100:00:23,100 --> 00:00:28,190so we

1
00:00:23,100 --> 00:00:28,190
so we are ready ready to be touched a
first out of two images that we gonna do

2
00:00:28,190 --> 00:00:29,730
from the open this disease

3
00:00:29,730 --> 00:00:34,640
color palettes and we're starting with
the cooler one the one that we had from

4
00:00:34,640 --> 00:00:40,559
before the Sun came up so what you see
at the top here is your left panel here

5
00:00:40,559 --> 00:00:43,910
right panel these going to stitch
together and create the background

6
00:00:43,910 --> 00:00:49,530
plates I mentioned this little bit prior
but I like to shoot my images left to

7
00:00:49,530 --> 00:00:53,840
right panel too great that big mass
landscape without going with a super

8
00:00:53,840 --> 00:00:58,269
wide angle lens the supervisor angle
lens distorts the foregrounds a lot so

9
00:00:58,269 --> 00:01:03,800
by stitching things together I don't
have that distorted foreground as bad

10
00:01:03,800 --> 00:01:08,020
and still get to have that big wide
mister so that's why we shooting a Latin

11
00:01:08,020 --> 00:01:13,740
right panel to create the background
plate here in the bottom left you will

12
00:01:13,740 --> 00:01:20,690
see a sunny landscape with the river you
gonna take out this sunny landscape and

13
00:01:20,690 --> 00:01:26,909
used just as part here and replace it
with their plane or the river area that

14
00:01:26,909 --> 00:01:31,369
you have done here this I found a more
intriguing than the roads in this open

15
00:01:31,369 --> 00:01:37,710
space so we gonna take this match color
and place it in here these other pieces

16
00:01:37,710 --> 00:01:43,990
that we use for the convoy now you won't
get these pieces what I want you to do

17
00:01:43,990 --> 00:01:48,340
is to shoot your own pieces so that by
doing even learn and understand this

18
00:01:48,340 --> 00:01:52,289
composite process you could shoot a
convoy you should just a person you

19
00:01:52,289 --> 00:01:56,070
could have only the big dress code
should have mountain bike area could

20
00:01:56,070 --> 00:02:00,159
someone that's ready to base jump off
the cliff so many things to so many

21
00:02:00,159 --> 00:02:04,810
ideas that you can execute within this
but I find to be a really magical place

22
00:02:04,810 --> 00:02:10,590
and that was part of the struggle I had
when I photographed this landscape that

23
00:02:10,590 --> 00:02:14,280
wasn't just one place for this was
beautiful it was several so that's why

24
00:02:14,280 --> 00:02:18,090
we're going to use the computer to
problem solve a bit having these clips

25
00:02:18,090 --> 00:02:24,319
up here these classes are areas here
with the river and then obviously addict

26
00:02:24,319 --> 00:02:29,700
loud and third person so these are the
pieces and we just gonna dive in

27
00:02:29,700 --> 00:02:36,510
and hide this from now as it will be a
few minutes to get there as you saw this

28
00:02:36,510 --> 00:02:41,150
three pieces to create the guy from me
and I'll talk a little bit about why

29
00:02:41,150 --> 00:02:45,860
then again into it but essentially it
was so cold and the guy was Steve he

30
00:02:45,860 --> 00:02:49,400
didn't have a green visions I was
nervous when to stand at the edge of the

31
00:02:49,400 --> 00:02:54,280
cliff without the glasses on so gonna
put another head that does not have

32
00:02:54,280 --> 00:03:00,319
glasses it just took a little massaging
to get him into a space very comfortable

33
00:03:00,319 --> 00:03:06,069
and warm enough to photograph so again I
mention this story over and over but he

34
00:03:06,069 --> 00:03:08,090
was the toughest part for me

35
00:03:08,090 --> 00:03:13,459
creating this picture so here's our left
side you can I double click on the

36
00:03:13,459 --> 00:03:17,989
background layer which will allow us to
rename this will also take this awful

37
00:03:17,989 --> 00:03:21,349
lot background layer which again will
allow was to modify it which is

38
00:03:21,349 --> 00:03:25,069
important for me going to stage things
together so you gonna call this that

39
00:03:25,069 --> 00:03:34,220
side and expand our campus so from 20
min ago we may be easy with the double

