100:00:21,330 --> 00:00:29,590so he

1
00:00:21,330 --> 00:00:29,590
so here we are in capture one they
photographed seven hundred and

2
00:00:29,590 --> 00:00:35,110
twenty-one images that day and I feel
like you seen a lot of this you see in

3
00:00:35,110 --> 00:00:40,010
most of the process in the previous
filming of this so I'm just gonna run

4
00:00:40,010 --> 00:00:40,930
through it real quick

5
00:00:40,930 --> 00:00:44,510
the few things I want to show you he's
here which is one of the early frames

6
00:00:44,510 --> 00:00:48,269
that be captured and look at what my
settings on the camera at that time

7
00:00:48,269 --> 00:00:57,549
really quite love 2687 Calvin now as I
mentioned before we should put this

8
00:00:57,549 --> 00:01:03,199
around 5,500 that is our day light
neutral and you will see you get a

9
00:01:03,199 --> 00:01:09,000
really have the warm tone this is
because the bulbs that is in these lamps

10
00:01:09,000 --> 00:01:19,310
is neutral at about 3,000 Calvin so take
these down to about 3,000 and that's

11
00:01:19,310 --> 00:01:24,260
about neutral for this place now we
talked about the color palette in the

12
00:01:24,260 --> 00:01:27,590
mood I wanted a front and it's
definitely not warm and happy it's

13
00:01:27,590 --> 00:01:31,690
cooler and more dramatic talked about
the pool some pockets or light a

14
00:01:31,690 --> 00:01:37,260
cinematic quality so I decided to push
this way further down eventually so I'm

15
00:01:37,260 --> 00:01:39,980
just gonna mind you through some of
these frames real quick

16
00:01:39,980 --> 00:01:44,740
even if you see a lot of it terrible
pictures so don't judge me on that is

17
00:01:44,740 --> 00:01:48,800
really just for me to get a sense of
where the elements with girl he started

18
00:01:48,800 --> 00:01:54,760
with the bed up against that first wall
didn't really work but turned around and

19
00:01:54,760 --> 00:02:00,550
this is not that far from the only ended
up to be honest warmer tones we gotta

20
00:02:00,550 --> 00:02:06,820
just to stand in the shade my light and
then we kind of got real about it I

21
00:02:06,820 --> 00:02:12,629
started to shape the color totality into
what you see on the screen right here so

22
00:02:12,629 --> 00:02:17,470
let's take a look at what this is I
mentioned in the introduction Nick alvin

23
00:02:17,470 --> 00:02:23,640
and the 10th kind of working together
the Calvin and this specter warm down

24
00:02:23,640 --> 00:02:31,420
into cool and tend to reconfirm green
into magenta so here we have a tent

25
00:02:31,420 --> 00:02:32,970
traveling way into the

26
00:02:32,970 --> 00:02:38,230
green technologies and here it's
traveling into the magenta technologies

27
00:02:38,230 --> 00:02:48,140
so two purposes here we go back a tiny
bit like this palette little greener and

28
00:02:48,140 --> 00:02:54,710
obviously the Calvin way way down to
great that coolness that we wanted now I

29
00:02:54,710 --> 00:03:00,030
set this on location and i ended up
liking it afterwards and I process these

30
00:03:00,030 --> 00:03:04,780
files will quick before sitting there
with you by and is keeping this analogy

31
00:03:04,780 --> 00:03:08,650
we are going to change it a little bit
probably but this is fairly close to

32
00:03:08,650 --> 00:03:15,070
where I want to end up again I'm doing
this changes here because the raw file

33
00:03:15,070 --> 00:03:18,770
in the conversion is better done than
taking the color all the way from this

34
00:03:18,770 --> 00:03:24,250
warmth into this cool green afterwards
in Photoshop that's a big color shift

35
00:03:24,250 --> 00:03:29,480
and its way better done and you do it
and there are converter so I can go

