100:00:00,000 --> 00:00:29,890so he

1
00:00:00,000 --> 00:00:29,890
so here we are back and I pulled up the
grass here that you talked about putting

2
00:00:29,890 --> 00:00:35,649
in the front like that idea quite a bit
and I looked at this and it'll break the

3
00:00:35,649 --> 00:00:40,980
Sun comes here it's just pushes but I
toned down this a lot this train tracks

4
00:00:40,980 --> 00:00:45,350
so I can I want to create a highlight
here to be honest so we're gonna start

5
00:00:45,350 --> 00:00:50,149
there and we visit our train tracks and
come all the way up

6
00:00:50,149 --> 00:00:56,190
yes I tracks and it's the contrast later
but takes a lot of that way so just come

7
00:00:56,190 --> 00:01:05,470
into the contrast rushed out the tiny
tiny bit one thing that I didn't quite

8
00:01:05,470 --> 00:01:11,760
doing this was to lend his age so maybe
we'll take a look at that now that I

9
00:01:11,760 --> 00:01:19,920
have it up and zoom in and asked his
moves in it gets worse so you gonna move

10
00:01:19,920 --> 00:01:25,729
up and hopefully these tracks they don't
quite need it was actually pretty good

11
00:01:25,729 --> 00:01:45,180
where it was maybe it's a

12
00:01:45,180 --> 00:01:54,390
here it's kind of fun and it seems like
you too little uneven right cause we

13
00:01:54,390 --> 00:01:59,360
painted in this class but still it feels
like it put those grass stops in front

14
00:01:59,360 --> 00:02:04,410
of the tracks when it come into this
tracks and actually sharpen it a little

15
00:02:04,410 --> 00:02:08,420
bit this transition is not the best when
it comes to the sharpness so they're

16
00:02:08,420 --> 00:02:12,160
going to come in and sharpen this played
as much as it did the people that was

17
00:02:12,160 --> 00:02:19,550
about it 6472 light in there so this is
not a scientific sharpened so just come

18
00:02:19,550 --> 00:02:32,400
in and try to match the little bit
better and do not check my skin and

19
00:02:32,400 --> 00:02:43,060
helps them back but think it does it
just enough to do a preview here see ya

20
00:02:43,060 --> 00:02:52,400
maybe a little too much

21
00:02:52,400 --> 00:03:28,700
need to do it to the extension as well
commander

22
00:03:28,700 --> 00:03:40,730
think there's anything that anyone will
notice anything I feel the same way when

23
00:03:40,730 --> 00:03:45,060
you go through it at the end of a just
clone this out to street that little

24
00:03:45,060 --> 00:03:50,140
bump right there but if you somehow I
don't think there's any anything wrong

25
00:03:50,140 --> 00:03:52,380
with that transition they're going to be
tough to see it

26
00:03:52,380 --> 00:03:58,019
ok so the highlight that's where I
started this so let's go back in and

27
00:03:58,019 --> 00:04:06,530
take this contrasts layer and a dismal
brush 10% is gonna come in and brush

28
00:04:06,530 --> 00:04:12,250
right across it as if the Sun was just
spilling across these little highlight

29
00:04:12,250 --> 00:04:19,600
quiet in here so let's go back and this
year we did for her writer director

30
00:04:19,600 --> 00:04:24,610
writer a difference

31
00:04:24,610 --> 00:04:31,680
try writing here but there and what I
can do actually instead of going right

32
00:04:31,680 --> 00:04:36,380
across as if the light was regional
marette I don't I just come in and only

33
00:04:36,380 --> 00:04:52,630
on the train talks as if these are
getting some shine bright come in

34
00:04:52,630 --> 00:04:56,160
so there's something magical when the
Sun is reflecting off the train tracks

35
00:04:56,160 --> 00:05:01,790
when you should into the Sun and adjust
shimmer so they can recreate some of

36
00:05:01,790 --> 00:05:08,880
that obviously taken away from the blend
that we already done so

37
00:05:08,880 --> 00:05:17,620
think I felt a little too far in there
so come back a tiny bit and come back in

