6700:02:27,750 --> 00:02:31,260wher

67
00:02:27,750 --> 00:02:31,260
where I want to be because you know if

68
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you have an image that is very bright

69
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and we kind of talked about this and

70
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alluded to it within the the raw

71
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conversion stage is that if i have this

72
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image here and i have it you know darker

73
00:02:38,880 --> 00:02:43,530
it has a very different mood then if i

74
00:02:40,920 --> 00:02:46,170
were to make it bright and so that will

75
00:02:43,530 --> 00:02:48,810
affect my choice of colors and for that

76
00:02:46,170 --> 00:02:51,780
reason i like to start off with sort of

77
00:02:48,810 --> 00:02:52,830
my target overall luminosity and

78
00:02:51,780 --> 00:02:54,360
generally speaking

79
00:02:52,830 --> 00:02:57,240
ideally you would have the perfect

80
00:02:54,360 --> 00:02:59,130
luminosity out of your raw file but you

81
00:02:57,240 --> 00:03:02,280
know oftentimes I find that with my raw

82
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file i like to have luminosity that

83
00:03:02,280 --> 00:03:05,310
doesn't have any blown-out shadows

84
00:03:04,170 --> 00:03:07,470
doesn't have any blown out highlights

85
00:03:05,310 --> 00:03:09,180
and essentially it's a good balance

86
00:03:07,470 --> 00:03:11,010
starting point and that's the same thing

87
00:03:09,180 --> 00:03:12,480
when it comes to the white balance

88
00:03:11,010 --> 00:03:14,580
itself as well we were talking about

89
00:03:12,480 --> 00:03:16,110
that now with this image here I've

90
00:03:14,580 --> 00:03:17,970
actually got to white balance as you can

91
00:03:16,110 --> 00:03:19,500
see we have this sort of warmer one that

92
00:03:17,970 --> 00:03:22,140
gives you the impression that it was

93
00:03:19,500 --> 00:03:23,610
shot at sunset which in fact it was and

94
00:03:22,140 --> 00:03:25,980
then what I did was I created this one

95
00:03:23,610 --> 00:03:27,420
here which essentially neutralized a lot

96
00:03:25,980 --> 00:03:28,860
more now there's still a little bit of

97
00:03:27,420 --> 00:03:30,480
this warm feel to it i didn't want to

98
00:03:28,860 --> 00:03:32,040
take it out completely but as you can

99
00:03:30,480 --> 00:03:34,620
see the shadows are a lot more neutral

100
00:03:32,040 --> 00:03:37,350
in nature the distribution of colors is

101
00:03:34,620 --> 00:03:39,209
a lot more uniform than here where you

102
00:03:37,350 --> 00:03:41,370
can see if i go over this if you look at

103
00:03:39,209 --> 00:03:42,930
the sort of distribution over here we

104
00:03:41,370 --> 00:03:44,580
can see that the yellows certainly

105
00:03:42,930 --> 00:03:48,090
dominated around you know sixty-six

106
00:03:44,580 --> 00:03:49,680
percent so you know it's not as even now

107
00:03:48,090 --> 00:03:52,680
obviously our starting point will

108
00:03:49,680 --> 00:03:54,239
dictate what tools will use and you know

109
00:03:52,680 --> 00:03:55,890
what what steps will take to create this

110
00:03:54,239 --> 00:03:57,930
image and then you know ultimately I

111
00:03:55,890 --> 00:03:59,370
want to keep this kind of feel to it it

112
00:03:57,930 --> 00:04:01,380
would be best to start with this image

113
00:03:59,370 --> 00:04:03,000
here there's no reason to start neutral

114
00:04:01,380 --> 00:04:05,280
knowing full well that will be going

115
00:04:03,000 --> 00:04:06,600
towards a more sunset feel now what kind

116
00:04:05,280 --> 00:04:08,340
of replicate that a little bit as well

117
00:04:06,600 --> 00:04:10,709
and you know we'll look at how those

118
00:04:08,340 --> 00:04:12,870
adjustments look different between the

119
00:04:10,709 --> 00:04:13,980
two different starting points so I said

120
00:04:12,870 --> 00:04:17,010
you know the best place to start really

121
00:04:13,980 --> 00:04:18,930
is to get your your actual luminosity

122
00:04:17,010 --> 00:04:21,000
where you want to be now the framework

123
00:04:18,930 --> 00:04:22,500
itself will talk about in the next

124
00:04:21,000 --> 00:04:23,760
lesson and we'll sort of i'll take you

125
00:04:22,500 --> 00:04:25,530
through the steps that I always take

126
00:04:23,760 --> 00:04:25,889
from the start of the image to the end

127
00:04:25,530 --> 00:04:27,449
and where

128
00:04:25,889 --> 00:04:29,249
color grading fits into that right now

129
00:04:27,449 --> 00:04:31,710
don't get hung up on that let's just

130
00:04:29,249 --> 00:04:32,789
talk about the tools individually and

131
00:04:31,710 --> 00:04:34,820
then we're going to kind of put it all

132
00:04:32,789 --> 00:04:45,429
together in the next lesson

133
00:04:34,820 --> 00:04:45,429
[Music]

