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enough experience with touching you know
where the image than an opening to
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collect
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anyone a good basis I think it's like to
have it delicate dance
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I don't sit and annotate cassette I
don't need to communicate that
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but I do look over the image in general
and I don't do it at 100 percent
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yeah the stone and hit a 100 percent
because you're gonna see details that
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are not going to be there in the final
image a new printer pin website done
250
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with your time think about things that
matter the most to you
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and that's why you should focus on is in
those details are fixed
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you'd be surprised how clean and
naturally image looks
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when you leave the thing that you
thought were flaws no in yeah
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suit kinda said it like a fist-sized
should be like this as a fist on the
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screen now
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now it's really well maybe if it's going
to be on a billboard and I
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can magazine and you closer and know
that
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and even billboards cuz you're viewing
distances so far no one can see that
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really
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00:13:59,360 --> 00:14:02,500
on and I think it's just human nature to
want to fix
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00:14:02,500 --> 00:14:06,240
everything but yet again that Pakistan's
me out and keeping your distance in
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keeping that
263
00:14:06,880 --> 00:14:10,339
mine take clear you don't have to zoom
in and 100 percent and do anything
264
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because now in sensor size get extremely
larger
265
00:14:13,220 --> 00:14:17,320
once I megapixel guess you mean large
how much your gonna keep doing in
266
00:14:17,320 --> 00:14:21,360
right I mean it's then she gonna happen
where we see so much detail
267
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we have to restrain ourselves to get on
the practice of just going out with it
268
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so the la to synthesize makes it harder
for you
269
00:14:28,750 --> 00:14:32,699
well no I I want to clarify it was the
megapixel count and how much you how t
270
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tell you get from the cameras are
271
00:14:34,370 --> 00:14:37,760
yeah interesting yeah so I want to ask
you
272
00:14:37,760 --> 00:14:41,579
what are your tips for syntax because
I'm just like this is what I do and I
273
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know we talk button
274
00:14:42,940 --> 00:14:46,940
i've seen people who do do it
differently and I've seen like you know
275
00:14:46,940 --> 00:14:50,250
a a yeah like 10 if
276
00:14:50,250 --> 00:14:53,490
literally showing what you're gonna cut
out yeah
277
00:14:53,490 --> 00:14:56,630
so something's I'm some think the other
photographers do
278
00:14:56,630 --> 00:15:00,390
is with the cough I they may actually
draw the line exactly with a1 liquefied
279
00:15:00,390 --> 00:15:04,300
on sometimes people don't even do
mark-ups the media's right type up north
280
00:15:04,300 --> 00:15:05,029
on the side
281
00:15:05,029 --> 00:15:09,570
and they say no make I'm lil bit smaller
or the hair make a bit larger it's very
282
00:15:09,570 --> 00:15:10,360
general
