Just as modern artists synthesized

Just as modern artists synthesized in modern shapes the archetypical Romanian sculptures, in the same manner today’s engineers sublimate the essence of traditional wooden structures into contemporary expressions. This creative process is either the principle of an evolution, by perfection and distillation or a re-invention that involuntarily resumes an extinct cultural model. This phenomenon though, as it was illustrated in this paper, has only a formal, illusory character, in connection to the physical properties of wood, unchanged since its use by mankind as a construction material. In substance, the contemporary technology has brought fundamental differences in the way in which wood is converted and assembled into the finished product. We can no longer speak of a material utilized in regions where it has been available, at a local level, but as of a resource so important today mainly due to its potential for prefabrication, the ease of transport and montage. This distinction of social, cultural and economical character differentiates categorically the contemporary
use of wood from the traditional one.

結果 (中文) 3:

就像现代艺术家的现代形态的罗马尼亚雕塑原型合成的，在相同的方式，今天的工程师升华传统木结构的本质，为当代的表达。这样的创作过程是一种进化的原则，通过完善和蒸馏或重新发明，不由自主地恢复一种已经灭绝的文化模式。虽然这种现象，因为它是在本文中示出，只有一个正式的，虚幻的人物，在连接到木材物理性质，没有改变自使用人类作为一种建筑材料。实质上，现代技术带来了根本性的差异，这样木材转化成成品。我们不能说一个材料利用的地区提供了可能，在地方一级，但作为一个资源如此重要，今天主要是由于其潜在的预制，运输和蒙太奇的缓解。这种区别的社会，文化和经济特征区分断然从传统当代
使用木材。