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you
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skin tones are isolated within yellows
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and reds and I can really easily target
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them the background is completely
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neutral the dresses the color is
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supposed to be again that's another
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consideration if you've got a fashion
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shoot where you know the dress is a
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certain color and it has to be that
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color then you're going to use things
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like color checkers you definitely use
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things like great cards you know you
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definitely wanna start with a correct
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white balance there and correct would be
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the white balance that gives you the
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correct color on that dress that's kind
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of where I'm going with it is that
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really there's there's two choices
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either start with neutral if you have no
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idea or start with something that is
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close to the final look if you are
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really specific to a particular look
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whether it's cool like this one or
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warmer like this one that's really the
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two strategies that I always take
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neutral or almost celebrated generally
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speaking if you're making strong
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adjustments
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it's always better to do them at the
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wrong level you don't want to take your
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Kelvin up 3000 inside of Photoshop you
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want to do that here in the strategy is
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always look at all of the images within
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that particular shoot and decide and
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obviously if you're the photographer
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than the choice is entirely yours but if
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you're working with a photographer find
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out what their intent is for that
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particular shoot what sort of you know
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feel they had in mind and kind of trying
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to apply that to the images of the row
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level even and see okay you know if I
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want this cool white balance i'm going
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to take the same thing and apply it to
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another image within that set and let's
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see if that works because it's very easy
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to turn that on and off right if I want
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to revert back i can always do that in
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the case of capture one I always use
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variance i have my baseline variant and
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then my very own time actually take into
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photoshop so if I decide you know what I
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really don't like what i did here i can
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always just delete that very and go back
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to the neutral and try again now another
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thing I like inside of capture one is
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that it does have some color grading
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tools already it's got this color
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balance tool and that works on sort of
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the the luminosity level here as well so
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it's kind of a mixture of it really
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because what it's worth saying is ok we
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can go to a particular color here and in
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the highlights we can pump up that color
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so this is how much of that color we add
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so let's say we want to go into the
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highlights and you know it's warm up the
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highlights so we'll go into something
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like a yellow and we can increase in