10100:05:46,210 --> 00:05:48,110gra

101
00:05:46,210 --> 00:05:48,110
gradient across the surpluses

102
00:05:48,110 --> 00:05:52,400
this product so in addition to our
surface

103
00:05:52,400 --> 00:05:56,020
and are diffusion panels in the flashes
got a little

104
00:05:56,020 --> 00:05:59,450
grip card over here with various balance
cards and the

105
00:05:59,450 --> 00:06:03,320
claussen Aaron things that you seem use
an earlier tutorial

106
00:06:03,320 --> 00:06:06,850
and will might be using some other stuff
from the shoot I'm not sure it's always

107
00:06:06,850 --> 00:06:10,510
nice to have that stuff on set with the
issue not running around your location

108
00:06:10,510 --> 00:06:12,100
trying to gather all the stuff up

109
00:06:12,100 --> 00:06:15,880
this is a little baker's rack you can
use a tool cart anything but

110
00:06:15,880 --> 00:06:19,220
if you are gonna be doing product
photography I would suggest

111
00:06:19,220 --> 00:06:23,200
that you get something like this so that
you can keep your tools close by it can

112
00:06:23,200 --> 00:06:26,889
help you be more efficient remember
consistency and efficiency is key way

113
00:06:26,889 --> 00:06:31,830
comes to catalog petard p next they want
to talk about is how are triggering

114
00:06:31,830 --> 00:06:35,770
these lights I have PocketWizard on top
of the camera

115
00:06:35,770 --> 00:06:39,729
which send the signal to the flash

116
00:06:39,729 --> 00:06:43,569
via a receiving PocketWizard which is
connected to the flash

117
00:06:43,569 --> 00:06:47,610
everytime i press the shutter its gonna
tell this PocketWizard to send a

118
00:06:47,610 --> 00:06:50,699
RF radio signal to the other
PocketWizard

119
00:06:50,699 --> 00:06:54,419
which will then turn the flash if we
start adding additional lights into the

120
00:06:54,419 --> 00:06:55,020
scene

121
00:06:55,020 --> 00:06:59,419
i cant set those two optical slave where
they'll see the flash from one light

122
00:06:59,419 --> 00:07:03,310
and it will cause them to triggers well
it's really only need one senator these

123
00:07:03,310 --> 00:07:07,189
pocket wizards one transmitter and one
receiver to accomplish our goal

124
00:07:07,189 --> 00:07:10,819
now let's talk more about the camera and
the settings and the lens selection

125
00:07:10,819 --> 00:07:14,759
one other things that we need to look at
here because we're using flash

126
00:07:14,759 --> 00:07:16,659
photography is our white balance

127
00:07:16,659 --> 00:07:20,419
and the first segment I use an auto
white balance and it was able to give us

128
00:07:20,419 --> 00:07:24,050
a successful daylight white balance from
the day like that was coming through the

129
00:07:24,050 --> 00:07:24,589
window

130
00:07:24,589 --> 00:07:28,339
I could select in a daylight white
balance in the camera but

131
00:07:28,339 --> 00:07:32,490
having on our and seeing the results I
was perfectly satisfied with what we got

132
00:07:32,490 --> 00:07:35,589
nap this time I set my white balance and
the camera

133
00:07:35,589 --> 00:07:40,650
to flash white balance will do is trying
to neutralize the color flight planning

134
00:07:40,650 --> 00:07:41,620
on our subject

135
00:07:41,620 --> 00:07:46,009
will try to get in it didn't have any
color casts be a cool color cast a warm

136
00:07:46,009 --> 00:07:47,009
color cast

137
00:07:47,009 --> 00:07:50,899
the are cast by the type some lighting
that we're using whether it's daylight

138
00:07:50,899 --> 00:07:54,990
whether it's tungsten lighting inside a
space inside a building

139
00:07:54,990 --> 00:07:58,509
whether it's fluorescent lighting or
whether it's from a flash

140
00:07:58,509 --> 00:08:03,240
not typically flashes her daylight
balanced Hurley's pretty close to it so

141
00:08:03,240 --> 00:08:06,580
you can normally use a daylight setting

142
00:08:06,580 --> 00:08:11,469
or flash setting and get pretty similar
results if you're using flashes

143
00:08:11,469 --> 00:08:15,250
in conjunction with some sort of ambient
light you may have to use what's called

144
00:08:15,250 --> 00:08:16,050
a gel

145
00:08:16,050 --> 00:08:18,140
we introduce those very briefly

146
00:08:18,140 --> 00:08:21,450
in an earlier segment to try to match
the color