38
00:05:17,620 --> 00:05:21,620
our history and this is where did that
to me

39
00:05:21,620 --> 00:05:27,000
cool the rocks feel like they're in
there may be a little bit too dense

40
00:05:27,000 --> 00:05:32,970
fighting there but that highlight when
you really helped so when that done in a

41
00:05:32,970 --> 00:05:38,640
grass come in here and again it's about
getting some of these color layers and

42
00:05:38,640 --> 00:05:42,440
stuff they've already put in there this
should fall right into the background so

43
00:05:42,440 --> 00:05:49,060
Missy have come all the way down here to
our back plates and then we gonna put it

44
00:05:49,060 --> 00:06:03,840
right above it like so matter mater

45
00:06:03,840 --> 00:06:07,870
response very different to the contrast
the added a lot of contrast to this

46
00:06:07,870 --> 00:06:12,250
plate it you'll feel more like this was
a little bit of Sun heading it here but

47
00:06:12,250 --> 00:06:16,830
I like that little bit of Sun hitting it
to be honest it feels quite good thing

48
00:06:16,830 --> 00:06:21,880
you need to do is the same as here keep
the Sun on it but take away the senate's

49
00:06:21,880 --> 00:06:26,620
hitting the ground this feels quite
quite lovely obviously again to read a

50
00:06:26,620 --> 00:06:30,170
little bright so they're going to
re-assess what the differences are for

51
00:06:30,170 --> 00:06:37,639
us and let me see if I put about this
contrast here

52
00:06:37,639 --> 00:06:42,909
think this contract is fine for now so
come into our curves the three things

53
00:06:42,909 --> 00:06:48,529
the color the density in the contrast
and gonna pull this down first to work

54
00:06:48,529 --> 00:07:01,400
on the contrast feels pretty good so
they're only want this peace to come in

55
00:07:01,400 --> 00:07:18,600
and be just maybe look at that little
piece to come in here take that out

56
00:07:18,600 --> 00:07:25,050
and this other side we definitely don't
want alright so did that again

57
00:07:25,050 --> 00:07:32,760
masking helps us locate the issues that
we have in the blend so again it feels

58
00:07:32,760 --> 00:07:38,120
to read and maybe comparing up to this
and comparing into this and you want to

59
00:07:38,120 --> 00:07:39,790
just much to pieces

60
00:07:39,790 --> 00:07:44,220
the took a look at the contrast there's
two bright their tools little better

61
00:07:44,220 --> 00:07:52,340
than call this for contrast and then we
reassessing the color of an eighth and

62
00:07:52,340 --> 00:07:57,720
ninth we went underneath automatic
connection here this one my color layers

63
00:07:57,720 --> 00:08:14,220
on top so that seems easier and you
gonna pull on the strength to read

64
00:08:14,220 --> 00:08:26,270
coming to the blue and pull down some
yellow

65
00:08:26,270 --> 00:08:37,260
so let's see where we started and this
is very ended up and you want to look at

66
00:08:37,260 --> 00:08:43,150
the shadow areas here and see how they
hold up dark maybe so come back on a

67
00:08:43,150 --> 00:08:48,110
contrast and instead of pulling up the
highlights and shadows because it feels

68
00:08:48,110 --> 00:09:00,230
to contrasted to so we went in there so
I want to do is to try to avoid the Sun

69
00:09:00,230 --> 00:09:04,870
on the ground because there was no Sun
on the ground in the back plate so he

70
00:09:04,870 --> 00:09:13,610
can just land this crash here put it in
front and see if maybe even used to our

71
00:09:13,610 --> 00:09:19,150
grasp rushes to make this feel like it's
sitting in there is a little bit of

72
00:09:19,150 --> 00:09:28,220
see-through small pallets we see some of
this through the bass cool about it all

73
00:09:28,220 --> 00:09:44,089
this area feels those sunny so you might
try to minimize that

74
00:09:44,089 --> 00:09:50,240
so what's nice about this plate is that
it's sitting against silent so what we

75
00:09:50,240 --> 00:09:55,689
gonna do here is going to turn off my
back late undue disabled earlier mask

76
00:09:55,689 --> 00:10:00,230
come into this and see if we could use
to color picker to create a mask around

