100:00:00,210 --> 00:00:04,720so I'

1
00:00:00,210 --> 00:00:04,720
so I'm out here at Lake bukkake the wind
is crazy and we just had the most epic

2
00:00:04,720 --> 00:00:10,090
sunrise was absolutely gorgeous I'm
gonna talk about how I got the shot what

3
00:00:10,090 --> 00:00:27,070
I was looking for and what I didn't want
to include

4
00:00:27,070 --> 00:00:32,660
I'm out here at bukkake lake and the
wind is absolutely ripping this morning

5
00:00:32,660 --> 00:00:37,989
but the sunrise that I just shot was
just dropping absolutely gorgeous the

6
00:00:37,989 --> 00:00:42,160
trick is when you're when you're gonna
shoot sunrise in the morning to make

7
00:00:42,160 --> 00:00:46,629
sure that you know where you want to be
the night before so last night before

8
00:00:46,629 --> 00:00:52,190
sunset Jane I were driving up and down
the banks of this this lake on both

9
00:00:52,190 --> 00:00:56,339
sides east and west and also the
southern end trying to find the best

10
00:00:56,339 --> 00:01:01,739
spot we didn't want to a straight boring
coastline we wanted a nice curve in the

11
00:01:01,739 --> 00:01:07,380
coastline we wanted trees like the ones
you see behind me these brilliant golden

12
00:01:07,380 --> 00:01:11,240
trees there are a lot of places where
there is some scrub on the side that was

13
00:01:11,240 --> 00:01:15,780
pretty dead lookin so we didn't want
that you know so gathering and being

14
00:01:15,780 --> 00:01:19,399
ready for a morning shoot I mean we got
here before the light came up it was

15
00:01:19,399 --> 00:01:24,420
pitch dark we had our headlamps on and
you know coming out here we wanted to be

16
00:01:24,420 --> 00:01:29,240
able to put ourselves in the right place
at the right time and we absolutely

17
00:01:29,240 --> 00:01:34,210
nailed it this morning that's the clouds
are still a little color back there but

18
00:01:34,210 --> 00:01:38,720
they were pink and and just gorgeous

19
00:01:38,720 --> 00:01:44,500
so let's talk a little bit about what i
was thinkin whatever shooting I started

20
00:01:44,500 --> 00:01:50,299
out with a wide angle lens and and I did
take some shots that were with a longer

21
00:01:50,299 --> 00:01:56,100
lens but in the end I really felt that
that wide lens gave me the best view I

22
00:01:56,100 --> 00:01:59,530
wanted to make sure I could see the
curve of the lake really important to me

23
00:01:59,530 --> 00:02:05,570
but also get as much of the cloud action
into the shot as I could so I went

24
00:02:05,570 --> 00:02:07,790
really wide I met

25
00:02:07,790 --> 00:02:13,230
ten millimeter on my my lenses attended
22 on a crop factor camera I also use a

26
00:02:13,230 --> 00:02:17,010
long exposure I wanted to make sure I
had a thirty second shutter speed I

27
00:02:17,010 --> 00:02:23,210
actually started out at thirty seconds
and whatever average her I needed to

28
00:02:23,210 --> 00:02:27,550
keep that thirty second shutter speed I
kept changing my amateur to keep my

29
00:02:27,550 --> 00:02:32,210
shutter speed the same as the light
changed I think I started out with an

30
00:02:32,210 --> 00:02:36,570
average of seven my foreground is pretty
far away I don't need clothes hyper

31
00:02:36,570 --> 00:02:39,900
focal distance I didn't need to worry
about that so I went ahead and I chose

32
00:02:39,900 --> 00:02:45,320
average of seven and shutter speed of 30
seconds that gave me the smooth surface

33
00:02:45,320 --> 00:02:49,830
of the lake I didn't want the choppiness
of it and it made those clouds just come

34
00:02:49,830 --> 00:02:54,120
in you know to capture the movement of
the clouds which is really really cool

