41700:25:49,980 --> 00:25:53,460pro

417
00:25:49,980 --> 00:25:53,460
probably a bug but it should always
almost if you don't see the

418
00:25:53,460 --> 00:25:54,940
inconsistency just use

419
00:25:54,940 --> 00:25:58,490
purge cache for selection that should
fix it now

420
00:25:58,490 --> 00:26:02,640
course we I showed you with this image
is that it's really really easy and

421
00:26:02,640 --> 00:26:03,610
somebody asked me

422
00:26:03,610 --> 00:26:08,150
do use always multiple row conversions
and as you can see here I don't

423
00:26:08,150 --> 00:26:12,340
because in this case I didn't need to
was a fairly simple image

424
00:26:12,340 --> 00:26:16,929
but with the other images these three
yeah dick situation was much more

425
00:26:16,929 --> 00:26:18,610
complex because we had

426
00:26:18,610 --> 00:26:22,740
more on detail image maury closer does

427
00:26:22,740 --> 00:26:26,610
there was a something we're trying to do
to make it look like a good she had

428
00:26:26,610 --> 00:26:30,440
so there was more masking more things
involved in once you do it one image you

429
00:26:30,440 --> 00:26:32,540
have to do it with multiple images to
Mayday

430
00:26:32,540 --> 00:26:36,340
series look consistent and that's what I
wanted to talk about so let's open up

431
00:26:36,340 --> 00:26:37,740
these images now inside

432
00:26:37,740 --> 00:26:41,540
Photoshop start with this one and as you
can see

433
00:26:41,540 --> 00:26:45,260
up for a you already know this image
probably by now but as you know we have

434
00:26:45,260 --> 00:26:45,980
different

435
00:26:45,980 --> 00:26:50,809
am we have different known groups with
different layers

436
00:26:50,809 --> 00:26:53,809
and we I started with different row
conversions

437
00:26:53,809 --> 00:26:57,850
and then assigned to 2nd image 21 doctor
morning the previous episodes I had one

438
00:26:57,850 --> 00:26:58,510
more

439
00:26:58,510 --> 00:27:03,820
group and before I get into doubt let me
show you how I managed

440
00:27:03,820 --> 00:27:07,890
and these different raw justice I
remember right

441
00:27:07,890 --> 00:27:11,690
I named highlights me tons in shadows
well here's what you can do

442
00:27:11,690 --> 00:27:14,750
you can when she said in one image is
something

443
00:27:14,750 --> 00:27:18,200
you can double click on dis already
working on it

444
00:27:18,200 --> 00:27:21,900
and if you want to transfer dis to
another file another

445
00:27:21,900 --> 00:27:25,880
project you can go to distal icon and
choose

446
00:27:25,880 --> 00:27:28,980
Save Settings we'll ask you which
settings you want to save

447
00:27:28,980 --> 00:27:32,580
are click Save and our world save it
under some

448
00:27:32,580 --> 00:27:36,080
name as an XMP data

449
00:27:36,080 --> 00:27:40,040
now course one sound that saved in let's
say I open up

450
00:27:40,040 --> 00:27:43,580
this image I can the same I can

451
00:27:43,580 --> 00:27:46,660
transfer does same settings now right
edges have to

452
00:27:46,660 --> 00:27:50,520
load settings this time and choose the
appropriate setting

453
00:27:50,520 --> 00:27:53,860
so that's how you can come between
different files in and

454
00:27:53,860 --> 00:27:57,200
later without having them synchronize
inside Camera Raw

455
00:27:57,200 --> 00:28:01,670
but here is layers you can move around
the settings so that's what I use

456
00:28:01,670 --> 00:28:05,680
and of course the added that thing that
I had here with evening out the colors

457
00:28:05,680 --> 00:28:06,280
and tones

458
00:28:06,280 --> 00:28:10,630
is if i deactivate all this and I just
go to this point

459
00:28:10,630 --> 00:28:14,510
now here's a very important question
hurting I want to cast recite here