283
00:15:10,360 --> 00:15:13,790
but this is for the best weed and he'd
because log
284
00:15:13,790 --> 00:15:17,449
great fire is that typically annotate
are done on a separate copy like this
285
00:15:17,449 --> 00:15:22,290
RK that and how what other tips would
you give me to make it easier for you
286
00:15:22,290 --> 00:15:27,000
a sec color coding all color coding
would be fantastic as in I can quickly
287
00:15:27,000 --> 00:15:30,380
glanced I'm going back and forth between
image like I'll keep this open
288
00:15:30,380 --> 00:15:34,770
that keep my main hall open and I could
just quickly class and say that a blues
289
00:15:34,770 --> 00:15:36,020
gonna be you know maybe like
290
00:15:36,020 --> 00:15:39,089
stop where it's going to be dark in this
up or on
291
00:15:39,089 --> 00:15:42,240
so I could say like I could have a blue
yeah and let them
292
00:15:42,240 --> 00:15:45,740
orange exactly Ariella something like
that
293
00:15:45,740 --> 00:15:48,920
me crazy so I could be like right this
is
294
00:15:48,920 --> 00:15:52,510
my blue is dodge and then
295
00:15:52,510 --> 00:15:55,980
yellows band right exactly Matthew the
No
296
00:15:55,980 --> 00:15:56,889
dies in hand
297
00:15:56,889 --> 00:16:00,119
and friend here here again make it
possible that one
298
00:16:00,119 --> 00:16:03,470
and then one day it'll be in a magazine
just like this yeah by
299
00:16:03,470 --> 00:16:06,939
allow beautiful or sometimes a little
plus or minus
300
00:16:06,939 --> 00:16:10,619
saying you know plus in starch
management prime our yeah it's
301
00:16:10,619 --> 00:16:11,889
impossible against you
302
00:16:11,889 --> 00:16:15,089
build up like a syntax with the upper
you can even buy stops
303
00:16:15,089 --> 00:16:18,839
because now I understand talk of eating
too much going on here minus to stop
304
00:16:18,839 --> 00:16:19,299
here
305
00:16:19,299 --> 00:16:22,709
you know back on line is two stops et
cetera et cetera that's a good idea
306
00:16:22,709 --> 00:16:28,429
when you're shooting and you're making
the adjustments like in them primarily
307
00:16:28,429 --> 00:16:29,079
for
308
00:16:29,079 --> 00:16:32,699
like the modeling for yourself I you
know you're like
309
00:16:32,699 --> 00:16:35,699
parties going on their knees and
completely governor of I'll
310
00:16:35,699 --> 00:16:39,609
as matters I'm but you also fix like the
white belt like
311
00:16:39,609 --> 00:16:42,589
if it wasn't like that it was a great
white balance be one of them were green
312
00:16:42,589 --> 00:16:43,109
tent
313
00:16:43,109 --> 00:16:46,709
is that something that would be sent
over in the raw files is something you
314
00:16:46,709 --> 00:16:48,129
would note 82 particularly
315
00:16:48,129 --> 00:16:51,299
give it an antique work are you know
whatever
316
00:16:51,299 --> 00:16:55,749
writer effect and I think this is a good
point to go to that next step actually
317
00:16:55,749 --> 00:16:57,540
customer so exactly how it yet
318
00:16:57,540 --> 00:17:01,040
am and it is difficult to communicate to
photographers
319
00:17:01,040 --> 00:17:04,519
what you want look and feel to be so I
320
00:17:04,519 --> 00:17:07,659
campus am on
321
00:17:07,659 --> 00:17:12,500
up tactical and I just go into a tan
skin that is this image
24300:13:06,950--> 00:13:10,190足够的经验与触摸你知道哪里比开放形象24400:13:10,190--> 00:13:10,830收集24500:13:10,830--> 00:13:14,170任何一个良好的基础,我觉得它就像到有它微妙的舞蹈24600:13:14,170--> 00:13:18,570我不坐,批注卡带我不需要沟通,24700:13:18,570--> 00:13:22,410但看在图像一般不要在 100%24800:13:22,410--> 00:13:26,540是石头和达到 100%因为你要去看细节24900:13:26,540--> 00:13:30,420不会在决赛中要有做一个新的打印机针网站图像25000:13:30,420--> 00:13:32,950与你的时间想事情,对大多数你25100:13:32,950--> 00:13:36,470这就是为什么你应该关注的是在这些细节都被固定25200:13:36,470--> 00:13:39,670你会惊讶如何清洁和自然图像看起来25300:13:39,670--> 00:13:43,040当你离开的事情你还以为是缺陷不在是25400:13:43,040--> 00:13:46,839西装有点说它像拳头大小应该是这样作为一个拳头上25500:13:46,839--> 00:13:47,779现在屏幕25600:13:47,779--> 00:13:50,990现在它是真的好吧,也许如果它会要一个广告牌上25700:13:50,990--> 00:13:54,880可以杂志和你更接近和了解那25800:13:54,880--> 00:13:58,660and even billboards cuz you're viewingdistances so far no one can see