11900:04:01,239 --> 00:04:03,880see

119
00:04:01,239 --> 00:04:03,880
see that we're changing the shape of the

120
00:04:02,560 --> 00:04:05,739
history and so we're still retaining

121
00:04:03,880 --> 00:04:08,470
something different here this is not a

122
00:04:05,739 --> 00:04:11,320
straight cut offline but obviously we

123
00:04:08,470 --> 00:04:12,580
have lost all information in the deepest

124
00:04:11,320 --> 00:04:14,140
of blacks here because that we don't

125
00:04:12,580 --> 00:04:15,970
have any more blacks we've introduced so

126
00:04:14,140 --> 00:04:17,709
much white into the blacks that

127
00:04:15,970 --> 00:04:19,450
everything has been pushover so

128
00:04:17,709 --> 00:04:21,070
obviously we're losing some bit of

129
00:04:19,450 --> 00:04:22,360
information there it's not like a shadow

130
00:04:21,070 --> 00:04:25,060
recovery kind of thing

131
00:04:22,360 --> 00:04:26,530
and so in this particular case i may go

132
00:04:25,060 --> 00:04:28,060
like minus 2 if I want to reduce the

133
00:04:26,530 --> 00:04:30,430
contrast a little bit if I'm finding it

134
00:04:28,060 --> 00:04:32,110
to contrast e that's sometimes what I'll

135
00:04:30,430 --> 00:04:34,629
do all go kind of anywhere from you know

136
00:04:32,110 --> 00:04:36,520
minus 1 2-5 and that's really as far as

137
00:04:34,629 --> 00:04:38,349
I go if I'm trying to pull a little bit

138
00:04:36,520 --> 00:04:39,819
of contrast out and then where it gets

139
00:04:38,349 --> 00:04:42,219
kind of cool is if we start introducing

140
00:04:39,819 --> 00:04:44,020
let's say a blue tone into those shadows

141
00:04:42,219 --> 00:04:46,060
that looks kind of nice you know it

142
00:04:44,020 --> 00:04:47,590
targets the deepest shadows that the

143
00:04:46,060 --> 00:04:49,330
blacks and it introduces a little bit of

144
00:04:47,590 --> 00:04:50,710
color to it now obviously keeping in

145
00:04:49,330 --> 00:04:52,479
mind when we do that we are actually

146
00:04:50,710 --> 00:04:54,729
changing the histogram because we're

147
00:04:52,479 --> 00:04:57,789
replacing blacks with blue so we're

148
00:04:54,729 --> 00:05:00,159
pushing blew into the black and so you

149
00:04:57,789 --> 00:05:01,629
know what was once a deep black is now a

150
00:05:00,159 --> 00:05:03,310
little bit lighter with some blue in it

151
00:05:01,629 --> 00:05:04,870
but in any case you know that's kind of

152
00:05:03,310 --> 00:05:06,819
a nice effect and of course we can do

153
00:05:04,870 --> 00:05:08,050
that with any of these colors here again

154
00:05:06,819 --> 00:05:09,550
if you go too far with anything you

155
00:05:08,050 --> 00:05:11,289
start to lose information just like we

156
00:05:09,550 --> 00:05:13,150
did when we pushed the Black Point too

157
00:05:11,289 --> 00:05:14,439
far we had too much shade we started

158
00:05:13,150 --> 00:05:16,840
losing details so you have to be careful

159
00:05:14,439 --> 00:05:18,729
not to kind of overdue some of these

160
00:05:16,840 --> 00:05:20,050
adjustments and then magenta same thing

161
00:05:18,729 --> 00:05:22,479
magenta can often look quite nice

162
00:05:20,050 --> 00:05:24,520
injected into the shadows so again just

163
00:05:22,479 --> 00:05:26,620
be kind of mindful of how much of that

164
00:05:24,520 --> 00:05:27,879
you're pushing in and so that's where

165
00:05:26,620 --> 00:05:29,650
you can kind of get a pretty drastic

166
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adjustment within those blacks very

167
00:05:29,650 --> 00:05:33,279
quickly within the whites is kind of a

168
00:05:32,020 --> 00:05:34,810
similar story except the whites

169
00:05:33,279 --> 00:05:38,020
generally speaking are less noticeable

170
00:05:34,810 --> 00:05:40,270
of an effect whites tends to target just

171
00:05:38,020 --> 00:05:42,129
things that are fairly white like it's

172
00:05:40,270 --> 00:05:43,509
not sort of highlights it's really just

173
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whites whites

174
00:05:43,509 --> 00:05:46,870
I mean it's got to be something very

175
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bright so if we actually cranked this

176
00:05:46,870 --> 00:05:50,680
way down you can see where it it has the

177
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most effect on the background which was