460
00:28:14,510 --> 00:28:18,430
is that typically what I'm looking for

461
00:28:18,430 --> 00:28:22,650
is a good solid foundation a place where

462
00:28:22,650 --> 00:28:26,470
did color inside the image is under
control as well as the dawn

463
00:28:26,470 --> 00:28:30,950
meaning dot did color inside the skin
tones is right

464
00:28:30,950 --> 00:28:34,630
did Connor the dynamic range in the
images right or at least

465
00:28:34,630 --> 00:28:38,690
pretty decent so I can start retouching
in rebuilding on top of that

466
00:28:38,690 --> 00:28:43,670
if I don't have that I usually don't
start in order to build out sometimes

467
00:28:43,670 --> 00:28:47,650
it easier to use multiple row
conversions rather than trying to do it

468
00:28:47,650 --> 00:28:48,380
inside

469
00:28:48,380 --> 00:28:51,970
camera roll right from the start
sometimes you can sometimes it's pain in

470
00:28:51,970 --> 00:28:52,560
the ass

471
00:28:52,560 --> 00:28:57,050
so you wanna do it where it easier for
me it was easier inside a camera roll

472
00:28:57,050 --> 00:29:00,510
I had to use some asking here but

473
00:29:00,510 --> 00:29:03,920
is already mentioned I think few times
is that masking is really an important

474
00:29:03,920 --> 00:29:05,730
part of you being a retoucher

475
00:29:05,730 --> 00:29:08,910
it's like up knowing how to use masks

476
00:29:08,910 --> 00:29:12,890
is retouching with a sniper verses
retouching with a shotgun

477
00:29:12,890 --> 00:29:16,160
okay its he loves you very precise

478
00:29:16,160 --> 00:29:20,360
and its anywhere you want but they're
easy to create easy to manipulate easy

479
00:29:20,360 --> 00:29:20,860
to

480
00:29:20,860 --> 00:29:25,190
copy and paste another image so you
should really pay attention to masking

481
00:29:25,190 --> 00:29:28,230
if masking is not your thing and you're
trying to learn

482
00:29:28,230 --> 00:29:32,020
and there is an episode I think apps a
number five in the series where I talk

483
00:29:32,020 --> 00:29:32,610
about it

484
00:29:32,610 --> 00:29:36,620
and an eighth this is not enough if you
wanna learn more about me asking this is

485
00:29:36,620 --> 00:29:38,870
a timely me some comments indeed

486
00:29:38,870 --> 00:29:42,710
section comment section and I there's
enough interest all

487
00:29:42,710 --> 00:29:44,179
a Creative Media specifically

488
00:29:44,179 --> 00:29:49,220
asking so I but have dots not enough
sometimes I would have to use

489
00:29:49,220 --> 00:29:53,389
other tools inside a Photoshop again
with masking this will be a just layers

490
00:29:53,389 --> 00:29:57,360
and I would use this in order to you
can't look at the image

491
00:29:57,360 --> 00:30:00,619
to achieve more even color and tone

492
00:30:00,619 --> 00:30:04,600
bring everything under control and then
I would retouch d-mich

493
00:30:04,600 --> 00:30:08,600
and add some color correction at the end
to match this one

494
00:30:08,600 --> 00:30:12,559
okay now I'm gonna close these two
images because we want to focus

495
00:30:12,559 --> 00:30:17,249
on the 30 image and now with this one
now the thing with this image is

496
00:30:17,249 --> 00:30:21,090
first I thought you know you already saw
me do the other two so these new one

497
00:30:21,090 --> 00:30:24,539
world not only show you the same process
would few age

498
00:30:24,539 --> 00:30:28,889
few additional things but also there are
some things inside this image allow me

499
00:30:28,889 --> 00:30:29,799
to show you

500
00:30:29,799 --> 00:30:35,999
do you think that you haven't seen you
I'm running out of time here bid but on

501
00:30:35,999 --> 00:30:37,529
maybe so long granted in

502
00:30:37,529 --> 00:30:40,749
what the hell okay so what I wanted to
show you here

503
00:30:40,749 --> 00:30:44,159
is dat like before I have if you ignore
this layer

