7900:05:52,160 --> 00:05:56,400flas

79
00:05:52,160 --> 00:05:56,400
flash power the brightness of her skin
on this right side okay on the left side

80
00:05:56,400 --> 00:06:00,450
the brightness of the screen in the
shadow area is simply the ambient

81
00:06:00,450 --> 00:06:04,490
exposure meeting that not a lot of the
flashes actually covering the site

82
00:06:04,490 --> 00:06:07,889
address so the brightness on the left
side of her body is primarily due to

83
00:06:07,889 --> 00:06:11,900
being light so when we slow down the
shutter the brightness of that dress

84
00:06:11,900 --> 00:06:15,800
area if Brian significantly because
we're allowing more light over that area

85
00:06:15,800 --> 00:06:21,220
but the brightness of areas where flash
is touching the right side of her face

86
00:06:21,220 --> 00:06:26,500
the right side of her body that
brightness is determined by ambient

87
00:06:26,500 --> 00:06:27,430
light

88
00:06:27,430 --> 00:06:33,600
+ flash so as you slow down the shutter
notice that we're also adding a little

89
00:06:33,600 --> 00:06:37,030
bit of brightness to the face into that
right side of the body

90
00:06:37,030 --> 00:06:41,250
ok it's just one thing to keep in mind
it's not your flash is getting any more

91
00:06:41,250 --> 00:06:45,310
powerful the flash is it weird I know
that we know that when the flash fires

92
00:06:45,310 --> 00:06:49,660
at fire so quickly that doesn't matter
how long shuttered actually open the

93
00:06:49,660 --> 00:06:54,260
only difference in that brightness is
from immune exposure now now we know

94
00:06:54,260 --> 00:06:59,960
that go ahead and take a look at each of
these images on top for this per shot we

95
00:06:59,960 --> 00:07:04,030
talked about this a little bit earlier I
want to briefly talked again and kind of

96
00:07:04,030 --> 00:07:09,200
pocket through the overall process in
this I love that the Sun was directly

97
00:07:09,200 --> 00:07:13,500
above the street and kind of just giving
a backlight and your entire set to look

98
00:07:13,500 --> 00:07:17,240
like we had a multiple light setup even
though we only have one on-camera flash

99
00:07:17,240 --> 00:07:21,770
so I put her back to it that way they've
son is acting like a backlight on the

100
00:07:21,770 --> 00:07:25,560
entire scene it's giving her room later
hair like it's giving the grass a little

101
00:07:25,560 --> 00:07:30,500
backlight is giving the tree libitum
backlight I like natural light effects

102
00:07:30,500 --> 00:07:34,370
but I also love the fact that we're
getting the sunlight coming through this

103
00:07:34,370 --> 00:07:39,250
dress and it kind of highlighter form a
little bit so what I want to do I want

104
00:07:39,250 --> 00:07:43,980
to expose so that we can see the light
coming through so we can see some of the

105
00:07:43,980 --> 00:07:49,360
details in the color of the sky and so
that the dresses and simply blown out by

106
00:07:49,360 --> 00:07:53,530
exposed for just their skin tones the
just me blown out everywhere he blown

107
00:07:53,530 --> 00:07:57,550
out almost in every single spot even
over the front of her deep loan for the

108
00:07:57,550 --> 00:08:03,360
most part so I set the immune exposure
when it went from you later Prime f1 for

109
00:08:03,360 --> 00:08:08,330
help to the cannon version where one
tenth of a second at one point for ISO

110
00:08:08,330 --> 00:08:12,430
100 we're using a five stop neutral
density filter pay the same thing rate

111
00:08:12,430 --> 00:08:18,630
five stop filter we're bouncing with a
silver because it's kind of a little bit

112
00:08:18,630 --> 00:08:22,360
off to the side of the bed where we need
to overpower the Sun we need as much

113
00:08:22,360 --> 00:08:27,130
light as we can get sore using just a
stray silver I'm bouncing at 101 and I'm

114
00:08:27,130 --> 00:08:30,760
not using any grids or anything like
that because I'm basically looking at

115
00:08:30,760 --> 00:08:35,020
the light at 105 zoom and I take a flash
I take a shot just looking at the

