100:00:00,000 --> 00:00:07,410back

1
00:00:00,000 --> 00:00:07,410
back in the studio after shooting this
wonderful and beautiful waterfalls and I

2
00:00:07,410 --> 00:00:13,250
showed you in the videos i shud
different techniques

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00:00:13,250 --> 00:00:21,170
the first technique was without a tripod
without in any field manual more hand

4
00:00:21,170 --> 00:00:27,330
holding the camera and took a lot of
shots you can see them here lots of

5
00:00:27,330 --> 00:00:32,900
shots now I there is no tripod I mean we
have the same light but you know some

6
00:00:32,900 --> 00:00:36,670
are higher so much lower you know so we
need to align the layers first and I'll

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00:00:36,670 --> 00:00:43,100
show you that our you should disregard
my podcast but I did not going to as

8
00:00:43,100 --> 00:00:48,120
detailed as I'm gonna go now so let's
return the first let me reset it and I'm

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going to be touched the first photo then
synchronized otra touch on all the other

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00:00:53,430 --> 00:00:59,030
photos and then we do the magic in
Photoshop now for this thing to work you

11
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need to have at least that's put my
trial and error have like five to 10

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photos or the other trick is not to go
into burst mode but to go into you know

13
00:01:11,570 --> 00:01:17,400
you take a look when taking like five
photos of 10 photos 1 every like 22nd

14
00:01:17,400 --> 00:01:21,740
you go you take one foot per second so
that like the scene has changed a lot

15
00:01:21,740 --> 00:01:26,650
that's another good trick anyways I
didn't burst mode so we gonna take a lot

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00:01:26,650 --> 00:01:31,590
of these photos the first photo I open
up the shadows as usual and I'm bringing

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00:01:31,590 --> 00:01:36,220
under highlights and then I'm you know
that trick if you follow my tutorials

18
00:01:36,220 --> 00:01:38,939
then I'm going to click the option key

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00:01:38,939 --> 00:01:44,159
the whites and bring it to the right in
today see some wide points here we are

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00:01:44,159 --> 00:01:49,939
some white points and then I'm going the
other way and we see a bit more black

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00:01:49,939 --> 00:01:55,290
points out is good morning black point
then I gone away points because I know

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00:01:55,290 --> 00:02:00,520
it's just a minute I'll let out of it a
clarity and length at a bit of vibrant

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to this you know to get more vibrant
vibrant you know I mean this is overseas

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in a desert you know it's like when he'd
call is here and so that's the water you

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can see that very sharp very tax home

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and I think that's about it at all I'm
gonna do here in in nitric now I'm going

27
00:02:21,760 --> 00:02:26,739
to select all my photos click on
synchronize make sure that check goal is

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00:02:26,739 --> 00:02:33,280
on and click on synchronize the whole
idea is we have the same reattach on all

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the photos and the visit to work
remember you need to shoot manual this

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00:02:37,310 --> 00:02:44,510
was at 100 per second at 7.1 and all the
photos of the exact same exposure of one

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00:02:44,510 --> 00:02:52,760
force of one four hundred of the second
at the next light leak it and open as

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00:02:52,760 --> 00:02:57,980
layers in Photoshop now open as layers
in Photoshop that means that you have

33
00:02:57,980 --> 00:03:04,760
one solution file and every photo is
going on it's only open anyway so here

34
00:03:04,760 --> 00:03:11,650
we are in Photoshop it's gonna open I'm
gonna put it on booze until all is open

35
00:03:11,650 --> 00:03:15,710
because it's gonna take a little while

36
00:03:15,710 --> 00:03:22,590
was a loaded into Photoshop and each one
is is only 20 near so now I'm going to

37
00:03:22,590 --> 00:03:27,870
select the first one go the whole way
down and select the last month old male

38
00:03:27,870 --> 00:03:31,650
area selected all one thing you want to
do because I don't want this to take on

39
00:03:31,650 --> 00:03:38,790
forever I'm gonna go to image image size
and I'm gonna make this much lower are

