100:00:00,000 --> 00:00:03,730in my

1
00:00:00,000 --> 00:00:03,730
in my book the first step when it comes
to understanding lighting is to

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understand the five most common or the
five primary key lighting patterns now

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the key light is simply the primary
light over your subject you can call the

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00:00:13,019 --> 00:00:15,740
key light you can call the main like
whatever you want to call it it's

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00:00:15,740 --> 00:00:19,930
totally fine technically is referred to
as a ki ora me but we're gonna do is

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00:00:19,930 --> 00:00:23,689
demonstrate and show you basically what
these key light patterns are grateful

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00:00:23,689 --> 00:00:27,650
gonna show you the direction of how the
light is coming on to the subject and

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00:00:27,650 --> 00:00:30,970
what the characteristics of the market
each one of them is great for different

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purposes so it's gonna start now for
these we have our lovely real-life model

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Olivia here is actually our shoot
producer and she's our wardrobe hair and

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makeup artist who works with us and we
have her best friend in the shoot to let

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me introduce you all to need a year ago
now I don't know really how many that

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sounds or what her accent should be but
this is Anita Anita body and about a

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real bad

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okay so he's merely head model and
Nandita is olivia is practice hair and

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makeup model that she used to use going
through school so thanks to olivia

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00:01:10,240 --> 00:01:14,060
providing this creepy little head for us
to you demonstrate to you I'm really

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00:01:14,060 --> 00:01:17,860
appreciate it but the great thing about
this is that using our little light

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panel chrome array here I wanna show you
all kind of the position of the light in

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00:01:23,509 --> 00:01:27,710
relation to the face and you're gonna
see in the video as well but it'll be

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00:01:27,710 --> 00:01:31,409
easier to see if I can ship them back
and forth it can see it almost in kind

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00:01:31,409 --> 00:01:35,409
of 3d and see the space and exact
position and placement so forth so let's

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00:01:35,409 --> 00:01:38,610
go ahead start from the top number one
we have flat light now flat lighting is

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basically where the light is directly
coming into the face now this could be

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00:01:42,229 --> 00:01:46,490
from a light its place behind the camera
or could be just barely above the lens

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so it's going to come to wrecking the
place like this

27
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generally when you are flatlining you
don't want to come from below the lens

28
00:01:52,170 --> 00:01:55,229
you always want from above the left is
gonna look unnatural anything good

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00:01:55,229 --> 00:01:57,390
coming from below will look natural

30
00:01:57,390 --> 00:02:00,700
so this is what it looks like if I
turned to the side if this flat light

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00:02:00,700 --> 00:02:05,200
goes directly onto the face what is flat
like good for well

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00:02:05,200 --> 00:02:09,879
what light has very little shadow ok so
if you look at this

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00:02:09,879 --> 00:02:14,459
officials in all the shadows on the face
so great about flat light is it's very

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00:02:14,459 --> 00:02:18,810
non dramatic ok it's going to create a
very flattering look because it's gonna

35
00:02:18,810 --> 00:02:22,700
fill in all the lines and all the
wrinkles and all the imperfections and

36
00:02:22,700 --> 00:02:27,090
it's going to really create a beautiful
overall look so we use it for headshots

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00:02:27,090 --> 00:02:30,580
which will demonstrate like a nice
little square light setup that will give

38
00:02:30,580 --> 00:02:34,000
you a beautiful flower light and we're
also going to use it well we do our

39
00:02:34,000 --> 00:02:38,049
direct / editorial shots and so far they
created a really fantastic looked at the

40
00:02:38,049 --> 00:02:42,720
images and and don't think that just
because the light has no direction is

41
00:02:42,720 --> 00:02:47,220
not a good light it is it's great for
these types of shots the next one we're

42
00:02:47,220 --> 00:02:51,510
just gonna move in a just the lights in
a very subtle way and we're gonna do is

