Once in Pemberley House, Elizabeth haunts the windows, seeing
beautiful objects from every one: "As they passed into other rooms, these
objects were taking different positions; but from every window there
were beauties to be seen." The point of view metaphor hovers delicately
in the attention to window views and portraits; Pemberley is a "pros-
pect" that looks good in any frame. The multiplicity of views, all fine,
contributes to the general strategy of piling up positive impressions, and
of superseding the earlier rigid and partial assessment of Darcy.