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all right we are in an awesome room here
in gary indiana in the abandoned
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cathedral we've got some just fantastic
graffiti behind us we found this nice
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prop to work with again the some store
had another segment we're now we've got
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Lauren on top of it and i wanna talk to
you about one of my favorite lighting
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patterns we talk about Access Lighting
where you've got lights on and access
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not on the cameras access but an access
to each other where there one is facing
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the other hand you can switch that
around like so ok so it could be this
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way facing each other in that way facing
each other that's one light pattern
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that's one that I like a lot and they
use a lot too because it creates
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opposing highlight an opposing shadows
which are awesome and you'll see a lot
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of that as well
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the other light patter another one of my
go-to light patterns is something that I
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call wedge lighting it's so I simply
call it that because the lights are
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arranged in almost like a pie shaped
wedge right here we've got our two
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lights set up we've got our key light
right here let's assume 200 millimetres
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have you been doing for most of the
shoot it's bare flesh and it is glorious
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oriented vertically right because I
wanted to create a column of light like
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this and we've got this light our accent
light doing the same exact thing 200
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millimetres vertically oriented and
that's our accent light and that's going
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to give us a beautiful highlight right
here along Lauren so that's typically
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the orientation or Wed have a beautiful
thing about wedge lighting is you can
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use it obviously with the modifiers you
can soften it right now we're going with
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a really cool greedy edgy fashion look
but I could go with something much
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softer if I modified the light and what
you can also do is you can modify the
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wedge so right now it's at this angle
but if I wanted I could swing it the
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whole way around like so and I have more
of a kind of a beauty look I could
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tighten the wage too and I have a more
no more tightly pattern so the wedges
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variable and extremely flexible way to
shoot so let's talk about camera
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settings for the shoot I met a sixteenth
of a second at F nine two hundred and
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fifty years
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250 ISO and my power from my flashes I
am at a
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corner power on my accent light and a
half power on my key light and I'm
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working in manual and triggering
wirelessly Canon 600 X artis with ste
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three RT transmitter a working
wirelessly and again we've talked before
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about the advantages of wireless over
optical so I I really prefer it when I'm
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shooting and let's make some pictures
using wedge light the deal are some nice
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beautiful
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excellent jacket that's killer nice
lighting very dramatic very cool edgy
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beautiful let's take a look and show you
what we're getting a couple more I think
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probably be good
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bring this over to the camera for you
guys to see on the iPad we go we're
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picking up a lot of that information in
the back cause I'm at the 60th of a
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second so that I'm catching some of the
ambient light coming in but also dark
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enough what we've done is we've moved
that create off the wall and we're not
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letting the white spill onto the wall so
that's really helping us to keep the
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dark round back in moody dark and moody
