:05:52，610我是在轨道上这个下来色相饱和度陷入困境9600:05:52，610--> 00:05:56，979只拖垮一点点就是这样的9700:05:56，979--> 00:06:01，530我想要保持它无法汉娜绿色脏，我不想让它太明亮9800:06:01，530--> 00:06:02，599和无边所以9900:06:02，599--> 00:06:06，889我喜欢，让我们继续并添加一个新的层将调用这10000:06:06，889--> 00:06:11，360从地牢烧伤选择性10100:06:11，360--> 00:06:15，750这将只是汽车制造商被选定吉姆 · 伯恩哎呀，我忘了第四次10200:06:15，750--> 00:06:16，060年级10300:06:16，060--> 00:06:19，750我的意思是再次和 D & B10400:06:19，750--> 00:06:24，400选择性，我们会在蜂10500:06:24，400--> 00:06:31，050holworth 50%奶奶捕获刷黑色的烧伤 20%20 %%10600:06:31，050--> 00:06:32，710听起来像很多入手10700:06:32，710--> 00:06:37，930这第一件事困扰我明显的方式太亮了，要做这么10800:06:37，930--> 00:06:41，400你可以看到我的笔记本电脑旋转10900:06:41，400--> 00:06:45，840再工作在 16 位太大文件时间要稍微长些11000:06:45，840--> 00:06:47，000要呈现的东西11100:06:47，000--> 00:06:52，530有时在这段时间要烧掉在这里一些11200:06:52，530--> 00:06:57，130这是我再过去实在太亮在这里11300:06:57，130--> 00:07:02，140都太过鲜艳哪一个可能会得到一些他们加拿大股票工业真的11400:07:02，140--> 00:07:03，010焦点11500:07:03，010--> 00:07:06，240我是11600:07:06，240--> 00:07:10，400诚实降权而下

結果 (中文) 3:

1预热器00179 00: 00: 00：00 - >：12420预热器预热器预热器2 0 00：00：00：00 - > 12420：16720
0♪at this图像编辑好

3
16720 00：00：00：00 - >：22860预热器和this is the硬件DIY项目数据点在这里我们痛苦预热器预热器预热器4镜头与22860 00：00：00：00 - >：24340预热器预热器预热器the 7100 24340 5 00：00：00：00 - >：在捕捉28560预热器预热器的预热器6家曼西酮：00：00 28560 00：00 - >：34500平方的均值在here is the folder捕捉到预热器图像，我们捕捉它看起来像

