在一幅画中，光线的变化不能象在雕塑中产生那样大的差别。但在蒙娜.丽莎的

在一幅画中，光线的变化不能象在雕塑中产生那样大的差别。但在蒙娜.丽莎的脸上，微暗的阴影时陷时现，为她的双眼与唇部披上了一层面纱。而人的笑容主要表现在眼角和嘴角上，达.芬奇却偏把这些部位画得若隐若现，没有明确的界线，因此才会有这令人捉摸不定的“神秘的微笑”。

結果 (英文) 1:

In one painting, light changes cannot generate such big differences in the sculpture. But Mona. Lisa's face, when the Dim shadows of the collapse, for her eyes and lips were covered with a veil. And people smile is mainly manifested in the eyes and mouth,. Finch did draw looming at these sites, with no clear boundaries, so will be ready for that elusive "secret smile".

結果 (英文) 2:

In one painting, the light changes can not produce as big as the difference in the sculpture. But in the Mona Lisa's face, when somber shadows trapped now, her eyes and lips covered with a veil. And people smile mainly in the eyes and mouth, Da Vinci has chosen to put these parts painted looming, there is no clear boundaries, and therefore will have this elusive "mysterious smile."

結果 (英文) 3:

In one picture, the changes of light and not like produced in sculpture as a big difference. But in the Mona Lisa's face, pale shadows of depression now, as her eyes and lips with a layer of the veil. The smile of a man is mainly manifested in the eyes and mouth, as Finch is partial to these parts of the painting was partly hidden and partly visible, no clear boundaries, so there will be the elusive "mysterious smile".