611
00:50:53,880 --> 00:50:58,080
can I put those two together because the
cliffs on the school over here and the
612
00:50:58,080 --> 00:51:02,390
river Dr be don't see it from up here so
it becomes me walking back and forth
613
00:51:02,390 --> 00:51:06,570
shooting this piece and that peace and
in the end of it together so there's
614
00:51:06,570 --> 00:51:13,010
forces massaging there is no way for me
to do that but I should though I know
615
00:51:13,010 --> 00:51:16,140
clients have been going on what is he
doing what he's doing now is doing now
616
00:51:16,140 --> 00:51:20,390
and I walk around collecting pieces yeah
but in that process is a picture for me
617
00:51:20,390 --> 00:51:28,760
in the night and I do not use other
features but the initial picture I
618
00:51:28,760 --> 00:51:33,390
always put together myself still right
and then you send it off and polish yes
619
00:51:33,390 --> 00:51:37,100
the researchers went there they couldn't
see what I was thinking they could just
620
00:51:37,100 --> 00:51:40,290
pick up all those pieces and think oh
this is what I was thinking with that
621
00:51:40,290 --> 00:51:44,970
piece on that part so all this it's me
sitting on the computer putting all the
622
00:51:44,970 --> 00:51:47,069
pieces adding my sort of field
623
00:51:47,069 --> 00:51:51,099
and then sending it off to be torture to
massage it and put the pieces together
624
00:51:51,099 --> 00:51:55,170
you write on a couple things
photographers can stop looking I mean
625
00:51:55,170 --> 00:52:00,459
it's my curse I'm constantly looking at
things are looking at forming
626
00:52:00,459 --> 00:52:04,739
objectifying things quite honestly I've
said many times I'm objectify everything
627
00:52:04,739 --> 00:52:08,609
I look at it every bottle every class
everyone I just see shape and I'm
628
00:52:08,609 --> 00:52:13,199
constantly almost lost in it and you
talk about a baton he was always one of
629
00:52:13,199 --> 00:52:17,319
my inspirations and Sinclair wrote a
piece for he's talked about the fact
630
00:52:17,319 --> 00:52:23,880
that he can't help himself he will be in
conversation and then he just goes cuz
631
00:52:23,880 --> 00:52:27,259
he's looking at someone or looking at
something something has caught his
632
00:52:27,259 --> 00:52:30,999
attention and its thinking about its
form in the way latest hitting it and
633
00:52:30,999 --> 00:52:35,910
how he can tell its story and how he
wants to photograph it and his friends
634
00:52:35,910 --> 00:52:41,190
you know and are important enough to
know him and realize you just kind of
635
00:52:41,190 --> 00:52:46,589
zoned out my god it's me totally do that
so much time I can be a conversation
636
00:52:46,589 --> 00:52:51,459
with somebody or just constantly looking
at stuff and you've got that same call
637
00:52:51,459 --> 00:52:56,089
me where you can't help yourself as a
photographer but observe the world
638
00:52:56,089 --> 00:53:03,219
yeah that's what we did right to
blessing and a curse and a blessing yeah
639
00:53:03,219 --> 00:53:05,400
and I think that's the biggest thing of
it
640
00:53:05,400 --> 00:53:11,269
young photographers today that they get
so obsessed with looking at its green
641
00:53:11,269 --> 00:53:17,900
but they're not the world around them
and looking at the screen on a
642
00:53:17,900 --> 00:53:23,199
two-dimensional surface you don't learn
how light falls you don't learn very
643
00:53:23,199 --> 00:53:28,099
comes from or what causes it right you
learn a lot from really being aware of
644
00:53:28,099 --> 00:53:33,190
and you're out there you have the light
falls on you and if I'm inspired by that
645
00:53:33,190 --> 00:53:36,859
i can reply to my photography later
right off the coast of bars and stuff oh
646
00:53:36,859 --> 00:53:42,779
my god Cirque du Soleil for instance
