- 文字
- 歷史
8300:05:34,419 --> 00:05:38,320Remb
83
00:05:34,419 --> 00:05:38,320
Rembrandt's basically pull this off even
more directionally and what we end up
84
00:05:38,320 --> 00:05:42,370
getting is we get this little we get a
lot of the light on one side the face
85
00:05:42,370 --> 00:05:47,200
and we get a split highlight just right
over the eye and under the cheek of the
86
00:05:47,200 --> 00:05:51,680
I okay on the other side the face but
most the face is in shadow so I turned
87
00:05:51,680 --> 00:05:54,780
and saw the sign again this is kind of
what it looks like from the side is
88
00:05:54,780 --> 00:05:58,880
going to come up high and we get that
little split right there leaving half
89
00:05:58,880 --> 00:06:03,360
the really a good part of the face and
in shadow with the exception the eye and
90
00:06:03,360 --> 00:06:05,620
cheek ok again
91
00:06:05,620 --> 00:06:08,880
Rembrandt lighting you're getting more
and more dramatic as we hadn't
92
00:06:08,880 --> 00:06:13,080
introduced more shadow into our portrait
we're gonna get a more dramatic look
93
00:06:13,080 --> 00:06:17,030
which for this type of shot isn't
necessarily the most flattering thing
94
00:06:17,030 --> 00:06:20,090
but still we can diffuse it because this
is still a direct light it's not the
95
00:06:20,090 --> 00:06:23,740
pews we have pretty sharp shadow edges
when we diffuse it a little more
96
00:06:23,740 --> 00:06:28,150
flattering but typically it's not used
for beauty it's used for drama is used
97
00:06:28,150 --> 00:06:28,650
when you
98
00:06:28,650 --> 00:06:33,790
want to show you know more shadows and
more edge to an image alright so I
99
00:06:33,790 --> 00:06:37,699
wouldn't use it when he want to like a
very flattering portrait
100
00:06:37,699 --> 00:06:41,199
subject might be a little angry with you
that they kinda look like what does it
101
00:06:41,199 --> 00:06:47,600
look so serious they won't know what ok
lastly we have split so rembrandt was
102
00:06:47,600 --> 00:06:51,699
more in the loop so here we had loop ok
so loop is about right here
103
00:06:51,699 --> 00:06:55,680
rembrandt was over here and then split
is basically right after the site where
104
00:06:55,680 --> 00:06:59,940
basically splitting the light so it's
coming directly from the side where you
105
00:06:59,940 --> 00:07:03,889
get the split right down the nose ok so
leaving half the face and shadow and
106
00:07:03,889 --> 00:07:07,080
have to face lit up so if you're in a
letter from we'll see how to do this
107
00:07:07,080 --> 00:07:12,169
artist which hands the light is
essentially just directly behind well
108
00:07:12,169 --> 00:07:17,310
it's not too behind but to the side of
her face so from here to here now again
109
00:07:17,310 --> 00:07:23,010
if rembrandt is to be kind of
directional and to create more drama
110
00:07:23,010 --> 00:07:27,360
then you're split lighting is going to
create even more drama ok it's gonna
111
00:07:27,360 --> 00:07:31,169
leave have to face and shade but it's
heavily direction also makes it really
112
00:07:31,169 --> 00:07:35,139
fantastic for say athletic portraits and
so forth we use a lot of Rembrandt and
113
00:07:35,139 --> 00:07:38,330
split lighting when we do our athlete
portrait because you want that heavily
114
00:07:38,330 --> 00:07:43,030
directional light not only the dramatic
it also draws a lot of definition across
115
00:07:43,030 --> 00:07:48,180
their their muscle features and so forth
so these 2 I'd say are more on the
116
00:07:48,180 --> 00:07:51,320
