1
00:00:00,000 --> 00:00:06,440
small umbrella this is the last of the
one light umbrella setups and uses the
2
00:00:06,440 --> 00:00:11,710
small umbrella this is going to give the
most overall contrast for this shot we
3
00:00:11,710 --> 00:00:18,090
use one ProPhoto power packs 1 ProPhoto
had a stand a reflector and a small
4
00:00:18,090 --> 00:00:22,949
white umbrella as with the two previous
umbrella set-ups the umbrella was placed
5
00:00:22,949 --> 00:00:27,150
about six feet away from the model six
feet high and with the umbrella angle
6
00:00:27,150 --> 00:00:32,009
down towards her face however is again
meter that F eight the camera was said
7
00:00:32,009 --> 00:00:37,770
to FAA at 11 60th of a second and ISO
100 one of the nice functions of an
8
00:00:37,770 --> 00:00:42,230
umbrella as they can be placed either to
the side three quarters or completely
9
00:00:42,230 --> 00:00:46,250
frontal and because of its wraparound
design will almost always get a
10
00:00:46,250 --> 00:00:47,170
flattering light
11
00:00:47,170 --> 00:00:51,989
depending on the shape of the model's
face wear her hair is parted and the
12
00:00:51,989 --> 00:00:55,949
angle of the shot I love this mom
brother creates a lot of contrast
13
00:00:55,949 --> 00:00:58,870
obviously it's going to create a lot
more than you with your medium or large
14
00:00:58,870 --> 00:01:01,750
umbrellas it's very directional so
15
00:01:01,750 --> 00:01:05,180
your model has spewed everywhere where
the lights coming from I often use it
16
00:01:05,180 --> 00:01:09,900
even to do like a sidelight just for
paramount like to create a lot of
17
00:01:09,900 --> 00:01:14,860
Shadows doesn't really matter where she
moves officer to capture that where the
18
00:01:14,860 --> 00:01:18,690
light falls and as such I like the lot