147
00:08:21,450 --> 00:08:25,470
coming from your flashes to the ambient
light in the room when I can do that

148
00:08:25,470 --> 00:08:26,510
here because we're gonna

149
00:08:26,510 --> 00:08:30,010
use a fast enough shutter speed that
we're not gonna have any

150
00:08:30,010 --> 00:08:33,760
ambient light influence asking into our
camera settings

151
00:08:33,760 --> 00:08:37,900
I'm said ISO 100 which is the lowest ISO
available for this camera

152
00:08:37,900 --> 00:08:41,400
remember I wanna tronic minimize any
noise that we have

153
00:08:41,400 --> 00:08:45,720
coming as a result of higher ISO's also
won't have enough stop

154
00:08:45,720 --> 00:08:48,940
its gonna give me an update the field
that I can get focused all the way

155
00:08:48,940 --> 00:08:50,060
through my product

156
00:08:50,060 --> 00:08:54,130
now because we're not in such a low
angle like we were from the last segment

157
00:08:54,130 --> 00:08:57,690
we don't have to worry about the depth
of field as much

158
00:08:57,690 --> 00:09:01,090
on this particular product because we're
shooting and morbid down angle

159
00:09:01,090 --> 00:09:04,090
really the depth of our product has only
about

160
00:09:04,090 --> 00:09:08,620
an inch engine apt D and its gonna
change depending on how we end up coming

161
00:09:08,620 --> 00:09:09,510
up with her all to make

162
00:09:09,510 --> 00:09:12,780
composition for this but I'm gonna start
at Cafe

163
00:09:12,780 --> 00:09:16,620
if that's right I don't know we'll see
when we take our for shop

164
00:09:16,620 --> 00:09:20,510
the shutter speed when you're using
flash photography

165
00:09:20,510 --> 00:09:25,120
has very little influence over the final
result anything where in between about a

166
00:09:25,120 --> 00:09:28,190
68 for the second up until your flash
sync speed

167
00:09:28,190 --> 00:09:31,960
is gonna be fine for killing all the
ambient light in the room

168
00:09:31,960 --> 00:09:35,970
so whether I'm it 101 twenty-fifth 160
with second

169
00:09:35,970 --> 00:09:39,110
you're not gonna see a difference in our
ultimate exposure

170
00:09:39,110 --> 00:09:42,440
what regulates the exposure from a flash
is

171
00:09:42,440 --> 00:09:45,940
the flash power output as well as our
f/stop: and the camera

172
00:09:45,940 --> 00:09:50,230
and we're talking about sync speed every
camera has a native sync speed

173
00:09:50,230 --> 00:09:53,850
and that's the maximum shutter speed
that your camera

174
00:09:53,850 --> 00:09:57,510
will allow you to use a flash in short

175
00:09:57,510 --> 00:10:00,890
the up to curtains in your camera your
front curtains opens up

176
00:10:00,890 --> 00:10:04,800
and expose the sensor and then it
shortly thereafter followed by rear

177
00:10:04,800 --> 00:10:05,470
curtain

178
00:10:05,470 --> 00:10:08,790
mediately covers the sensor wall those
curtains

179
00:10:08,790 --> 00:10:11,910
are exposing the sensor that's when your
sensor is

180
00:10:11,910 --> 00:10:16,720
creating an image or exposing that image
if your shutter speed gets too fast

181
00:10:16,720 --> 00:10:21,270
rear curtain starts to close uncover
that censored before the flashes

182
00:10:21,270 --> 00:10:25,020
on dumping its full power on the scene
see you could see a little bar at the

183
00:10:25,020 --> 00:10:26,160
bottom of your screen

184
00:10:26,160 --> 00:10:30,160
or ingredient in the screen depending on
how fast that shutter speed is set

185
00:10:30,160 --> 00:10:34,050
for this shoot I'm using a really right
stuff tripod and the really right stuff

186
00:10:34,050 --> 00:10:34,940
ball had

187
00:10:34,940 --> 00:10:38,330
I could use a lighter weight ripon but I
thought I change it up a little bit for

188
00:10:38,330 --> 00:10:38,860
this one

189
00:10:38,860 --> 00:10:42,650
this gives me a little bit more hi I'm
not sure exactly how far above the

190
00:10:42,650 --> 00:10:44,840
product that we're gonna be for this one
so

191
00:10:44,840 --> 00:10:48,890
I was a good way to go let's try to get
in here and there are for shock talked

192
00:10:48,890 --> 00:10:52,460
about our camera settings were starting
ISO 100 and after eight