結果 (中文) 1:

6700:02:27，750--> 00:02:31，260在这里我想是因为你知道如果6800:02:29，430--> 00:02:32，880你有非常明亮的图像6900:02:31，260--> 00:02:35，100和我们讨论过这个问题有点和7000:02:32，880--> 00:02:36，690提到它内生7100:02:35，100--> 00:02:38，880转换阶段是有这7200:02:36，690--> 00:02:40，920图像在这里和我好吗你知道暗7300:02:38，880--> 00:02:43，530它有一个非常不同的心情然后如果我7400:02:40，920--> 00:02:46，170使它明亮，所以将7500:02:43，530--> 00:02:48，810影响我选择的颜色和那7600:02:46，170--> 00:02:51，780我想开始的原因7700:02:48，810--> 00:02:52，830我目标整体亮度和7800:02:51，780--> 00:02:54，360一般来说7900:02:52，830--> 00:02:57，240理想情况下你会有完美的8000:02:54，360--> 00:02:59，130从你但你的原始文件的亮度8100:02:57，240--> 00:03:02，280知道很多时候我觉得这与我生8200:02:59，130--> 00:03:04，170我喜欢有亮度的文件，8300:03:02，280--> 00:03:05，310没有任何吹出阴影8400:03:04，170--> 00:03:07，470没有任何被炸出的亮点8500:03:05，310--> 00:03:09，180和它本质上是一个良好的平衡8600:03:07，470--> 00:03:11，010起始点和同样的事情8700:03:09,180 --> 00:03:12,480when it comes to the white balance8800:03:11,010 --> 00:03:14,580itself as well we were talking about8900:03:12,480 --> 00:03:16,110that now with this image here I've9000:03:14,580 --> 00:03:17,970actually got to white balance as you can9100:03:16,110 --> 00:03:19,500see we have this sort of warmer one that9200:03:17,970 --> 00:03:22,140gives you the impression that it was9300:03:19,500 --> 00:03:23,610shot at sunset which in fact it was and9400:03:22,140 --> 00:03:25,980then what I did was I created this one9500:03:23,610 --> 00:03:27,420here which essentially neutralized a lot9600:03:25,980 --> 00:03:28,860more now there's still a little bit of9700:03:27,420 --> 00:03:30,480this warm feel to it i didn't want to9800:03:28,860 --> 00:03:32,040take it out completely but as you can9900:03:30,480 --> 00:03:34,620see the shadows are a lot more neutral10000:03:32,040 --> 00:03:37,350in nature the distribution of colors is10100:03:34,620 --> 00:03:39,209a lot more uniform than here where you10200:03:37,350 --> 00:03:41,370can see if i go over this if you look at10300:03:39,209 --> 00:03:42,930the sort of distribution over here we10400:03:41,370 --> 00:03:44,580can see that the yellows certainly10500:03:42,930 --> 00:03:48,090dominated around you know sixty-six10600:03:44,580 --> 00:03:49,680percent so you know it's not as even now10700:03:48,090 --> 00:03:52,680obviously our starting point will10800:03:49,680 --> 00:03:54,239dictate what tools will use and you know10900:03:52,680 --> 00:03:55,890what what steps will take to create this11000:03:54,239 --> 00:03:57,930image and then you know ultimately I11100:03:55,890 --> 00:03:59,370want to keep this kind of feel to it it11200:03:57,930 --> 00:04:01,380would be best to start with this image11300:03:59,370 --> 00:04:03,000here there's no reason to start neutral11400:04:01,380 --> 00:04:05,280knowing full well that will be going11500:04:03,000 --> 00:04:06,600towards a more sunset feel now what kind11600:04:05,280 --> 00:04:08,340of replicate that a little bit as well11700:04:06,600 --> 00:04:10,709and you know we'll look at how those11800:04:08,340 --> 00:04:12,870adjustments look different between the11900:04:10,709 --> 00:04:13,980two different starting points so I said12000:04:12,870 --> 00:04:17,010you know the best place to start really12100:04:13,980 --> 00:04:18,930is to get your your actual luminosity12200:04:17,010 --> 00:04:21,000where you want to be now the framework12300:04:18,930 --> 00:04:22,500itself will talk about in the next12400:04:21,000 --> 00:04:23,760lesson and we'll sort of i'll take you12500:04:22,500 --> 00:04:25,530through the steps that I always take12600:04:23,760 --> 00:04:25,889from the start of the image to the end12700:04:25,530 --> 00:04:27,449and where12800:04:25,889 --> 00:04:29,249color grading fits into that right now12900:04:27,449 --> 00:04:31,710don't get hung up on that let's just13000:04:29,249 --> 00:04:32,789talk about the tools individually and13100:04:31,710 --> 00:04:34,820then we're going to kind of put it all13200:04:32,789 --> 00:04:45,429together in the next lesson13300:04:34,820 --> 00:04:45,429[Music]

結果 (中文) 3:

六十七00:02:27750 --> 00:02:31260我想成为的地方是因为你知道六十八00:02:29430 --> 00:02:32880你有一个非常明亮的形象六十九00:02:31260 --> 00:02:35100我们讨论了这一点七十00:02:32880 --> 00:02:36690提到它在原七十一00:02:35100 --> 00:02:38880转换阶段是，如果我有这个七十二00:02:36690 --> 00:02:40920图像在这里，我有你知道黑暗七十三00:02:38880 --> 00:02:43530它有一个非常不同的情绪，如果我七十四00:02:40920 --> 00:02:46170要使它明亮，这样会七十五00:02:43530 --> 00:02:48810影响我选择的颜色和七十六00:02:46170 --> 00:02:51780原因我喜欢开始与排序七十七00:02:48810 --> 00:02:52830我的目标整体亮度和七十八00:02:51780 --> 00:02:54360一般来说七十九00:02:52830 --> 00:02:57240理想的情况下，你会有完美的八十00:02:54360 --> 00:02:59130光度从你的原始文件，但你八十一00:02:57240 --> 00:03:02280知道我经常发现我的原八十二00:02:59130 --> 00:03:04170我喜欢的文件有亮度八十三00:03:02280 --> 00:03:05310没有任何吹出的阴影八十四00:03:04170 --> 00:03:07470没有任何突出的亮点八十五00:03:05310 --> 00:03:09180从本质上来说，这是一个很好的平衡八十六00:03:07470 --> 00:03:11010出发点，这是同一件事八十七00:03:09180 --> 00:03:12480当谈到白色的平衡八十八00:03:11010 --> 00:03:14580我们谈论的是自己八十九00:03:12480 --> 00:03:16110在这里，我已经在这里的形象九十00:03:14580 --> 00:03:17970实际上是得到了白色的平衡，你可以九十一00:03:16110 --> 00:03:19500看，我们有这样一个温暖的人九十二00:03:17970 --> 00:03:22140给你的印象是九十三00:03:19500 --> 00:03:23610拍摄日落，事实上，它是和九十四00:03:22140 --> 00:03:25980然后我所做的是我创造了这一个九十五00:03:23610 --> 00:03:27420这里基本上是中立的很多九十六00:03:25980 --> 00:03:28860现在还有一点点的九十七00:03:27420 --> 00:03:30480这温暖的感觉，我不想九十八00:03:28860 --> 00:03:32040完全把它拿出来，但你可以九十九00:03:30480 --> 00:03:34620看到阴影是一个更多的中性一百00:03:32040 --> 00:03:37350在自然界中，颜色的分布是一百零一00:03:34620 --> 00:03:39209这里的你比这里多了很多一百零二00:03:37350 --> 00:03:41370可以看看，如果我走了，如果你看看一百零三00:03:39209 --> 00:03:42930这里的分布我们一百零四00:03:41370 --> 00:03:44580可以看到，黄色的肯定一百零五00:03:42930 --> 00:03:48090主宰你周围你知道六十六一百零六00:03:44580 --> 00:03:49680百分比，所以你知道它不是现在一样一百零七00:03:48090 --> 00:03:52680很明显我们的出发点一百零八00:03:49680 --> 00:03:54239决定什么工具将使用，你知道一百零九00:03:52680 --> 00:03:55890将采取什么步骤来创建这个一百一十00:03:54239 --> 00:03:57930形象，然后你知道我最终一百一十一00:03:55890 --> 00:03:59370想要保持这种感觉它一百一十二00:03:57930 --> 00:04:01380最好是开始这个形象一百一十三00:03:59370 --> 00:04:03000这里没有理由开始中立一百一十四00:04:01380 --> 00:04:05280知道充分的，将要一百一十五00:04:03000 --> 00:04:06600走向一个更日落的感觉，现在是什么样的一百一十六00:04:05280 --> 00:04:08340复制的一点点，以及一百一十七00:04:06600 --> 00:04:10709你知道我们会看看那些一百一十八00:04:08340 --> 00:04:12870调整看起来不同的一百一十九00:04:10709 --> 00:04:13980两个不同的出发点，所以我说一百二十00:04:12870 --> 00:04:17010你知道开始真正的最好的地方一百二十一00:04:13980 --> 00:04:18930是让你的实际亮度一百二十二00:04:17010 --> 00:04:21000在你想成为现在的框架一百二十三00:04:18930 --> 00:04:22500自己将在下一个谈论一百二十四00:04:21000 --> 00:04:23760教训，我们会排序的，我会带你一百二十五00:04:22500 --> 00:04:25530通过我一直采取的步骤一百二十六00:04:23760 --> 00:04:25889从图像的开始到结束一百二十七00:04:25530 --> 00:04:27449在哪里一百二十八00:04:25889 --> 00:04:29249颜色分级适合现在一百二十九00:04:27449 --> 00:04:31710不要被挂在那让我们只是一百三十00:04:29249 --> 00:04:32789单独谈论工具一百三十一00:04:31710 --> 00:04:34820然后，我们要把它所有一百三十二00:04:32789 --> 00:04:45429在下一节课一百三十三00:04:34820 --> 00:04:45429[音乐]