40
00:03:38,790 --> 00:03:43,380
you don't have to do this home is yours
that I want to talk today forever so I'm

41
00:03:43,380 --> 00:03:46,020
going to speed speed things up like this
way

42
00:03:46,020 --> 00:03:52,970
benefit screen alright so everythings
selected and now I'm gonna go into edit

43
00:03:52,970 --> 00:04:01,510
layers and that's just going to make
sure that everything is properly aligned

44
00:04:01,510 --> 00:04:06,230
in this this is always a very magic
trick for me I don't know how Photoshop

45
00:04:06,230 --> 00:04:12,110
does it but it does a really good job
every even so I was not using it a try

46
00:04:12,110 --> 00:04:20,010
but all layers like this one you know
it's aligned and find and aligned

47
00:04:20,010 --> 00:04:25,760
everything is on time so it's kind of
cool so now I'm gonna take him I'm going

48
00:04:25,760 --> 00:04:32,530
to duplicate the top layer this one and
then I'm going to select the one I

49
00:04:32,530 --> 00:04:37,330
duplicated during his visibility of
analysts like all the other ones you

50
00:04:37,330 --> 00:04:41,840
have before right click and convert to
smart object and that's the whole

51
00:04:41,840 --> 00:04:45,570
treatment once everything is converted
to an object this is where the magic

52
00:04:45,570 --> 00:04:55,370
happens so now we goin two layers and we
going two layers smart objects attack

53
00:04:55,370 --> 00:05:03,960
mode and mean well that's a long ways
into the menus object dock mode mean now

54
00:05:03,960 --> 00:05:11,360
that only works if you've got and take
this out when it does it just makes

55
00:05:11,360 --> 00:05:16,750
everything and create is very nice sort
of long exposure looked with checking

56
00:05:16,750 --> 00:05:22,400
out if I turn on the visibility of the
first one that's before let me zoom even

57
00:05:22,400 --> 00:05:22,660
more

58
00:05:22,660 --> 00:05:28,020
before and after its before Ms after
kinda cool

59
00:05:28,020 --> 00:05:34,250
another problem is look at look at the
grass grass is now you know is not very

60
00:05:34,250 --> 00:05:38,930
it's a bit fuzzy you know because of the
win so now what I'm going to do is

61
00:05:38,930 --> 00:05:45,470
basically so I put this manager on top
I'm gonna press the Option key enclaves

62
00:05:45,470 --> 00:05:51,030
create a black mask so that the whole
smart object is not visible and I want

63
00:05:51,030 --> 00:05:55,180
this magic to be back but just for the
war so I'm gonna take a brush make sure

64
00:05:55,180 --> 00:05:59,480
it's white and I'm just gonna paint on
the water and it's going to bring

65
00:05:59,480 --> 00:06:04,290
everything else is sharp and its gonna
bring the fuzzy water and only water

66
00:06:04,290 --> 00:06:13,330
wherever i'm brushing your mouth I don't
need to be doing so much bigger by

67
00:06:13,330 --> 00:06:24,000
holding the option and the Ctrl key and
just kind of Pete here here ok so now

68
00:06:24,000 --> 00:06:30,030
I've got the result is that I've got
sharp rocks and I've got further water

69
00:06:30,030 --> 00:06:38,180
and which is exactly what we wanted to
see and you can go you know like this

70
00:06:38,180 --> 00:06:44,419
and like this no problem no issues just
will work perfect ok so now I've got I

71
00:06:44,419 --> 00:06:54,760
think too long exposure look with only
one person or have to do is the photo ok

72
00:06:54,760 --> 00:07:06,470
like this this is and let's make it like
this and now I've got one for long

73
00:07:06,470 --> 00:07:10,000
exposure now the last three digit I
would do on this one

74
00:07:10,000 --> 00:07:16,210
1 I'm here in Photoshop is I would
create an empty later put this in

75
00:07:16,210 --> 00:07:23,230
overload and do my dad's enduring
technique which is you know things been