35
00:02:54,120 --> 00:02:58,740
so I got that and then as the light
started to come up as I got brighter and

36
00:02:58,740 --> 00:03:02,840
brighter I kept that thirty second
shutter speed and I just adjusted my

37
00:03:02,840 --> 00:03:07,520
aperture a little bit at a time closing
it down each time a little bit more and

38
00:03:07,520 --> 00:03:11,260
ended up with a temperature of about
sixteen when I got to sixteen I didn't

39
00:03:11,260 --> 00:03:14,750
want to close it down any more than that
I don't like to go beyond 16 starts to

40
00:03:14,750 --> 00:03:21,239
get messy so I used a neutral density
filter to keep that shutter speed really

41
00:03:21,239 --> 00:03:26,070
long and at that point I could mess with
my average again until I got that right

42
00:03:26,070 --> 00:03:30,230
where I wanted it kept my shutter speed
thirty-seconds throughout my my shooting

43
00:03:30,230 --> 00:03:33,340
eventually of course that was impossible
and I started to use shorter shutter

44
00:03:33,340 --> 00:03:37,019
speeds but I'm still trying to keep a
pretty long was down 28 seconds six

45
00:03:37,019 --> 00:03:41,519
seconds at the end and that point but
shooting because they're really rich

46
00:03:41,519 --> 00:03:45,709
color in the clouds with pretty much
gone from my point of interest here is

47
00:03:45,709 --> 00:03:51,239
that curve in the lake and of course the
brilliant cloud cover so those two

48
00:03:51,239 --> 00:03:55,040
elements working together make this
photo what it is I wanted to make sure I

49
00:03:55,040 --> 00:03:58,239
didn't include anything in the photo
that would take away from that they're

50
00:03:58,239 --> 00:04:01,880
dead bushes around I made sure they
weren't gonna be in the frame there's

51
00:04:01,880 --> 00:04:05,989
sort of a rocky hillsides here lotsa
grasses I don't want that in the frame

52
00:04:05,989 --> 00:04:08,520
very important to me to keep that out so
I zoomed in

53
00:04:08,520 --> 00:04:14,640
in when necessary to to take care of
that I also decided not to use of

54
00:04:14,640 --> 00:04:19,140
vertical composition I tried it a couple
of times and I just felt like I lost the

55
00:04:19,140 --> 00:04:25,180
expanse of it the wide beautiful this
stuff but I do have a couple of images

56
00:04:25,180 --> 00:04:30,870
just just in case the magazine calls and
they want a vertical cover right I also

57
00:04:30,870 --> 00:04:34,370
wanted to make sure that none of these
big trees with blocking my view so I was

58
00:04:34,370 --> 00:04:38,700
moving back and forth on the hillside I
started out way over there

59
00:04:38,700 --> 00:04:42,340
set up my shot decided it really wasn't
working for me too much blocking that

60
00:04:42,340 --> 00:04:46,660
curve in the water I ended up over there
for a little while but there were tons

61
00:04:46,660 --> 00:04:50,190
of bushes too close to me they're
beautiful color but they're really

62
00:04:50,190 --> 00:04:54,000
moving in the wind and I think that
would have taken away a little bit from

63
00:04:54,000 --> 00:04:58,560
the shoreline that I really wanted to
capture so I ended up right back here I

64
00:04:58,560 --> 00:05:02,410
like to hear I'm high enough that I can
see the lake I get a lot of Lake if I go

65
00:05:02,410 --> 00:05:07,360
too far down the lake starts to compress
it starts to look smaller than it is the

66
00:05:07,360 --> 00:05:13,010
height let me capture not only the the
expansive the lake but also the rich

67
00:05:13,010 --> 00:05:16,940
color in the lake the further you go
downward the closer you get to the water

68
00:05:16,940 --> 00:05:22,900
the less I'm gonna be able to see that
rich blue alright so this is a shot I

69
00:05:22,900 --> 00:05:26,910
didn't take take a look around me i've
got the bushes are big they're in the