77
00:10:00,230 --> 00:10:04,749
all this stuff and blended into what we
have underneath so I said color picker

78
00:10:04,749 --> 00:10:09,249
but I mean the color range so let's see
if you could select and then again I'm

79
00:10:09,249 --> 00:10:12,959
holding on the plus key just like my
selections and I'm gonna pick all these

80
00:10:12,959 --> 00:10:23,540
deeper greens here and I so I select
more and more towns area it's kinda

結果 (中文) 1:

100:00:00，000--> 00:00:29，890所以在这里我们回来了，我拉起草，你谈到把200:00:29，890--> 00:00:35，649在这种想法很有点像前面望着这和它会打破300:00:35，649--> 00:00:40，980太阳来这里但是我的只是推这缓和了很多，这火车铁轨400:00:40，980--> 00:00:45，350所以我可以我想要创建一个亮点在这里要诚实，所以我们要开始500:00:45，350--> 00:00:50，149那里和我们去参观我们的火车轨道和一路过来600:00:50，149--> 00:00:56，190我是跟踪和后来是对比但需要很大的就是这种方式来700:00:56，190--> 00:01:05，470入冲出微小的对比小小一件事，我没有表现的很800:01:05，470--> 00:01:11，760这样做了，所以也许借他的年龄我们会看看，现在的我900:01:11，760--> 00:01:19，920把它建起来和放大，问他在它的动作变得更糟所以你打算搬1000:01:19，920--> 00:01:25，729并希望这些轨道他们不很需要它是真的很好吃1100:01:25，729--> 00:01:45，180它在那里也许是1200:01:45，180--> 00:01:54，390这里有种乐趣和它看起来像你太少不均匀的权利，因为我们1300:01:54，390--> 00:01:59，360在此类但仍感觉绘像它把这些草站在前面1400:01:59，360--> 00:02:04，410当它来到这的轨道跟踪和实际上有点磨它1500:02:04，410--> 00:02:08，420咬了这种转变不是最好的时候它来到锋利，所以他们1600:02:08，420--> 00:02:12，160去进来和锐化这演奏像它那样的人，是1700:02:12，160--> 00:02:19，550关于它 6472 光在那里所以这是不科学的磨这样刚来1800:02:19 550--> 00:02:32，400在和试图匹配的点点滴滴更好的和不检查我的皮肤和1900:02:32，400--> 00:02:43，060帮助他们背，但认为它足以做预览在这里看到你2000:02:43，060--> 00:02:52，400也许有些太喜欢2100:02:52，400--> 00:03:28，700需要做的扩展以及对指挥官2200:03:28，700--> 00:03:40，730认为有任何人会那样做注意到有什么同样的感觉时2300:03:40，730--> 00:03:45，060你在年底只是通过它去克隆到街这出小小2400:03:45，060--> 00:03:50，140撞就在那里但如果你不知何故我不认为有任何错事2500:03:50，140--> 00:03:52，380与这种转变，他们会要难看到它2600:03:52，380--> 00:03:58，019好，就是在哪里的亮点我这所以让我们回到开始和2700:03:58，019--> 00:04:06，530采取这一对比层和阴郁刷 10%要进来和刷2800:04:06，530--> 00:04:12，250对面就好像太阳是只是这些小亮点洒落2900:04:12，250--> 00:04:19，600在这里安静所以让我们去背，这今年我们替她编剧导演3000:04:19，600--> 00:04:24，610作家的区别3100:04:24，610--> 00:04:31，680试着写在这里，但那里和什么我实际上可以做而不是去正确3200:04:31，680--> 00:04:36，380跨好像光是区域─ ─ 奈我不在只有刚3300:04:36，380--> 00:04:52，630在上火车说话的口气好像这些都是得到了一些闪耀明亮进来3400:04:52，630--> 00:04:56，160所以有一些神奇时太阳反射火车轨道3500:04:56，160--> 00:05:01，790当你应该进太阳和调整所以他们可以重新创建的一些的微光3600:05:01，790--> 00:05:08，880这显然带走，共混物我们已经这样做3700:05:08，880--> 