100:00:22,430 --> 00:00:30,529alrig

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alright are ready for the final finish
and the final walkthrough of our

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conversations in its whenever I do my
retouch really do I do it in one sitting

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like I do when I teach you I look at it
I work on it I come back to it I ponder

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it and that's why I kinda make these
pictures prior to sitting down for use

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that I have done all explorations
thinking the sort of massaging of the

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picture because this is something that
takes time I rarely sit down and just do

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it as you know as you now know there's a
process to this part of my process is

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often to print my pictures out and I
usually laid on the floor in my office

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and I just look at it every day you know
that they call a few days and I look at

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it check it out looking at the end that
principle scribbles similar to what you

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see on the screen now at the bottom of
my thoughts about darker lighter you

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know things and perceptions change that
I can sit and read too much into things

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that picture is perfect and I come back
to it and I think what was I thinking

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way too dark to bright way too much
color so there's definitely a process to

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this so what I've done here on the
screen assist mark-up things that I need

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to attend when I sit down at the picture
again now this line of stuff right here

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I felt was just so symmetrical gonna
take away some of these so it's not just

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a line of thoughts right through the
middle and retouching here this year

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small little things that I walked up
here obviously there's a masking think

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the pillow we still gonna work on the
here and a small little stuff that we

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need to take care of so go through this
real quick and then at the end we gonna

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go through the picture pixel by pixel
and make sure that it's all cleaned up

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this is not gonna take that long I just
felt when I was very touching this

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picture that just went on and on and on
and on and I didn't want to bore you

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completely so do that now so if you
watching this piece then

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great we'll walk through it will quicken
will finish this up as it should be done

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so he's going to do this too low
capacity for now so I don't get too

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distracted but still know what I want to
do come down here pretty low to a

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backplate just start working on the
things that's pretty simple that lives

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here so we have a touch later taken away
some of the stuff already going to come

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in and work on that now let's just turn
off this layer come down to army touch

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later but this I just think you got to
use our healing brush all of these are

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pretty simple to use for this stuff is
going to use the Healing Brush Tool

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normal and I can kind of see that line
that I was talking about just want to

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make sure that that goes away so again
this is super simple if it happened it

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doesn't so let's see here why doesn't
this is super simple for just what

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happened which it doesn't because we're
on the wrong way when it come to this

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up here and just simple and shout again
and used the Healing Brush you hold down

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the option key that will set a cloning
point so when I see this I just put an

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anchor point and I brush over it and
this did not move now because I'm right

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in the middle of these two panels so to
take these need to come down to this we

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touch later said my anchor point in the
similar sort analogy of a space and then

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just paint over it and this was so
textured anyway if it's repeating

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patterns of the small things that goes
on

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does not quite

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but not as though is that this area
right here is inviting the middle of

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00:04:31,600 --> 00:04:40,050
miami touch or in the middle of my blend
of these two plates so funky right in

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here for sure gonna go back and forth
between these two retouch layers and I

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taking some of these out we didn't use
this space because this textured walls

50
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but felt it was just two symmetrical
will keep some of these we touch some of

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them out back up to this research there

52
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mission accomplished for parts of that
and then there's the handle standing

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here to do is to come up to our
adjustment layers and just gonna turn

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all these offer now just come on top
here actually in just create a layer and

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00:05:32,169 --> 00:05:35,699
make it brighter reason for this is that
I want to see what I'm doing it's so

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dark it's hard to see any of this so
without that this mostly goes away but

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might even take away the crop lines that
we can come in here and read that some

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of these out so again coming down to
every touch there and take this out

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was kinda cool just cabinets it just
felt too much like an office or rather

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00:06:07,040 --> 00:06:15,890
how did he like you shell this is so
dark I mean there's no waiting to see

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00:06:15,890 --> 00:06:28,440
what I'm doing here so I was kind of
that earlier here mark the spot up here

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look quite sure what went on up here
there's a bleeding right about here that

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we need to get rid of so that's just
fine with that layer is

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turning these off now as this might be
some residue that its way up there is

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definitely part of here behind it so
it's part of the door highlight and this

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doesn't there's no reason for this to be
up there at all just going to come in

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00:07:06,510 --> 00:07:24,800
brush this way again select a layer mask
and then we just brush that way