116
00:08:35,020 --> 00:08:39,070
reflector just to make sure that I fill
the entire reflector with light I want

117
00:08:39,070 --> 00:08:40,830
to make sure that I feel the entire
reflect

118
00:08:40,830 --> 00:08:44,210
her and not just a small part of
reflector if just a small part of

119
00:08:44,210 --> 00:08:49,490
reflector catches light it's a small
modifier if the entire reflector fills

120
00:08:49,490 --> 00:08:53,850
up with light without letting too much
light still around the outside then

121
00:08:53,850 --> 00:08:57,540
we're maximizing the amount of size
about reflectors are going to softer

122
00:08:57,540 --> 00:09:02,390
larger light source and we're using up
more of it so basically get a stronger

123
00:09:02,390 --> 00:09:06,370
later as well because we're not allowing
it to spill over the edge so use your

124
00:09:06,370 --> 00:09:11,230
resume to control that depends on where
that modifiers placed in and out to make

125
00:09:11,230 --> 00:09:15,000
sure all of your flash all of that light
is right on the reflector it's not

126
00:09:15,000 --> 00:09:16,190
spilling over the edge

127
00:09:16,190 --> 00:09:20,850
nor is it too tight and hitting just a
small part of the reflector when that

128
00:09:20,850 --> 00:09:25,590
like comes back we get a beautiful
looking kind of dementia or directional

129
00:09:25,590 --> 00:09:30,320
light coming on to her what is a
directional I kind of lighting like it's

130
00:09:30,320 --> 00:09:34,640
basically loop letting ok coming
directly it's not so directional minutes

131
00:09:34,640 --> 00:09:38,290
rembrandt but it's a little bit
directional always when your lighting

132
00:09:38,290 --> 00:09:43,360
you're gonna find this trick out always
when you're letting like top down the

133
00:09:43,360 --> 00:09:50,150
light should always be coming from at
least slightly above your subject ok so

134
00:09:50,150 --> 00:09:52,890
the light right here is being held just
a little bit above the heads of that way

135
00:09:52,890 --> 00:09:57,120
it's coming down a little bit light will
always look more natural when it's

136
00:09:57,120 --> 00:10:00,250
coming down on the subject versus when
it's going it's going up it looks

137
00:10:00,250 --> 00:10:04,640
unnatural increased something off about
the image doesn't look quite right we're

138
00:10:04,640 --> 00:10:07,950
going for something natural we always
like top-down if you're going for that

139
00:10:07,950 --> 00:10:12,950
scary ghost effect yet shirt light top
left bottom up that usage of light does

140
00:10:12,950 --> 00:10:18,010
have a purpose its just not for this
type of the look so that's how we got to

141
00:10:18,010 --> 00:10:23,600
this shot was talked about this event in
the desert now we're in the desert our

142
00:10:23,600 --> 00:10:26,980
life is setting extremely quickly and I
noticed that we have this beautiful

143
00:10:26,980 --> 00:10:33,110
lines going back on this and i say bout
u go sit down from that very quickly in

144
00:10:33,110 --> 00:10:37,040
this situation it is kind of funny
because we we had off camera lights with

145
00:10:37,040 --> 00:10:40,760
us in this was part we're shooting for
letting 11 and learning tool but I

146
00:10:40,760 --> 00:10:46,220
didn't have the optimal i SAT up ready
to go yet so I just said look grab a

147
00:10:46,220 --> 00:10:50,160
silver reflector grabbed whatever you
gotta just come over and over I need my

148
00:10:50,160 --> 00:10:51,360
system to the stand right next

149
00:10:51,360 --> 00:10:56,680
I had no intention of shooting this with
just a reflector is just that's the tool

150
00:10:56,680 --> 00:11:00,260
that was readily available before the
sense that we had literally five minutes

151
00:11:00,260 --> 00:11:04,720
before this entire area was covered
shadows and were taken me ten fifteen

152
00:11:04,720 --> 00:11:09,180
minutes to set up the lighting so in
that situation these techniques and talk

153
00:11:09,180 --> 00:11:12,790
about these bills techniques you might
think will quiet you have population why

154
00:11:12,790 --> 00:11:16,510
would you ever do you know this type of
stuff because sometimes you're gonna