40
00:03:34,220 --> 00:03:41,260
tap on the keyboard and just gonna drive
this over dragging one layer over to

41
00:03:41,260 --> 00:03:44,319
another file is super simple you can use
it

42
00:03:44,319 --> 00:03:50,190
taking another tool or as I mentioned
prior it's just to use the Select All

43
00:03:50,190 --> 00:03:55,620
hold down the command key and you get a
quick transformation of the tool into

44
00:03:55,620 --> 00:03:59,900
the move tool so then just drag it over
and you have both images into the same

45
00:03:59,900 --> 00:04:06,330
file when it closed out the bright side
panel and rename it up here right side

46
00:04:06,330 --> 00:04:13,830
again and just briefly mentioned that I
do like to stage these together by hand

47
00:04:13,830 --> 00:04:17,799
that we don't get that crazy distortion
buy photoshop staging these together

48
00:04:17,799 --> 00:04:23,690
using algorithms matching pixels cause
then it just gets so so so distorted so

49
00:04:23,690 --> 00:04:26,090
process again as we done before

50
00:04:26,090 --> 00:04:31,680
idle air masks and you come in here we
just make it big selection right down in

51
00:04:31,680 --> 00:04:37,090
here could be nice as a transitional
space and the fill that space with black

52
00:04:37,090 --> 00:04:43,290
is just option delete the disease left
and I'm just trying to line this up the

53
00:04:43,290 --> 00:04:48,610
best baby can you see this is lining up
pretty darn well a little bit of

54
00:04:48,610 --> 00:04:54,290
distortion here as this tends to come
down and this is trade so maybe come in

55
00:04:54,290 --> 00:05:00,110
here and we push this past this and down
in here and there's gonna fill the white

56
00:05:00,110 --> 00:05:08,710
like that and pushes in and I think that
looks pretty darn good to me to come in

57
00:05:08,710 --> 00:05:13,610
here and obviously fine tune this so
that we have something that's really see

58
00:05:13,610 --> 00:05:23,370
much softer brush become one and did
that these edges will go away so let's

59
00:05:23,370 --> 00:05:34,020
see what's going to happen is you gonna
have different blending points at

60
00:05:34,020 --> 00:05:42,240
different stages of this file so down
here you see it blends perfectly right

61
00:05:42,240 --> 00:05:47,640
they're not so much here and it gets
worse and worse as we move upwards so

62
00:05:47,640 --> 00:05:52,770
maybe they gonna try to modify the file
in tiny bit to help us out you don't

63
00:05:52,770 --> 00:05:59,880
have to paint too much in there so it's
going to come here to distort and maybe

64
00:05:59,880 --> 00:06:07,480
build askew and ask you this tiny bit

65
00:06:07,480 --> 00:06:19,720
like that

66
00:06:19,720 --> 00:06:24,630
make it a tiny bit bigger but I turned
it on and off like I just did it just

67
00:06:24,630 --> 00:06:29,620
for me to get a sense of where the files
are and if I'm lining things up so I

68
00:06:29,620 --> 00:06:38,940
quick turn onto north and you gonna do
that again and it's starting to feel

69
00:06:38,940 --> 00:06:44,510
pretty good as I'm doing this I see that
the right side feels a tiny bit brighter

70
00:06:44,510 --> 00:06:51,950
than the left so we're gonna come into
her curves down just a tiny tiny bit

71
00:06:51,950 --> 00:07:09,590
Ankara to the layer underneath the arrow
keys to push the curve up

72
00:07:09,590 --> 00:07:21,720
this is very very subtle the tiny tiny
bit better call is from blend

73
00:07:21,720 --> 00:07:26,680
are usually call it when I do have both
color and density to layer that just

74
00:07:26,680 --> 00:07:34,140
blends one layer with another I'm gonna
come back up here and then seconds left

75
00:07:34,140 --> 00:07:39,980
a layer mask or brush that on the front
just start painting in some of the

76
00:07:39,980 --> 00:07:47,200
lactones evening out this picture that
evening out the picture as much as

77
00:07:47,200 --> 00:08:01,150
evening out there now asking that we
have between the two

78
00:08:01,150 --> 00:08:07,780
so close in this that it's almost hard
to see where that edge travels so what

79
00:08:07,780 --> 00:08:11,290
I'm doing is saying is the backslash key
which will give me a red highlight on