43
00:02:51,510 --> 00:02:55,610
get to butterfly lighting with his
number two butterfly or paramount now

44
00:02:55,610 --> 00:02:58,970
it's called paramount because the actual
studio Paramount use this type of

45
00:02:58,970 --> 00:03:02,890
lighting technique to light every single
one of their celebrity headshots for a

46
00:03:02,890 --> 00:03:07,150
long long time back in the old days of
hollywood so it became known as

47
00:03:07,150 --> 00:03:11,030
paramount lighting but this is basically
butterfly life and it's characterized by

48
00:03:11,030 --> 00:03:13,870
this little butterfly that you have
right underneath the nose a kind of

49
00:03:13,870 --> 00:03:16,450
create the wings and the pattern of a
butterfly attorney for those with that

50
00:03:16,450 --> 00:03:21,519
shadow so that light we move from flat
light simply up a little bit and we hang

51
00:03:21,519 --> 00:03:26,370
glide down ok so far right here and it's
straight over the face and then turned

52
00:03:26,370 --> 00:03:29,810
to the side a little too has can see it
this is our butterfly light and you can

53
00:03:29,810 --> 00:03:34,450
see that butterfly shadow just right
underneath the nose ok so this is again

54
00:03:34,450 --> 00:03:37,910
without diffusion but it's gonna look a
little bit different with the fusion now

55
00:03:37,910 --> 00:03:43,329
butterfly light is fantastic because
similar to WoW outlining its gonna come

56
00:03:43,329 --> 00:03:46,359
directly onto the face which means that
it fills in wrinkles and filter

57
00:03:46,359 --> 00:03:49,730
everything and if you use a reflector
underneath which creates clamshell

58
00:03:49,730 --> 00:03:54,150
letting you get a beautiful Phil and it
looks fantastic it's a very flattering

59
00:03:54,150 --> 00:03:58,450
beauty type light that often used for
beauty it's often used for portraits and

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00:03:58,450 --> 00:03:59,220
so forth

61
00:03:59,220 --> 00:04:03,290
it again another great kind of similar
to fly but it does create a little more

62
00:04:03,290 --> 00:04:08,780
shadow than flatlining ok so moving from
butterfly we get to loop now loop is

63
00:04:08,780 --> 00:04:11,970
basically we take the life and it's
again above the subjects had a little

64
00:04:11,970 --> 00:04:17,750
bit but we move it off camera or just
off angle by around 25 C 50 degrees so

65
00:04:17,750 --> 00:04:24,160
this was where are paramount light was
loop is gonna be right about here we're

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00:04:24,160 --> 00:04:27,640
around 25 to 50 degrees we're starting
great just a little bit of a shadow that

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00:04:27,640 --> 00:04:30,970
comes off the nose and you can see that
it's just a little bit of an edge there

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00:04:30,970 --> 00:04:35,660
so it's a great life because it creates
a slightly more dramatic look as it

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00:04:35,660 --> 00:04:39,840
creates a little more shadow on the face
with flat light with butterfly light

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00:04:39,840 --> 00:04:43,580
it's very much kind of shuttle is
especially when we're using a lot of

71
00:04:43,580 --> 00:04:46,090
Phil and so forth there's really not a
lot of shadow which makes it very

72
00:04:46,090 --> 00:04:51,169
flattering but it's not a very dramatic
style of light once we get into loop has

73
00:04:51,169 --> 00:04:55,580
a little bit more drama to it it still
is covering most the face of light but

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00:04:55,580 --> 00:04:59,210
with the direction why we get a little
more shadow on one side and hit a

75
00:04:59,210 --> 00:05:05,280
subject has a good versus a while I
wanna see a more flattering side we

76
00:05:05,280 --> 00:05:09,380
might want to choose loop or even
Rembrandt lighting to kind of light into

77
00:05:09,380 --> 00:05:14,520
the side of them I prefer so as to get a
slightly more flattering look overall ok