dramatic side and we see what we have
here in this in this lighting setup if
117
00:07:51,320 --> 00:07:55,800
you notice as we go to this side we end
up with less shadows less shadows mean
118
00:07:55,800 --> 00:08:00,010
less drama as we go to this I we end up
with more shadows and more shadows means
119
00:08:00,010 --> 00:08:05,250
more drama so those are five common key
light patterns of five primary Qi
120
00:08:05,250 --> 00:08:08,810
patterns let's go next video more gonna
show you what these key light patterns
121
00:08:08,810 --> 00:08:13,080
look like with diffusion because the
change it's actually quite significant
122
00:08:13,080 --> 00:08:16,990
between these with direct light without
diffusion and with diffusion and Phil
00:05:34,419 --> 00:05:38,320
Rembrandt's basically pull this off even
more directionally and what we end up
84
00:05:38,320 --> 00:05:42,370
getting is we get this little we get a
lot of the light on one side the face
85
00:05:42,370 --> 00:05:47,200
and we get a split highlight just right
over the eye and under the cheek of the
86
00:05:47,200 --> 00:05:51,680
I okay on the other side the face but
most the face is in shadow so I turned
87
00:05:51,680 --> 00:05:54,780
and saw the sign again this is kind of
what it looks like from the side is
88
00:05:54,780 --> 00:05:58,880
going to come up high and we get that
little split right there leaving half
89
00:05:58,880 --> 00:06:03,360
the really a good part of the face and
in shadow with the exception the eye and
90
00:06:03,360 --> 00:06:05,620
cheek ok again
91
00:06:05,620 --> 00:06:08,880
Rembrandt lighting you're getting more
and more dramatic as we hadn't
92
00:06:08,880 --> 00:06:13,080
introduced more shadow into our portrait
we're gonna get a more dramatic look
93
00:06:13,080 --> 00:06:17,030
which for this type of shot isn't
necessarily the most flattering thing
94
00:06:17,030 --> 00:06:20,090
but still we can diffuse it because this
is still a direct light it's not the
95
00:06:20,090 --> 00:06:23,740
pews we have pretty sharp shadow edges
when we diffuse it a little more
96
00:06:23,740 --> 00:06:28,150
flattering but typically it's not used
for beauty it's used for drama is used
97
00:06:28,150 --> 00:06:28,650
when you
98
00:06:28,650 --> 00:06:33,790
want to show you know more shadows and
more edge to an image alright so I
99
00:06:33,790 --> 00:06:37,699
wouldn't use it when he want to like a
very flattering portrait
100
00:06:37,699 --> 00:06:41,199
subject might be a little angry with you
that they kinda look like what does it
101
00:06:41,199 --> 00:06:47,600
look so serious they won't know what ok
lastly we have split so rembrandt was
102
00:06:47,600 --> 00:06:51,699
more in the loop so here we had loop ok
so loop is about right here
103
00:06:51,699 --> 00:06:55,680
rembrandt was over here and then split
is basically right after the site where
104
00:06:55,680 --> 00:06:59,940
basically splitting the light so it's
coming directly from the side where you
105
00:06:59,940 --> 00:07:03,889
get the split right down the nose ok so
leaving half the face and shadow and
106
00:07:03,889 --> 00:07:07,080
have to face lit up so if you're in a
letter from we'll see how to do this
107
00:07:07,080 --> 00:07:12,169
artist which hands the light is
essentially just directly behind well
108
00:07:12,169 --> 00:07:17,310
it's not too behind but to the side of
her face so from here to here now again
109
00:07:17,310 --> 00:07:23,010
if rembrandt is to be kind of
directional and to create more drama
110
