100:00:03,440 --> 00:00:07,210to cr

1
00:00:03,440 --> 00:00:07,210
to create the most accurate and balanced
luminosity masks it's important that you

2
00:00:07,210 --> 00:00:09,780
have established the correct color
settings within Lightroom

3
00:00:09,780 --> 00:00:14,330
Adobe Camera Raw and Photoshop arriving
at the color settings we now know to be

4
00:00:14,330 --> 00:00:15,710
correct was a bit of a journey

5
00:00:15,710 --> 00:00:18,499
is probably more than you wanna know but
let me give you a little back story

6
00:00:18,499 --> 00:00:19,249
anyway

7
00:00:19,249 --> 00:00:22,480
60k actions were first released in 2006

8
00:00:22,480 --> 00:00:25,630
they were built around the default color
settings in Photoshop

9
00:00:25,630 --> 00:00:28,939
which are Adobe RGB 1998 for the color
space

10
00:00:28,939 --> 00:00:33,980
and dot gain 20 percent for the gray
space however it turns out the dot gain

11
00:00:33,980 --> 00:00:37,260
20 percent gray space is optimized for
offset printing

12
00:00:37,260 --> 00:00:43,000
which uses a CMYK color space so it is a
perfectly match with the Adobe RGB 98

13
00:00:43,000 --> 00:00:47,350
all across the mass could still be
generated with these default settings

14
00:00:47,350 --> 00:00:51,340
they were perfectly symmetrical which
required some additional steps to get

15
00:00:51,340 --> 00:00:53,440
luminosity masks that were balanced

16
00:00:53,440 --> 00:00:57,970
shooting was just a quirk Photoshop Tony
sticky actions and tutorials remain

17
00:00:57,970 --> 00:01:01,000
unchanged until late in the fall of 2012

18
00:01:01,000 --> 00:01:04,939
parted the way into production of these
videos tony mentioned to me that he had

19
00:01:04,939 --> 00:01:07,310
been experimenting with different race
pace settings

20
00:01:07,310 --> 00:01:12,090
and notice that the gray gamma 2.2 gray
space produce perfectly symmetrical

21
00:01:12,090 --> 00:01:16,189
and more finely detailed luminosity
masks I contacted my friend

22
00:01:16,189 --> 00:01:20,490
and longtime Photoshop guru Mac Colbert
why the people behind pixel genius

23
00:01:20,490 --> 00:01:24,340
Mac was able to tell us that even though
dot gain 20 percent is the default

24
00:01:24,340 --> 00:01:25,700
setting in Photoshop

25
00:01:25,700 --> 00:01:30,499
that gray gamma 2.2 was specifically
designed to match the grease kilt our

26
00:01:30,499 --> 00:01:31,009
values

27
00:01:31,009 --> 00:01:34,920
to corresponding color to analyze in the
Adobe 98 color space

28
00:01:34,920 --> 00:01:39,729
furthermore when the expanded Pro Photo
Color space was introduced in Photoshop

29
00:01:39,729 --> 00:01:43,259
it was paired work with the gray gamma
1.8 gray space

30
00:01:43,259 --> 00:01:46,740
using one of these two correct pairings
have color space

31
00:01:46,740 --> 00:01:51,090
increase pace enables Photoshop to
create the most balanced and symmetrical

32
00:01:51,090 --> 00:01:54,630
luminosity masks with the smoothest
luminosity transitions

33
00:01:54,630 --> 00:01:58,200
so before you go any further with
luminosity masking

34
00:01:58,200 --> 00:02:01,729
I recommend that you establish one have
the correct color space grey space

35
00:02:01,729 --> 00:02:03,200
pairings in Photoshop

36
00:02:03,200 --> 00:02:07,069
additionally if you're working with an
older version of the TK actions

37
00:02:07,069 --> 00:02:11,090
should update to the current version
you'll need to decide which color space

38
00:02:11,090 --> 00:02:13,400
will be your working color space in
Photoshop

39
00:02:13,400 --> 00:02:15,300
Adobe RGB 1998

40
00:02:15,300 --> 00:02:19,660
98 was the standard for many years and
is still a perfectly viable option

41
00:02:19,660 --> 00:02:24,150
however many photographers including
myself are now working in the Pro Photo