7
00:00:34500——> 00:00:38430
这是我主要的想象和我做一些
细节拍摄后8


00:00:38430——> 00:00:42230＾事后如此

9
00:00:42230——> 00:00:45949
才可能有一些其他的想法
也许玩看看

10
00:00:45949——> 00:00:46809
有一些11


00:00:46809——
> 00:00:49809这是挺酷的，在很大程度上

12
00:00:49809——> 00:00:54710
井的挺酷

13
00:00:54710——> 00:00:58960
歌我看着家

14
00:00:58960——> 00:01:03860
其他图像，它看起来像直到

15
00:01:03860——> 00:01:05129
李宁我会丹

16
00:01:05129——> 00:01:09310
然后我们开始添加锯末一点

这里我们只是来获得更多的木屑

17
00:01:09310——> 00:01:14119
多一点木屑和我们是只是
慢慢成为我们终于到的

18
00:01:14119——>
00:01:15659点，我们希望所以说

19
00:01:15659——> 00:01:20000
有，我想这是
图像，我们会来与他共事

20
00:01:20000——> 00:01:21259
在捕获一个

2
00:01:21259——
> 00:01:26210一方面很像Lightroom捕获一
使用很多灵活性

22
00:01:26210——> 00:01:31500
做摇滚转换的主要事情
我希望确保我解决

23
00:01:31500——> 00:01:37039
当我平均捕获，剖面
设置我的特定的相机和镜头

24
00:01:37039——> 00:01:41600
如果可用，我我色
像差

25
00:01:41，600——> 00:01:45219
不检查来消除色差
像差就像

26
00:01:45219——> 00:01:50770
Lightroom和我在我们可以检查
的东西像锐化和东西
27

00:01:50770——> 00:01:51719
确保

28
00:01:51719——> 00:01:55450
都设置的方式，我们希望我们可以添加发光锐化的

29
00:01:55450——> 00:01:56090
默认

3
00:01:56
，090——>
00:01:59909捕捉一些锐化应用
每幅图像的基础上的相机

31
00:01:59909——> 00:02:01090
剖面所以

32
00:02:01090——> 00:02:04100
我这实际上看起来不错
权在的栅极

33
00:02:04100——> 00:02:07490
我想一切我只想
手柄和
34

00:02:07490——> 00:02:10819为PS图象处理软件这

35
00:02:10
危害，819——> 00:02:14890
所以捕获一个临8点一

36
00:02:14890——> 00:02:16680
，点一

37
00:02:16680——> 00:02:19690
建筑一轮旅行到
PS图象处理软件背

38
00:02:19690——> 00:02:24250
像一间明亮的房间，我可以打开
唱机从捕获一个带进

39
00:02:24250——> 00:02:28460
当铺做我的编辑，然后它会
救回来N

40
00:02:28，460——> 00:02:31660
来捕获一个再次创建一个TIFF
就像

41
00:02:31660——> 00:02:36320
像房间一样，不可用
捕获一个直到

42
00:02:36320——> 00:02:39380
家p.2d一方当事人8.1

四十三
00:02:39380——> 00:02:43460
你有出口作为小费从开放
净锥尖分别，你真的没有不

44
00:02:43460——
> 00:02:47130曾经来背在捕获一但
现在你可以使用它更为编目
45

00:02:47130——> 00:02:48400
应用所以

46
00:02:48400——> 00:02:51910
我我真的像，有特征

47
00:02:51910——> 00:02:55620
捕获一个让我们前进，
做

48
00:02:55620——> 00:02:59240
，我们将她抱歉文件，

49
00:02:59240——
> 00:03:04230和与墙体小时到什么
参数确定我们想要这

50
00:03:04230——> 00:03:08060
尖端或对不起这原始图像对是
转换到

51
00:03:08060——> 00:03:13959
作为测试所以16位F只有98
颜色空间在300

52
00:03:13959——> 00:03:18340
像素每英寸，然后我们会
打开它与Adobe PS图象处理软件去吧

53
00:03:18340——
> 00:03:21470前方，和它很强烈要
韩裔美国人可以
54

00:03:21470——> 00:03:25730
非常开放在伙伴关系我们
因为在做这16位你

55
00:03:25730——> 00:03:28260
可能听到我朋友踢了上的
笔记本

56
00:03:28260——> 00:03:33230
你知道我我也看到一些滞后
我们开始在这东西16

57
00:03:33230——
> 00:03:36330一个大文件文件真的可以一个8位

58
00:03:36330——> 00:03:40010
，如果他们要使用
编辑甚至牛或Web

59
00:03:40010——我> 00:03:43510
16个会如果我可以，我喜欢和16位

60
00:03:43510——> 00:03:48070
只是因为它给我多
死亡率和添加到工作我可以

61
00:03:48070——> 00:03:49120
总出口

62
00:03:49120——