36
00:03:29,480 --> 00:03:34,110
through a few of these but essentially
you've been through the whole process so

37
00:03:34,110 --> 00:03:37,940
me shooting it so my thoughts as I did
it so that's not really all that much

38
00:03:37,940 --> 00:03:47,340
more to this than I interact the talent
I try to put myself in a mode that

39
00:03:47,340 --> 00:03:52,470
reflects the mode that I would like to
have from them so if I were a lifestyle

40
00:03:52,470 --> 00:03:56,860
should have in this moment and wanted
someone jumping on the bed I would be

41
00:03:56,860 --> 00:04:02,140
amped up and full of energy and project
that stuff and just go and have them

42
00:04:02,140 --> 00:04:06,970
sort of reflect the energy after what I
sort of give them your project on them

43
00:04:06,970 --> 00:04:10,810
in this case I wanted something really
quiet I didn't really stay on that much

44
00:04:10,810 --> 00:04:15,989
it was muted I let them be quiet I just
told him a little bit about what the

45
00:04:15,989 --> 00:04:19,290
situation where and let them just have
at it

46
00:04:19,290 --> 00:04:23,270
given them some compliments on their
beauty here and there but for that it's

47
00:04:23,270 --> 00:04:25,720
really just leaving them alone in a day

48
00:04:25,720 --> 00:04:32,240
and letting their body language do the
talking in some ways so I to say to you

49
00:04:32,240 --> 00:04:38,360
absolutely stunning woman and I don't
think I could have asked for a lot

50
00:04:38,360 --> 00:04:44,930
better model for this I talked initially
about the red hair color and was part of

51
00:04:44,930 --> 00:04:49,520
the reason I chose her now be taken a
lot of that read out by adding a lot of

52
00:04:49,520 --> 00:04:53,430
green so we'll see maybe later in me
touch me to bring some of that redness

53
00:04:53,430 --> 00:05:00,000
back or process a file that sits in here
and then again sits in here and we later

54
00:05:00,000 --> 00:05:04,170
the two to bring some of that red color
that you have it here I can to the

55
00:05:04,170 --> 00:05:12,270
photograph I struggled a little bit
muted sort of tonality in this I wanted

56
00:05:12,270 --> 00:05:16,850
some pop of color but I ended up and
bracing

57
00:05:16,850 --> 00:05:22,650
muted only blue-green tonality in this
picture so maybe a sabotage this

58
00:05:22,650 --> 00:05:26,870
together medieval change that projector
II but it seems to be a picture that

59
00:05:26,870 --> 00:05:32,560
sits in this world that's very
dehydrated and and monochromatic color

60
00:05:32,560 --> 00:05:38,280
so let's look at that from when it comes
to my settings up here which we briefly

61
00:05:38,280 --> 00:05:43,530
talked about in the previous bureaucracy
exposure has come down a tiny bit I

62
00:05:43,530 --> 00:05:47,340
wanted to be really moody so we can
maybe pulled out there was maybe help in

63
00:05:47,340 --> 00:05:51,340
a tiny bit but I like it to be really
quite down and then there's a saturation

64
00:05:51,340 --> 00:05:57,800
fully saturated it feels to almost neon
like in the color palette for me and

65
00:05:57,800 --> 00:06:03,370
that will happen when you have a lot of
tungsten lights around so obviously they

66
00:06:03,370 --> 00:06:08,750
wanna be saturated out so it's a little
bit more muted so I'm not sure if it's

67
00:06:08,750 --> 00:06:14,860
too much more to assess in this capture
one part of this the color is set its

68
00:06:14,860 --> 00:06:20,940
process the same as in the previous
segment at home in 10 percent and that's

69
00:06:20,940 --> 00:06:28,350
really be spent a lot of time on this
photograph it was not as simple as I

70
00:06:28,350 --> 00:06:31,280
mentioned when i SAT there and talked
about what we're going to accomplish