00:05:17，620认为我感到有点不太远的在那里所以一点点回来回来3800:05:17，620--> 00:05:21，620我们的历史，这是哪里，对我来说3900:05:21，620--> 00:05:27，000很酷的岩石觉得像他们是在有可能是有点太浓4000:05:27，000--> 00:05:32，970那里战斗，而是突出显示你真的帮了所以当做4100:05:32，970--> 00:05:38，640草在这里进来，再一次它是得到了一些这些颜色图层和4200:05:38，640--> 00:05:42，440他们已经把放在那里这东西应该落入右背景所以4300:05:42，440--> 00:05:49，060小乔来一路下跌我们的背板，然后我们要把它放4400:05:49，060--> 00:06:03，840它上面的权利喜欢那么重要的母校4500:06:03，840--> 00:06:07，870反应非常不同的对比添加大量的对比到这4600:06:07，870--> 00:06:12，250它，你会感觉更像是这板了一点点的太阳它的标题在这里但4700:06:12，250--> 00:06:16，830我喜欢那小小的太阳打它老实说感觉挺好的事4800:06:16，830--> 00:06:21，880你需要做是这里保持相同太阳对它却夺走了参议院的4900:06:21，880--> 00:06:26，620撞到地上这感觉相当很可爱很明显又到读5000:06:26，620--> 00:06:30，170小明亮所以他们要去重新评估的差异是什么5100:06:30，170--> 00:06:37，639我们和让我看看是否我把关于这这里的对比5200:06:37，639--> 00:06:42，909认为本合同现在很好所以走进我们的曲线的三件事5300:06:42，909--> 00:06:48，529颜色在对比密度要拉下第一次上班5400:06:48，529--> 00:07:01，400所以在对比感觉不错他们只是想这种和平要进来5500:07:01，400--> 00:07:18，600和会只是或许，看看那小一块来这里取出，5600:07:18，600--> 00:07:25，050和这另一面我们绝对不要想好所以再一次那样5700:07:25 050--> 00:07:32，760掩蔽帮助我们找到这些问题的我们有交融中再一次它感觉5800:07:32，760--> 00:07:38，120读和到这也许比较这和你比较想去5900:07:38，120--> 00:07:39，790只是多件6000:07:39，790--> 00:07:44，220看了看有的对比两个明亮他们好一点的工具6100:07:44，220--> 00:07:52，340比这呼吁对比，然后我们重新评估第八的颜色和6200:07:52，340--> 00:07:57，720第九届我们趴自动连接这里这一我颜色图层6300:07:57，720--> 00:08:14，220在顶部，这样似乎更容易和你要对力量来读6400:08:14，220--> 00:08:26，270蓝色和拉下一些来到黄色6500:08:26，270--> 00:08:37，260让我们看看我们开始的地方，这是非常最终和你想要看看6600:08:37，260--> 00:08:43，150这里的阴影区，看如何他们撑起黑暗也许所以回来6700:08:43，150--> 00:08:48，110对比，而不是拉起高光和阴影因为感觉6800:08:48，110--> 00:09:00，230对相对的于是我们在那里等我想要做是要尽量避免太阳6900:09:00，230--> 00:09:04，870地面上因为没有太阳地上的背板这样他7000:09:04，870--> 00:09:13，610可以只是降落在这里把它放在这个崩溃前面，看看如果也许甚至习惯我们7100:09:13，610--> 00:09:19，150把握七嘴八舌，以使这种感觉就像它有坐在那儿是一点点7200:09:19，150--> 00:09:28，220我们看到一些透明小托盘这是通过对这一切的低音凉爽7300:09:28，220--> 00:09:44，089这一领域感觉那些阳光明媚的所以你可能请尽量将这7400:09:44，089--> 00:09:50，240所以什么是好的关于这个盘子是它如此什么坐沉默反对我们7500:09:50，240--> 00:09:55，689要在这里做打算关掉我回来晚了不当残疾早些时候面具7600:09:55，689--> 00:10:00，230到这来，看看是否我们能用到拾色器来创建蒙版周围7700:10:00，230--> 00:10:04，749这所有的事情，并融入我们有下面所以我说颜色选取器吗7800:10:04，749--> 00:10:09，249但我的意思是颜色范围让我们看看如果你可以选择，然后再我7900:10:09，249--> 00:10:12，959坚持加上关键就像我选择和我要去摘所有这些8000:10:12，959--> 00:10:23，540深绿色在这里和我所以我选择越来越多的城镇地区，这有点