80
00:08:11,290 --> 00:08:16,020
near the mosque travels that will allow
me to see it a little bit better so

81
00:08:16,020 --> 00:08:20,590
session I'm doing here is just as
they're having a straight hard line to

82
00:08:20,590 --> 00:08:24,980
the photograph is to get something that
feels a little bit more organic so like

83
00:08:24,980 --> 00:08:30,800
to use soft brushes there and it's
something new the files little closer so

84
00:08:30,800 --> 00:08:36,300
that the rocks line up here this guy's
not so hard to line up so I'm gonna try

85
00:08:36,300 --> 00:08:41,640
to line up better at the bottom like you
see I do now and then we'll see how that

86
00:08:41,640 --> 00:08:52,110
feels when we come back for their up
pretty darn close here

87
00:08:52,110 --> 00:08:56,900
russia's come up that was just mean by
accident touching my pain in bringing

88
00:08:56,900 --> 00:08:59,990
those precious out so that was not
intentional

結果 (中文) 1:

100:00:23，100--> 00:00:28，190所以我们准备准备被感动首先两个的图像，我们该怎么办200:00:28，190--> 00:00:29，730从开放这种疾病300:00:29，730--> 00:00:34，640调色板和我们开始使用冷却器之一我们已经从一个400:00:34，640--> 00:00:40，559太阳来之前，那又怎样你看到在顶部这里是你左边的面板500:00:40，559--> 00:00:43，910右面板这些要绣在一起和创建背景600:00:43，910--> 00:00:49，530我提到这一点位事先的板但我想拍我的图片到左边700:00:49，530--> 00:00:53，840右面板太大，大的质量没有跟超级景观800:00:53，840--> 00:00:58，269广角镜头主管角镜头扭曲的前景很多所以900:00:58，269--> 00:01:03，800拼接的事情我不有歪曲，而作为坏的前景吗1000:01:03，800--> 00:01:08，020还可以要那大宽先生，这就是为什么我们拍摄一个拉丁语1100:01:08，020--> 00:01:13，740右侧的面板来创建背景板在这里在左下角你会1200:01:13，740--> 00:01:20，690看到阳光下河的风景你要拿出这阳光明媚的景观与1300:01:20，690--> 00:01:26，909就像这里的部分用于和替换它与他们的飞机或河地区，1400:01:26，909--> 00:01:31，369你已经在这里这我发现更多有趣的比这个开放的道路1500:01:31，369--> 00:01:37，710所以我们要把这个匹配颜色空间并将其放置在这里这些其他件1600:01:37，710--> 00:01:43，990我们使用的车队现在你不会我想要你手里拿张1700:01:43，990--> 00:01:48，340是这样拍摄您自己的作品，由做的甚至学习和理解这1800:01:48，340--> 00:01:52，289你可以拍摄的复合过程你应该只是一个人的车队你1900:01:52，289--> 00:01:56，070可能有只大的着装规范应该有山地自行车可以2000:01:56，070--> 00:02:00，159有人认为是准备到基地跳下悬崖上到这么多的这么多东西2100:02:00，159--> 00:02:04，810在此，您可以执行的想法却是一个非常神奇的地方2200:02:04，810--> 00:02:10，590那是斗争的我的一部分当拍摄了此景观，2300:02:10，590--> 00:02:14，280不是这只是一个地方就是美丽是几个所以这就是为什么2400:02:14，280--> 00:02:18，090我们要用到电脑问题解决一点有这些剪辑2500:02:18，090--> 00:02:24，319在这里这些类都是在这里与河然后显然沉溺2600:02:24，319--> 00:02:29，700大声和第三次的人，所以这些都是件，我们只要潜水2700:02:29，700--> 00:02:36，510和隐藏这从现在开始，因为这将是几分钟的时间去那里正如你看到的这2800:02:36，510--> 00:02:41，150三片打造的家伙从我我会讲一点点到为什么2900:02:41，150--> 00:02:45，860然后又进它，但它本质上是太冷了，这家伙是 Steve 他3000:02:45，860--> 00:02:49，400没有我是绿色愿景紧张时站在边缘3100:02:49，400--> 00:02:54，280悬崖上所以去戴眼镜把不会的另一个头3200:02:54，280--> 00:03:00，319只是花了一点按摩的眼镜进入他的空间很舒服3300:03:00，319--> 00:03:06，069和足以再一次拍摄我温暖但他反复提到这个故事3400:03:06，069--> 00:03:08，090对我来说是最难的3500:03:08，090--> 