71
00:06:31,280 --> 00:06:37,099
today just one room into another ended
up being one small door expanding doors

72
00:06:37,099 --> 00:06:38,889
too tight

73
00:06:38,889 --> 00:06:42,969
how to really tweak frames to get the
perspectives rights that women came a

74
00:06:42,969 --> 00:06:47,490
little too close to the guy wrote on
flopping her a lot of stuff but again

75
00:06:47,490 --> 00:06:50,560
I'm excited to share this process and
joining with you and you could actually

76
00:06:50,560 --> 00:06:54,770
see and learn from something that's not
quite as easy as I thought would be a

77
00:06:54,770 --> 00:06:59,639
lot easier to begin it so I think that's
it I'll leave you with this going to

78
00:06:59,639 --> 00:07:01,249
jump into creating the back plate

結果 (中文) 1:

100:00:21，330--> 00:00:29，590所以在这里我们是在捕获一个他们拍到七百和200:00:29，590--> 00:00:35，110一天，我感觉到的 21 个图像像你看到很多这个你在看到300:00:35，110--> 00:00:40，010大多数在前一过程拍摄的这，所以只要去跑步400:00:40，010--> 00:00:40，930通过它真正的快500:00:40，930--> 00:00:44，510他是几个东西给你看在这里，这是早期的帧之一600:00:44，510--> 00:00:48，269那被捕获，看看什么我那时候在相机上设置700:00:48，269--> 00:00:57，549真的很爱现在作为我 2687年卡尔文提到之前，我们应该把这800:00:57，549--> 00:01:03，199约 5,500，是我们一天光明中性，你会看到你900:01:03，199--> 00:01:09，000真的有温暖的色调，这是因为这就是在这些灯灯泡1000:01:09，000--> 00:01:19，310是在大约 3000 卡尔文所以采取中立这些下降到约 3000 人1100:01:19，310--> 00:01:24，260关于中性为这地方现在我们谈到在调色板1200:01:24，260--> 00:01:27，590我想要一个前门和它的心情绝对不温暖和幸福是1300:01:27，590--> 00:01:31，690谈到冷却器和更富戏剧性池一些口袋或光1400:01:31，690--> 00:01:37，260电影的质量，所以要推这种方式进一步下滑，最终所以我1500:01:37，260--> 00:01:39，980只去介意你通过一些这些帧真正的快1600:01:39，980--> 00:01:44，740即使你看到很多的可怕所以不要在我的判断就是图片1700:01:44，740--> 00:01:48，800真的只是让我得到的感觉他是从哪儿开始的元素与女孩1800:01:48，800--> 00:01:54，760与在床上，第一靠墙站真的没有工作但转过身来和1900:01:54，760--> 00:02:00，550这不是绝不是唯一的结束向上要诚实暖的色调，我们得2000:02:00，550--> 00:02:06，820只是，站在树荫下我的光和然后我们种了真正了解它我2100:02:06，820--> 00:02:12，629开始形状的颜色全部成你所以就在这里在屏幕上看到2200:02:12，629--> 00:02:17，470让我们来看看这是什么是我阿尔文 · 尼克导言部分所述2300:02:17，470--> 00:02:23，640和一起工作第十种卡尔文和这个幽灵热情下降2400:02:23，640--> 00:02:31，420进入冷却和倾向于确认绿色到洋红色所以在这里我们有一个帐篷2500:02:31，420--> 00:02:32，970旅游方式到2600:02:32，970--> 00:02:38，230绿色技术和在这里它是旅行的洋红色的技术2700:02:38，230--> 00:02:48，140所以两个宗旨在这里我们回去小有点像这个调色板一点点偏绿和2800:02:48，140--> 00:02:54，710很明显卡尔文的方式往下拉大那种镇定，我们现在想我2900:02:54，710--> 00:03:00，030在位置上设置这和我结束了喜欢它之后和我处理这些3000:03:00，030--> 00:03:04，780文件将快速前坐在那里有你的保持这个比喻3100:03:04，780--> 00:03:08，650我们打算去改变它有点也许这是相当接近，但3200:03:08，650--> 