結果 (中文) 3:

1
00:00: 00000——> 00:00:29890
所以我们回来了，我把
草在这里你谈到了

2
00:00:29890——> 00:00:35649
在前面，这样的想法有点
我看着这就打破

3
00:00:35649——> 00:00:40980
太阳来了就把我
缓和了这许多火车轨道

4
00:00:40980——> 00:00:45350
所以我可以我想创建一个突出
这里说实话，所以我们要开始

5
00:00:45350——> 00:00:50149
那里，我们访问我们的火车轨道和
来所有的方式，

6
00:00:50149——> 00:00:56190
我跟踪它的对比后
但需要很多，这样就

7
00:00:56190——> 00:01:05470
成对比冲出小
小小一件事我不太

8
00:01:05470——> 00:01:11760
做这是借给他的年龄也许
我们就来看一看，现在我

9
00:01:11760——> 00:01:19920
它和放大，问他
移动它变得更糟，所以你要把

10
00:01:19920——> 00:01:25729
起来希望这些歌曲他们不
很需要它是真的很好

11
00:01:25729——> 00:01:45180
那里也许是一个

12
00：01:45180——> 00:01:54390
这里挺有趣的，好像
你太少不平衡的权利，因为我们

13
00:01:54390——> 00:01:59360
画在这类但仍然感觉
喜欢把那些草停在前面

14
00:01:59360——> 00:02:04410
的铁轨的时候这
轨道实际上提高一点

15
00:02:04410——> 00:02:08420
点这个过渡是不是最好的时候
谈到的清晰度，所以他们

16
00:02:08420——> 00:02:12160
会使这起
一样的人，

17
00:02:12160——> 00:02:19550
约6472光在里面，这是
不一个科学的尖锐所以才来

18
00:02:19550——> 00:02:32400
并尝试匹配点
好，不检查我的皮肤和

19
00:02:32400——> 00:02:43060
帮助他们回来，但认为它
刚好在这里做一个预览看

20
00:02:43060——> 00:02:52400
也许有点太多了

21
00:02:52400——> 00:03:28700
需要做的扩展和
指挥官

22
00:03:28700——> 00:03:40730
认为有任何人会
注意到什么我觉得同样的方式时，

23
00:03:40730——> 00:03:45060
你们通过这最后一只
克隆这出街，小

24
00:03:45060——> 00:03:50140
凹凸有权利但如果你不知我
不认为这有什么不对

25
00:03:50140——> 00:03:52380
，转变他们会
看到它

26
00:03:52380——> 00:03:58019
艰难好吧，这就是我的突出
开始让我们回去，

27
00:03:58019——> 00:04:06530
借此对比层和惨淡的
刷10%要来这里刷

28
00:04:06530——> 00:04:12250
对面好像太阳刚刚
蔓延这些小亮点

29
00:04:12250——> 00:04:19600
安静的在这里，让我们回到这
今年我们为她做了编剧兼导演

30
00:04:19600——> 00:04:24610
作家不同

31
00:04:24610——> 00:04:31680
尝试写在这里，但我能做的其实
而不是右

32
00:04:31680——> 00:04:36380
对面好像光是区域
马列特我不不我只是进来，只有

33
00:04:36380——> 00:04:52630
火车上的会谈，如果这些
有些耀眼的光芒来

34
00:04:52630——> 00:04:56160
这样神奇的事情发生时，
太阳反射的火车轨道

35
00:04:56160——> 00:05:01790
时你应该在阳光下和调整
微光使他们能够创造一些

36
00:05:01790——> 00:05:08880
显然，从混合
我们已经这么做了

37
00:05:08880——> 00:05:17620
我觉得有点太远，在那里
那么一点点回来，回来

38
00:05:17620——> 00:05:21620
我们的历史，这是哪里，我


39
00:05:21620——> 00:05:27000
凉爽的石头感觉他们在
可能有一点点太密

40
00:05:27000——> 00:05:32970
战斗但当你真的帮助我
突出时，做了一个

41