76
00:07:23,230 --> 00:07:26,330
around I did not invent this I'm not
that clever

77
00:07:26,330 --> 00:07:31,849
but it's a very interesting techniques
by John Byrne you praise to be key to

78
00:07:31,849 --> 00:07:37,449
get the brush make it a bit smaller and
now you better make sure you're on white

79
00:07:37,449 --> 00:07:44,159
and universities around twenty something
like 2418 is fine and undergoing to

80
00:07:44,159 --> 00:07:48,430
paint your him what what I'm trying to
do is just bring some lights back on you

81
00:07:48,430 --> 00:07:55,650
know I like the sort of the highlights
here on the water and it's just because

82
00:07:55,650 --> 00:07:59,469
the star of the photo is the water you
know we want the water to be you know

83
00:07:59,469 --> 00:08:07,969
really young so oK so that's before and
after a few to be to merge you can just

84
00:08:07,969 --> 00:08:14,379
lower the opacity and then I'm going to
make another long I usually do a lot of

85
00:08:14,379 --> 00:08:21,069
damage in Bern overlays like this so
empty layer of al-amoud dodge and burn

86
00:08:21,069 --> 00:08:31,159
too and this 1 I'm going to make a wire
brush just makes it here in place if I

87
00:08:31,159 --> 00:08:38,949
the lights ok now this might look a bit
blurry to you because it's a low res

88
00:08:38,949 --> 00:08:43,729
screen and trying to record this on
lower screen evidence should be wrapping

89
00:08:43,729 --> 00:08:50,089
up oK so that's that's one way of doing
this last but not least when I would do

90
00:08:50,089 --> 00:08:55,050
is likely effect and I like to do this
in Photoshop with a specific way and

91
00:08:55,050 --> 00:08:59,680
that is to press the main after shift e
this you need to use all your fingers

92
00:08:59,680 --> 00:09:05,560
come in our safety put this into
multiplayer mode take a rectangle

93
00:09:05,560 --> 00:09:10,100
marquee two and you can do really like
the mee

結果 (中文) 1:

100:00:00，000--> 00:00:07，410早在后射击这工作室我和我的奇妙和美丽的瀑布200:00:07，410--> 00:00:13，250表明你在视频中我应该不同的技术300:00:13，250--> 00:00:21，170第一种方法是没有三脚架没有任何字段手册中越的手上400:00:21，170--> 00:00:27，330拿着相机，拍了很多你可以看到他们在这里很多的镜头500:00:27，330--> 00:00:32，900现在我有我的意思是我们没有三脚架的镜头有相同的光，但你知道一些600:00:32，900--> 00:00:36，670较高的太低，你知道这样我们需要首先对齐图层和我700:00:36，670--> 00:00:43，100你表明我们应该无视我的播客，但并没有作为去800:00:43，100--> 00:00:48，120我要去让我们现在走的详细返回第一次让我重置它和我900:00:48，120--> 00:00:53，430你应该怎么做然后摸第一张照片就所有其他同步的 otra 触摸1000:00:53，430--> 00:00:59，030照片，然后我们在做魔法现在为这件事做好你的的 Photoshop1100:00:59，030--> 00:01:04，180需要有至少把我审判和错误有像五到 101200:01:04，180--> 00:01:11，570照片或其他诀窍就是不去进入突发模式，但要走进你知道1300:01:11，570--> 00:01:17，400你看看，看起来就像五岁的时候10 张照片 1 照片每一像 221400:01:17，400--> 00:01:21，740你去你每秒一英尺所以那像场景改变了很多1500:01:21，740--> 00:01:26，650这是另一种好的把戏，反正我所以没有爆破模式我们要带很多1600:01:26，650--> 00:01:31，590这些照片我打开第一张照片像往常一样把阴影和我带1700:01:31，590--> 00:01:36，220你知道下亮点然后是如果你按照我的教程这把戏1800:01:36，220--> 00:01:38，939再点击 option 键1900:01:38，939--> 00:01:44，159白人和使其在向右今天看到一些宽点我们在这里2000:01:44，159--> 00:01:49，939一些白色的点，然后我会其他方式，我们看到更多一点黑2100:01:49，939--> 00:01:55，290指出了是早上好黑点然后因为我知道走了走点2200:01:55，290--> 00:02:00，520它是只是一分钟，我会让它清晰度和有点活力的长度2300:02:00，520--> 00:02:06，100对此，你知道要更有活力充满活力，你知道这是海外2400:02:06，100--> 00:02:12，110在沙漠里，你知道这就像当他了电话是在这里，所以那是水你2500:02:12，110--> 00:02:14，450可以看到非常锋利非常税回家2600:02:14，450--> 00:02:21，760我想这大概就是在我的全部来这里干氮是现在2700:02:21，760--> 00:02:26，739若要选择所有我的照片，请单击同步确保这一检查目标是2800:02:26,739 --> 00:02:33,280on and click on synchronize the wholeidea is we have the same reattach on all2900:02:33,280 --> 00:02:37,310the photos and the visit to workremember you need to shoot manual this3000:02:37,310 --> 00:02:44,510was at 100 per second at 7.1 and all thephotos of the exact same exposure of one3100:02:44,510 --> 00:02:52,760force of one four hundred of the secondat the next light leak it and open as3200:02:52,760 --> 00:02:57,980layers in Photoshop now open as layersin Photoshop that means that you have3300:02:57,980 --> 00:03:04,760one solution file and every photo isgoing on it's only open anyway so here3400:03:04,760 --> 00:03:11,650we are in Photoshop it's gonna open I'mgonna put it on booze until all is open3500:03:11,650 --> 00:03:15,710because it's gonna take a little while3600:03:15,710 --> 00:03:22,590was a loaded into Photoshop and each oneis is only 20 near so now I'm going to3700:03:22,590 --> 00:03:27,870select the first one go the whole waydown and select the last month old male3800:03:27,870 --> 00:03:31,650area selected all one thing you want todo because I don't want this to take on3900:03:31,650 --> 00:03:38,790forever I'm gonna go to image image sizeand I'm gonna make this much lower are4000:03:38,790 --> 00:03:43,380you don't have to do this home is yoursthat I want to talk today forever so I'm4100:03:43,380 --> 00:03:46,020going to speed speed things up like thisway4200:03:46,020 --> 00:03:52,970benefit screen alright so everythingsselected and now I'm gonna go into edit4300:03:52,970 --> 00:04:01,510layers and that's just going to makesure that everything is properly aligned4400:04:01,510 --> 00:04:06,230in this this is always a very magictrick for me I don't know how Photoshop4500:04:06,230 --> 00:04:12,110does it but it does a really good jobevery even so I was not using it a try4600:04:12,110 --> 00:04:20,010but all layers like this one you knowit's aligned and find and aligned4700:04:20,010 --> 00:04:25,760everything is on time so it's kind ofcool so now I'm gonna take him I'm going4800:04:25,760 --> 00:04:32,530to duplicate the top layer this one andthen I'm going to select the one I4900:04:32,530 --> 00:04:37,330duplicated during his visibility ofanalysts like all the other ones you5000:04:37,330 --> 00:04:41,840have before right click and convert tosmart object and that's the whole5100:04:41,840 --> 00:04:45,570treatment once everything is convertedto an object this is where the magic5200:04:45,570 --> 00:04:55,370happens so now we goin two layers and wegoing two layers smart objects attack5300:04:55,370 --> 00:05:03,960mode and mean well that's a long waysinto the menus