00:07:23,010 --> 00:07:27,360
then you're split lighting is going to
create even more drama ok it's gonna
111
00:07:27,360 --> 00:07:31,169
leave have to face and shade but it's
heavily direction also makes it really
112
00:07:31,169 --> 00:07:35,139
fantastic for say athletic portraits and
so forth we use a lot of Rembrandt and
113
00:07:35,139 --> 00:07:38,330
split lighting when we do our athlete
portrait because you want that heavily
114
00:07:38,330 --> 00:07:43,030
directional light not only the dramatic
it also draws a lot of definition across
115
00:07:43,030 --> 00:07:48,180
their their muscle features and so forth
so these 2 I'd say are more on the
116
00:07:48,180 --> 00:07:51,320
dramatic side and we see what we have
here in this in this lighting setup if
117
00:07:51,320 --> 00:07:55,800
you notice as we go to this side we end
up with less shadows less shadows mean
118
00:07:55,800 --> 00:08:00,010
less drama as we go to this I we end up
with more shadows and more shadows means
119
00:08:00,010 --> 00:08:05,250
more drama so those are five common key
light patterns of five primary Qi
120
00:08:05,250 --> 00:08:08,810
patterns let's go next video more gonna
show you what these key light patterns
121
00:08:08,810 --> 00:08:13,080
look like with diffusion because the
change it's actually quite significant
122
00:08:13,080 --> 00:08:16,990
between these with direct light without
diffusion and with diffusion and Phil
0/5000
8300:05:34，419--> 00:05:38，320伦勃朗的基本上把这事甚至更定向和我们结束8400:05:38 320--> 00:05:42，370是咱们这一下，我们得到光在一侧的脸上很多8500:05:42，370--> 00:05:47，200我们得到一个拆分亮点恰到好处眼睛上方和下的脸颊8600:05:47，200--> 00:05:51，680我好在另一边的脸上，但大多数的脸就在影子里，所以我打开8700:05:51，680--> 00:05:54，780并发现了一些迹象再次这是一种它从侧面看像是8800:05:54，780--> 00:05:58，880去高来和我们得到的小夹板就在那里留下一半8900:05:58，880--> 00:06:03，360真的好部分脸部和在阴影与异常眼和9000:06:03，360--> 00:06:05，620脸颊再一次确定9100:06:05，620--> 00:06:08，880伦勃朗照明你得到更多和更戏剧性的是我们没有9200:06:08，880--> 00:06:13，080我们画像中引入更多的阴影我们就要去看起来更加更生动9300:06:13，080--> 00:06:17，030对于这种类型不是镜头的一定是最炫的东西9400:06:17 030--> 00:06:20，090但我们仍然可以弥漫它，因为这仍然是它不是直接光9500:06:20，090--> 00:06:23，740我们有漂亮的排椅上锋利的阴影边缘多一点是当弥漫性9600:06:23，740--> 00:06:28，150奉承，但通常它不使用它用于戏剧的美使用9700:06:28，150--> 00:06:28，650当你9800:06:28，650--> 00:06:33，790想让你知道更多的阴影，更边缘的图像好所以我9900:06:33，790--> 00:06:37，699不使用它时，他想要喜欢非常讨人喜欢的肖像10000:06:37，699--> 00:06:41，199主体可能有点生你的气他们有点看起来像什么呢10100:06:41，199--> 00:06:47，600看起来如此严重他们好了不知道什么最后，我们已经分手所以伦勃朗是10200:06:47，600--> 00:06:51，699更多的循环，所以在这里我们有好的循环所以循环是关于就在这里10300:06:51，699--> 00:06:55，680伦勃朗是在这里，然后拆分右后该网站基本上是在哪里10400:06:55，680--> 00:06:59，940基本上把光的分离，所以它有直接来自一边在那里你10500:06:59，940--> 00:07:03，889得到正确放在鼻子下方拆分好留下一半的脸和阴影和10600:07:03，889--> 00:07:07，080有的脸就会亮了，所以如果你在信我们将看到如何执行此操作10700:07:07，080--> 00:07:12，169艺术家的手光是基本上只是直接在身后10800:07:12，169--> 00:07:17，310这不是太后面的一边她现在再次面对所以从这里到这里10900:07:17，310--> 00:07:23，010如果伦勃朗是种定向，创造更多的戏剧11000:07:23，010--> 00:07:27，360然后你撕裂照明去创建更多戏剧确定它去11100:07:27，360--> 00:07:31，169休假必须面对和树荫，但它是沉重的方向也使得它真的11200:07:31，169--> 00:07:35，139棒说竞技肖像和等等我们使用大量的伦勃朗和11300:07:35，139--> 00:07:38，330当我们做我们的运动员拆分照明肖像因为你想要那沉重11400:07:38，330--> 00:07:43，030定向光不仅戏剧性它也吸引了很多跨的定义11500:07:43，030--> 00:07:48，180他们他们的肌肉功能等等所以我想说这些 2 更多11600:07:48，180--> 00:07:51，320戏剧性的一面，我们看看我们有什么这里在这在这灯光设置如果11700:07:51，320--> 00:07:55，800您注意到当我们转到这边我们结束用更少阴影少阴影均值11800:07:55，800--> 00:08:00，010当我们往这我少戏剧我们结束更多的阴影和更多的阴影手段11900:08:00 010--> 00:08:05，250更多的戏剧，所以这些都是常见的五个光模式的五个原生 Qi12000:08:05，250--> 00:08:08，810模式让我们去下一个视频更多去显示你什么这些关键的光模式12100:08:08，810--> 00:08:13，080看起来像与扩散，因为这是实际上相当重大的变化12200:08:13，080--> 00:08:16，990这些在没有直射光之间扩散，扩散和 Phil
正在翻譯中..