00:03:15，070如果我想要结束再一次我在做这将更改在这里因为原始文件3300:03:15，070--> 00:03:18，770在转换过程中更好地做比考虑从这颜色3400:03:18，770--> 00:03:24，250温暖入这凉爽的绿色之后在 Photoshop 中，是一个大的颜色转变3500:03:24，250--> 00:03:29，480其方式更好地完成和你做它有转换器，这样我就可以去3600:03:29，480--> 00:03:34，110通过几个这些，但本质上是所以你经历了整个过程3700:03:34，110--> 00:03:37，940我射击它所以我的想法和我一样它并不是真的有那么多3800:03:37，940--> 00:03:47，340更多这比我互动人才我试着把自己放在一种模式，3900:03:47，340--> 00:03:52，470反映了我想要的模式从他们那里有这样如果我是一种生活方式4000:03:52，470--> 00:03:56，860应该有在这一刻，想我都会有人跳到床上4100:03:56，860--> 00:04:02，140兴奋和充满活力和项目东西，只是去和他们4200:04:02，140--> 00:04:06，970后我有点反映能源种上他们给他们您的项目4300:04:06，970--> 00:04:10，810在这种情况下我真的要的东西安静我不真的呆在那多4400:04:10，810--> 00:04:15，989它保持沉默我让他们安静我只是他讲了一点什么4500:04:15，989--> 00:04:19，290情况在那里，让他们只是有在它4600:04:19，290--> 00:04:23，270给他们一些恭维对他们美在这里和那里，但为的是4700:04:23，270--> 00:04:25，720真的只独自一人在一天之内离开他们4800:04:25，720--> 00:04:32，240并让他们做的肢体语言所以在某种程度上说我要对你说4900:04:32，240--> 00:04:38，360绝对让人叹为观止的女人和我不认为可以要很多5000:04:38，360--> 00:04:44，930为此我最初谈到更好的模型关于红色头发的颜色是的一部分5100:04:44，930--> 00:04:49，520采取我现在选择她的原因那读出来通过添加很多很多5200:04:49，520--> 00:04:53，430绿色所以我们会看到也许在我的后面触摸我带一些那发红5300:04:53，430--> 00:05:00，000回或处理一个文件，坐在这里然后再坐在这里和我们以后5400:05:00，000--> 00:05:04，170这两项问题带来一些那红色的颜色你这儿来5500:05:04，170--> 00:05:12，270我有点挣扎的照片静音的种音调在这我想要的5600:05:12，270--> 00:05:16，850一些流行的颜色却得到和支撑5700:05:16，850--> 00:05:22，650静音这只蓝绿色调这图片所以也许破坏5800:05:22，650--> 00:05:26，870在一起中世纪更改该投影仪第二，但它似乎是一幅画，5900:05:26，870--> 00:05:32，560坐在这个世界是十分脱水和单色的颜色6000:05:32，560--> 00:05:38，280让我们看看，从它的时候到我这里的设置我们简要6100:05:38，280--> 00:05:43，530谈到在以前的官僚暴露了下来一点点我6200:05:43，530--> 00:05:47，340想要真正喜怒无常，所以我们可以也许在那里拉也许是在帮助6300:05:47，340--> 00:05:51，340一小点，但想要真正比较下来然后还有饱和度6400:05:51，340--> 00:05:57，800完全饱和的感觉是几乎霓虹灯我喜欢颜色调色板中和6500:05:57，800--> 00:06:03，370这会发生，当你有很多的所以，很明显他们周围的钨灯6600:06:03，370--> 00:06:08，750想要出饱和，所以它是有点位更静音所以我不知道是否它有6700:06:08，750--> 00:06:14，860评估在此捕获太多这一部分颜色设置其6800:06:14，860--> 00:06:20，940处理与前相同部分在家中 10%的6900:06:20，940--> 00:06:28，350真的花了很多的时间在这它并不简单，我的照片7000:06:28，350--> 00:06:31，280提到，坐在那里谈了对我们所要完成7100:06:31，280--> 00:06:37，099今天只是一个房间到另一个结束被一个小门扩大门7200:06:37，099--> 00:06:38，889太紧7300:06:38，889--> 00:06:42，969如何真正调整帧来获得妇女们的观点权利7400:06:42，969--> 00:06:47，490小太接近那个家伙写上于是她很多东西但是再说一遍7500:06:47，490--> 00:06:50，560我很高兴能够分享这一进程，和你一起加入真的可以7600:06:50，560--> 00:06:54，770看到和学到的东西，不是好像就是那么简单7700:06:54，770--> 00:06:59，639很多容易开始它，所以我认为的它与此去，我会离开你7800:06:59，639--> 00:07:01，249跳进创造背板