42
00:02:24,150 --> 00:02:26,670
Color space for its expanded color range

43
00:02:26,670 --> 00:02:30,360
there are potential advantages both now
and in the future

44
00:02:30,360 --> 00:02:34,270
to working in the Pro Photo Color space
but if you do it's also important to

45
00:02:34,270 --> 00:02:37,360
make sure you use the 16 bit mode to
maintain

46
00:02:37,360 --> 00:02:41,880
smooth color transitions once you've
decided which color space will be your

47
00:02:41,880 --> 00:02:43,160
working color space

48
00:02:43,160 --> 00:02:47,180
your first want to set up late room
and/or Adobe Camera Raw

49
00:02:47,180 --> 00:02:51,390
to open image is in the right space
let's start with Lightroom

50
00:02:51,390 --> 00:02:54,610
set the color space in Lightroom

51
00:02:54,610 --> 00:02:58,040
go to the Edit menu and select
Preferences

52
00:02:58,040 --> 00:03:01,220
in the Preferences dialog

53
00:03:01,220 --> 00:03:04,870
you can set the file format type the
color space and the bit depth

54
00:03:04,870 --> 00:03:09,460
here's where you can choose your color
space to be either pro for RGB

55
00:03:09,460 --> 00:03:17,390
for Adobe RGB 1998 if you use Adobe
Camera Raw as your off I'll

56
00:03:17,390 --> 00:03:24,100
editor the settings are a little
different click the blue link at the

57
00:03:24,100 --> 00:03:25,310
bottom of the screen

58
00:03:25,310 --> 00:03:29,230
and thus open a dialogue that allows you
to set the color space

59
00:03:29,230 --> 00:03:34,239
and bit depth here you can also choose
Adobe RGB 1998

60
00:03:34,239 --> 00:03:43,280
or Pro Photo RGB

61
00:03:43,280 --> 00:03:46,510
now let's set the correct color space
and grace base pairing

62
00:03:46,510 --> 00:03:50,230
within Photoshop go to the Edit menu

63
00:03:50,230 --> 00:03:55,670
and select color settings and this
dialogue

64
00:03:55,670 --> 00:04:00,209
you can't say you're working space the
RGB color space

65
00:04:00,209 --> 00:04:05,120
again either Adobe RGB 1998 or Pro Photo
RGB

66
00:04:05,120 --> 00:04:09,690
and if you say Adobe 98 as you're
working space

67
00:04:09,690 --> 00:04:13,680
then you would wanna select gray gamma
2.2

68
00:04:13,680 --> 00:04:17,310
measure gray space if you select

69
00:04:17,310 --> 00:04:20,669
Pro Photo RGB is your work in color
space

70
00:04:20,669 --> 00:04:23,950
then you wanna set grey gamma one point
8

71
00:04:23,950 --> 00:04:27,460
has your gray space click OK

72
00:04:27,460 --> 00:04:33,650
and you're ready to go now that you have
the correct color space sparing setup

73
00:04:33,650 --> 00:04:37,870
your mask will be symmetrical and create
the most detailed luminosity selections

74
00:04:37,870 --> 00:04:40,880
to also ensure that the TK luminosity
mask

75
00:04:40,880 --> 00:04:42,760
actions will work properly in your
system

結果 (中文) 1:

100:00:03，440--> 00:00:07，210若要创建最准确、 平衡发光度面具，重要的是你200:00:07，210--> 00:00:09，780建立了正确的颜色在 Lightroom 内设置300:00:09，780--> 00:00:14，330Adobe 相机原始和 Photoshop 到达在颜色设置我们现在知道要400:00:14，330--> 00:00:15，710正确是有点的旅程500:00:15，710--> 00:00:18，499很可能比你想知道但让我给你一个小小的背后的故事600:00:18，499--> 00:00:19，249不管怎么说700:00:19，249--> 00:00:22，48060 k 行动在 2006 年被首次发布800:00:22，480--> 00:00:25，630他们被围绕的默认颜色在 Photoshop 中设置900:00:25，630--> 00:00:28，939哪些是 Adobe RGB 1998 的颜色空间1000:00:28，939--> 00:00:33，980灰色的点增益 20%然而事实证明网点的空间1100:00:33，980--> 00:00:37，260为优化 20%灰色空间胶版印刷1200:00:37，260--> 00:00:43，000其中使用 CMYK 色彩空间，所以它是与 Adobe RGB 98 完美匹配1300:00:43，000--> 00:00:47，350各地群众仍可能使用这些默认设置生成1400:00:47，350--> 00:00:51，340他们是完全对称的需要一些额外的步骤以获得1500:00:51，340--> 00:00:53，440平衡的光度面具1600:00:53，440--> 00:00:57，970射击是只是怪癖 Photoshop 托尼仍然是粘粘的行动和教程1700:00:57，970--> 00:01:01，000直到在 2012 年秋天不变1800:01:01，000--> 00:01:04，939生产这些分成方式视频托尼向我提到他了1900:01:04，939--> 00:01:07，310一直在尝试不同的种族速度设置2000:01:07，310--> 00:01:12，090注意到灰色伽玛 2.2 灰色空间产生完全对称2100:01:12 090--> 00:01:16，189和更精细详尽的亮度口罩联系了我的朋友2200:01:16，189--> 00:01:20，490和长期 Photoshop 大师 Mac 科尔伯特为什么在像素天才后面的人2300:01:20，490--> 00:01:24，340Mac 是能够告诉我们，即使是默认值点增益 20%2400:01:24，340--> 00:01:25，700在 Photoshop 中设置2500:01:25，700--> 00:01:30，499那灰色的伽玛 2.2 是专门设计，以配合油脂短裙我们2600:01:30，499--> 00:01:31，009值2700:01:31，009--> 00:01:34，920到对应的颜色来分析中Adobe 98 颜色空间2800:01:34，920--> 00:01:39，729此外当扩大临照片在 Photoshop 中介绍了颜色空间2900:01:39，729--> 00:01:43，259这是用灰色的伽玛成对的工作1.8 灰色空间3000:01:43，259--> 00:01:46，740使用这些两个正确配对之一有颜色空间3100:01:46，740--> 00:01:51，090增加速度使到 Photoshop创建最平衡和对称3200:01:51，090--> 00:01:54，630贝斯光度面具亮度转换3300:01:54，630--> 00:01:58，200所以，在前你再继续亮度掩蔽3400:01:58，200--> 00:02:01，729我建议你建立一个有正确的颜色空间灰色空间3500:02:01，729--> 00:02:03，200在 Photoshop 中的配对3600:02:03，200--> 00:02:07，069此外，如果您正在使用旧版本的 TK 行动3700:02:07，069--> 00:02:11，090应更新到当前版本您将需要决定哪些颜色空间3800:02:11，090--> 00:02:13，400将会在你工作色彩空间Photoshop3900:02:13，400--> 00:02:15，300Adobe RGB 19984000:02:15，300--> 00:02:19，66098 是标准多年和仍然是完全可行的选择4100:02:19，660--> 00:02:24，150然而许多摄影师包括自己现在正在临照片中4200:02:24，150--> 00:02:26，670颜色空间为其扩展的颜色范围的4300:02:26，670--> 00:02:30，360现在有潜在的优势和未来4400:02:30，360--> 00:02:34，270在临照片色彩空间的工作但是，如果你也是重要的4500:02:34，270--> 00:02:37，360请确保您使用 16 位模式将维护4600:02:37，360--> 00:02:41，880一旦你的平滑的颜色过渡哪个颜色空间将会决定你4700:02:41，880--> 00:02:43，160工作色彩空间4800:02:43，160--> 00:02:47，180你第一次的想要成立晚房间和/或 Adobe 相机原始4900:02:47，180--> 00:02:51，390要打开的图像是在正确的空间让我们开始用 Lightroom5000:02:51，390--> 00:02:54，610在 Lightroom 中设置颜色空间5100:02:54，610--> 00:02:58，040转至编辑菜单中选择首选项5200:02:58，040--> 00:03:01，220在首选项对话框5300:03:01，220--> 00:03:04，870您可以设置文件格式类型颜色空间和位深度5400:03:04，870--> 00:03:09，460这里是您可以在其中选择你的颜色空间可以为 RGB 临5500:03:09，460--> 00:03:17，390如果您使用 Adobe Adobe RGB 1998 年相机原料作为你离开我5600:03:17，390--> 00:03:24，100编辑器设置本来就有点小不同点击蓝色链接在5700:03:24，100--> 00:03:25，310屏幕底部的5800:03:25，310--> 00:03:29，230并因此打开允许您的对话要设置的颜色空间5900:03:29，230--> 00:03:34，239和位深度在这里你还可以选择Adobe RGB 19986000:03:34，239--> 00:03:43，280或临照片 RGB6100:03:43，280--> 00:03:46，510现在让我们来设置正确的颜色空间如斯恩典，免碱基配对6200:03:46，510--> 00:03:50，230在 Photoshop 内转到编辑菜单6300:03:50，230--> 00:03:55，670选择颜色设置和这对话6400:03:55，670--> 00:04:00，209你不能说你工作空间RGB 色彩空间6500:04:00，209--> 00:04:05，120再或者 Adobe RGB 1998 或临照片RGB6600:04:05，120--> 00:04:09，690如果你说 Adobe 98 就像你工作空间6700:04:09，690--> 00:04:13，680然后你会想要选择灰度伽玛2.26800:04:13，680--> 00:04:17，310如果你选择，测量灰色空间6900:04:17，310--> 00:04:20，669临照片 RGB 是你工作中的颜色空间7000:04:20，669--> 00:04:23，950然后你想要设置灰色伽玛一点87100:04:23，950--> 00:04:27，460有你灰色的空间，单击确定7200:04:27，460--> 00:04:33，650你准备好去现在，你有正确的颜色空间保留安装程序7300:04:33，650--> 00:04:37，870你的面具将对称并创建最详细的亮度选择7400:04:37，870--> 00:04:40，880而且确保 TK 光度面具7500:04:40，880--> 00:04:42，760行动将在适当的工作你系统