155
00:11:16,510 --> 00:11:20,760
pitch and you're in a bind you need to
get the shot just to get the shot and

156
00:11:20,760 --> 00:11:24,510
for that situation I'm using these
techniques that I know I can go to and

157
00:11:24,510 --> 00:11:29,339
they're quick and easy to do and we're
shooting at 100 of a second half to and

158
00:11:29,339 --> 00:11:33,089
iso 100 we have 25 stopping to against
the filter I think I'm just at this

結果 (中文) 1:

7900:05:52，160--> 00:05:56，400闪光灯输出功率的她的皮肤亮度在这好在左边右边8000:05:56，400--> 00:06:00，450在屏幕的亮度阴影区是简单的环境8100:06:00，450--> 00:06:04，490会议的接触不是很多实际上涵盖了网站的闪烁8200:06:04，490--> 00:06:07，889地址，以便在左边亮度她身体的一侧是主要由于8300:06:07，889--> 00:06:11，900被光这样当我们慢下来快门的那条裙子亮度8400:06:11 900--> 00:06:15，800区域如果布莱恩明显因为我们在那个地区允许更多的光8500:06:15，800--> 00:06:21，220但亮度的领域在哪里闪光触摸她的脸右侧8600:06:21，220--> 00:06:26，500右边的她的身体，亮度是由环境决定的。8700:06:26，500--> 00:06:27，430光8800:06:27，430--> 00:06:33，600+ 闪光这样为你放慢快门请注意，我们还增加了一点8900:06:33，600--> 00:06:37，030一点入那脸上的光彩右侧身体9000:06:37，030--> 00:06:41，250好吧这是只是一件事要牢记它不是你的闪光获得任何更多9100:06:41，250--> 00:06:45，310强大的 flash 是它奇怪我知道我们知道，当闪光灯发出9200:06:45，310--> 00:06:49，660在火这么快也没关系多长时间关闭实际上开放9300:06:49，660--> 00:06:54，260唯一的区别在那亮度是从免疫暴露现在现在我们知道9400:06:54，260--> 00:06:59，960往前走，看一看每个这些图像为此每顶上的拍摄我们9500:06:59，960--> 00:07:04，030谈到这个有点早我想要简要地谈了又一种9600:07:04，030--> 00:07:09，200通过在整个过程的口袋里这我爱太阳是直接9700:07:09，200--> 00:07:13，500以上街和种只是给背光和你整个集合，来看看9800:07:13 500--> 00:07:17，240像我们甚至有多个光源设置虽然我们仅有一个闪光灯9900:07:17，240--> 00:07:21，770所以我把她送回它他们过的那种方式儿子就像背光上10000:07:21，770--> 00:07:25，560整个场景它后来给她的房间头发像它有点给草10100:07:25，560--> 00:07:30，500背光给树任意型我喜欢自然的灯光效果的背光10200:07:30，500--> 00:07:34，370但我也爱我们的事实让阳光照进来这10300:07:34，370--> 00:07:39，250衣服和它荧光笔形式的我想要小一点，所以想做什么10400:07:39，250--> 00:07:43，980要公开，以便我们能看到的光来，所以我们可以看到一些10500:07:43，980--> 00:07:49，360在天空和这样的颜色的详细信息那衣服和只是吹出来的10600:07:49，360--> 00:07:53，530暴露的只是他们的肤色只是我吹出无处不在他吹10700:07:53，530--> 00:07:57，550几乎在每一个单一的点甚至出在前面的她深贷款10800:07:57，550--> 00:08:03，360大多数的一部分，所以我设置免疫曝光当它去从你后来的素为 f110900:08:03，360--> 00:08:08，330其中一个帮助到大炮版本第十届第二次在 ISO 的一个点11000:08:08，330--> 00:08:12，430100 我们使用中性五站密度筛选薪酬相同的事11100:08:12，430--> 00:08:18，630五站过滤器，我们正在讨论与因为它是种有点银11200:08:18，630--> 00:08:22，360去哪里我们需要的床边为了压倒太阳我们需要尽可能多11300:08:22，360--> 00:08:27，130光我们可以得到疼只使用流浪的银追忆在 101 和我11400:08:27，130--> 