結果 (中文) 3:

1
00:00:21330——> 00:00:29590
所以我们在捕捉他们
拍到七百和2


00:00:29590——> 00:00:35110
二十一图像的那一天我感觉
就像你看到很多这样的

3
00:00:35110——> 00:00:40010
大部分的过程在以前的
拍摄这所以我要跑

4
00:00:40010——> 00:00:40930
通过它真正的快速

5
00:00:40930——> 00:00:44见到你，510
的几件事我要告诉你他
这里这是一个早期的框架

6
00:00:44510——> 00:00:48269
，被捕获并看看我的
设置相机当时

7
00:00:48269——> 00:00:57549
真的很爱2687加尔文我现在
之前提到的我们要把这个

8
00:00:57549——> 00:01:03199
5500左右，是我们的天，光
中立，你会看到你的

9
00:01:03199——>真的有00:01:09000
温暖的色调，这是
因为灯泡，这些灯

10
00:01:09000——> 00:01:19310
是中性的约3000加尔文，把
这些下降到3000，这是

11
00:01:19310——> 00:01:24260
关于中性现在这个地方我们
谈到了在

12
00:01:24260调色板——> 00:01:27590
心情我想前和它的
绝对不是温暖和快乐的

13
00:01:27590——> 00:01:31690
冷却器和更戏剧性的谈论
池有口袋或光

14
00:01:31690——> 00:01:37260
电影质量，所以我决定把
进一步下跌，最终这种方式，所以我

15
00:01:37260——> 00:01:39980
只是要你通过一些
这些帧实时快速

16
00:01:39980——> 00:01:44740
即使你看到的很多可怕的
图片所以不要评判我，

17
00:01:44740——> 00:01:48800
真的只是我能感觉到
其中元素的女孩他开始

18
00:01:48800——> 00:01:54760
与床靠墙
没有第一没有真正的工作但转身

19
00:01:54760——> 00:02:00550
这不是远离不仅结束
要诚实温暖的色调要

20
00:02:00550——> 00:02:06820
只是站在树荫下，我的光，
然后我们种了真我

21
00:02:06820——> 00:02:12629
开始形状颜色总体为
你所看到的在这里等

屏幕右22
00:02:12629——> 00:02:17470
看看这是我
在介绍尼克阿尔文

23
00:02:17470提到——> 00：02:23640
和第十种一起工作
加尔文这幽灵热身

24
00:02:23640——> 00:02:31420
到凉爽和倾向于确认为绿色
品红在这里我们有一个帐篷

25
00:02:31420——> 00:02:32970
旅行的方式进入

26
00:02:32970——> 00:02:38230
绿色技术和这里的
旅行到品红技术

27
00:02:38230——> 00:02:48140
所以两个目的我们回来了一个小小的
点像这个调色板的小绿和

28
00:02:48140——> 00:02:54710
显然加尔文的方式下，
杰出的凉意我们希望现在我

29
00:02:54710——> 00:03:00030
设置位置和我结束了
喜欢它之后，我处理这些

30
00:03:00030——> 00:03:04780
文件将快速前坐在那里
和你保持这种类比

31
00:03:04780——> 00:03:08650
我们要改变这一点
可能但这是相当接近

32
00:03:08650——> 00:03:15070
哪里我想结束我又做
这这里的变化由于原文件

33
00:03:15070——> 00:03:18770
在转换更好，做的比
以彩色的方式从所有这34


00:03:18770——> 00：03:24250
温暖到凉爽的绿色之后
在PS图象处理软件这是一个很大的色移

35
00:03:24250——> 00:03:29480
和更好的方式完成你
有转换器，这样我就可以

36
00:03:29480——> 00:03:34110
通过少数但本质上
你一直整个过程，所以

37
00:03:34110——> 00:03:37940
我拍摄所以我的想法和我一样
这样，真的不多，

38
00:03:37940——> 00:03:47340
比这更让我互动的人才
我尝试把自己放在一个模式，

39
00:03:47340——> 00:03:52470
反映，我想
模式已经从他们如果我是一个生活方式

40
00:03:52470——> 00:03:56860
应该在这一刻，想
某人在床上跳我会

41
00:03:56860——> 00:04：02140
陶醉了，充满了能量和项目
东西去让他们

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类反映能量后，我
类给他们他们
项目
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00:04:06970——> 00:04:10810
在这种情况下，我想我真的
安静真的没有留下多少

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是沉默我让他们安静，我只是
告诉他一点什么

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情况，让他们有
它

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给他们一些赞美他们的