object dock mode mean now5400:05:03,960 --> 00:05:11,360that only works if you've got and takethis out when it does it just makes5500:05:11,360 --> 00:05:16,750everything and create is very nice sortof long exposure looked with checking5600:05:16,750 --> 00:05:22,400out if I turn on the visibility of thefirst one that's before let me zoom even5700:05:22,400 --> 00:05:22,660more5800:05:22,660 --> 00:05:28,020before and after its before Ms afterkinda cool5900:05:28,020 --> 00:05:34,250another problem is look at look at thegrass grass is now you know is not very6000:05:34,250 --> 00:05:38,930it's a bit fuzzy you know because of thewin so now what I'm going to do is6100:05:38,930 --> 00:05:45,470basically so I put this manager on topI'm gonna press the Option key enclaves6200:05:45,470 --> 00:05:51,030create a black mask so that the wholesmart object is not visible and I want6300:05:51,030 --> 00:05:55,180this magic to be back but just for thewar so I'm gonna take a brush make sure6400:05:55,180 --> 00:05:59,480it's white and I'm just gonna paint onthe water and it's going to bring6500:05:59,480 --> 00:06:04,290everything else is sharp and its gonnabring the fuzzy water and only water6600:06:04,290 --> 00:06:13,330wherever i'm brushing your mouth I don'tneed to be doing so much bigger by6700:06:13,330 --> 00:06:24,000holding the option and the Ctrl key andjust kind of Pete here here ok so now6800:06:24,000 --> 00:06:30,030I've got the result is that I've gotsharp rocks and I've got further water6900:06:30,030 --> 00:06:38,180and which is exactly what we wanted tosee and you can go you know like this7000:06:38,180 --> 00:06:44,419and like this no problem no issues justwill work perfect ok so now I've got I7100:06:44,419 --> 00:06:54,760think too long exposure look with onlyone person or have to do is the photo ok7200:06:54,760 --> 00:07:06,470like this this is and let's make it likethis and now I've got one for long7300:07:06,470 --> 00:07:10,000exposure now the last three digit Iwould do on this one7400:07:10,000 --> 00:07:16,2101 I'm here in Photoshop is I wouldcreate an empty later put this in7500:07:16,210 --> 00:07:23,230overload and do my dad's enduringtechnique which is you know things been7600:07:23,230 --> 00:07:26,330around I did not invent this I'm notthat clever7700:07:26,330 --> 00:07:31,849but it's a very interesting techniquesby John Byrne you praise to be key to7800:07:31,849 --> 00:07:37,449get the brush make it a bit smaller andnow you better make sure you're on white7900:07:37,449 --> 00:07:44,159and universities around twenty somethinglike 2418 is fine and undergoing to8000:07:44,159 --> 00:07:48,430paint your him what what I'm trying todo is just bring some lights back on you8100:07:48,430 --> 00:07:55,650know I like the sort of the highlightshere on the water and it's just because8200:07:55,650 --> 00:07:59,469the star of the photo is the water youknow we want the water to be you know8300:07:59,469 --> 00:08:07,969really young so oK so that's before andafter a few to be to merge you can just8400:08:07,969 --> 00:08:14,379lower the opacity and then I'm going tomake another long I usually do a lot of8500:08:14,379 --> 00:08:21,069damage in Bern overlays like this soempty layer of al-amoud dodge and burn8600:08:21,069 --> 00:08:31,159too and this 1 I'm going to make a wirebrush just makes it here in place if I8700:08:31,159 --> 00:08:38,949the lights ok now this might look a bitblurry to you because it's a low res8800:08:38,949 --> 00:08:43,729screen and trying to record this onlower screen evidence should be wrapping8900:08:43,729 --> 00:08:50,089up oK so that's that's one way of doingthis last but not least when I would do9000:08:50,089 --> 00:08:55,050is likely effect and I like to do thisin Photoshop with a specific way and9100:08:55,050 --> 00:08:59,680that is to press the main after shift ethis you need to use all your fingers9200:08:59,680 --> 00:09:05,560come in our safety put this intomultiplayer mode take a rectangle9300:09:05,560 --> 00:09:10,100marquee two and you can do really likethe mee