504
00:30:44,159 --> 00:30:48,210
I have multiple row conversions you can
go to call a ringtone cleanup and

505
00:30:48,210 --> 00:30:52,220
dodge burn color correction just like I
wouldn't E other Edgar

506
00:30:52,220 --> 00:30:55,429
now another images that I showed you now
course

507
00:30:55,429 --> 00:31:00,129
let me just go back here and show you do
multiple row conversions

508
00:31:00,129 --> 00:31:03,679
add it's fairly simple once you know
call to

509
00:31:03,679 --> 00:31:06,950
used in masks and I think I showed you
it's pretty easy

結果 (中文) 1:

41700:25:49，980--> 00:25:53，460可能的错误，但它应始终几乎如果你看不到41800:25:53，460--> 00:25:54，940不一致只是使用41900:25:54，940--> 00:25:58，490清除缓存应该的选择现在修好42000:25:58，490--> 00:26:02，640当然我们您展示这幅图像是真的真的很容易，42100:26:02，640--> 00:26:03，610有人问我42200:26:03，610--> 00:26:08，150请使用总是多个行转换正如你可以看到在这里我不42300:26:08，150--> 00:26:12，340因为在这种情况下我不需要是一个相当简单的图像42400:26:12，340--> 00:26:16，929但与其他图像这三个迪克的情况是更多42500:26:16，929--> 00:26:18，610复杂的因为我们有42600:26:18，610--> 00:26:22，740在细节上更大的图像的 maury 接近并42700:26:22，740--> 00:26:26，610还有我们想要做的一些事为了使它看起来像一个好她让42800:26:26，610--> 00:26:30，440所以有了更多掩盖了更多的东西一旦你做了它参与一个图像你42900:26:30，440--> 00:26:32，540要用到的多个图像五月天43000:26:32，540--> 00:26:36，340系列外观一致，这就是我想要让我们敞开心扉谈43100:26:36，340--> 00:26:37，740这些图像现在里面43200:26:37，740--> 00:26:41，540Photoshop 开始用这个和你可以看到43300:26:41,540 --> 00:26:45,260up for a you already know this imageprobably by now but as you know we have43400:26:45,260 --> 00:26:45,980different43500:26:45,980 --> 00:26:50,809am we have different known groups withdifferent layers43600:26:50,809 --> 00:26:53,809and we I started with different rowconversions43700:26:53,809 --> 00:26:57,850and then assigned to 2nd image 21 doctormorning the previous episodes I had one43800:26:57,850 --> 00:26:58,510more43900:26:58,510 --> 00:27:03,820group and before I get into doubt let meshow you how I managed44000:27:03,820 --> 00:27:07,890and these different raw justice Iremember right44100:27:07,890 --> 00:27:11,690I named highlights me tons in shadowswell here's what you can do44200:27:11,690 --> 00:27:14,750you can when she said in one image issomething44300:27:14,750 --> 00:27:18,200you can double click on dis alreadyworking on it44400:27:18,200 --> 00:27:21,900and if you want to transfer dis toanother file another44500:27:21,900 --> 00:27:25,880project you can go to distal icon andchoose44600:27:25,880 --> 00:27:28,980Save Settings we'll ask you whichsettings you want to save44700:27:28,980 --> 00:27:32,580are click Save and our world save itunder some44800:27:32,580 --> 00:27:36,080name as an XMP data44900:27:36,080 --> 00:27:40,040now course one sound that saved in let'ssay I open up45000:27:40,040 --> 00:27:43,580this image I can the same I can45100:27:43,580 --> 00:27:46,660transfer does same settings now rightedges have to45200:27:46,660 --> 00:27:50,520load settings this time and choose theappropriate setting45300:27:50,520 --> 00:27:53,860so that's how you can come betweendifferent files in and45400:27:53,860 --> 00:27:57,200later without having them synchronizeinside Camera Raw45500:27:57,200 --> 00:28:01,670but here is layers you can move aroundthe settings so that's what I use45600:28:01,670 --> 00:28:05,680and of course the added that thing thatI had here with evening out the colors45700:28:05,680 --> 00:28:06,280and tones45800:28:06,280 --> 00:28:10,630is if i deactivate all this and I justgo to this point45900:28:10,630 --> 00:28:14,510now here's a very important questionhurting I want to cast recite here46000:28:14,510 --> 00:28:18,430is that typically what I'm looking for46100:28:18,430 --> 00:28:22,650is a good solid foundation a place where46200:28:22,650 --> 00:28:26,470did color inside the image is undercontrol as well as the dawn46300:28:26,470 --> 00:28:30,950meaning dot did color inside the skintones is right46400:28:30,950 --> 