00:08:30，760不使用任何网格，或者其他东西因为我基本上看11500:08:30，760--> 00:08:35，020在 105 光放大和我带闪光拍摄只看看11600:08:35，020--> 00:08:39，070反射器只是为了确保我填满用光，我想整个反射器11700:08:39 070--> 00:08:40，830为了确保我觉得整个反映11800:08:40，830--> 00:08:44，210她并不只是一小部分如果只是一小部分的反射器11900:08:44，210--> 00:08:49，490反射器捕捉它是一个小小的光如果整个反射器填充的修饰符12000:08:49，490--> 00:08:53，850赶上光没有太多让光还在外面然后12100:08:53，850--> 00:08:57，540我们要的最小大小关于反射器将要到软12200:08:57，540--> 00:09:02，390更大的光源，我们使用更多的它所以基本上变得更强12300:09:02，390--> 00:09:06，370后来也是因为我们不允许它溢出边缘所以用你12400:09:06，370--> 00:09:11，230恢复到取决于哪里的控制修饰符放置进进出出，使12500:09:11，230--> 00:09:15，000确保所有的你闪光的一切，那光的对反射器，它是不是12600:09:15，000--> 00:09:16，190溢12700:09:16，190--> 00:09:20，850也不是太紧、 太打击只是反射器的小部分时，12800:09:20，850--> 00:09:25，590愿意回来，我们得到一个美丽看上去有点痴呆或定向12900:09:25，590--> 00:09:30，320对她有什么有意思的光是方向我善良的照明像它那样13000:09:30，320--> 00:09:34，640基本上循环让好的到来直接，它不是那么定向分钟13100:09:34，640--> 00:09:38，290伦勃朗，但它的一点点定向总是当你照明13200:09:38，290--> 00:09:43，360你要总是找出这一招当你让像顶13300:09:43，360--> 00:09:50，150光总是应该在来自略高于你的主题最不好，就13400:09:50，150--> 00:09:52，890只是正在举行的光就在这里一点点头上的那种方式13500:09:52，890--> 00:09:57，120它下来一点点光明会总是看起来更自然，当它是13600:09:57，120--> 00:10:00，250关于主题、 何时下来就它正在往它看起来13700:10:00，250--> 00:10:04，640非自然增加了某事关于图像看起来不很正确，我们13800:10:04，640--> 00:10:07，950做事情自然我们总是喜欢自上而下如果你要的13900:10:07，950--> 00:10:12，950可怕的鬼效果但衬衫轻顶部该用法光左的自下而上并14000:10:12，950--> 00:10:18，010有一个目的，它只是不为这所以这就是我们怎么去看的类型14100:10:18，010--> 00:10:23，600这个镜头被谈到了这一事件现在，我们在沙漠中的沙漠我们14200:10:23，600--> 00:10:26，980生活极其快速设置和我注意到我们有这美丽14300:10:26，980--> 00:10:33，110线上轮这、 我说回去u 去很快的从那坐下来14400:10:33，110--> 00:10:37，040这种情况真是好的搞笑因为我们我们已经与相机关灯14500:10:37，040--> 00:10:40，760我们在这是的一部分，我们正在为射击让 11 和学习工具，但14600:10:40，760--> 00:10:46，220没有最优的我坐起来准备好了要走所以我只是说看抓斗14700:10:46，220--> 00:10:50，160银色反光板抓起无论你要只是来反复我需要我14800:10:50，160--> 00:10:51，360到站系统正确的下一步14900:10:51，360--> 00:10:56，680拍摄这与无意只是反射器是工具，只是不是15000:10:56，680--> 00:11:00，260那是现成之前感觉我们已经从字面上五分钟15100:11:00，260--> 00:11:04，720在这整个地区被覆盖之前阴影，采取我 10:15 上午15200:11:04，720--> 00:11:09，180分钟，设置灯光，这种情况这些技术和谈话15300:11:09，180--> 00:11:12，790你可能对这些条例草案技术想想会安静你为什么有人口15400:11:12，790--> 00:11:16，510你会做你知道这种类型的因为有时你要去的东西15500:11:16，510--> 00:11:20，760球场，你就在你需要绑定拍只是为了拍摄的照片和15600:11:20，760--> 00:11:24，510这种情况我使用这些我知道我可以去到的技术和15700:11:24，510--> 00:11:29，339他们是快速又简单易做，我们是射击在第二年半至 100 和15800:11:29，339--> 00:11:33，089iso 100 我们有 25 停止向反对我想我只是在此筛选器