rather and give us this kind of edgy
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cool look and you can see that we're
picking up this beautiful edge light on
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the side and then we're getting the
directional light which will highlight
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on the fish and shadow on the other side
of the face so those kinds of things
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that I look for when I when I want when
I'm one that look that's where which
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waiting really comes in grateful issued
a couple more pictures and then we're
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ready to move on to our next location
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beautiful actually what you know what
I'm seeing this box thinking how cool it
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would be if we throw a speedlight up
inside their try a few different things
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while we're here we might as well try
and do some different creative stuff
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throw some color gels on it and see what
we get to shoot just a few more of these
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numbers change it up good I love it
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alright perfect so let's wrap it up with
that looks good lighting is killing it
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and right now will change up with Rose
Speedlite in there will throw some color
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gels on there and see we got right back
100:00:05,340--> 00:00:09,320好吧我们处在一个令人敬畏的房间加里在废弃的印第安纳200:00:09,320--> 00:00:13,780大教堂我们有一些太棒后面我们我们发现这漂亮的涂鸦300:00:13,780--> 00:00:21,580支柱与再一些存储工作有我们现在我们已经得到的另一段400:00:21,580--> 00:00:25,650在这和我想要跟劳伦你关于我最喜欢的照明之一500:00:25,650--> 00:00:29,949我们谈论访问照明模式你在哪里上有灯和访问600:00:29,949--> 00:00:34,530不上摄像机访问,但访问在那里那里一个人面对彼此700:00:34,530--> 00:00:38,920你可以把那个换成另一只手大约这么好,就像它可以是这个800:00:38,920--> 00:00:42,350面对对方的方式面对的方式对方是一个光模式900:00:42,350--> 00:00:45,070这是一个很喜欢和他们也使用了很多因为它创建1000:00:45,070--> 00:00:49,640反对突出显示反对阴影哪些是真棒,你会看到很多1100:00:49,640--> 00:00:50,760,以及1200:00:50,760--> 00:00:54,120其他光淅沥的另一个我走到光的模式是什么,我1300:00:54,120--> 00:00:58,329打电话给楔照明就这样我只是称它是因为灯光1400:00:58,329--> 00:01:03,289安排在几乎像形馅饼楔入右我们这儿有我们两个1500:01:03,289--> 00:01:08,710灯光设置,我们有我们的钥匙灯就在这里让我们假设 200 毫米1600:01:08,710--> 00:01:13,910你做了大部分的射击是赤裸的肉体,才是光荣1700:01:13,910--> 00:01:18,259垂直排列没关系,因为我想要创建轻得像一列1800:01:18,259--> 00:01:22,590这和我们有这种光我们的口音光做同样的事 2001900:01:22,590--> 00:01:26,360毫米垂直导向和这就是我们的口音光和那2000:01:26,360--> 00:01:30,530给我们一个美丽的亮点正确这里沿着劳伦所以这就是通常2100:01:30,530--> 00:01:34,990定位或星期三有一个美丽的楔形照明的事情是你可以2200:01:34,990--> 00:01:38,039很明显与修饰符一起使用它你可以软化它现在我们会怎样2300:01:38,039--> 00:01:41,450真的很酷的贪婪前卫时尚外观但可以用的东西多2400:01:41,450--> 00:01:46,979如果我修改的光和更柔软您也可以是您可以修改2500:01:46,979--> 00:01:51,880楔块,所以现在正是在这个角度来看但是,如果我想我可以摆动它2600:01:51,880--> 00:01:56,500全程约喜欢这样,我有更多一种美看我可以2700:01:56,500--> 00:02:01,940太紧的工资还有更多no more tightly pattern so the wedges2800:02:01,940 --> 00:02:06,610variable and extremely flexible way toshoot so let's talk about camera2900:02:06,610 --> 00:02:11,160settings for the shoot I met a sixteenthof a second at F nine two hundred and3000:02:11,160 --> 00:02:11,849fifty years3100:02:11,849 --> 00:02:17,330250 ISO and my power from my flashes Iam at a3200:02:17,330 --> 00:02:22,500corner power on my accent light and ahalf power on my key light and I'm3300:02:22,500 --> 00:02:28,300working in manual and triggeringwirelessly Canon 600 X artis with ste3400:02:28,300 --> 00:02:32,030three RT transmitter a workingwirelessly and again we've talked before3500:02:32,030 --> 00:02:36,590about the advantages of wireless overoptical so I I really prefer it when I'm3600:02:36,590 --> 00:02:42,960shooting and let's make some picturesusing wedge light the deal are some nice3700:02:42,960 --> 00:02:45,120beautiful3800:02:45,120 --> 00:02:55,190excellent jacket that's killer nicelighting very dramatic very cool edgy3900:02:55,190 --> 00:03:00,760beautiful let's take a look and show youwhat we're getting a couple more I think4000:03:00,760 --> 00:03:04,100probably be good4100:03:04,100 --> 00:03:11,200bring this over to the camera for youguys to see on the iPad we go we're4200:03:11,200 --> 00:03:14,730picking up a lot of that information in后面的因为我在 604300:03:14,730--> 00:03:19,150第二,我要去赶一些环境光来的但也暗4400:03:19,150--> 00:03:23,470我们已经做的足够是我们搬到创建从墙上和我们不4500:03:23,470--> 00:03:28,060所以让白色漏油事件在墙上那真的帮助我们保持4600:03:28,060--> 00:03:33,510圆背喜怒无常的黑暗中黑暗和喜怒无常而是给我们这种前卫4700:03:33,510--> 00:03:37,470很酷的样子,你可以看到我们拾起这美丽的边灯4800:03:37,470--> 00:03:41,800边,然后我们就要将突出显示的定向光4900:03:41,800--> 00:03:45,750以鱼和阴影的另一边脸如此那些各种各样的事情5000:03:45,750--> 00:03:49,820我看的时候我在想,当我是一个看得出是在哪里,5100:03:49,820--> 00:03:53,060等待真是感激发出一对夫妇更多的图片,然后我们就5200:03:53,060--> 00:03:56,220准备好继续前进到我们的下一个位置5300:03:56,220--> 00:04:03,030美丽其实你知道什么我看到此框思维如何降温5400:04:03,030--> 00:04:07,050将我们吐闪光灯里面他们尝试一些不同的东西5500:04:07,050--> 00:04:11,209虽然我们在这里我们不妨试和做一些不同的富有创意的东西5600:04:11,209 --> 00:04:15,880throw some color gels on it and see whatwe get to shoot just a few more of these5700:04:15,880 --> 00:04:22,520numbers change it up good I love it5800:04:22,520 --> 00:04:35,360alright perfect so let's wrap it up withthat looks good lighting is killing it5900:04:35,360 --> 00:04:39,330and right now will change up with RoseSpeedlite in there will throw some color6000:04:39,330 --> 00:04:42,069gels on there and see we got right back
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