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come up here to my windows and brushes
turn off this ship dynamic I usually

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don't have that on how did not exhibit
exploring a little bit on however it's

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00:07:37,009 --> 00:07:40,530
all that here issue that we've been
running into and I am gonna just paint

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adherent to be honest not the best
solution but it seemed to be working for

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this photographs of going to work on
that in a minute we're completely

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changing the shape of the door here
think it's fine I'm gonna take this

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00:08:02,590 --> 00:08:27,550
stretch it a bit better but the door
behind barney's there

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00:08:27,550 --> 00:08:35,580
started increasing mistakes up here and
then we'll meet again exploring doing my

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finished and I do my final final touches
I will go through as I mentioned this

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picture pixel by pixel level then see
that this is stuff that would be

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discovered

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00:08:48,580 --> 00:09:00,780
see this legislation here as well as we
go through it all

80
00:09:00,780 --> 00:09:08,200
turning the filters turning the layers
on and off like this just to get me a

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00:09:08,200 --> 00:09:13,570
sense of what's underneath right to see
what is underneath there so none of this

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00:09:13,570 --> 00:09:15,290
is needed

83
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this is all just residue that we have in
here and this is try to start over this

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00:09:22,400 --> 00:09:28,460
and just cut it in the mill and then a
matter of just moving at all her to lie

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00:09:28,460 --> 00:09:34,180
in this up a little better not just a
matter of moving it to stretch it even

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00:09:34,180 --> 00:09:35,420
more

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00:09:35,420 --> 00:09:41,720
should this way and put it this way and
see if we can line up the edges of the

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00:09:41,720 --> 00:09:56,209
door a little bit better

結果 (中文) 1:

100:00:22，430--> 00:00:30，529好准备最后的结束和最后一个演练中的我们200:00:30，529--> 00:00:35，840对话在其每当我做我修饰真的做的事在一坐300:00:35，840--> 00:00:41，870当我教你一样，我看着它我工作我回来我对它的思考400:00:41，870--> 00:00:46，980它和那有为什么我有点做这些图片前，坐下来为使用500:00:46，980--> 00:00:51，570我做所有的探索思维的按摩的排序600:00:51，570--> 00:00:56，020图片因为这一点，我很少坐下来，只是做的时间700:00:56，020--> 00:01:02，980它作为你知道因为你现在知道有到我的这一部分的过程是过程的800:01:02，980--> 00:01:07，570经常要打印出图片收藏和我通常放在我的办公室的地板上900:01:07，570--> 00:01:12，479我只是看着它你知道每一天他们叫了几天，我看看1000:01:12，479--> 00:01:18，520它检查出来看着结束，类似于你的原则涂鸦1100:01:18，520--> 00:01:23，289现在底部的屏幕上看到我对黑暗的打火机的想法你1200:01:23，289--> 00:01:27，030知道事情和观念改变，我可以坐下来读到的东西太多1300:01:27，030--> 00:01:31，049那幅画是完美的我回来到它，我想我在想什么1400:01:31，049--> 00:01:36，299太黑暗到光明路太多颜色所以绝对是一个过程1500:01:36，299--> 00:01:41，630这样我的所作所为在这里上屏幕协助标记我需要的东西1600:01:41，630--> 00:01:46，750参加当我坐在这幅画现在又是这条线的东西就在这里1700:01:46，750--> 00:01:51，259我感到太对称去带走其中一些所以这不仅仅是1800:01:51，259--> 00:01:57，790通过思想右线中东和润色这里今年1900:01:57，790--> 00:02:01，140小小的事情，我走了这里显然是掩蔽的思考2000:02:01，140--> 00:02:05，979枕头我们仍去上班这里，一个小小的东西我们2100:02:05，979--> 00:02:11，209需要照顾所以去通过这真正的快然后在结束时我们会到2200:02:11，209--> 00:02:14，540通过图片的像素并确保它整顿了2300:02:14，540--> 00:02:17，940这不打算采取长时间我只是感觉到当我非常感动这2400:02:17，940--> 00:02:22，030只是在走和上的图片等等，我不想让你感到厌烦2500:02:22，030--> 00:02:26，950完全地这么做，现在这样的如果你然后看这片2600:02:26，950--> 00:02:31，879我们会穿越它的大将加快将这个做完它应该这样做2700:02:31,879 --> 00:02:39,560so he's going to do this too lowcapacity for now so I don't get too2800:02:39,560 --> 00:02:44,670distracted but still know what I want todo come down here pretty low to a2900:02:44,670 --> 00:02:49,410backplate just start working on thethings that's pretty simple that lives3000:02:49,410 --> 00:02:56,310here so we have a touch later taken awaysome of the stuff already going to come3100:02:56,310 --> 00:03:02,090in and work on that now let's just turnoff this layer come down to army touch3200:03:02,090 --> 00:03:06,980later but this I just think you got touse our healing brush all of these are3300:03:06,980 --> 00:03:12,250pretty simple to use for this stuff isgoing to use the Healing Brush Tool3400:03:12,250 --> 00:03:17,019normal and I can kind of see that linethat I was talking about just want to3500:03:17,019 --> 00:03:25,180make sure that that goes away so againthis is super simple if it happened it3600:03:25,180 --> 00:03:36,880doesn't so let's see here why doesn'tthis is super simple for just what3700:03:36,880 --> 00:03:41,130happened which it doesn't because we'reon the wrong way when it come to this3800:03:41,130 --> 00:03:54,130up here and just simple and shout againand used the Healing Brush you hold down3900:03:54,130 --> 00:03:59,400the option key that will set a cloningpoint so when I see this I just put an4000:03:59，400--> 00:04:04，030锚点和我刷过它和因为我对这不动现在4100:04:04，030--> 00:04:09，030在这两个面板这样对考虑到这下来我们这些需要4200:04:09，030--> 00:04:15，150触摸后说: 在我锚点相似的排序类比的空间，然后4300:04:15，150--> 00:04:21，820它和这只是油漆是如此如果它重复反正纹理4400:04:21，820--> 00:04:23，889去的小东西的模式关于4500:04:23，889--> 00:04:25，130无4600:04:25，130--> 00:04:31，600但这不是说是这一领域这里邀请的中间4700:04:31，600--> 00:04:40，050迈阿密触摸或中间我混其中两个板块的如此时髦权4800:04:40，050--> 00:04:46，650在这里肯定会去来来回回这两者之间进行修饰层和我4900:04:46，650--> 00:04:52，880采取的这些出我们一些没有使用这空间，因为这质感墙5000:04:52，880--> 00:04:58，900但觉得这是只是两个对称要保留这些我们触及一些一些5100:04:58，900--> 00:05:11，770这项研究那里回到出来5200:05:11，770--> 00:05:18，310任务完成的那部分然后还有句柄站5300:05:18，310--> 00:05:23，770在这里做是来赶上我们调整图层，只是要让5400:05:23，770--> 00:05:32，169所有这些提议现在只是来顶上在这里实际上在只是创建一个图层和5500:05:32，169--> 00:05:35，699使它更亮的原因是，我想要看我在做什么就这样5600:05:35，699--> 00:05:41，129黑暗很难看到任何这所以没有，这大多会消失，但5700:05:41，129--> 00:05:47，669可能甚至带走裁切线，我们可以来这里和读到一些5800:05:47，669--> 00:05:59，760这再一次来每碰那里，带着它走5900:05:59，760--> 00:06:07，040是挺酷的只是橱柜，它只是感觉太多像办公室或者说6000:06:07，040--> 00:06:15，890他和你一样是如何壳这是这样黑暗我的意思是没有等着看6100:06:15，890--> 00:06:28，440我在做什么在这里所以种早些时候在这里这里的亮点6200:06:28，440--> 00:06:34，500看起来相当确信什么上看这里还有这里的出血，6300:06:34，500--> 00:06:44，470我们需要摆脱的所以这只是与该图层的罚款是6400:06:44，470--> 00:06:55，240现在把这些关闭作为这可能一些残留，其方法了，那里是6500:06:55，240--> 00:07:02，680这里它背后肯定部分所以它的门高光和这一部分6600:07:02，680--> 00:07:06，510不就没有理由为这是那里，一切只打算进来6700:07:06，510--> 00:07:24，800这种方式刷再选择一个图层蒙版然后我们就刷这种方式6800:07:24，800--> 00:07:32，680来到这里我 windows 和画笔关闭这艘船动态我通常6900:07:32，680--> 00:07:37，009不知道如何并不表现出然而它有一点点探索7000:07:37，009--> 00:07:40，530这里所有的问题，我们已经运行到和我去只是油漆7100:07:40，530--> 00:07:46，569信徒要诚实不是最好的解决方案，但它似乎为工作7200:07:46，569--> 00:07:55，159这照片的去上班在一分钟内我们是完全7300:07:55，159--> 00:08:02，590改变形状的门在这里认为这很好我要去把这个7400:08:02，590--> 00:08:27，550伸展有点改善，但门巴尼的背后那里7500:08:27，550--> 00:08:35，580开始增加了这里的错误和然后我们会见面再探索做我7600:08:35，580--> 00:08:42，230完成并我最后的最后润色将经过一点如前所述这7700:08:42，230--> 00:08:47，320然后看到图片的像素水平这是会的东西7800:08:47，320--> 00:08:48，580发现7900:08:48，580--> 00:09:00，780看到这一立法在这里作为我们经过这一切8000:09:00，780--> 00:09:08，200车削车削层的筛选器打开和关闭这样只是为了让我8100:09:08，200--> 00:09:13，570什么是权看到底下的感什么是再下面有所以这一切都不8200:09:13，570--> 00:09:15，290被需要8300:09:15，290--> 00:09:22，400这是所有我们有的只是残留在这里，这尝试从头开始这8400:09:22，400--> 00:09:28，460只是把它切成磨，然后只在所有移动的问题她撒谎8500:09:28，460--> 00:09:34，180在这一点不只是移动它甚至伸展它的问题8600:09:34，180--> 00:09:35，420更多8700:09:35，420--> 00:09:41，720应该通过这种方式，把它放这种方式和看看是否我们可以排队的边缘8800:09:41，720--> 00:09:56，209门还是稍微好些