70
00:05:26,910 --> 00:05:30,560
way they're kind of dark an overbearing
out in what any of those are my frame

71
00:05:30,560 --> 00:05:36,760
absolutely not the the trees behind me
are sort of coming up over the edge of

72
00:05:36,760 --> 00:05:40,070
the lake so they're hiding that
beautiful curve that I was scouting out

73
00:05:40,070 --> 00:05:44,760
last night don't want those in my shot
lots are rocking is happening here lots

74
00:05:44,760 --> 00:05:50,170
of wind all of that is gonna affect the
finished image it it takes away from my

75
00:05:50,170 --> 00:05:54,660
point of interes I want this shot to be
about the curve of the lake the

76
00:05:54,660 --> 00:05:59,060
brilliant sky and the colors of the
trees and that's it nothing else

77
00:05:59,060 --> 00:06:02,070
anything else if it's just striking
element gone

結果 (中文) 1:

100:00:00，210--> 00:00:04，720所以我在这里在湖 bukkake 风太疯狂了，我们只是有最史诗200:00:04，720--> 00:00:10，090日出是绝对华丽的我要谈如何我打了针什么300:00:10 090--> 00:00:27，070我一直在寻找，我不想包括400:00:27，070--> 00:00:32，660我在这里在 bukkake 湖和风绝对翻录今500:00:32，660--> 00:00:37，989但我刚杀了日出只是随便过来绝对华丽600:00:37，989--> 00:00:42，160诀窍是当你当你要去在早上，使拍摄日出700:00:42，160--> 00:00:46，629确保你知道你想去的地方所以昨晚之前前一天晚上800:00:46，629--> 00:00:52，190我开车的向上和向下的夕阳简这银行这两个湖900:00:52，190--> 00:00:56，339双方东和西试图找到最佳的南端1000:00:56，339--> 00:01:01，739现货，我们不想直镗削海岸线中我们想很好的曲线1100:01:01，739--> 00:01:07，380我们想要像树木的海岸线你看到我身后这些辉煌的黄金1200:01:07，380--> 00:01:11，240有很多地方的树木在哪里还有一些磨砂一边了1300:01:11，240--> 00:01:15，780漂亮死了找谁所以我们不想你知道所以收集和正在1400:01:15，780--> 00:01:19，399准备好我的意思是我们得到了一个早上拍摄在这里亮了之前它是1500:01:19，399--> 00:01:24，420我们对我们的大灯在黑暗和你知道出来在这里，我们想要1600:01:24，420--> 00:01:29，240能够把自己放在正确的地方在适当的时候，我们绝对1700:01:29，240--> 00:01:34，210把它钉今天早上那是云还有一点颜色回到那里，但1800:01:34，210--> 00:01:38，720他们是粉红色和只是华丽1900:01:38，720--> 00:01:44，500因此，让我们有点谈什么 i心想我开始无论射击2000:01:44，500--> 00:01:50，299用广角镜头和我也做了采取一些被一个长长的镜头2100:01:50，299--> 00:01:56，100镜头，但在结束了，我真的觉得那宽镜头给了我最好的视图我2200:01:56，100--> 00:01:59，530想要确保我能看到曲线的湖对我来说真的很重要2300:01:59，530--> 00:02:05，570但也能尽可能多的云行动到镜头尽所以我去了2400:02:05，570--> 00:02:07，790确实很宽，我遇到了2500:02:07，790--> 00:02:13，230十毫米的我参加了我的眼镜我也用作物因素相机 222600:02:13，230--> 00:02:17，010我想要确保我的长时间曝光有三十的第二次快门速度我2700:02:17，010--> 00:02:23，210实际上开始了在三十秒无论平均她我需要的2800:02:23，210--> 00:02:27，550守住那个三十岁二快门速度我不断变化，我业余继续我2900:02:27，550--> 00:02:32，210快门速度光相同改变了我想我开始3000:02:32，210--> 00:02:36，570平均七我前景很漂亮很远的地方我不需要的衣服超3100:02:36，570--> 