> 00:03:54470作为低比特图像但我喜欢到
尽可能多的信息，为我可能
63

00:03:54470——> 00:03:55370
而管理

64
00:03:55370——> 00:03:59120
长为计算机处理
所以再次

65
00:03:59120——> 00:04:03970
在PS图象处理软件在基底层我
将跑过广场可以显示

66
00:04:03970——> 00:04:05200
你多久

67
00:04:05200——> 00:04:08，599
上的我会真的花在
图像这样盐老师和作为

68
00:04:08599——> 00:04:11040
我去但第一件事

69
00:04:11040——
> 00:04:15400我认为我想要做的是中和
颜色看起来有点酷我所以我

70
00:04:15400——> 00:04:19600
会来添加一个曲线调整层
将过来，我们将放下

71
00:04:19600——
> 00:04:22169一点某处的灰色区域，这里

72
00:04:22169——> 00:04:26630
我记得这也是相当
中性不可能是完全中立的

73
00:04:26630——> 00:04:28200
可能有一点点蓝色它

74
00:04:28200——> 00:04:32560
这里的一点点不同情景
比上次我们有70至79 85

75
00:04:32560——> 00:04:36600
所以当我跑一个传播总喜欢
尝试匹配的工厂数而

76
00:04:36600——> 00:04:38419
比尝试推动一个

77
00:04:38419——> 00:04:42030
其他两个号码的所有方式
最高数量或高两个

78
00:04:42030——> 00:04:45380
数下的最低数量我尝试
才有一个满足在中间在79


00:04:45380——> 00:04:46139
工厂数

80
00:04:46139——> 00：04:51860
在这种情况下男性成员79 72
被低85较高所以

81
00:04:51860——> 00:04:56940
我们将过来到红色，我们将
踢跑了79

82
00:04:56940——> 00:05:01320
热烈欢迎或蓝色，我们将采取
刮倒了79

83
00:05:01320——> 00:05:04979
，这是我们所做的，看起来
更像我所看到的

84
00:05:04979——> 00:05:08，860
上通过相机设置所以

85
00:05:08860——这是一个良好的开端，所以% UM标签


86
00:05:12669——> 00:05:16880
这一颜色
校正

87
00:05:16880——> 00:05:20280
，然后我要做另一个曲线
调整

88
00:05:20280——会议在一些对比在这
只是一个NASCAR

89
00:05:23350——
> 00:05:27410 > 00:05:23350

> 00:05:12669看到拖下来时，这条赛道上
点

90
00:05:27410——> 00:05:31669
我甚至一点点更诚实
，我想让这类真正坚韧不拔的

91
00:05:31669——> 00:05:34360
对比来看一个喜欢的方式，
口号

92
00:05:34360——> 00:05:40389
看到调用这一只是一个可以称之为对比


93
00:05:40389——> 00:05:46520
K和接下来的事情我想做使用
我认为ID饱和图像一个

94
00:05:46520——> 00:05:49010
点点所以的只是一点点
粒状年

95
00:05:49010——> 00:05:52610
我跟踪下来色相饱和度
深陷

96
00:05:52610——> 00:05:56979
只是拖着它下一点点
的关于权利

97
00:05:56979——> 00:06:01530
我想保持它不能汉娜绿色
脏，我不想让它太明亮了

98
00:06:01530——> 00:06:02599
活泼所以

99
00:06:02599——> 00:06:06889
我喜欢，让我们走在前面，添加一个新层
将调用这100


00:06:06889——> 00:06:11360
从地牢烧伤选择性的101


00:06:11360——>
00:06:15750汽车制造商只会将选定的
吉姆Byrne哎呦我忘了102四


00:06:15750——> 00:06:16060
级

103
00:06:16060——
> 00:06:19750我又意味着和D&B

104
00:06:19750——选择性> 00:06:24400
我们将去叶蜂

105
00:06:24400——> 00:06:31050
Holworth 50%奶奶捕捉刷
烧黑百分之二十20 % %

106
00:06:31050——> 00:06:32710
听起来像很多

107
00:06:32710——> 00:06:37930
第一件事困扰我明显的方式
太亮会拿下来

108
00开始：06:37930——> 00:06:41400
你能看到我的笔记本电脑纺

109
00:06:41400——> 00:06:45840
又工作在16位
文件太大需要更长一点的时间为

110
00:06:45840——> 00:06:47000
事到渲染

111
00:06:47000——> 00:06:52530
期间的某个时候到烧毁
这里一些

112
00:06:52530——
> 00:06:57130这是太亮了我再次
这里

113
00:06:57，130——> 00:07:02140
太亮，一切可能得到一些
他们加拿大股票工业真的

114
00:07:02140——> 00:07:03010
焦点

115
00:07:03010——> 00:07:06240
我

116
00:07:06240——> 00:07:10400
下来诚实降权