193
00:10:52,460 --> 00:10:56,630
I think I'm gonna do 120 for the second
is typically wear issued when I'm in a

194
00:10:56,630 --> 00:11:01,010
studio play sets 9 management 1
twenty-fifth 116 for two hundred as long

195
00:11:01,010 --> 00:11:03,040
as I don't go over that native sync
speed

196
00:11:03,040 --> 00:11:06,380
for the camera many pretty steep angle
here

197
00:11:06,380 --> 00:11:10,900
which gives me the ability to see not
only the top but also the front

198
00:11:10,900 --> 00:11:14,630
and the sidebar product so the first
thing to do is try to focus on our

199
00:11:14,630 --> 00:11:22,050
subject I'm using a sixteen to thirty
five-millimeter

200
00:11:22,050 --> 00:11:26,670
zoom lens this is a full-frame sensor so
it's a true 1635 field of view

結果 (中文) 1:

10100:05:46，210--> 00:05:48，110梯度跨越盈余10200:05:48，110--> 00:05:52，400这种产品所以除了向我们表面10300:05:52，400--> 00:05:56，020并于闪烁的扩散板是有点10400:05:56，020--> 00:05:59，450与各种平衡过来抓地力卡卡和10500:05:59，450--> 00:06:03，320劳森亚伦，你似乎使用的东西早些时候的教程10600:06:03，320--> 00:06:06，850将可能会使用一些其他的东西从拍摄，我不确定它是总是10700:06:06，850--> 00:06:10，510很高兴在片场有那种东西问题不在您所在的位置运行10800:06:10，510--> 00:06:12，100想要收集所有的东西10900:06:12，100--> 00:06:15，880这是一个小面包师机架你可以不使用工具车11000:06:15，880--> 00:06:19，220如果你打算做产品我建议的摄影11100:06:19，220--> 00:06:23，200你得到这样的事情，你可以保持你的工具附近，它可以11200:06:23，200--> 00:06:26，889帮助您更有效地记住一致性和效率是关键途径11300:06:26，889--> 00:06:31，830谈到目录的脚 p 接下来他们想要谈谈是如何被触发11400:06:31，830--> 00:06:35，770这些我有 PocketWizard 顶上的灯相机的11500:06:35，770--> 00:06:39，729其中发送信号到闪存11600:06:39，729--> 00:06:43，569这是通过接收 PocketWizard连接到闪存11700:06:43，569--> 00:06:47，610每次我按下快门其去告诉这 PocketWizard 发送11800:06:47，610--> 00:06:50，699射频无线电信号到另PocketWizard11900:06:50，699--> 00:06:54，419然后将闪存如果我们开始添加额外的光线照进12000:06:54 419--> 00:06:55，020现场12100:06:55，020--> 00:06:59，419我不能设置那些两个光学奴隶在哪里他们会看到从一盏灯的闪烁12200:06:59，419--> 00:07:03，310它将使他们好到触发器它真的是只需要一位参议员这些12300:07:03，310--> 00:07:07，189口袋里奇才一个发射器和一个接收器来完成我们的目标12400:07:07，189--> 00:07:10，819现在让我们来谈谈相机和设置和镜头选择12500:07:10，819--> 00:07:14，759一个我们需要看看其他东西在这里，因为我们使用的 flash12600:07:14，759--> 00:07:16，659摄影是我们白平衡12700:07:16，659--> 00:07:20，419和我使用的汽车的第一段白平衡和它是能够给我们提供12800:07:20，419--> 00:07:24，050从成功日光白平衡像这样的一天即将12900:07:24，050--> 00:07:24，589窗口13000:07:24，589--> 00:07:28，339我可以选择在白天白相机中的平衡，但13100:07:28，339--> 00:07:32，490在我们看到的结果我完全满意我们什么13200:07:32，490--> 00:07:35，589打个盹这一次我设置我的白平衡和相机13300:07:35，589--> 00:07:40，650flash 的白平衡会做尝试消除彩色飞行计划13400:07:40，650--> 00:07:41，620在我们的主题13500:07:41，620--> 00:07:46，009会尝试它没有任何色痕是酷色偏暖13600:07:46，009--> 00:07:47，009颜色转换13700:07:47，009--> 00:07:50，899是由类型投一些照明我们正在使用无论是夏时制13800:07:50，899--> 00:07:54，990是否它是钨灯光里面建筑内部空间13900:07:54，990--> 00:07:58，509无论是荧光照明或无论是从闪光14000:07:58，509--> 00:08:03，240通常不闪烁她夏时制平衡-赫利的相当接近它如此14100:08:03，240--> 00:08:06，580您通常可以使用夏时制设置14200:08:06，580--> 