178
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already pretty light and in terms of our

結果 (中文) 1:

11900:04:01，239--> 00:04:03，880看到我们正在改变的形状12000:04:02，560--> 00:04:05，739历史上，所以我们就仍然保留12100:04:03，880--> 00:04:08，470不同的东西在这里这不是12200:04:05，739--> 00:04:11，320直切脱机但显然我们12300:04:08，470--> 00:04:12，580失去了所有的信息，在最深12400:04:11，320--> 00:04:14，140黑人在这里因为我们不12500:04:12，580--> 00:04:15，970有任何更多的黑人，我们介绍过这样12600:04:14，140--> 00:04:17，709多白色到黑人，12700:04:15，970--> 00:04:19，450所以一切都已静力弹塑性12800:04:17，709--> 00:04:21，070显然，我们正在失去一些12900:04:19，450--> 00:04:22，360有的信息不是像个影子13000:04:21，070--> 00:04:25，060恢复的事13100:04:22，360--> 00:04:26，530因此，在此特定情况下可以13200:04:25 060--> 00:04:28，060要减少喜欢减去 213300:04:26，530--> 00:04:30，430有一点如果我发现它的对比13400:04:28，060--> 00:04:32，110对比 e，有时它是什么，我会13500:04:30，430--> 00:04:34，629做所有去的任何地方从你知道13600:04:32 110--> 00:04:36，520减去 1 2 5 和那的真的很远的地方作为13700:04:34，629--> 00:04:38，349如果我试图拉一点点，我去13800:04:36，520--> 00:04:39，819对比了，然后它在哪里获取13900:04:38，349--> 00:04:42，219很酷的是如果我们开始介绍14000:04:39，819--> 00:04:44，020让我们说蓝色的基调，并完成这些阴影14100:04:42，219--> 00:04:46，060这看起来不错，你知道它14200:04:44，020--> 00:04:47，590目标最深的影子，14300:04:46，060--> 00:04:49，330黑人和它介绍了一点点14400:04:47，590--> 00:04:50，710颜色对它现在显然保持14500:04:49，330--> 00:04:52，479记住，当我们这样做，我们实际上是14600:04:50，710--> 00:04:54，729因为我们改变直方图14700:04:52，479--> 00:04:57，789所以我们将黑人替换蓝色14800:04:54，729--> 00:05:00，159推吹入黑，所以你14900:04:57，789--> 00:05:01，629知道什么是一旦深黑色现15000:05:00，159--> 00:05:03，310轻一点带点蓝色的它15100:05:01，629--> 00:05:04，870但在任何情况下，你知道那是一种15200:05:03，310--> 00:05:06，819一个不错的效果，当然我们可以做15300:05:04，870--> 00:05:08，050与任何一种颜色在这里再一次15400:05:06，819--> 00:05:09，550如果你走得太远啦你15500:05:08，050--> 00:05:11，289开始失去信息就像我们一样15600:05:09，550--> 00:05:13，150时候，我们太推黑点15700:05:11，289--> 00:05:14，439远，我们有太多的阴影，我们开始15800:05:13，150--> 00:05:16，840失去细节，所以你必须要小心15900:05:14，439--> 00:05:18，729不到种逾期其中一些16000:05:16，840--> 00:05:20，050调整，然后洋红色的同一件事16100:05:18，729--> 00:05:22，479洋红色往往可以很好看16200:05:20，050--> 00:05:24，520所以再注入阴影16300:05:22，479--> 00:05:26，620多少的那种留心16400:05:24，520--> 00:05:27，879你在推销，所以这是在哪里16500:05:26，620--> 00:05:29，650你可以种蛮厉害16600:05:27，879--> 00:05:32，020调整内那些黑人非常16700:05:29，650--> 00:05:33，279很快在白人是什么样了16800:05:32，020--> 00:05:34，810类似的故事，除了白人16900:05:33，279--> 00:05:38，020一般来说是不那么明显17000:05:34，810--> 00:05:40，270影响白人倾向于只是目标17100:05:38，020--> 00:05:42，129是相当白色像它那样的事情17200:05:40，270--> 00:05:43，509不种它真的只是的亮点17300:05:42，129--> 00:05:44，770白人白人17400:05:43 509--> 00:05:46，870我的意思是它有要的东西很17500:05:44，770--> 00:05:49，029光明所以如果我们实际上手摇这17600:05:46，870--> 00:05:50，680情绪低落，你可以看到它有能为你做它17700:05:49，029--> 00:05:52，569对背景的影响最17800:05:50，680--> 00:05:54，460已经是相当轻和的角度我们

結果 (中文) 3:

一百一十九00:04:01239 --> 00:04:03880看看我们正在改变形状的一百二十00:04:02560 --> 00:04:05739历史，所以我们仍然保留一百二十一00:04:03880 --> 00:04:08470这里不同的是，这不是一个一百二十二00:04:05739 --> 00:04:11320直剪线下，但显然我们一百二十三00:04:08470 --> 00:04:12580在最深的情况中失去了所有的信息一百二十四00:04:11320 --> 00:04:14140这里的黑人，因为我们不一百二十五00:04:12580 --> 00:04:15970有更多的黑人，我们已经介绍了一百二十六00:04:14140 --> 00:04:17709白色到黑色的是一百二十七00:04:15970 --> 00:04:19450一切都被推倒，一百二十八00:04:17709 --> 00:04:21070显然，我们失去了一些点一百二十九00:04:19450 --> 00:04:22360信息在那里，它不像一个影子一百三十00:04:21070 --> 00:04:25060恢复样的东西一百三十一00:04:22360 --> 00:04:26530所以在这种特殊的情况下，我可以去一百三十二00:04:25060 --> 00:04:28060像减2，如果我想减少一百三十三00:04:26530 --> 00:04:30430对比一下，如果我发现它一百三十四00:04:28060 --> 00:04:32110对比E，这是有时我会一百三十五00:04:30430 --> 00:04:34629做所有的去一种任何地方从你知道一百三十六00:04:32110 --> 00:04:365201减2-5和真尽一百三十七00:04:34629 --> 00:04:38349我走，如果我试图拉一点点一百三十八00:04:36520 --> 00:04:39819与之相反的，然后它得到一百三十九00:04:38349 --> 00:04:42219有点酷的是，如果我们开始介绍一百四十00:04:39819 --> 00:04:44020让我们说一个蓝色的色调到这些阴影一百四十一00:04:42219 --> 00:04:46060看起来很好你知道吗一百四十二00:04:44020 --> 00:04:47590目标最深的阴影一百四十三00:04:46060 --> 00:04:49330黑人和它介绍了一点点一百四十四00:04:47590 --> 00:04:50710颜色现在明显保持一百四十五00:04:49330 --> 00:04:52479当我们做的时候，我们实际上是一百四十六00:04:50710 --> 00:04:54729改变直方图，因为我们一百四十七00:04:52479 --> 00:04:57789用蓝色代替黑人，所以我们一百四十八00:04:54729 --> 00:05:00159推吹到黑色，所以你一百四十九00:04:57789 --> 00:05:01629知道什么曾经是一个深黑色现在是一个一百五十00:05:00159 --> 00:05:03310带一些蓝色的打火机一百五十一00:05:01629 --> 00:05:04870但在任何情况下，你知道这是种一百五十二00:05:03310 --> 00:05:06819一个很好的效果，当然，我们可以做一百五十三00:05:04870 --> 00:05:08050这与任何这些颜色在这里再次一百五十四00:05:06819 --> 00:05:09550如果你走得太远，任何你一百五十五00:05:08050 --> 00:05:11289开始失去信息就像我们一百五十六00:05:09550 --> 00:05:13150当我们把黑色的点太一百五十七00:05:11289 --> 00:05:14439远我们有太多的阴影，我们开始一百五十八00:05:13150 --> 00:05:16840丢失的细节，所以你必须小心一百五十九00:05:14439 --> 00:05:18729不要对这些过期的一些一百六十00:05:16840 --> 00:05:20050调整再品一样一百六十一00:05:18729 --> 00:05:22479红色往往看上去很好一百六十二00:05:20050 --> 00:05:24520再次注射到阴影一百六十三00:05:22479 --> 00:05:26620要注意到有多少一百六十四00:05:24520 --> 00:05:27879你在推，所以这是在哪里一百六十五00:05:26620 --> 00:05:29650你可以得到一个相当激烈的一百六十六00:05:27879 --> 00:05:32020调整在这些黑人非常一百六十七00:05:29650 --> 00:05:33279在白色内很快是一种一百六十八00:05:32020 --> 00:05:34810类似的故事，除了白人一百六十九00:05:33279 --> 00:05:38020一般来说是不太明显一百七十00:05:34810 --> 00:05:40270白人倾向于目标的影响一百七十一00:05:38020 --> 00:05:42129像它一样白的东西一百七十二00:05:40270 --> 00:05:43509没有什么亮点，这真的只是一百七十三00:05:42129 --> 00:05:44770白人，白人一百七十四00:05:43509 --> 00:05:46870我的意思是它必须是一件非常一百七十五00:05:44770 --> 00:05:49029如果我们真的把这个如此明亮一百七十六00:05:46870 --> 00:05:50680往下看，你可以看到它在哪里一百七十七00:05:49029 --> 00:05:52569最影响的背景是一百七十八00:05:50680 --> 00:05:54460已经很轻，在我们的