78
00:05:14,520 --> 00:05:19,860
so from that now we have loop which is
25 degrees say this is paramount here we

79
00:05:19,860 --> 00:05:22,900
got loop and don't mind me kind of
change the direction this is just for

80
00:05:22,900 --> 00:05:27,290
these purposes so if we are to look off
to the side here is loop right here so

81
00:05:27,290 --> 00:05:30,410
that's where it looks like in position
to the head

82
00:05:30,410 --> 00:05:34,419
ok we make sure that that the rain
shadow and then we go into rembrandt now

結果 (中文) 1:

100:00:00，000--> 00:00:03，730在我的书的第一步的时候了解照明是到200:00:03，730--> 00:00:09，400了解五个最常见或现在的五个主要关键照明模式300:00:09，400--> 00:00:13，019关键光是简单地小学你可以打电话给光在你的主题400:00:13，019--> 00:00:15，740钥匙灯你可以调用主要像它是你所想要它500:00:15，740--> 00:00:19，930完全好从技术上讲指是我，但我们要做的 ki ora600:00:19，930--> 00:00:23，689展示并表明你基本上什么这些关键的光模式是感激700:00:23，689--> 00:00:27，650要显示你如何的方向光来了主题和800:00:27，650--> 00:00:30，970什么市场的特点每个人都是伟大的不同900:00:30，970--> 00:00:36，190所以它要从现在开始为目的这些我们有我们可爱的真实生活模式1000:00:36，190--> 00:00:40，680奥利维亚在这里是实际上我们拍制作人和她的衣柜头发和1100:00:40，680--> 00:00:46，930与我们和我们的化妆师在拍摄，让她最好的朋友1200:00:46，930--> 00:00:53，640我介绍你需要一年前现在我不知道，真的多少1300:00:53，640--> 00:00:59，699声音或她的口音应该是什么，但这是梅艳芳梅艳芳的身体和约1400:00:59，699--> 00:01:00，190真正的坏1500:01:00，190--> 00:01:07，119好吧，所以他只是头部模型和Nandita 是奥利维亚是实践的头发和1600:01:07，119--> 00:01:10，240她用来用去的化妆模型通过学校真的很谢谢奥利维亚1700:01:10，240--> 00:01:14，060为我们提供这个令人毛骨悚然的小头向你向你证明我是真的1800:01:14 060--> 00:01:17，860很欣赏它，但伟大的事情这是使用我们的小光1900:01:17，860--> 00:01:23，509面板镀铬阵列在这里想要给你看所有的种状态中的光2000:01:23，509--> 00:01:27，710关系到脸上，你要去在视频中也看到，但它会2100:01:27，710--> 00:01:31，409容易看到是否船随着他们的回并规定它可以看到它几乎在种2200:01:31，409--> 00:01:35，4093d 的和看到的空间和确切的位置和安置等等吧2300:01:35，409--> 00:01:38，610去前面开始从顶部第一我们现在平照明是有平光2400:01:38，610--> 00:01:42，229基本上光在哪里直接走进脸上现在这可能是2500:01:42，229--> 00:01:46，490光从它背后的摄像头的地方或者可能只是勉强镜头上方的2600:01:46，490--> 00:01:48，790所以它要给葬送像这样的地方2700:01:48，790--> 00:01:52，170通常当你在平缓你don't want to come from below the lens2800:01:52,170 --> 00:01:55,229you always want from above the left isgonna look unnatural anything good2900:01:55,229 --> 00:01:57,390coming from below will look natural3000:01:57,390 --> 00:02:00,700so this is what it looks like if Iturned to the side if this flat light3100:02:00,700 --> 00:02:05,200goes directly onto the face what is flatlike good for well3200:02:05,200 --> 00:02:09,879what light has very little shadow ok soif you look at this3300:02:09,879 --> 00:02:14,459officials in all the shadows on the faceso great about flat light is it's very3400:02:14,459 --> 00:02:18,810non dramatic ok it's going to create avery flattering look because it's gonna3500:02:18,810 --> 00:02:22,700fill in all the lines and all thewrinkles and all the imperfections and3600:02:22,700 --> 00:02:27,090it's going to really create a beautifuloverall look so we use it for headshots3700:02:27,090 --> 00:02:30,580which will demonstrate like a nicelittle square light setup that will give3800:02:30,580 --> 00:02:34,000you a beautiful flower light and we'realso going to use it well we do our3900:02:34,000 --> 00:02:38,049direct / editorial shots and so far theycreated a