00:28:34,630did Connor the dynamic range in theimages right or at least46500:28:34,630 --> 00:28:38,690pretty decent so I can start retouchingin rebuilding on top of that46600:28:38,690 --> 00:28:43,670if I don't have that I usually don'tstart in order to build out sometimes46700:28:43,670 --> 00:28:47,650it easier to use multiple rowconversions rather than trying to do it46800:28:47,650 --> 00:28:48,380inside46900:28:48,380 --> 00:28:51,970camera roll right from the startsometimes you can sometimes it's pain in47000:28:51,970 --> 00:28:52,560the ass47100:28:52,560 --> 00:28:57,050so you wanna do it where it easier forme it was easier inside a camera roll47200:28:57,050 --> 00:29:00,510I had to use some asking here but47300:29:00,510 --> 00:29:03,920is already mentioned I think few timesis that masking is really an important47400:29:03,920 --> 00:29:05,730part of you being a retoucher47500:29:05,730 --> 00:29:08,910it's like up knowing how to use masks47600:29:08,910 --> 00:29:12,890is retouching with a sniper versesretouching with a shotgun47700:29:12,890 --> 00:29:16,160okay its he loves you very precise47800:29:16,160 --> 00:29:20,360and its anywhere you want but they'reeasy to create easy to manipulate easy47900:29:20,360 --> 00:29:20,860to48000:29:20,860 --> 00:29:25,190copy and paste another image so youshould really pay attention to masking48100:29:25,190 --> 00:29:28,230if masking is not your thing and you'retrying to learn48200:29:28,230 --> 00:29:32,020and there is an episode I think apps anumber five in the series where I talk48300:29:32,020 --> 00:29:32,610about it48400:29:32,610 --> 00:29:36,620and an eighth this is not enough if youwanna learn more about me asking this is48500:29:36,620 --> 00:29:38,870a timely me some comments indeed48600:29:38,870 --> 00:29:42,710section comment section and I there'senough interest all48700:29:42,710 --> 00:29:44,179a Creative Media specifically48800:29:44,179 --> 00:29:49,220asking so I but have dots not enoughsometimes I would have to use48900:29:49,220 --> 00:29:53,389other tools inside a Photoshop againwith masking this will be a just layers49000:29:53,389 --> 00:29:57,360and I would use this in order to youcan't look at the image49100:29:57,360 --> 00:30:00,619to achieve more even color and tone49200:30:00,619 --> 00:30:04,600bring everything under control and thenI would retouch d-mich49300:30:04,600 --> 00:30:08,600and add some color correction at the endto match this one49400:30:08,600 --> 00:30:12,559okay now I'm gonna close these twoimages because we want to focus49500:30:12,559 --> 00:30:17,249on the 30 image and now with this onenow the thing with this image is49600:30:17,249 --> 00:30:21,090first I thought you know you already sawme do the other two so these new one49700:30:21,090 --> 00:30:24,539world not only show you the same processwould few age49800:30:24,539 --> 00:30:28,889few additional things but also there aresome things inside this image allow me49900:30:28,889 --> 00:30:29,799to show you50000:30:29,799 --> 00:30:35,999do you think that you haven't seen youI'm running out of time here bid but on50100:30:35,999 --> 00:30:37,529maybe so long granted in50200:30:37,529 --> 00:30:40,749what the hell okay so what I wanted toshow you here50300:30:40,749 --> 00:30:44,159is dat like before I have if you ignorethis layer50400:30:44,159 --> 00:30:48,210I have multiple row conversions you cango to call a ringtone cleanup and50500:30:48,210 --> 00:30:52,220dodge burn color correction just like Iwouldn't E other Edgar50600:30:52,220 --> 00:30:55,429now another images that I showed you nowcourse50700:30:55,429 --> 00:31:00,129let me just go back here and show you domultiple row conversions50800:31:00,129 --> 00:31:03,679add it's fairly simple once you knowcall to50900:31:03,679 --> 00:31:06,950used in masks and I think I showed youit's pretty easy

