Valerie came to Sydmonton with an u

Valerie came to Sydmonton with an unpublished scrap of a poem about Grizabella, a cat who had “haunted many a low resort.” Grizabella made the postman sigh “as he scratched his head / You really would have thought she ought to be dead / And who would ever suppose that that / Was Grizabella the Glamour Cat.” Eliot had thought Grizabella too sad for children, but Lloyd Webber saw her as a character to build a musical around. Valerie also brought a letter Eliot had written to his publisher, in which he describes the Pollicle Dogs and Jellicle Cats gathering for an event where they ascend “Up, up, up, to the Russell Hotel / Up, up, up, to the Heaviside Layer.” (“There are several ways in which this might be a failure,” Eliot noted.) For Lloyd Webber, these two faint signals, blinking out of a plotless void, suggested the narrative foundation for a show.

結果 (繁體中文) 1:

瓦萊麗來到Sydmonton一個有關葛麗茲貝拉，貓詩的未發表的廢料誰曾“困擾許多低度假勝地。”葛麗茲貝拉做郵遞員嘆息“，因為他撓了撓頭/你真會以為她應該是死了/而誰真的假設是/當時葛麗茲貝拉魅力貓。“艾略特曾以為葛麗茲貝拉太難過了孩子，但韋伯認為她是建立一個音樂圍繞一個字符。瓦萊麗也帶來了一封信艾略特曾寫信給他的出版商，他描述了Pollicle狗和傑利克收集了他們登上“起來，起來，構成一個事件，到羅素酒店/起來，起來，起來，到赫維賽德層。“（”有幾種方法，這可能是失敗的，“艾略特說。）對於韋伯，這兩個微弱信號，眨眼無情節空洞的出來，

結果 (繁體中文) 2:

瓦萊麗來到Sydmonton，帶著一首未發表的關於格裡紮貝拉的詩，這只貓"在很多低矮的度假勝地都鬧鬼"。格裡紮貝拉讓郵遞員歎了口氣他撓了撓頭 / 你真的會認為她應了 / 誰會認為那 / 格裡紮貝拉是魅力貓。艾略特認為格裡紮貝拉對孩子來說太傷心了，但勞埃德·韋伯把她看作是一個圍繞音樂劇而塑造的人物。Valerie also brought a letter Eliot had written to his publisher, in which he describes the Pollicle Dogs and Jellicle Cats gathering for an event where they ascend "Up, up, up, to the Russell Hotel / Up, up, up, to the Heaviside Layer."艾略特指出："有幾種方法可以造成失敗。對於勞埃德·韋伯來說，這兩個微弱的信號，從無情節的空白中閃爍出來，為一場演出提供了敘事基礎。

結果 (繁體中文) 3:

瓦萊麗帶著一首未出版的關於格裏莎貝拉的詩來到了西蒙頓，這只猫曾在一個低矮的地方出沒過。格裏莎貝拉撓著頭，讓郵差歎了口氣。你真的會以為她應該死了，誰會想到格裏莎貝拉是迷人的猫。孩子們很傷心，但勞埃德韋伯把她看作是一個可以創作音樂劇的角色。瓦萊麗還帶來了艾略特寫給他的出版商的一封信，信中描述了波利克狗和傑利克猫聚集在一起，參加一個活動，他們登上羅素飯店/登上，登上，登上，登上，登上天堂層。這兩個微弱的訊號，閃爍出一個沒有情節的空白，暗示了一個節目的敘事基礎。