83
00:05:34419——> 00:05:38320
伦勃朗基本上成功了甚至更
定向与我们最终
84
00:05:38320——> 00:05:42370
得到我们得到这个点我们得到一个
很多光一侧的脸
85
00:05:42370——> 00:05:47200
得到一分亮点就
在眼睛的
86
00:05:47200脸颊——下00:05:51680
>我好另一边的脸却
最脸在阴影里所以我把
87
00:05:51680——> 00:05:54780
看到标志了这是一种
是什么样子从侧面
88
00:05:54780——> 00:05:58880
要来的高，我们得到
点分就留一半
89
00:05:58880——> 00:06:03360
真的很大一部分的脸和
在阴影中除了眼睛和
90
00:06:03360——> 00:06:05620
脸颊可以再
91
00:06:05620——> 00:06:08880
伦勃朗照明你越来越
更戏剧性的是我们没有
92
00:06:08880——> 00:06:13080
介绍更多的阴影在我们的肖像
我们去更戏剧性的外观
93
00:06:13080——> 00:06:17030
为这种类型的投篮不
一定是最讨人喜欢的东西
94
00:06:17030——> 00:06:20090
但仍然可以弥漫它因为这
还算是一种直接的光不是
95
00:06:20090——> 00:06:23740
上我们有相当尖锐的阴影的边缘时，我们
弥漫这一点更
96
00:06:23740——> 00:06:28150
奉承但通常不是用
美是用于戏剧是用
97
00:06:28150——> 00:06:28，650
当你
98
00:06:28650——> 00:06:33790
想让你知道更多的阴影和
更边缘的图像很好所以我
99
00:06:33790——> 00:06:37699
不会使用它时，他要像一
非常讨人喜欢的肖像
100
00:06:37699——> 00:06:41199
主题有点生你的气
他们看起来像什么
101
00:06:41199——> 00:06:47600
看这么严重，他们不知道什么好
最后我们把伦勃朗
102
00:06:47600——>在环更00:06:51699
所以这里我们有环好
所以环是在这里
103
00:06:51699——> 00:06:55680
伦勃朗在这里再分裂后
基本上是正确的现场，
104
00:06:55680——> 00:06:59940
基本分光很
直接来自身边的你
105
00:06:59940——> 00:07:03889
得到分裂右下鼻子好
留下半面阴影和
106
00:07:03889——> 00:07:07080
不得不面对点亮，所以如果你在一个
信我们将看到如何做这
107
00:07:07080——> 00:07:12169
艺术家手中的光
本质上只是直接背后的
108
00:07:12169——> 00:07:17，310
不是太落后，对
身边她的脸，从这里到这里，现在又
109
00:07:17310——> 00:07:23010
如果伦勃朗是
定向和创造更多的戏剧
110
00:07:23010——> 00:07:27360
然后你分裂的照明要
创造更戏剧的好要
111
00:07:27360——> 00:07:31169
离开不得不面对和阴影却
严重的方向也很
112
00:07:31169——> 00:07:35139
美妙说运动的肖像和
等等，我们利用伦勃朗和
113
00:07:35139很多——> 00:07:38330
分裂照明时，我们的运动员
肖像因为你想重
114
00:07:38330——> 00:07:43030
定向光不仅戏剧性的
也吸引了很多在
115
00:07:43定义，030——> 00:07:48180
他们肌肉的功能等等
这2个我想说的是更多的
116
00:07:48180——> 00:07:51320
戏剧性的一面，我们看看我们有什么
这里在这灯光设置如果
117
00:07:51320——> 00:07:55800
你通知我们去这方面我们结束了少少
阴影阴影意味着
118
00:07:55800——> 00:08:00010
少剧我们去这个我我们最终
随着更多的阴影和阴影的手段
119
00:08:00010——> 00:08:05250
更加剧了这五共性关键
光模式五元气
120
00:08:05250——> 00:08:08810
模式让我们去下一个视频更会
告诉你这些关键光模式
121
00:08:08810——> 00:08:13080
看起来像扩散因为
变化非常显著
122
00:08:13，080——> 00:08:16990
之间没有直接的光
扩散与扩散和菲尔
00:05:34419——> 00:05:38320
伦勃朗基本上成功了甚至更
定向与我们最终
84
00:05:38320——> 00:05:42370
得到我们得到这个点我们得到一个
很多光一侧的脸
85
00:05:42370——> 00:05:47200
得到一分亮点就
在眼睛的
86
00:05:47200脸颊——下00:05:51680
>我好另一边的脸却
最脸在阴影里所以我把
87
00:05:51680——> 00:05:54780