00:02:39，900我并不需要担心的焦点距离关于那去的所以，我选择3200:02:39，900--> 00:02:45，320平均的七和快门速度 30给我表面光滑的秒3300:02:45，320--> 00:02:49，830湖的我不想做它，它使那些刚来的云3400:02:49，830--> 00:02:54，120在你知道要捕获的运动云是真的真的很酷3500:02:54，120--> 00:02:58，740所以我得到了那，然后如光开始来作为我光明和3600:02:58，740--> 00:03:02，840亮我保留那三十秒快门速度和我只是调整我的3700:03:02，840--> 00:03:07，520孔径一点点时间结束时它下来，每次多一点点，3800:03:07，520--> 00:03:11，260结束了与温度有关十六至 16 我没有的时候3900:03:11，260--> 00:03:14，750要关闭它下来任何更多我不想超越 16 开始到4000:03:14，750--> 00:03:21，239变得混乱，所以我用中性密度筛选器，以保持该快门速度真的4100:03:21，239--> 00:03:26，070长期以来，在那个时候我能惹我再次平均直到我得到了这种权利4200:03:26，070--> 00:03:30，230它在哪里，我想要保持我的快门速度在整个三十秒我我射击4300:03:30，230--> 00:03:33，340最终当然那不可能然后使用更短的快门4400:03:33，340--> 00:03:37，019速度，但仍然试图保持相当长了 28 秒六4500:03:37，019--> 00:03:41，519秒结束，这一点，但射击，因为他们是真正的富有4600:03:41，519--> 00:03:45，709彩色的云与漂亮很多离开了我在这里的观点是兴趣的4700:03:45，709--> 00:03:51，239该曲线在湖中，当然灿烂的云彩覆盖所以这两个4800:03:51，239--> 00:03:55，040元素在一起工作使这照片我想确保我的是什么4900:03:55，040--> 00:03:58，239不包括任何的照片这需要远离他们5000:03:58，239--> 00:04:01，880枯死的灌木，我确信他们不会有的框架中5100:04:01，880--> 00:04:05，989排序的岩石的山腰，这里很多我不想这样的框架中的草5200:04:05，989--> 00:04:08，520非常重要的我得记住了，我放大了在5300:04:08，520--> 00:04:14，640在何时需要照顾的我也决定不用的5400:04:14 640--> 00:04:19，140我试过几个垂直组成时候，我只是感觉我失去了5500:04:19，140--> 00:04:25，180它的广袤广美这东西，但没有是几张图片5600:04:25，180--> 00:04:30，870只是为了以防万一杂志要求和他们想要一个垂直的权利我也涵盖5700:04:30，870--> 00:04:34，370想要确保这些都不大树与挡住我的视线，所以我就5800:04:34，370--> 00:04:38，700在山坡上我来回移动那边的开始的方式5900:04:38，700--> 00:04:42，340我的镜头设置决定是真的不是为我工作太多阻碍，6000:04:42，340--> 00:04:46，660在我结束了在那边的水曲线但有一小被吨6100:04:46，660--> 00:04:50，190他们的灌木丛中太接近我美丽的颜色，但他们真6200:04:50，190--> 00:04:54，000移动在风中，我认为会有带走一点点从6300:04:54，000--> 00:04:58，560真的很想在海岸线捕获所以我最终回来这里我6400:04:58，560--> 00:05:02，410想听听我不够高，我可以看到很多人的湖，如果我去湖6500:05:02，410--> 00:05:07，360太远，湖开始压缩刚开始看它比小6600:05:07，360--> 00:05:13，010高度让我捕捉不只膨胀湖但也有钱6700:05:13，010--> 00:05:16，940你去进一步湖中的颜色向下你越接近水6800:05:16，940--> 00:05:22，900越少我要能看见，富蓝好所以这是一个镜头我6900:05:22，900--> 00:05:26，910没带带我我四处看看吗得到了灌木丛是大他们在7000:05:26，910--> 00:05:30，560他们是有点黑的方式难以忍受的出什么任何的那些都是我的框架7100:05:30，560--> 00:05:36，760绝对不是我后面的树丛种过来的边缘7200:05:36，760--> 00:05:40，070因此他们躲起来，湖我侦察的美丽曲线7300:05:40，070--> 00:05:44，760昨天晚上不想那些在我的镜头很多都摇摆这里发生了很多7400:05:44，760--> 00:05:50，170所有这一切怎样影响的风的完成的图像需要它远离我7500:05:50，170--> 00:05:54，660我想这张照片要的利益点关于湖的曲线7600:05:54，660--> 00:05:59，060辉煌的天空和颜色的树木，就是这样没有别的7700:05:59，060--> 00:06:02，070别的，如果它非常惊人的走了的元素