00:05:32，970——> 00:05:38640
草来这里又是
得到一些这些颜色层和

42
00:05:38640——> 00:05:42440
东西他们已经摆在那里这
应该正好落入背景

43
00:05:42440——> 00:05:49060
小姐已经走在路上我们要
背板，然后我们会把它

44
00:05:49060——> 00:06:03840
就在那样的物质材料

45
00:06:03840——> 00:06:07870
反应非常不同的对比
增加对比这46


00:06:07870很多——> 00:06:12250
板它你会感觉更像是
一点点阳光的标题在这里但

47
00:06:12250——> 00:06:16830
我喜欢那点点的阳光打
老实说感觉很好的事情

48
00:06:16830——> 00：06:21880
你需要做的是一样的在这里保持
太阳它却把参议院的

49
00:06:21880——> 00:06:26620
击中地面，这感觉很
相当可爱又明显看

50
00:06:26620——> 00:06:30170
小亮所以他们要
重新评估

51
00:06:30170——> 00:06:37639
我们，如果我把这
对比这里

52
见我有什么区别00:06:37639——> 00:06:42909
认为这份合同现在是好的，
进入我们的曲线的三件事

53
00:06:42909——> 00:06:48529
颜色密度的对比
和会拉的第一个工作

54
00:06:48529——> 00:07:01400
相反的感觉很好，
他们只是希望和平来

55
00:07:01400——> 00:07:18600
也许，只是看那个小
片来这里拿出来

56
00:07:18600——> 00:07:25050
这一边我们绝对不
想好那又

57
00:07:25050——> 00:07:32760
掩蔽帮助我们找出问题，
我们在混再次感觉

58
00:07:32760——> 00:07:38120
读也许比较起来这
比较到这，你想

59
00:07:38120——> 00:07:39790
只是多件

60
00:07:39790——> 00:07:44220
的看了一眼
对比有双明亮的工具更好一点

61
00:07:44220——> 00:07:52340
比称这种对比然后我们
一个第八和62


00:07:52340——> 00:07:57720
第九我们去下面自动
颜色重新评估我这里连接这一颜色层

63
00:07:57720——> 00:08:14220
之上，似乎更容易和你
会拉强度阅读

64
00:08:14220——> 00:08:26270
来到蓝拉下来一些
黄

65
00:08:26270——> 00:08:37260
让我们看看我们开始的地方，这
很结束了，你想看看

66
00:08:37260——> 00:08:43150
阴影区这里，看他们如何
托起黑暗也许回来在

67
00:08:43150——> 00:08:48110
对比而拉起
集锦和阴影，因为感觉

68
00:08:48110——> 00:09:00230
来对比，我们就有这么
我想做的要尽量避免太阳

69
00:09:00230——> 00:09:04870
地面上因为没有太阳
在后面板地面，他

70
00:09:04870——> 00:09:13610
可以土地这种崩溃在这里把它放在
前看甚至用我们的

71
00:09:13610——> 00:09:19150
把握冲到让人感觉像是
坐在有一点点

72
00:09:19150——> 00:09:28220
看破小托盘，我们看到一些
通过低音冷静一下所有

73
00:09:28，220——> 00:09:44089
这个地区感到那些阳光所以你可能
尽量减少

74
00:09:44089——> 00:09:50240
什么关于这个板块的好处是，
它坐在沉默，所以我们

75
00:09:50240——> 00:09:55689
要做的是要关掉我的
回来晚不禁用前面具

76
00:09:55689——> 00:10:00230
走进来，看看我们能不能用
颜色选择器创建一个面具在

77
00:10:00230——> 00:10:04749
这所有东西融入到我们
有下面我说的颜色选择器

78
00:10:04749——> 00:10:09249
但我指的是颜色的范围，所以让我们看看
如果你可以选择，然后我又在

79
00:10:09249——> 00:10:12959
控股另一关键就像我的
选择和我去接这些

80
00:10:12，959——> 00:10:23540
深绿色在这里，所以我选择
更多的城镇地区有点