結果 (中文) 3:

1
00:00: 00000——> 00:00:07410
回到工作室后拍摄的这
奇妙和美丽的瀑布，我

2
00:00:07410——> 00:00:13250
显示你的视频我应该
不同技术

3
00:00:13250——> 00:00:21170
第一技术没有脚架
没有任何领域的手册更一方面

4
00:00:21170——> 00:00:27330
举着相机拍了很多
镜头你可以看到他们在这里很多

5
00:00:27330——> 00:00:32900
照片现在我没有三脚架，我的意思是我们
具有相同的光但你知道一些

6
00:00:32900——> 00:00:36670
高如此之低，你知道我们
需要对齐的层先和我

7
00:00:36670——> 00:00:43100
告诉你我们应该无视
我的播客但是我没有去

8
00:00:43100——> 00:00:48，120
详细，我要走了，让我们
返回第一个让我重来，我

9
00:00:48120——> 00:00:53430
要摸第一张照片，然后
同步该触摸其他所有

10
00:00:53430——> 00:00:59030
照片然后我们做的魔术在
PS图象处理软件现在这个东西的工作你

11
00:00:59030——> 00:01:04180
至少需要让我的
试验和错误中有五到10

12
00:01:04180——> 00:01:11570
照片或其他的诀窍是不要去
进入突发模式而去你知道

13
00:01:11570——> 00:01:17400
你看看时，像五
照片10照片1每第二十二

14
00:01:17400——> 00:01:21740
你走你走一英尺每秒，
像现场发生了很大的变化

15
00:01:21740——> 00:01：26650
又是一个好的伎俩，反正我
没有突发模式，所以我们要花很多

16
00:01:26650——> 00:01:31590
这些照片的第一张照片，我打开
的阴影像往常一样，我把

17
00:01:31590——> 00:01:36220
下集锦然后我你知道的
诡计如果你按照我的教程

18
00:01:36220——> 00:01:38939
然后我要点击选项键

19
00:01:38，939——> 00:01:44159
白人把它带到今天的
右边看到一些宽点，我们

20
00:01:44159——> 00:01:49939
一些白色的点，然后我去
其他方式，我们看到更多的黑

21
00:01:49939——> 00:01:55290
指出的是早晨黑色的点
好那我走了点，因为我知道

22
00:01:55290——> 00:02:00520
只是一分钟，我会让它的
清晰度和长度在一点点的充满活力的

23
00:02:00520——> 00:02:06100
这你知道获得更多的活力
充满活力的你知道我的意思是这是海外

24
00:02:06100——> 00:02:12110
在沙漠，你知道这就像当他
叫在这里，这样的水你

25
00:02:12110——> 00:02:14450
可以看到很尖锐很税家

26
00:02:14450——> 00:02:21760
我认为它在我
要在硝酸现在我要

27
00:02:21760——> 00:02:26739
选择我所有的照片，点击
同步确保检查的目标是

28
00:02:26739——> 00:02:33280
，点击同步整个
理念是我们对所有

29
00:02:33280——> 00:02:37310
照片和访问工作
相同的附加记住你需要拍摄手册这

30
00:02:37310——> 00:02:44510
在100每秒7.1和所有的
照片一

31
00:02:44510相同的曝光——>在下一个红绿灯00:02:52760
力一四名第二
泄露和开放的

32
00:02:52760——> 00:02:57980
层打开层
PS图象处理软件现在在PS图象处理软件，意味着你有

33
00:02:57，980——> 00:03:04760
一解决方案文件和每一张照片，是
去只是打开这里

34
00:03:04760——> 00:03:11650
我们在PS图象处理软件要打开我
要喝酒直到全部开放

35
00:03:11650——> 00:03:15710
因为那花点时间

36
00:03:15710——> 00:03:22590
是加载到PS图象处理软件和每一个
是只有20附近，所以现在我要

37
00:03:22590——> 00:03:27870
选择第一个走完全程
下来选择最后一个月大的雄性

38
00:03:27870——> 00:03:31650
区选一件你想
做因为我不想承担

39
00:03:31650——> 00:03:38790
我永远要去图像大小
我要让这低得多的是

40
00:03:38790——> 00:03:43380