結果 (中文) 3:

1
00:00:00210——> 00:00:04720
所以我在湖风
bukkake是疯狂的，我们有最伟大的

2
00:00:04720——> 00:00:10090
日出是绝对华丽，我
要谈我拍到了什么

3
00:00:10090——> 00:00:27070
我看了因为我不想
包括

4
00:00:27070——> 00:00:32660
我在这儿bukkake湖和
风是绝对把今天早上

5
00:00:32660——> 00:00:37989
但日出，我拍摄
只是绝对华丽的

6
00:00:37989——> 00:00:42160
技巧是当你当你要
拍摄日出在早晨做

7
00:00:42160——> 00:00:46629
确保你知道你想要
的前一天晚上，所以昨晚在

8
00:00:46629——> 00:00:52，190
日落我开车上下
这湖上

9
00:00:52190——> 00:00:56339
两侧东、西和南部的
试图找到最好的

10
00:00:56339——> 00:01:01739
点我们不想直无聊
海岸线我们想漂亮的曲线在

11
00:01:01739——> 00:01:07380
海岸线我们想树一样的
银行你看到我身后这些辉煌的黄金

12
00:01:07380——> 00:01:11240
树有很多地方
有磨砂的一面，是

13
00:01:11240——> 00:01:15780
漂亮死在我们不想让你知道，
集被

14
00:01:15780——> 00:01:19399
准备早上拍我的意思是，我们有
在亮了它

15
00:01:19399——> 00：01:24420
漆黑的我们有我们的前大灯和
你知道来这里我们要

16
00:01:24420——> 00:01:29240
能够把自己放在正确的地方
在正确的时间，我们绝对

17
00:01:29240——> 00:01:34210
钉这早晨的云
是还是有点颜色后面但

18
00:01:34210——> 00:01:38720
他们是粉色的，美极了

19
00:01：38720——> 00:01:44500
让我谈一点关于我在想什么
射击我开始

20
00:01:44500——> 00:01:50299
了广角镜头，我也
拍了几张照片，是用更长的

21
00:01:50299——> 00:01:56100
镜头但最后我真的觉得
，广角镜头给了我最好的观点我

22
00:01:56100——> 00:01:59530
想让我看到
曲线的湖对我来说真的很重要

23
00:01:59530——> 00:02:05570
也获得尽可能多的云行动
到镜头，我可以让我去

24
00:02:05570——> 00:02:07790
真广我遇到

25
00:02:07790——> 00:02:13230
十毫米镜头在我参加了22
作物系数的相机我也用

26
00:02:13230——> 00:02:17010
长时间的曝光，我想确保我
有一三零秒的快门速度我

27
00:02:17010——> 00:02:23210
实际上开始在三十秒
无论平均她我需要

28
00:02:23210——> 00:02:27550
保持三十秒的快门速度我
不断改变我的业余让我

29
00:02:27550——> 00:02:32210
快门速度为光
相同改变了我想我开始了一个

30
00:02:32210——> 00:02:36570
平均七我的前景是非常
远我不需要的衣服超

31
00:02:36570——> 00:02:39900
焦距我不需要担心
，于是我走了，我选择了

32
00:02:39900——> 00:02:45320
平均速度七，快门30秒，给我
光滑表面

33
00:02:45320——> 00：