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to get extend the frame making a
panamanian I guess for cinematic crop
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or something like that or there for you
know on
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paying a purposes but most the times I
won't actually get
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plates just a few types now that
mandatory
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good practice to but make
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whom right so I've left the tail up this
during such a beautiful said opposes
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let me I'll do something about that but
and I
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to me in terms of a set I
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don't mind that extra couple bucks she's
not using because
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at some interest if it was the right
color it would be a perfect
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prop peace and a que le I
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when he left that canyon but you see
what's happened now
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if
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back atcha in the eyes just isn't as
interesting
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because she's higher-up my life actually
kinda pointing further down
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00:14:25,709 --> 00:14:30,759
address isn't that probably either so I
would ban and upgrading of the south I'm
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00:14:30,759 --> 00:14:33,430
not going to do that because I want to
move to the next shoot at some point as
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well
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but I'm not as she's blocking a lot of
the life it's pulling onto the dress
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with that on circular just bring that
I'm back
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make the hunt really beautiful yeah yeah
that's nice
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00:14:42,959 --> 00:14:46,439
did hand I just hit that
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00:14:46,439 --> 00:14:50,339
say for the sake of lighting and just at
cross your legs
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at the ankle place utiful that is
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and just with her legs around away from
me a little bit good
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that's great and a nice down silly eat
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you're doing day
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yeah and that's fine the pup Mr and
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00:15:08,339 --> 00:15:11,579
we've lost the love the shape but i just
want to see what happens on map that's
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not quite right
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good sup I wanna do a couple of
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wide shots and actually pretty called 30
you
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chip what do you think so far I think
the
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00:15:23,079 --> 00:15:26,709
some the composition is gray loved how
you were able to more
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00:15:26,709 --> 00:15:30,309
the image in the sense for you got a
sense of what's right and what's wrong
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with you fix
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00:15:31,069 --> 00:15:34,879
I think some wider shot to be great now
to see what dynamic we can get with that
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00:15:34,879 --> 00:15:35,329
as well
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00:15:35,329 --> 00:15:38,889
yeah and I'm actually finish and switch
to mine the 100
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00:15:38,889 --> 00:15:42,089
ok good well on ensure relief and a
flawless
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00:15:42,089 --> 00:15:46,689
and done if you would just take this off
here get you out there at 9800 on a
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00:15:46,689 --> 00:15:49,220
tripod or never got it right away so in
case
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asking yeah I got picked on sale at pack
am
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00:15:52,439 --> 00:15:56,800
rights let's see and this can unplug the
firewire
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00:15:56,800 --> 00:16:00,350
and it should just work you guys get to
see behind the scenes
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00:16:00,350 --> 00:16:03,559
what happens when you tether another
camera
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00:16:03,559 --> 00:16:06,970
and it will recognize its
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00:16:06,970 --> 00:16:11,270
if I turn it on hour
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00:16:11,270 --> 00:16:16,220
it was a think it on account there it is
290
00:16:16,220 --> 00:16:19,850
it's showing up date 100 ISO 100
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00:16:19,850 --> 00:16:24,300
aperture 11 and I'm gonna be at 210 a
second on my shyness be
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00:16:24,300 --> 00:16:27,550
and it doesn't matter because I'm not
catching any of the ambient light
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00:16:27,550 --> 00:16:33,260
10 it was a wreck on thank you john it
294
00:16:33,260 --> 00:16:36,920
okay let's test it pop cell
295
00:16:36,920 --> 00:16:40,770
they can be slight differences between
different lenses
296
00:16:40,770 --> 00:16:43,960
and different cameras in terms of how
sensitive they out
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00:16:43,960 --> 00:16:48,570
light someone until I tested it might
affect but it's gonna take the same
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00:16:48,570 --> 00:16:53,470
adjustments and apply them the pixel
depth at the dead 100 percent is not lot
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00:16:53,470 --> 00:16:53,670
is
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00:16:53,670 --> 00:16:58,540
obviously no respect I'm going back to
this because I was when I should with
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00:16:58,540 --> 00:17:02,070
and I have my 24-70 and I can move
around and make this really quick
302
00:17:02,070 --> 00:17:06,990
and cap
303
00:17:06,990 --> 00:17:11,520
you in you into the feel humbled when
you glanced at the handling a minute it
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00:17:11,520 --> 00:17:13,720
might have just get the hat at your face
their
305
00:17:13,720 --> 00:17:16,730
and was just test that this but
beautiful
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00:17:16,730 --> 00:17:20,110
and I'm to trust your
307
00:17:20,110 --> 00:17:24,120
let's have a look it should be coming in
well and my white balance is very
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00:17:24,120 --> 00:17:24,870
different
309
00:17:24,870 --> 00:17:30,310
so pratik election going to help me out
with 11 hey hey hope that peace
310
00:17:30,310 --> 00:17:34,450
other specs that that's the only fix you
want to do a reference for this camera
311
00:17:34,450 --> 00:17:38,280
yeah let's do that as well just gonna go
in
312
00:17:38,280 --> 00:17:41,860
and change my lap dance to flash take us
better
313
00:17:41,860 --> 00:17:47,020
much better that and I'm just gonna and
i notice already I'm a little on the ex
314
00:17:47,020 --> 00:17:47,810
post here
315
00:17:47,810 --> 00:17:51,390
and I can tell that I go to my area
316
00:17:51,390 --> 00:17:55,070
and I'm able dates and the broker can
mechanics
317
00:17:55,070 --> 00:17:59,059
a that's alright so what we're gonna do
here and I'll check
318
00:17:59,059 --> 00:18:02,649
that an entity this and my brake cable
at some point but
319
00:18:02,649 --> 00:18:05,679
now to work it and I'm just gonna be
lazy
320
00:18:05,679 --> 00:18:10,500
I'm gonna open up my aperture to let's
go to f8 and see where we're at that
321
00:18:10,500 --> 00:18:11,110
time just
322
00:18:11,110 --> 00:18:14,909
have had up for a second I'm gonna do
beautiful shot first
323
00:18:14,909 --> 00:18:18,899
but you don't have a lovely hand it and
324
00:18:18,899 --> 00:18:24,129
and that's a little bit too bright
someone to split the difference