that25900:13:58,660 --> 00:13:59,360really26000:13:59,360 --> 00:14:02,500on and I think it's just human nature towant to fix26100:14:02,500 --> 00:14:06,240everything but yet again that Pakistan'sme out and keeping your distance in26200:14:06,240 --> 00:14:06,880keeping that26300:14:06,880 --> 00:14:10,339mine take clear you don't have to zoomin and 100 percent and do anything26400:14:10,339 --> 00:14:13,220because now in sensor size get extremelylarger26500:14:13,220 --> 00:14:17,320once I megapixel guess you mean largehow much your gonna keep doing in26600:14:17,320 --> 00:14:21,360right I mean it's then she gonna happenwhere we see so much detail26700:14:21,360 --> 00:14:25,630we have to restrain ourselves to get onthe practice of just going out with it26800:14:25,630 --> 00:14:28,750so the la to synthesize makes it harderfor you26900:14:28,750 --> 00:14:32,699well no I I want to clarify it was themegapixel count and how much you how t27000:14:32,699 --> 00:14:34,370tell you get from the cameras are27100:14:34,370 --> 00:14:37,760yeah interesting yeah so I want to askyou27200:14:37,760 --> 00:14:41,579what are your tips for syntax becauseI'm just like this is what I do and I27300:14:41,579 --> 00:14:42,940know we talk button27400:14:42,940 --> 00:14:46,940i've seen people who do do itdifferently and I've seen like you know27500:14:46,940 --> 00:14:50,250a a yeah like 10 if27600:14:50,250 --> 00:14:53,490literally showing what you're gonna cutout yeah27700:14:53,490 --> 00:14:56,630so something's I'm some think the otherphotographers do27800:14:56,630 --> 00:15:00,390is with the cough I they may actuallydraw the line exactly with a1 liquefied27900:15:00,390 --> 00:15:04,300on sometimes people don't even domark-ups the media's right type up north28000:15:04,300 --> 00:15:05,029on the side28100:15:05,029 --> 00:15:09,570and they say no make I'm lil bit smalleror the hair make a bit larger it's very28200:15:09,570 --> 00:15:10,360general28300:15:10,360 --> 00:15:13,790but this is for the best weed and he'dbecause log28400:15:13,790 --> 00:15:17,449great fire is that typically annotateare done on a separate copy like this28500:15:17,449 --> 00:15:22,290RK that and how what other tips wouldyou give me to make it easier for you28600:15:22,290 --> 00:15:27,000a sec color coding all color codingwould be fantastic as in I can quickly28700:15:27,000 --> 00:15:30,380glanced I'm going back and forth betweenimage like I'll keep this open28800:15:30,380 --> 00:15:34,770that keep my main hall open and I couldjust quickly class and say that a blues28900:15:34,770 --> 00:15:36,020gonna be you know maybe like29000:15:36,020--> 00:15:39,089站在那里它要在这黑暗或者上29100:15:39,089--> 00:15:42,240所以我可以说有一个蓝色是的让他们29200:15:42,240--> 00:15:45,740橙色完全类似的 Ariella那29300:15:45,740--> 00:15:48,920我疯了,所以我可以像右这是29400:15:48,920--> 00:15:52,510我的蓝色是道奇,然后29500:15:52,510--> 00:15:55,980黄色带权完全 Matthew没有29600:15:55,980--> 00:15:56,889死在手29700:15:56,889--> 00:16:00,119和朋友在这里在这里再次变得可能那个29800:16:00,119--> 00:16:03,470然后有一天它会在一本杂志就像这是由29900:16:03,470--> 00:16:06,939让美丽或有时有点加或减30000:16:06,939--> 00:16:10,619说你知道加淀粉中管理主要我们是它了30100:16:10,619--> 00:16:11,889不可能对你不利30200:16:11,889--> 00:16:15,089建立像与鞋帮的语法你甚至可以买到站30300:16:15,089--> 00:16:18,839因为现在我明白说话的吃太多会对这里的减号来停止30400:16:18,839--> 00:16:19,299在这里30500:16:19,299--> 00:16:22,709你知道背线上的是两个停止 et等等等等,是个好主意30600:16:22,709--> 00:16:28,429当你拍摄和你做调整主要喜欢它们的中30700:16:28,429--> 00:16:29,079为30800:16:29,079--> 00:16:32,699喜欢自己建模我你知道你就像30900:16:32,699--> 00:16:35,699缔约方在他们的膝盖上会和总督的我完全会31000:16:35,699--> 00:16:39,609作为事项我但你也像修复像白色的皮带31100:16:39,609--> 00:16:42,589如果不是那样这是一个伟大白平衡是其中之一是绿色的31200:16:42,589--> 00:16:43,109帐篷31300:16:43,109--> 00:16:46,709那是将发送的东西吗在原始文件中是你31400:16:46,709--> 00:16:48,129将特别注意到 8231500:16:48,129--> 00:16:51,299给它古色古香的工作是你知道无论31600:16:51,299--> 00:16:55,749作家的影响,我认为这是一个好其实去那下一步的点31700:16:55,749--> 00:16:57,540客户究竟如何呢31800:16:57,540--> 00:17:01,040我和很难传达给摄影师31900:17:01,040--> 00:17:04,519你想要的外观和感觉是如此我32000:17:04,519--> 00:17:07,659校园吧32100:17:07,659--> 00:17:12,500战术和我只是去到晒黑的皮肤这个形象的皮肤
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