00:08:11，469或闪光灯设置和获取很相似如果您使用的闪光的结果14300:08:11，469--> 00:08:15，250在某种环境结合光你可能不得不使用什么叫做14400:08:15，250--> 00:08:16，050凝胶14500:08:16 050--> 00:08:18，140我们非常简要地介绍那些14600:08:18，140--> 00:08:21，450在早些时候的部分尝试匹配颜色14700:08:21，450--> 00:08:25，470来自你闪烁到环境光在房间时我能做到14800:08:25，470--> 00:08:26，510在这里，因为我们要去14900:08:26，510--> 00:08:30，010使用足够快的快门速度，我们不打算拥有任何15000:08:30，010--> 00:08:33，760环境光的影响，问到我们相机设置15100:08:33，760--> 00:08:37，900我说这是最低的 ISO ISO 100可用于这台相机15200:08:37，900--> 00:08:41，400记得我想要到变速器最小化任何我们有的噪音15300:08:41，400--> 00:08:45，720由于高 ISO 也来不会有足够的停止15400:08:45，720--> 00:08:48，940要给我一个更新的字段可以集中所有的方式15500:08:48，940--> 00:08:50，060通过我的产品15600:08:50，060--> 00:08:54，130现在因为我们不是在这样一个低好像我们就是从最后一段的角度15700:08:54，130--> 00:08:57，690我们不必担心深度作为很多字段的15800:08:57，690--> 00:09:01，090在这个特定的产品上因为我们射击和病态下角15900:09:01，090--> 00:09:04，090真的我们产品的深度仅有关于16000:09:04，090--> 00:09:08，620一英寸发动机 apt D 和其去根据我们怎么结束的到来而改变16100:09:08，620--> 00:09:09，510与她的一切都让16200:09:09，510--> 00:09:12，780组成这个但我要去开始在咖啡厅16300:09:12，780--> 00:09:16，620如果这是正确的我不知道我们会看到当我们把我们的店16400:09:16，620--> 00:09:20，510当你使用的快门速度闪光摄影16500:09:20，510--> 00:09:25，120有很少的影响，在最后导致任何东西在哪里在之间16600:09:25，120--> 00:09:28，19068，第二次直到你的闪光同步速度16700:09:28，190--> 00:09:31，960是会杀死所有没事在房间里的光线16800:09:31，960--> 00:09:35，970所以无论我它 101 第二十五 160与第二次16900:09:35，970--> 00:09:39，110你不会看到不同的我们终极曝光17000:09:39，110--> 00:09:42，440是什么控制着从闪光曝光是17100:09:42，440--> 00:09:45，940闪光灯输出功率输出以及我们f/停止: 随身携带的相机17200:09:45，940--> 00:09:50，230和我们谈论同步速度每相机有一个本机同步速度17300:09:50，230--> 00:09:53，850这是最高快门速度那你的相机17400:09:53，850--> 00:09:57，510将允许您使用闪光灯简而言之17500:09:57，510--> 00:10:00，890在你的相机窗帘达你前面窗帘打开了17600:10:00，890--> 00:10:04，800并公开传感器，然后它此后不久跟着后方17700:10:04，800--> 00:10:05，470窗帘17800:10:05，470--> 00:10:08，790立即安包括传感器墙窗帘17900:10:08，790--> 00:10:11，910要公开的传感器，当你传感器是18000:10:11，910--> 00:10:16，720创建图像或暴露该映像如果你的快门速度太快的获取，18100:10:16，720--> 00:10:21，270后幕帘附近发现那闪烁前先行送检18200:10:21，270--> 00:10:25，020关于倾销其全功率在舞台上看看你能看到在一个小酒吧18300:10:25，020--> 00:10:26，160屏幕底部的18400:10:26，160--> 00:10:30，160或根据屏幕中的成分速度有多快，快门速度设置18500:10:30，160--> 00:10:34，050这拍摄我使用的是真正的权利三脚架的东西和真正正确的事情18600:10:34，050--> 00:10:34，940球已18700:10:34，940--> 00:10:38，330我可以用更轻的重量里庞但我以为我一点点的改变它18800:10:38，330--> 00:10:38，860这一18900:10:38，860--> 00:10:42，650这给了我一点点更多嗨我是不确定到底多远高于19000:10:42，650--> 00:10:44，840我们要为这一个的产品所以19100:10:44，840--> 00:10:48，890我是一个好的方法去吧在这里有休克交谈19200:10:48，890--> 00:10:52，460有关我们的相机设置了开始ISO 100 和后八19300:10:52，460--> 00:10:56，630我想我要去做第二个 120通常磨损时发出我在19400:10:56，630--> 00:11:01，010工作室游戏设置 9 管理 1为只要两百二十五 11619500:11:01，010--> 00:11:03，040我不去那本机同步速度19600:11:03，040--> 00:11:06，380对着摄像机许多相当陡峭的角度在这里19700:11:06，380--> 00:11:10，900使我有能力，看不见只有顶部，但前面19800:11:10，900--> 00:11:14，630和侧边栏产品所以第一次要做的是把注意力放在我们19900:11:14，630--> 00:11:22，050我使用的十六到三十的主题五毫米20000:11:22，050--> 00:11:26，670变焦镜头所以这是一种全画幅传感器它是一个真正的 1635年字段的视图