美在这里和那里，但它的

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真的离开他们一天

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和让他们的身体语言做
在某些方面，我对你说

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绝对惊艳的女人，我不
认为我有过很多

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更好的模型，这我最初
关于红色头发的颜色是

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00:04:44930部分——> 00:04:49520
原因我选择了现在的她被
很多，宣读了加入了很多

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绿色所以我们会看到，也许以后我
触摸我带点红色

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背或工艺文件，坐在这里
然后再坐在这里和我们后来

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两带来一些那红色
你这里有我的

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照片我努力一点点
在这我想
调性柔和的排序
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一些流行的颜色但我最终和
支撑

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静音只有蓝色调在这
图片也许破坏这

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00:05:22650——> 00:05:26870一起
中世纪改变投影机
II，但它似乎是一张

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坐在这个世界上，很
脱水和单色

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让我们在看的时候，
我设置在这里，我们简要

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谈论以前的官僚
曝光了一点点我

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想很喜怒无常，所以我们可以
也许拔出有可能帮助

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一点点但我希望它是真的
安静下来，然后有一个饱和

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完全饱和的感觉几乎像霓虹
我和

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00:05:57800的调色板——> 00:06:03370
会发生，当你有很多
钨灯，显然他们

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00:06:03，370——> 00:06:08750
想饱和了所以有点
更柔和的所以我不确定这是

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太多评估
捕获的一部分这种颜色设置其

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过程同以前的
段在百分之10，69的


00:06:20940——> 00:06:28350
真的花了很多时间在这
摄影不是简单的我

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00:06:28350——> 00:06:31280
提到当我坐在那里交谈
什么我们要完成

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00:06:31280——> 00:06:37099
今天只是一个房间进入另一个结束
被一扇小门扩大

72门
00:06:37099——> 00:06:38889
太紧

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如何真正调整帧获取
妇女权益角度来

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太接近的人写的
假摔她很多东西但又

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我很高兴分享这个过程和
加入你和你真的可以

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看到从那些不
相当容易学习和我想的一样，会是一个

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更容易开始所以我认为
它我将离开这个你要

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跳进创建背板