結果 (中文) 3:

417
00:25:49980——> 00:25:53460
可能错误但它应该
几乎如果你没有看到

418
00:25:53460——> 00:25:54940
矛盾只是用

419
00:25:54940——> 00:25:58490
清除缓存的选择，应该
修正了

420
00:25:58490——> 00:26:02640
当然我们我给你这张
是真的容易和

421
00:26:02640——> 00:26:03610
有人问我

422
00:26:03610——> 00:26:08150
做总是使用多行转换
，你可以在这里看到我不

423
00:26:08150——> 00:26:12340
因为在这种情况下，我不需要
是一个相当简单的图像

424
00:26:12340——> 00:26:16929
但与其他图像这三
是迪克的情况更加

425
00:26:16929——> 00:26:18610
复杂因为我们有

426
00:26：18610——> 00:26:22740
更多细节图像更是
莫里
427
00:26:22740——> 00:26:26610
有一些我们正在试图做的
使它看起来像一个很好的她

428
00:26:26610——> 00:26:30440
所以有更多更多的东西
掩蔽参与一旦你做到这一点像你

429
00:26:30440——> 00:26:32540
得多的图像
五月天

430
00:26:32540——> 00:26做：36340
系列一致的外观，这就是我
想谈谈让我们打开

431
00:26:36340——> 00:26:37740
这些图像现在在

432
00:26:37740——> 00:26:41540
PS图象处理软件开始这一个，你
可以看到

433
00:26:41540——> 00:26:45260
了你已经知道这个图像
可能现在但你知道我们有

434
00:26:45260——> 00:26:45980
不同

435
00:26：45980——> 00:26:50809
是我们有不同的群体与
不同层

436
00:26:50809——> 00:26:53809
我们我开始与不同的行
转换

437
00:26:53809——> 00:26:57850
然后分配到第二图像21医生
早晨之前我有一个

438
00:26:57850——> 00:26:58510
更

439
00:26:58510——> 00:27:03820
组和在我进入怀疑让我
告诉你我是如何管理的

440
00:27:03820——> 00:27:07890
和这些不同的原义我
记得正确的

441
00:27:07890——> 00:27:11690
我叫集锦我吨在阴影
好这里你可以做什么

442
00:27:11690——> 00:27:14750
可以当她说在一个图像是什么


443
00:27:14750——> 00:27:18200
你可以双击
DIS已经在它的工作

444
00:27:18，200——> 00:27:21900
如果你想转移到另一个文件的另一个
DIS

445
00:27:21900——> 00:27:25880
项目你可以去远端的图标和
选择

446
00:27:25880——> 00:27:28980
保存设置我们会问你这
设置你要保存

447
00:27:28980——> 00:27:32580
是点击保存和世界保存
在某些

448
00:27:32580——> 00:27:36080
名字作为XMP数据

449
00：27:36080——> 00:27:40040
现在课程一个声音，保存在我们
说我打开

450
00:27:40040——> 00:27:43580
这个形象，我可以同我

451
00:27:43580——> 00:27:46660
转让是相同的设置，现在
边缘有

452
00:27:46660——> 00:27:50520
负载设置这个时间和选择适当的设置


453
00:27:50520——> 00:27:53860
所以你可以来
之间不同的文件和

454
00:27:53860——> 00:27:57200
以后不用同步
相机里面原

455
00:27:57200——> 00:28:01670
但这里是层可以上下左右移动
设置，所以我用

456
00:28:01670——> 00:28:05680
当然说的事情，我曾在这里与
晚上的颜色

457
00:28:05680——> 00:28：