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in the second of a multi-part series on
I retouching where to take care of her
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going through the eye and redness within
the eye
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hi there Michael from vibrant Sean
Teehan find me on Facebook at
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facebook.com / by Prashant and also dock
on so in this second of a multi-part
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series on I retouching relook at the
common problem of going through the eyes
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as well as fixing redness and veins
within the I go ahead and zoom into
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round two hundred percent again and I we
can see we have to play here is going
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through the I hear now there's
essentially two different ways that you
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can deal with it the first we'll show
you has its limitations but can
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sometimes work depending on the
situation for the most part using clone
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stamp tool on this is pretty painful
because you often end up with the wrong
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color apply through here because the
tonality within the I changes a lot and
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if you're even slightly off on your
shade of white it looks absolutely
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terrible so generally well trying to do
is use the healing brush before we do
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that i'm gonna just duplicate my later
using commander control J Andrews gonna
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sample from the bottom here as close as
we can to the actual hair and just kind
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of going through and trying to get rid
of it now then generally works ok here
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where are you actually see it fail is
any areas where there's transition
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points off actually trying to fix up to
here as you can see it's just not
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looking too good we're already starting
to get some bumps over here let's roll
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that back in their area will you see
problems is right in here so if we
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actually tried to fix that will start
getting some incorrect colors can
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blending in a few here so far not too
bad but again not ideal through here and
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also if we actually try and do it
through here will actually start
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blending in from the top so what are
usually do is all use the Healing Brush
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to fix the issue within the actual
weight of the eye and then have to deal
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with these detailed areas are used a
different technique so I'm actually a
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role of this back and we're gonna stick
to one technique to fix both of the
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actual hair going through and also to
fix the red zone do is going to use our
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good friend frequency separation which
I've covered in a number of videos
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before so I'm gonna quickly blast
through this just refer to any of his
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other videos
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if you don't understand what I'm doing
so easy to recreate to duplicates are
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virus layer so hitting command J twice
now in this case already have one
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duplicate which I made at the beginning
so I'm just going to reuse that we're
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going to go to our bottom layer here in
a blur it using Gaussian Blur and I'm
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gonna pick a radius of 10 and I'm just
picking up just because you know it's
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starting to get rid of the hair you
can't really see it at that radius but
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it still provides a little bit of detail
within the image so there's are blurred
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later in our gonna activate our top
player lets just rename these while
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we're at it when I call this one low and
we're gonna go into image image solar
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inverter
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add as our blend mode skill to offset 0
I'll have the eight bit settings pop up
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somewhere over here so these are
actually sixteen-bit settings if you're
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an eighth but use the settings I have
letter to shop here click OK and then
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what we gonna do is just group these
together hitting comanche let's go and
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change the bundle here to let your light
and we're gonna add a layer in between
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them so just Claire and between two
layers so I do have an action for this
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obviously I just use that created to
show you how that would work
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action I have my main layer of the
action that just creates a whole
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frequency separation step for me and I'm
ready to go so definitely record in
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action for all those steps just
obviously as you can see saves you a lot
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of time in doing so we're gonna do with
our high frequency later and we're gonna
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start the healing brush and we can use
now we can actually use the human or the
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Clone Stamp tool depending on where we
are going to just sample again from so
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this nearby area over here and we're
just gonna go over it so we thought the
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high-frequency laser activated right now
and just simple little bit from the
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bottom
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little bit from the top sample from
various areas because you don't have to
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worry about the tonality is match
because we're only operating on the
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high-frequency laser which essentially
just
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has the details in it which is that
there would actually be something in the
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high-frequency later know what you'll
notice if we try and go through here it
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will actually remove the high-frequency
information but it still leaves some of
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this low frequency patients will have to
deal with that separately so our goal
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here is to just get rid of the main
portion of the line we're going to take
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some of this lateness that we have here
a little bit later so again just sample
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from close by at the top so you know in
this case against not working too well
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so I changed tools for this area let's
just deal with this area first here and
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now we're going to go back to our trusty
clone stamp tool and we're just gonna
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deal with that using the closest and 20
again just sampling from various areas
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again we've got this whole light issue
over here which were gonna take care of
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separately as well as getting rid of it
from there
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R
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as you can see the closing costs and
told us give us the most control now now
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we can actually use it was before we
couldn't because it's going to sample
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the color for us as well which we
certainly don't want
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ok so we pretty much closed and that out
a couple other areas that we can take
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care of here as well
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there okay so that takes care of most of
it we still have some issues over here