yeah like that stuff come up with that
647
00:53:42,779 --> 00:53:47,089
that is one of the most inspiring things
that I see yeah it's extraordinary but
648
00:53:47,089 --> 00:53:52,779
if you're not a very seeing its from the
length of a photographer knowing you can
649
00:53:52,779 --> 00:53:56,040
apply that to you pictures later you
know it
650
00:53:56,040 --> 00:54:00,980
that's a loss if you use two days and
not forgetting to absorb what's there
651
00:54:00,980 --> 00:54:05,050
you know it's all this is a notorious I
mean you talked quite a bit about death
652
00:54:05,050 --> 00:54:11,150
about bringing death to two-dimensional
peace and sometimes I think people don't
653
00:54:11,150 --> 00:54:15,440
make that connection a minor is
two-dimensional
654
00:54:15,440 --> 00:54:20,160
a print is two-dimensional but you have
to give it depth we have to give it to
655
00:54:20,160 --> 00:54:23,390
life that people feel like they're in it
to experience it otherwise it doesn't
656
00:54:23,390 --> 00:54:26,860
really resonate with them I think that's
a very difficult for people in today's
657
00:54:26,860 --> 00:54:30,990
generation where everything is coming so
quickly and it is all too D and it is
658
00:54:30,990 --> 00:54:38,770
all social media for that idea of shape
in debt and form is almost lost so
659
00:54:38,770 --> 00:54:41,830
people really pay attention to this
tutorial they're gonna see how you
660
00:54:41,830 --> 00:54:47,900
really capitalize on it and bring them
to life thank you big thing for me I
661
00:54:47,900 --> 00:54:52,310
think creating depth into pictures that
will help tell the story but in that
662
00:54:52,310 --> 00:54:57,440
photograph is the magic ticket at least
for me when their sport of photographers
663
00:54:57,440 --> 00:55:01,440
I don't want to focus on the phase I
said very nice things for them it's not
664
00:55:01,440 --> 00:55:05,610
as applicable but if your sensibilities
are similar to mine that's how I operate
665
00:55:05,610 --> 00:55:10,600
the night try to create volume in those
pictures so let's talk about some things
666
00:55:10,600 --> 00:55:13,680
that are going on in your life now
because you've got a lot of changes a
667
00:55:13,680 --> 00:55:21,130
lot of really cool things happening
you're moving I am moving so through
668
00:55:21,130 --> 00:55:29,150
this tutorial right I used the breakup I
just went through a sea source for
669
00:55:29,150 --> 00:55:37,740
inspiration and now that I'm single guy
can do what I want
670
00:55:37,740 --> 00:55:45,200
the countryside outside San Francisco
listening to the wine country and talk
671
00:55:45,200 --> 00:55:49,060
about the elements are traveling how
it's awesome that can be and I think me
672
00:55:49,060 --> 00:55:53,340
to have a respite it's quieter than a
big-city will be really helpful to help
673
00:55:53,340 --> 00:55:56,869
me recharge and get back on the road
again I'm really craving something
674
00:55:56,869 --> 00:56:01,580
that's quieter that's number one and
then there is curiosity about wine you
675
00:56:01,580 --> 00:56:07,840
know that happened yeah this kicked in
for you as well yeah so I'm kind of
676
00:56:07,840 --> 00:56:11,350
excited by this Saturday shouldn't be
distracted from my craft which is
677
00:56:11,350 --> 00:56:15,800
photography but I also think that can
inspire in other ways and I want explore
678
00:56:15,800 --> 00:56:18,310
other are you talking about that
yesterday you know when we're looking
679
00:56:18,310 --> 00:56:26,160
around my studio I had a friend like
that I love that Eric of his studio
680
00:56:26,160 --> 00:56:31,810
album you because it's a great place but
as artists we are inspired by others you
681
00:56:31,810 --> 00:56:35,280
know when I renovated is pushing really
got into not only designing it but