結果 (中文) 3:

1
00:00:22430——> 00:00:30529
好准备最后完成
和我们

2
00:00:30529最后演练——> 00:00:35840
对话在每当我做我的
润饰真的我做一次

3
00:00:35840——> 00:00:41870
像我做的时候我教你我看
我工作上我回到我的思考

4
00:00:41870——> 00:00:46980
它，这就是为什么我让这些
坐下来，用

5
00:00:46980——> 00:00:51570
，我所做的一切探索
思维类的

6
00:00:51570按摩——> 00:00:56020
图片，因为这是
需要时间我很少坐下来做

7
00:00:56020——> 00:01:02980
它你知道你现在知道有一个
过程这部分我的过程是

8
00:01:02980——> 00:01:07之前的照片，570
经常打印我的照片，我
通常铺在地面上，在我的办公室

9
00:01:07570——> 00:01:12479
我只是看看你知道
，他们叫了几天，我看

10
00:01:12479——> 00:01:18520
它检查出来看到底
涂鸦，原理类似于你

11
00:01:18520——> 00:01:23289
看到屏幕上现在在
底每一天我的思想深轻你

12
00:01:23289——> 00:01:27030
认识事物和观念的变化，
我可以坐下来读了太多的东西

13
00:01:27030——> 00:01:31049
那幅画是完美的，我回来
它，我想我是想什么

14
00:01:31049——> 00:01:36299
太暗到亮太多
颜色也绝对是一个过程，

15
00:01:36299——> 00：01:41630
这样我在这里做的
屏幕辅助标记的事情我需要

16
00:01:41630——> 00:01:46750
出席时，我坐在图片
再现在这条东西

17
00:01:46750——> 00:01:51259
我感到是如此的对称会
带走这些不只是

18
00:01:51259——> 00:01:57790
思路通过
权中修在今年

19
00:01:57790——> 00:02:01140
小的小东西，我走
这里显然有一个掩蔽认为

20
00:02:01140——> 00:02:05979
枕头我们仍然会在
在这里工作，一个小东西，我们

21
00:02:05979——> 00:02:11209
需要照顾所以走这
房快速通过最后我们会

22
00:02:11209——> 00:02：14540
经过像素
图片像素和确保它的所有清理

23
00:02:14540——> 00:02:17940
这不会花那么长时间，我只是
觉得当我很感动，这

24
00:02:17940——> 00:02:22030
图片，只是走上
而我不想给你

25
00:02:22030——> 00:02:26950
完全这么做的，现在如果你
看这片然后