結果 (中文) 3:

79
00:05:52160——> 00:05:56400
闪光功率亮度她皮肤
在右边好左边

80
00:05:56400——> 00:06:00450
亮度的屏幕在
阴影区是单纯的环境

81
00:06:00450——> 00:06:04490
曝光的会议，没有太多的
闪烁实际上涵盖了网站

82
00:06:04490——> 00:06:07889
地址所以亮度左边
她身体的一侧主要是由于

83
00:06:07889——> 00:06:11900
轻所以当我们慢下来的
快门那件衣服

84
00:06:11900——> 00:06:15800
区域的亮度如果布瑞恩明显因为
我们让更多的光在这地区

85
00:06:15800——> 00:06:21220
但亮度的地方闪光
摸着她的脸

86
00:06:21220右侧——> 00:06:26，500
右侧身体
亮度是由环境

87
00:06:26500确定——> 00:06:27430
光

88
00:06:27430——> 00:06:33600
闪光所以你放慢快门
注意我们也加一点

89
00:06:33600——> 00:06:37030
点亮度的脸，
身体的

90
00:06:37030右侧——> 00:06:41250
好只是有一点要记住
这不是你的Flash是变得更

91
00:06:41250——> 00:06:45310
强大的Flash是很奇怪我知道
，我们知道当火灾

92
00:06:45310——> 00:06:49660
在火太快了，没关系
多久关闭实际上打开

93
00:06:49660——>在亮度00:06:54260
唯一不同的是
免疫暴露现在我们知道

94
00:06:54260——> 00:06：59960
，去在每一
这些图片上这每拍摄我们

95
00:06:59960——> 00:07:04030
谈到这一点之前我想简要地谈了
再次和

96
00:07:04030种——> 00:07:09200
口袋通过
这个我爱的太阳直接

97
00:07:09200——> 00:07:13500
以上街道，只是给
种整体过程看背光，整个集看

98
00:07:13500——> 00:07:17240
像我们有多个光源设置甚至
虽然我们只有一个闪光

99
00:07:17240——> 00:07:21770
所以我把她带回这样他们
儿子像在

100
00:07:21770——> 00:07:25560
整个场景是给她的房间后
头发像是给小草一点

101
00:07:25背光，560——> 00:07:30500
背光给树食
背光我喜欢自然光的效果

102
00:07:30500——> 00:07:34370
但我也爱的事实，我们
让阳光通过这

103
00:07:34370——> 00:07:39250
穿这种荧光形成
点所以我想做我想做的

104
00:07:39250——> 00:07:43980
暴露使我们可以看到光
从我们可以看到一些的

105
00:07:43980——> 00:07:49360
细节在天空的颜色，所以
，衣服和简单地吹出

106
00:07:49360——> 00:07:53530
暴露的只是他们的肤色的
只是我吹他到处吹

107
00:07:53530——> 00:07:57550
几乎在每一个单点甚至
在她面前深贷款的

108
00:07:57，550——> 00:08:03360
大部分所以我免疫暴露
就从你以后主要的F1

109
00:08:03360——> 00:08:08330
帮助炮版本，一
第十秒一点

ISO 110
00:08:08330——> 00:08:12430
100我们使用一五站中性密度滤光片
支付相同率

111
00:08:12430——> 00:08:18630
五停止过滤我们跳一
银是一点点

112
00:08:18630种——> 00:08:22360
掉到床的一边，我们需要
压倒我们需要阳光一样

113
00:08:22360——> 00:08:27130
光我们可以仅用一
痛流浪银我跳在101和我

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不使用任何网格或类似的
，因为我基本上看

115
00:08:30，760——> 00:08:35020
光在105变焦和我要闪
我试看看

116
00:08:35020——> 00:08:39070
反射让我填
整个反射光我想

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00:08:39070——> 00:08:40830
让我感觉整个
反映