00:03:13，459创作这幅画，因此，这里是我们的左边在你身边可以双单击3600:03:13，459--> 00:03:17，989这将使到我们的背景图层这还将这种可怕的重命名3700:03:17，989--> 00:03:21，349很多背景图层，再将允许修改它，就是3800:03:21，349--> 00:03:25，069重要的是我去舞台的事情在一起所以你去叫这，3900:03:25，069--> 00:03:34，220边和扩大我们的校园所以从 20分钟前我们可能容易与双4000:03:34，220--> 00:03:41，260点击键盘和开车只去这在上一个图层拖动到4100:03:41，260--> 00:03:44，319另一个文件是超级简单，您可以使用它4200:03:44，319--> 00:03:50，190以另一种工具或正如我提到只是为了使用选择全部是事先4300:03:50，190--> 00:03:55，620按住命令键和你得到进入工具快速转型4400:03:55，620--> 00:03:59，900移动工具那么就将它拖过和你有两个图像放入同一4500:03:59，900--> 00:04:06，330文件当它结束了光明的一面面板和命名了这里右侧4600:04:06，330--> 00:04:13，830再次，只是简要地提及，我喜欢手工阶段这些在一起4700:04:13，830--> 00:04:17，799我们不要那个疯狂的扭曲买 photoshop 暂存这些在一起4800:04:17，799--> 00:04:23，690使用匹配像素导致的算法然后，它只是获取如此如此如此如此扭曲4900:04:23，690--> 00:04:26，090正如我们以前做的进程再次5000:04:26 090--> 00:04:31，680怠速空气面具和你来到这里我们只是使它大的选择权下在5100:04:31，680--> 00:04:37，090在这里可以作为过渡好空间和空间用黑色填充5200:04:37，090--> 00:04:43，290只是选项删除留下的疾病吗?和我只想这排队5300:04:43，290--> 00:04:48，610最好的婴儿你可以看到这排队相当好一点的5400:04:48，610--> 00:04:54，290这里的失真作为这往往来下来，这是贸易所以也许进来5500:04:54，290--> 00:05:00，110在这里，我们推动这项工作过去这上下在这里和那里要填充白色5600:05:00，110--> 00:05:08，710像那样子，推我认为，看上去很讨厌不错给我进来5700:05:08，710--> 00:05:13，610在这里，很明显微调这样我们有一些是真的看到5800:05:13，610--> 00:05:23，370很多柔软的刷子，成为一个没有这些边缘会消失吧5900:05:23，370--> 00:05:34，020看到什么将会发生你去有在不同混合点6000:05:34，020--> 00:05:42，240不同阶段的这文件这样在这里你看到它完全融合6100:05:42，240--> 00:05:47，640他们在这里不太多，它获取越来越糟当我们向上所以6200:05:47，640--> 00:05:52，770也许他们会尝试修改该文件在微小的位来帮忙你是不是6300:05:52，770--> 00:05:59，880要画太多，在那里，所以，它有要到这里来扭曲，也许6400:05:59，880--> 00:06:07，480建立歪斜和问你这多一点6500:06:07，480--> 00:06:19，720诸如此类6600:06:19，720--> 00:06:24，630使它一点点变大，但我转身它打开和关闭，就像我只是做它只是6700:06:24，630--> 00:06:29，620我可以在什么地方文件是，如果我衬砌的事情了，所以我6800:06:29，620--> 00:06:38，940快速转向北，你会怎么做来一次，它已经开始感受到6900:06:38，940--> 00:06:44，510很不错，我这样做，我明白了右侧的感觉一点点光明7000:06:44，510--> 00:06:51，950而不是左侧，所以我们要进入她的曲线向下一点小小小7100:06:51，950--> 00:07:09，590安卡拉的箭头下方的层键来推高的曲线7200:07:09，590--> 00:07:21，720这是非常非常细微的小小位更美好的呼唤是从混合7300:07:21，720--> 00:07:26，680通常是调用它，当我做两者都有颜色和密度，刚刚的那层7400:07:26，680--> 00:07:34，140共混物一层与另一我要去来这里和左然后秒备份7500:07:34，140--> 00:07:39，980图层蒙版或刷，在前面刚开始画中的一些7600:07:39，980--> 00:07:47，200内酯晚上出去这图片，晚上下这张图片一样7700:07:47，200--> 00:08:01，150晚上在那里现在要问，我们两者之间有7800:08:01，150--> 00:08:07，780所以在这，它是几乎和硬关闭要看到，这种优势所以传什么7900:08:07，780--> 00:08:11，290我这样做说反斜杠键这会给我一个红色的亮点8000:08:11，290--> 00:08:16，020附近将允许清真寺游记我看到它，这样好一点点8100:08:16，020--> 00:08:20，590我在这里做的会议一样，是他们遇到了硬到直线8200:08:20，590--> 00:08:24，980这张照片是弄点，所以像感觉有点更有机8300:08:24，980--> 00:08:30，800使用软刷那里和它的一些新的文件比较近所以8400:08:30，800--> 00:08:36，300岩石排队这家伙在这里不难排队，所以我要去尝试8500:08:36，300--> 00:08:41，640排队的底部像你一样好见我做现在，然后我们会看到如何，8600:08:41，640--> 00:08:52，110我们什么时候回来为他们的感觉相当不错的关闭在这里8700:08:52，110--> 00:08:56，900俄罗斯的上来，是通过只是意味着事故使我的伤痛抚摸8800:08:56，900--> 00:08:59，990那些珍贵了，所以我不故意