really fantastic looked at the4000:02:38,049 --> 00:02:42,720images and and don't think that justbecause the light has no direction is4100:02:42,720 --> 00:02:47,220not a good light it is it's great forthese types of shots the next one we're4200:02:47,220 --> 00:02:51,510just gonna move in a just the lights ina very subtle way and we're gonna do is4300:02:51,510 --> 00:02:55,610get to butterfly lighting with hisnumber two butterfly or paramount now4400:02:55,610 --> 00:02:58,970it's called paramount because the actualstudio Paramount use this type of4500:02:58,970 --> 00:03:02,890lighting technique to light every singleone of their celebrity headshots for a4600:03:02,890 --> 00:03:07,150long long time back in the old days ofhollywood so it became known as4700:03:07,150 --> 00:03:11,030paramount lighting but this is basicallybutterfly life and it's characterized by4800:03:11,030 --> 00:03:13,870this little butterfly that you haveright underneath the nose a kind of4900:03:13,870 --> 00:03:16,450create the wings and the pattern of abutterfly attorney for those with that5000:03:16,450 --> 00:03:21,519shadow so that light we move from flatlight simply up a little bit and we hang5100:03:21,519 --> 00:03:26,370glide down ok so far right here and it'sstraight over the face and then turned5200:03:26,370 --> 00:03:29,810to the side a little too has can see itthis is our butterfly light and you can5300:03:29,810 --> 00:03:34,450see that butterfly shadow just rightunderneath the nose ok so this is again5400:03:34,450 --> 00:03:37,910而扩散，但它不要看看有点不同于现在的融合5500:03:37，910--> 00:03:43，329蝴蝶光是神奇因为类似于哇概述其走来5600:03:43，329--> 00:03:46，359直接涂抹于面部，这意味着它填充皱纹和筛选器5700:03:46，359--> 00:03:49，730一切，如果你使用一个反射器创建翻盖的下面5800:03:49，730--> 00:03:54，150让你获得漂亮的 Phil 和它看起来棒极感到非常荣幸5900:03:54，150--> 00:03:58，450为常用的美式轻它常常用于肖像的美和6000:03:58，450--> 00:03:59，220等等6100:03:59，220--> 00:04:03，290这种类似的另一次大着飞翔，但是它会创建更多一点6200:04:03，290--> 00:04:08，780比平缓好感动从阴影我们要循环现在循环的蝴蝶6300:04:08，780--> 00:04:11，970基本上，我们采取的生命，这是再以上科目了一点6400:04:11，970--> 00:04:17，750位，但我们将其移动关闭相机或只是关闭角度由大约 25 C 50 度所以6500:04:17，750--> 00:04:24，160这是最重要的光在哪里了这里我们去了循环是6600:04:24，160--> 00:04:27，640我们开始 25 到 50 度左右大一点点的影子，6700:04:27，640--> 00:04:30，970脱落的鼻子，你可以看到，它是边缘有，只是有点小6800:04:30，970--> 00:04:35，660所以这是一个伟大的生活，因为它创建因为它看起来更加稍微更生动6900:04:35，660--> 00:04:39，840创建一个小更多阴影在脸上平光蝴蝶光7000:04:39，840--> 00:04:43，580它的很多就是班车的尤其当我们使用大量的7100:04:43，580--> 00:04:46，090Phil 等等，并不存在很很多的阴影，使得它非常7200:04:46，090--> 00:04:51，169奉承，但它是不一个非常戏剧性的一旦我们进入循环的光风格有7300:04:51，169--> 00:04:55，580它仍然对它多一点点戏剧是覆盖大多数的脸的光，但7400:04:55，580--> 00:04:59，210为什么我们得到一点点的方向更多在一侧阴影和打7500:04:59，210--> 00:05:05，280主题有良好的与一段时间我想要看到更讨人喜欢的一面我们7600:05:05，280--> 00:05:09，380可能想要选择循环或甚至伦勃朗照明光成种7700:05:09，380--> 00:05:14，520其中一面，我更喜欢以获得好的稍多奉承看整体7800:05:14，520--> 00:05:19，860所以从那现在我们有循环是25 度说这是最重要，在这里我们7900:05:19，860--> 00:05:22，900得到了循环并不介意我种改变的方向，这只是为了8000:05:22，900--> 00:05:27，290这些目的如此，如果我们要去看到了这里是循环就在这里所以8100:05:27,290 --> 00:05:30,410that's where it looks like in positionto the head8200:05:30,410 --> 00:05:34,419ok we make sure that that the rainshadow and then we go into rembrandt now