118
00:08:40830——> 00:08:44210
她而不只是一小部分
反射如果只是

119
00的一小部分：08:44210——> 00:08:49490
反射器捕捉光这是一个小
修饰符如果整个反射罢了，

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00:08:49490——> 00:08:53850
与光没有让太多的
光仍然在外面然后

121
00:08:53850——> 00:08:57540
我们最大量的大小
关于反射器的打算柔和的

122
00:08:57540——> 00:09:02390
较大的光源，我们使用了
更因此获得更强的

123
00:09:02390——> 00:09:06370
后来因为我们不允许
它溢出的边缘，用你的

124
00:09:06370——> 00:09:11230
恢复控制，取决于
，修饰语放在和进行

125
00:09:11230——> 00:09:15000
肯定你所有的闪光灯，光
对反射面上的不

126
00:09:15，000——> 00:09:16190
溢出边缘

127
00:09:16190——> 00:09:20850
也不是太紧张，打击只是反射器
小部分时，

128
00:09:20850——> 00:09:25590
喜欢回来我们得到一个美丽的
看上去有点痴呆或定向

129
00:09:25590——> 00:09:30320
光来到她
定向我种照明就像是

130
00:09:30是什么，320——> 00:09:34640
基本回路让好来
直接不是那么定向分钟

131
00:09:34640——> 00:09:38290
伦勃朗但是有一点
方向总是当你的照明

132
00:09:38290——> 00:09:43360
你会发现这一招总是
当你让喜欢顶下

133
00:09:43360——> 00:09:50150
光应该来自于
至少略高于你的主题好

134
00:09:50150——> 00:09:52890
光在这里正在举行的是
上面一点点头，

135
00:09:52890——> 00:09:57120
它下来一点点的光将
总是看起来更自然的时候，

136
00:09:57120——> 00:10:00250
降临于主体与
时就要起来看起来

137
00:10:00，250——> 00:10:04640
自然增加了一些关于
图像看起来不太对劲我们

138
00:10:04640——> 00:10:07950
去自然的东西我们总是
喜欢自上而下的如果你去

139
00:10:07950——> 00:10:12950
吓人的效果但是衬衫光明顶
左自下而上使用光

140
00:10:12950——> 00:10:18010
有一个目的，它只是不该
类型看，我们要

141
00:10:18010——> 00:10:23600
这个镜头是谈论这一事件在
沙漠现在我们在沙漠中我们

142
00:10:23600——> 00:10:26980
生活设定的速度非常的快，我
注意到我们这个美丽的

143
00:10:26980——> 00:10:33110
线回到这个和我说一
你去坐下来，很快就在

144
00:10:33110——> 00:10:37040
这种情况很有趣因为我们有
关闭相机灯

145
00:10:37040——> 00:10:40760
我们这部分是我们
让11和学习的工具，但我

146
射击00:10:40760——> 00:10:46220
没有最佳我坐起来准备
呢我就说一下抢

147
00:10:46220——> 00:10：50160
银色反光抓住你
得过来，我需要我的

148
00:10:50160——> 00:10:51360
系统对站旁边

149
00:10:51360——> 00:10:56680
我无意拍摄这
只是一个反射镜是的工具

150
00:10:56680——> 00:11:00260
是现成的在
感觉我们真的有五分钟

151
00:11:00，260——> 00:11:04720
在这整个地区都覆盖
阴影和被我一零一五

152
00:11:04720——> 00:11:09180
分钟设置照明，在
情况这些技巧和说话

153
00:11:09180——> 00:11:12790
这些账单技术你可能
认为会安静你的人口为什么

154
00:11:12790——> 00:11:16510
你会你知道这种类型的
的东西，因为有时你会

155
00:11:16510——> 00:11:20760
音高和你在一个绑定你需要
得到射击得到镜头和

156
00:11:20760——> 00:11:24510
对于这种情况我使用这些
技术，我知道我可以去和

157
00:11:24510——> 00:11:29339
他们快速和容易的做，我们
射击100秒半，

158
00:11:29339——> 00：11:33089
ISO 100我们有25停止对
过滤我想我就在这