結果 (中文) 3:

101
00:05:46210——> 00:05:48110
梯度在盈余

102
00:05:48110——本产品
> 00:05:52400所以在加入到我们
表面

103
00:05:52400——> 00:05:56020
和扩散板在闪烁
有一点

104
00:05:56020——> 00:05:59450
把手卡在这里各种平衡
卡和的

105
00:05:59450——> 00:06:03320
克劳森亚伦的东西，你似乎使用
一个前面的教程

106
00:06:03320——> 00:06:06850
将可能使用一些其他的东西
拍摄我不确定它的总是

107
00:06:06850——> 00:06:10510
好有东西在设置的
问题没有运行地点周围的

108
00:06:10510——> 00:06:12100
试图收集所有东西

109
00:06:12100——> 00:06:15880
这是一个小面包架可以
使用一个工具车什么但
110

00:06:15880——> 00:06:19220
如果你会做摄影产品
我会建议

111
00:06:19220——> 00:06:23200
你得到这样的事情所以
你能保持你的工具密切的它可以

112
00:06:23200——帮助> 00:06:26889
你是更有效的记住
的一致性和效率是关键

113
00:06:26889——> 00:06:31830
来到目录花火P下他们想谈论
是如何触发

114
00:06:31830——> 00:06:35770
我PocketWizard顶部
115相机


00:06:35770——> 00:06:39729
发送信号的Flash

116
00:06:39729——> 00:06:43569
通过接收连接的Flash

117
00:06:43569——
> 00:06:47610
PocketWizard这些灯每次我按快门会
告诉这PocketWizard来发送一个

118
00:06:47610——> 00:06:50699
射频信号到的其他
PocketWizard

119
00:06:50699——> 00:06:54419
然后将把Flash如果
我们开始添加额外的灯光为的

120
00:06:54419——> 00:06:55020
场景

121
00:06:55020——> 00:06:59419
我不能设置这两个光学奴隶，
他们会看到闪光从一个光

122
00:06:59419——> 00:07:03310
，这将导致他们触发嘛
这是真的只需要一位参议员这些

123
00:07:03310——> 00:07:07189
口袋巫师一个发射器和一个
接收机到实现我们的目标。

124
00:07:07189——> 00:07:10819
现在让我们谈论更多约相机和
的设置的镜头选择

125
00:07:10819——> 00:07
14759一个其他的事情，我们需要看看
这里因为我们使用Flash

126
00:07:14759——我们白平衡

127
00:07:16659——> 00:07:20419
和第一段我使用自动白平衡，它可以给我们

128
00:07:20419——> 00:07:24050
成功日光白平衡从
白天一样，穿过

129
00:07:24 > 00:07:16659
的摄影，050——> 00:07:24589

窗130

00:07:24589——> 00:07:28339
我可以选择在日光白
平衡相机但
131

00:07:28339——00:07:32490 >
我们看到的结果
，我完全满意与我们有什么

132
00:07:32490——> 00:07:35589
这种小睡时间我设置我的白平衡和
的相机

133
00:07:35589——
> 00:07:40650闪光灯白平衡将做的是尝试
来中和的颜色飞行规划

134
00:07:40650——> 00:07:41620
在我们课题

135
00:07:41620——> 00:07:46009
会尝试让它没有任何
颜色转换是冷色铸造一个温暖的

136
00:07:46009——> 00:07:47009
色偏

137
00:07:47009——
> 00:07:50899是由一些照明
型铸造我们使用无论是白天

138
00:07:50899——> 00:07:54990
无论是钨内照明
空间内建筑

139
00:07:54990——> 00:07:58509
是否它的荧光灯或
是否来自一个Flash

140
00:07:58509——> 00:08:03240
不是通常闪烁她的白昼
平衡Hurley的非常接近它所以

141
00:08:03240——
> 00:08:06580