看到标志了这是一种
是什么样子从侧面
88
00:05:54780——> 00:05:58880
要来的高，我们得到
点分就留一半
89
00:05:58880——> 00:06:03360
真的很大一部分的脸和
在阴影中除了眼睛和
90
00:06:03360——> 00:06:05620
脸颊可以再
91
00:06:05620——> 00:06:08880
伦勃朗照明你越来越
更戏剧性的是我们没有
92
00:06:08880——> 00:06:13080
介绍更多的阴影在我们的肖像
我们去更戏剧性的外观
93
00:06:13080——> 00:06:17030
为这种类型的投篮不
一定是最讨人喜欢的东西
94
00:06:17030——> 00:06:20090
但仍然可以弥漫它因为这
还算是一种直接的光不是
95
00:06:20090——> 00:06:23740
上我们有相当尖锐的阴影的边缘时，我们
弥漫这一点更
96
00:06:23740——> 00:06:28150
奉承但通常不是用
美是用于戏剧是用
97
00:06:28150——> 00:06:28，650
当你
98
00:06:28650——> 00:06:33790
想让你知道更多的阴影和
更边缘的图像很好所以我
99
00:06:33790——> 00:06:37699
不会使用它时，他要像一
非常讨人喜欢的肖像
100
00:06:37699——> 00:06:41199
主题有点生你的气
他们看起来像什么
101
00:06:41199——> 00:06:47600
看这么严重，他们不知道什么好
最后我们把伦勃朗
102
00:06:47600——>在环更00:06:51699
所以这里我们有环好
所以环是在这里
103
00:06:51699——> 00:06:55680
伦勃朗在这里再分裂后
基本上是正确的现场，
104
00:06:55680——> 00:06:59940
基本分光很
直接来自身边的你
105
00:06:59940——> 00:07:03889
得到分裂右下鼻子好
留下半面阴影和
106
00:07:03889——> 00:07:07080
不得不面对点亮，所以如果你在一个
信我们将看到如何做这
107
00:07:07080——> 00:07:12169
艺术家手中的光
本质上只是直接背后的
108
00:07:12169——> 00:07:17，310
不是太落后，对
身边她的脸，从这里到这里，现在又
109
00:07:17310——> 00:07:23010
如果伦勃朗是
定向和创造更多的戏剧
110
00:07:23010——> 00:07:27360
然后你分裂的照明要
创造更戏剧的好要
111
00:07:27360——> 00:07:31169
离开不得不面对和阴影却
严重的方向也很
112
00:07:31169——> 00:07:35139
美妙说运动的肖像和
等等，我们利用伦勃朗和
113
00:07:35139很多——> 00:07:38330
分裂照明时，我们的运动员
肖像因为你想重
114
00:07:38330——> 00:07:43030
定向光不仅戏剧性的
也吸引了很多在
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00:07:43定义，030——> 00:07:48180
他们肌肉的功能等等
这2个我想说的是更多的
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00:07:48180——> 00:07:51320
戏剧性的一面，我们看看我们有什么
这里在这灯光设置如果
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00:07:51320——> 00:07:55800
你通知我们去这方面我们结束了少少
阴影阴影意味着
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00:07:55800——> 00:08:00010
少剧我们去这个我我们最终
随着更多的阴影和阴影的手段
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00:08:00010——> 00:08:05250
更加剧了这五共性关键
光模式五元气
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00:08:05250——> 00:08:08810
模式让我们去下一个视频更会
告诉你这些关键光模式
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00:08:08810——> 00:08:13080
看起来像扩散因为
变化非常显著
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00:08:13，080——> 00:08:16990
之间没有直接的光
扩散与扩散和菲尔
正在翻譯中..
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