結果 (中文) 3:

1
00:00:23100——> 00:00:28190
所以我们准备准备摸
先出两图像，我们要做的

2
00:00:28190——> 00:00:29730
从打开这个病

3
00:00:29730——> 00:00:34640
调色板和我们从
冷却器一我们从

4
00:00:34640——> 00:00:40559
太阳升起的时候，你看到了什么
到顶部左边面板这里

5
00:00:40559——> 00:00:43910
右面板这些要绣
共同创造的背景

6
00:00:43910——> 00:00:49530
板我提到过这一点之前
但我喜欢拍我的照片去

7
00:00:49530——> 00:00:53840
右面板太杰出的大质量
景观不去一个超级

8
00:00:53840——> 00:00:58269
广角镜头的角度
主管镜头扭曲前景好多

9
00:00:58269——> 00:01:03800
拼接在一起我不
有扭曲的前景好

10
00:01:03800——> 00:01:08020
仍然得到了大
先生所以我们拍摄一个拉丁

11
00:01:08020——> 00:01:13740
右面板底部的创建背景
板左你会

12
00:01:13740——> 00:01:20，690
见到阳光景观河你
要把阳光景观和

13
00:01:20690——> 00:01:26909
只是作为部分和
与平面或河地区，

14
00:01:26909——> 00:01:31369
你做在这里我发现了一个更有趣的比
道路在这个开放的

15
00:01:31369——> 00:01:37710
空间，所以我们要把这个配色
取代它放在这里的这些其它

16
00:01:37710——> 00:01:43990
我们用于车队现在你不会
得到这件我要你做的

17
00:01:43990——> 00:01:48340
是拍摄自己的作品，甚至
做学习和理解这

18
00:01:48340——> 00:01:52289
复合过程中你可以拍一
护送你应该只是你一个人的

19
00:01:52289——> 00:01：56070
可能只有大的着装
应该有山地自行车的地区可能

20
00:01:56070——> 00:02:00159
人准备跳下悬崖的基础
很多事情很多

21
00:02:00159——> 00:02:04810
的想法，你可以执行在这个
但我觉得是真是一个神奇的地方

22
00:02:04810——> 00:02:10590
那是我斗争的一部分
当我拍下了这一景观，

23
00:02:10590——> 00:02:14280
不只是一个地方，这是
美丽是几所以

24
00:02:14280——> 00:02:18090
我们要用计算机解决问题的一点
这些剪辑

25
00:02:18090——> 00:02:24319
这里这些类在这里
河水然后明显上瘾

26
00:02:24319——> 00:02:29，700
大声和第三人这些是
碎片，我们只会在

27
00:02:29700潜水——> 00:02:36510
藏从现在起，这将是一个
几分钟到那里你看到这

28
00:02:36510——> 00:02:41150
三件创造我的
他和我谈一谈为什么

29
00:02:41150——> 00:02:45860
再进去但实质上是