結果 (中文) 3:

1
00:00: 00000——> 00:00:03730
在我的书中的第一步的时候，
理解照明是

2
00:00:03730——> 00:00:09400
了解最常见的五或五
主键照明模式

3
00:00:09400——> 00:00:13019
主光是原
光你的问题你可以拨打4


00:00:13019——> 00:00:15740
关键光你可以叫主喜欢
不管你怎么叫它的

5
00:00:15740——> 00:00:19930
完全精细技术是指
为KI或我但我们要做的是

6
00:00:19930——> 00:00:23689
展示你基本上什么
这些关键光图案，感激

7
00:00:23689——> 00:00:27650
会指引你的方向如何
光线对主体和

8
00:00:27650——> 00:00:30970
什么样的市场特征
他们每个人是不同的
伟大的
9
00:00:30970——> 00:00:36190
目的就要开始了
这些我们可爱的现实模型

10
00:00:36190——> 00:00:40680
奥利维亚在这里实际上是我们的拍摄
制作人，她是我们的衣柜的头发

11
00:00:40680——> 00:00:46930
化妆艺术家谁的作品与我们
她在拍摄最好的朋友让

12
00:00:46930——> 00:00:53640
我介绍你所有需要一年前
现在我真的不知道有多少，

13
00:00:53640——> 00:00:59699
声音或是她的口音应该是
这是安妮塔安妮塔的身体和一个

14
00:00:59699——> 00:01:00190
真正的坏

15
00:01:00190——> 00:01:07119
好所以他只是头部模型和
奥利维亚的实践Nandita头发和

16
00:01:07119——> 00:01:10240
化妆模型，她用去
通过学校感谢奥利维亚

17
00:01:10240——> 00:01:14060
为我们提供这种令人毛骨悚然的小脑袋
向你展示你我真的

18
00:01:14060——> 00:01:17860
欣赏它，但杰出的事
这是用我们的小

19
00:01:17860——> 00:01：23509
面板镀铬阵列在这里我想给你
各种光线的位置在

20
00:01:23509——> 00:01:27710
关系的脸，你会
在视频中看到的一样，但它会

21
00:01:27710——> 00:01:31409
容易看到如果我的船他们回来
来回可以看到它几乎在一

22
00:01:31409——> 00:01:35409
3D看空间和精确的
位置和位置等等，让我们

23
00:01:35409——> 00:01:38610
继续开始从上一
我们平平淡淡现在平板照明是

24
00:01:38610——> 00:01:42229
基本上就是光直接
进入面对现在会

25
00:01:42229——> 00:01:46490
光从其后面的摄像头
或可勉强上面的镜头

26
00:01:46，