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feels better if it just bleeds off a
tiny bit so it doesn't become too much
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of a tangent there about their the light
illuminates this line coming up the wall
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that we can't just take away so I think
what better for us is to may be painted
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in there now you saw me started to think
this page that we have a new owner keep
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that door frame intact so come in here
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select not comment hide and now as we
paint on this mask they will not paint
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on the door is the only paint the
selected area so turned on again and
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then turn it off so you can see better
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00:24:15,730 --> 00:24:21,180
now I think we're starting to fairly
well incorporating this lights bill now
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00:24:21,180 --> 00:24:28,430
there is this door frame here that
should come down so painting here like
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this when I just did now was to hit for
my keyboard and the a paucity of the
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00:24:36,820 --> 00:24:42,920
brush then becomes forty percent again
as a lot of different ways of working a
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00:24:42,920 --> 00:24:46,840
lot of people like to use the
pressure-sensitive pen for me that feels
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00:24:46,840 --> 00:24:53,490
these two random and elected over the
numbers are at and it's kind of been
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00:24:53,490 --> 00:24:57,530
ingrained in me I kinda know what these
numbers feel like my keyboard I just
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00:24:57,530 --> 00:25:04,920
keep my fingers on 1234 10 20 30 40
percent if I quickly hit we will be 33
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00:25:04,920 --> 00:25:08,710
if I just said it once I'll be thirteen
you see the percentages change here at
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00:25:08,710 --> 00:25:17,130
the paucity so wanna come down on the
apostle a bit and just pushed us like a
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00:25:17,130 --> 00:25:30,000
little bit out to keep our original
frame but still keep the lights built
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00:25:30,000 --> 00:25:35,290
the highlight here and highlight on the
door don't quite lineup so you gonna try
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00:25:35,290 --> 00:25:40,130
to do something here to create light in
here and light in there so that he could
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00:25:40,130 --> 00:25:46,570
keep our light source leading into the
door lemme see technically we should put
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00:25:46,570 --> 00:25:54,340
this here just not hopes I moved that
the selections with Daddy select I hit
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00:25:54,340 --> 00:26:01,220
it so I forgot we could probably get
here and it will line up like this which
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00:26:01,220 --> 00:26:06,010
would be quite good but just feel as
well for the photograph to have it
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00:26:06,010 --> 00:26:10,540
standing right there so it put it back
right there and then pull in some
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00:26:10,540 --> 00:26:15,150
highlights usually don't like to paint
highlights but in this case I see if we
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00:26:15,150 --> 00:26:24,370
can make that work and do this and we're
gonna hit comment I so again
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00:26:24,370 --> 00:26:30,450
comment too quick mask all I paint where
I want to highlight I exit the Quick
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00:26:30,450 --> 00:26:37,330
Mask school I get a selection I inverted
selection and now if I make my mask
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00:26:37,330 --> 00:26:42,990
curves will automatically create a
masking that color I could pull this
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00:26:42,990 --> 00:26:48,460
area up and you see my highlight on the
floor expands to match this little bit
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00:26:48,460 --> 00:26:59,560
there I'm gonna do this the other way we
see it come in here and it's like this
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00:26:59,560 --> 00:27:01,130
again and it goes
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00:27:01,130 --> 00:27:13,330
Siro to get full on and I brush feels
pretty good command shift I can come to
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00:27:13,330 --> 00:27:18,050
curves and now we're gonna burn a tiny
bit take down the highlight on the side
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00:27:18,050 --> 00:27:24,610
of the highlights this time here
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00:27:24,610 --> 00:27:31,950
come into this mask what you see now and
I do this we get this darker area here
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00:27:31,950 --> 00:27:38,470
evenly darkening this but here I don't
want to be as effective as down here so
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00:27:38,470 --> 00:27:47,200
with a soft brush 20% is coming here and
paint onto this layer mask if I do this
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00:27:47,200 --> 00:27:52,309
you see I just painted on a slight
slight slight capacity there so it's not
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00:27:52,309 --> 00:27:57,910
as effective in all the areas like that
and that I think will allow me to pull