結果 (中文) 3:

1
00:00:03440——> 00:00:07210
创造最准确和平衡
光度面具很重要，你

2
00:00:07210——> 00:00:09780
建立正确的颜色、设置在Lightroom

3
00:00:09780——> 00:00:14330
Adobe相机原和PS图象处理软件到达
颜色设置我们现在知道是

4
00:00:14330——> 00:00:15710
正确一点旅程


5 00:00:15，710——> 00:00:18499
是可能更多的比你想知道但
让我给你一个小小的背景故事

6
00:00:18499——> 00:00:19249
反正

7
00:00:19249——首次发表在2006年

8
00:00:22480——> 00:00:25630
他们围绕PS图象处理软件

9
00:00:25630——>，这是Adobe RGB 1998年颜色、空间

10
00:00:28 00:00:28939
的默认颜色
设置> 00:00:22480
60K行动，939——> 00:00:33980
和网点扩大20%灰色
空间然而原来网点11


00:00:33980——> 00:00:37260
百分之二十的灰色空间优化
胶印

12
00:00:37260——> 00:00:43000
使用CMYK颜色空间，所以它是一个
完全匹配的Adobe RGB 98

13
00:00:43000——> 00:00:47350
各地群众可能仍然是
产生这些默认设置

14
00:00:47350——
> 00:00:51340他们完全对称，
需要一些额外的步骤得到

15
00:00:51340——>，平衡

16
00:00:53440——> 00:00:57970
拍摄只是巧合PS图象处理软件托尼
粘性行为和教程保持

17
00:00:57970——
> 00:01:01000 00:00:53440面具
光度不变，直到晚在秋季2012年

18
00:01:01000——> 00:01:04939
分开的方式投入生产的这些
视频托尼提到我，他

19
00:01:04939——> 00:01:07310
一直在尝试与不同种族的
速度设置

20
00:01:07310——> 00:01:12090
和通知，灰色伽马2.2灰色
空间产生完美对称的

2
00:01:12090——
> 00:01:16189和更精细的详细光度
面具我联系我的朋友

22
00:01:16189——> 00:01:20490
和长期PS图象处理软件大师MAC科尔伯特
为什么的人背后像素天才

23
00:01:20490——> 00:01:24340
MAC是能够告诉我们，即使
网点百分之20的默认

24
00:01:24340——> 00:01:25700
设置PS图象处理软件

25
00:01:25700——> 00:01:30499
，灰色γ2。2是专门
设计来匹配油脂短裙我

26
00:01:30499——> 00:01:31009
值

27
00:01:31009——> 00:01:34920
对应的颜色来分析
Adobe 98色空间

28
00:01:34920——> 00:01:39729
此外当扩大Pro Photo
颜色空间引入PS图象处理软件

29
00:01:39729——> 00:01:43259
这是配对工作灰色γ
1.8灰空间

30、00:01:43259——颜色空间

31
00:01:46740——> 00:01:51090
的增长速度使PS图象处理软件
创造的最平衡和对称

32
00:01:51090——> 00:01:54630
光度面具流畅
亮度转换

33
00:01:54630——> 00:01:58200
所以你走之前任何进一步
亮度掩蔽

34
00:01:58 > 00:01:46740
使用这两个正确配对
，200——> 00:02:01729
，我推荐你建立一个有
正确的颜色灰空间空间

35
00:02:01729——> 00:02:03200
配对PS图象处理软件

36
00:02:03200——> 00:02:07069
此外，如果你的工作与
旧版本的TK行动

37
00:02:07069——> 00:02:11090
应该更新到当前版本
你需要决定的颜色空间

38
