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going for a high-end editorial and not
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to mention the fact that we're clipping
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a lot of detail in this
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I was here so not great so you know what
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let's just delete this so we have our
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default values back bring it back here
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what I typically do for this is used
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multiply mode so if we want to create a
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movie or image let's use x multiplied
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obviously right now is probably a little
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too aggressive like we've lost all
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detail in the shadows we've kind of you
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know messed about with our highlights so
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that's not we're gonna leave it for that
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we're going to use our opacity in
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combination with the x learning mode and
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so just crank that down until it feels
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right and i'll actually show you a
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little trick that I tend to like using
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let's say that the right luminosity is
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you know it feels good somewhere around
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let's say twenty-five percent i think
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that does look pretty good but we kind
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of like the look of the tones at forty
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percent what I often do is combine this
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together with a curves adjustment so
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let's just move this up here turn that
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on and we're going to actually take this
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curve and we're going to brighten things
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back up so not a lot you know just a
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little bit to kind of offset some of the
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effects of the darkening within our
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black & white adjustment and oftentimes
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what I do is I put these together and
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then I just call it like luminosity
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which obviously we know right now it's
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not purely luminosity adjustment because
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we talked about on and off we have
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changed the colors quite a bit
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especially in the shadows the shadows
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become more d saturated the overall
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image becomes law already saturated
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which you know may be good or bad if you
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want to bring some of that saturation
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back again we're going to have tools to
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do that for us but for me I always find
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that it creates a nice moody sort of
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starting point and let's turn our dodge
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and burn back on there and so as you can
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see we've kind of reduce the luminosity