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in this quick tutorial we're gonna be
showing you how to do toning to the
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image
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so the first thing I'm gonna do it
through on this post layer
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the booze later the simple curves layer
the mid tones and the
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Howard to raise a little bit more than
the
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shadows were lower this gives us a
little bit of a contrast but more
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up light and darkness and the image the
next they wanna do is i I'm actually a
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jump straight to the docs amor
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background where I wanna just brighten
up right behind it can make you stand
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out from the background summer take my
brush tool set
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10 percent flow an our white brush
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and let's go ahead and make the brush
size bigger with the bracket buttons
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just paint right behind him there we go
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it a little bit rate you're on that side
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sewer creating our own little like
vignette purple thing in a few
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actually be able to burn as well so
remember
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it Jackson right listened to right there
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as terrorists are not that's before that
after
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this faces turn a little over break
could be I went over my mistake
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know it Rookwood
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just people out there Rio hit accident
make it smaller lenders Brighton right
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there
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nice Turner not that's before
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that after little over two strong just
adjust the opacity to bring it down
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let's jump over to the color balance an
we're going to a
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raise the Reds a little tiny bit
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actually was to other rat in the shadows
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if I was a little bit too much has
changed at
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to come to the midterm and bring the red
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back to zero but you know looks a a
little merger
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just the drought I was too much less
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to tell it
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well the yup I'd definitely like that so
yeah
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so this is purely experimental
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and it's personal preference when it
comes to Tony
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is McKenna a fool around to you find
something that's pleasing
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the important to keep things natural
though and not get too carried away when
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it comes to the Tony
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I try to keep things extremely subtle
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at this point just because
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the morn actually keep things the more
chance
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it will speak to people when you do
something extreme in the toning
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apartment
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it kinda hit or miss either people you
love it or hate it
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only keep something natural at it's more
like staying on the middle ground
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and I more people will will find a
colors pleasing
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the soonest owning a
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not this is before that after I like
where we're at right now
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do that again work on that before that
after
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and I'll John over into the levels
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and actually let's do something
interesting for the levels
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these lines in the background of fun to
be a little bit distracting up
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I would think that if the little bit
brighter look better so ever levels
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right by the RGB channel we're gonna
raise the shadows by coming down to the
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bottom line slider
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and bringing it up slightly and I kitty
how overshadows
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were slightly Brighton what we're gonna
do is mask it out
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in a moment but let's see if we want to
change any other adjustments let's go
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maybe
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into the Reds your whole look we r
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from reading the shadow that doesn't
look right but see
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what happens if we had littman jet in
the shower that doesn't look good either
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with jump to the Blues they were
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a little Luna little bit yellow in there
Turner
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not that's before that after actually
kinda like this
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so now I'm gonna do is a minute Inver
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the entire levels and I'm gonna
selectively paint this
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it so let's go ahead and hit command I
that inverts the mask don't take a brush
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10 percent flow
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an selectively color that
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I'll levels layer and that was just the
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million to go over the darker areas I'm
also gonna go over him as well
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is it actually that look pretty good on
him but I feel like all these up being
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all over the place for
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pretty distracting in just its that out
a little bit too much
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that contrast was distracting and I want
him to really power other frames
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so keep them on the darker side in
Brighton everything up with friends are
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that's before that after so
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very very subtle difference it slowly
creeps and that's what happens when you
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use the flow
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low a low number for doing that 10
percent
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and a run over him as well
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just a little bit a service on of
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that's before that after her like where
this is
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we really brightened up the left side
over here and the beams
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up in the ceiling and now it just makes
him stand out the frame a little bit
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more
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commercial another quick trip I'll
making people stand out from the
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background come over here to solid color
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and just at a solid color I'm not sure
what color so it just hit anything
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and we could bring down opacity over
here too
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let's say some around 10 percent and you
could choose either side of why
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believe it even a normal or overlay
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these I think I'm gonna leave this
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on normal actually an
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what we do now is first let's choose a
color that we like
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maybe a that purple color but see
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hit OK and now we do is ember