00:02:11090——> 00:02:13，
400将是你工作中的颜色空间
PS图象处理软件

39
00:02:13400——> 00:02:15300
Adobe RGB 1998年

40
00:02:15300——> 00:02:19660
98标准和
多年，仍然是一个完全可行的选项

41
00:02:19660——>
00:02:24150然而许多摄影师包括
自己现在工作在Pro Photo

42
00:02:24150——> 00:02:26670其扩展的颜色范围

43

颜色空间有潜在的优势是现在
和未来

44
00:02:30360——> 00:02:34270
亲照片色彩空间
工作，但如果你这样做也很重要

45
00:02:34270——> 00:02:37360
确保你使用的16位模式
保持

46
00:02:37360——> 00:02:41880
平滑的颜色过渡一旦你决定哪些颜色空间将你

47
00:02
的00:02:26670——> 00:02:30360
：41880——> 00:02:43160
色彩工作空间

48
00:02:43160——> 00:02:47180
你第一次希望建立晚房间
和/或Adobe相机原

49
00:02:47180——> 00:02:51390
打开图像空间权
让的Lightroom

50
00:02:51390——设置> 00:02:54610
Lightroom

51
00:02:54610——> 00:02:58040
去编辑菜单，选择
偏好

52
00:02:58颜色空间开始，040——> 00:03:01220
Preferences对话框

53
00:03:01220——> 00:03:04870
你可以设置文件格式类型、颜色空间和的比特深度

54
00:03:04870——
> 00:03:09460这里的，你可以选择你的颜色、空间是亲55 RGB


00:03:09460——> 00:03:17390
为Adobe RGB 1998年如果你使用Adobe
Camera Raw你我将

56
00:03:17390——
> 00:03:24100编辑器的设置是一个小
不同点击蓝色的链接在57


00:03:24100——> 00:03:25310
底部58页


00:03:25310——> 00:03:29230
，从而打开一个对话，允许你
设置颜色空间

59
00:03:29230——> 00:03:34239
和比特深度在这里你还可以选择
Adobe RGB 1998年

60
00:03:34239——> 00:03:43280
或Pro Photo RGB

61
00:03:43280——
> 00:03:46510现在让的设置正确的颜色空间
和恩典碱基配对

62
00:03:46510——去> 00:03:50230
内PS图象处理软件编辑菜单

63
00:03:50230——> 00:03:55670
和选择颜色设置和这
对话

64
00:03:55670——> 00:04:00209
你不能说你的工作空间的
RGB颜色空间

65
00:04:00209——> 00:04:05120
又或者Adobe RGB 1998年或亲照片
RGB

66
00:04:05，120——> 00:04:09690
如果你说Adobe 98你
工作空间

67
00:04:09690——然后> 00:04:13680
你想选择灰色γ
2.2

68
00:04:13680——> 00:04:17310
的措施灰度空间如果你选择

69
00:04:17310——> 00:04:20669
Pro Photo RGB是你的工作在色彩、空间

70
00:04:20669——
> 00:04:23950然后你想集灰色γ一点8


71
00:04:23950——
> 00:04:27460有你的灰色空间点击OK

72
00:04:27460——> 00:04:33650
你准备走了，你
正确的颜色空间保留设置

73
00:04:33650——你的面具
> 00:04:37870对称创造
最详细的亮度选择

74
00:04:37870——> 00:04:40880
确保的TK光度
面膜

75
00:04:40880——
> 00:04:42760行动会在你的系统中正常工作