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so let's study some patterns of light
and what's going to be really cool is
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once you learn this you're going to get
to the spot where that face needs
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butterfly light that face these
Bromborough the white knows they need
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split like you know you gonna you gonna
we're not gonna do this I'm not trying
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to say I'm the best photographer I have
no idea there some mornings where I go
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hey I'll be right back and I like put
the
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take a couple pictures with a light
moved around I'll be like God I don't
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know about the greatest today helped me
out I go back and look through my camera
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and all the Patapsco split likes the
past you know if I'm not awake didn't do
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enough coffee you know you got danger up
on it they were all the same ok so right
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now this is called butterfly like but
nobody really tells you exactly what is
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butterfly light how far should that
she'll come down how much of a shadow do
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you need ok so if you do this see the
shadows into her lap
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that's not part of my light shadows here
eight-member shadows height things she's
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got pretty lips why would you hide those
lips so let's do this that's a perfect
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shadow on during those years most
people's butterfly like this is not the
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highlight there's no Shadle so you gotta
make sure that you got that light at the
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right height the right distance now her
eyes don't have any cuts like a
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professional photographer will look for
cuts lights in the eyes
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hey if they got big glasses never gonna
happen now they double up dial ashis you
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never going to see a counselor but she
doesn't have any sushi spite I get the
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cuts lighter so watch out I might tell
her chin down just a little now your
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eyes look up a little higher nominal
over this down till I see the sparkle in
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the eyes there it is
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you can put the lighting on the face but
there's no cats light never gonna look
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sharp it's never going to pop the cats
light is the whole secret to the ice so
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remember you don't know the correct
height to you study and get the cuts
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like to show there's no catch light
right there so I'm gonna lower it down
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there's the catch alight lookout greater
face looks what this is but if I like
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now
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we take the butterfly light and you
modify it which means moving to the side
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now see the shadow former knows where is
that shadow going where's the finish
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line the edge of the lip is the finish
line so if you this is Luke lighting and
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if you close match at away in that be
remember what kind of like the Rembrandt
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have no you don't have a window that
looks to me like he had a trap door in
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ceiling that's why the light was up so
high
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Rembrandt lighting you don't tell the
people smile smile that lights up so
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high you can create bags into their eyes
you will never see a painting with
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Rembrandt lighting with a big smile you
just don't do it that's when you bring a
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light down dilute lighting and now she
can smile and let's not as high oK so
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that's rember at now turn your face that
way I don't know where the cameras at
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benefits over here is that the camera
the closeup ok so turn your faces thats
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rembrandt broad anybody $100 bill I'm
going out let's take a look
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assist us in front of you every day
there with the guys name
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look at the lighting on his face that's
call rembrandt prod now I'm not gonna
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show you one dollar bill because the
lighting just it just goes downhill on
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$1 dogs don't carry one of those will
you look at the lighting is not good
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that's rembrandt fraud then to your face
so you're this year the main camera
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right to your face towards him that
split lighting you turn your face that
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way that's brought lighting broadest
part of the faces being lit but keep
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your eye straight with you know if you
can wear your noses and then turn your
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face this way keep doing it that's
brought ok
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big deal but let me show you exactly how
to do it the cleanest way because this
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is stuff took me 30 years no one told me
this stock look great at that came when
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you do split lighting your life can be
down low because there's no cut its
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gonna split the face and half now you
gotta watch that you don't make a black
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eye in here that's from the split like
not being in the right spot I'm gonna
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bring a light forward try to clean up
that shadow in there you guys see that
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will watch how far bring it clean that
up the best I can if the light hits the
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other I pushed it to your max which is
what you wanna do
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pushed to the max back it up a little
bit that's the cleanest split like
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you'll ever do what's the most beautiful
thing you see on this girl right now I
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love the top of her lips the club in
their beautiful that is you I see that
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you race you'll never see again let's go
back to split look at her she's
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beautiful lips every time you move the
light around the face you're showing
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different features now watch it I'm
gonna take the light just moving around
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her face watch what happens watch how
many different ways she's gonna look
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what I got different lenses I can change
the look I'm about doing it with
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lighting I'll just put your lips a
little bit we're all happy little mouth
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so you have by giving animals pets what
do you have
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what's-his-name happy when you
photograph people what do you say that
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you say say cheese
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you bring them to the happy moments
she's a lot of larry and I should even
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though I'm here she's taken in mind
totally off get your picture taken
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that's the art of taking photographs you
have to talk to people so we learned
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that now that's that's she's too pretty
sluts muster up a little bit let's see
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if we can correct so your left hand put
it on top of you knows just like like
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you had a bump on your nose ok here she
is
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here's your life in every studios never
moves got dustin has never been move